A Station In Motion: Termini As Heterotopia,
2017
Stony Brook University
A Station In Motion: Termini As Heterotopia, Simone Brioni Dr.
Department of English Faculty Publications
Drawing on Michel Foucault’s definition of heterotopia, the article analyses the filmic and literary representation of Stazione Termini, Rome’s main train station. The Fascist architectural project, which mirrors an idea of the nation as homogeneous, monolithic, and white, begins to be challenged in the post-World War II representations of Termini which depict the station as the place where liminal and unexpected experiences can occur and accepted moral codes of behaviour are put into question. The article then focuses on the recent representation of Termini as a key place of contact with and among immigrants. While migration literature describes the station …
When Children Are Water: Representation Of Central American Migrant Children In Public Discourse And Implications For Educators,
2017
University of Nebraska-Lincoln
When Children Are Water: Representation Of Central American Migrant Children In Public Discourse And Implications For Educators, Theresa Catalano
Department of Teaching, Learning, and Teacher Education: Faculty Publications
Since June, 2014 when the U.S. government began to document an increase in unaccompanied/separated children arriving in the United States from Central America, these children have become a frequent topic in media discourse. Because rhetoric about immigration issues have been shown to affect schooling of these children, the present paper aims to examine how these children are represented in the discourse of one community. Findings from this critical multimodal discourse analysis reveal multiple strategies of representation that result in the dominant metaphor of IMMIGRANT CHILDREN ARE DANGEROUS WATER and negative perceptions that have implications for the education of these students.
Un Nino Judio En El Equipo: Futbol E Identidad En Pelota De Trap (De Leopoldo Torres Rios),
2017
Technological University Dublin
Un Nino Judio En El Equipo: Futbol E Identidad En Pelota De Trap (De Leopoldo Torres Rios), Mirna Vohnsen
Articles
Este art ículo se centra en la representación de Abrahamcito, un niño judío que aparece en la película argentina Pelota de trapo (Leopoldo Torres Ríos, 1948). Se explora la relación que el niño tiene con su padre y los demás niños del vecindario, así como también la manera en que el fútbol como metáfora de integración promueve una alianza superior a cualquier otra. Se demuestra que Abrahamcito, quien hace frente a los ideales de su padre y se une a los otros niños en los juegos de pelota, forja su identidad de pertenencias múltiples en la que integra su identidad …
Pyramide: The Changing Power Structure Of Fashion,
2017
Scripps College
Pyramide: The Changing Power Structure Of Fashion, Ariana Callan
Scripps Senior Theses
This project examines the changing world of fashion in an interactive digital magazine format. In the past few years, fashion has increasingly been democratizing, as new designers and forms of media increasingly gain influence. Ready-to-wear designers are working with lower-end brands through collaborations, redefining what each brand is supposed to do, while blogging is allowing those whose voices are usually unheard to openly critique and influence fashion. Overall, they are creating a more democratized space, challenging what was once normal in the fashion industry.
Indivim-Kara: An Exploration Of Ego And The Archetypes In Art,
2017
University of Central Florida
Indivim-Kara: An Exploration Of Ego And The Archetypes In Art, Jared Justice
Electronic Theses and Dissertations
The purpose of this document is to demonstrate how I use my art making as an active meditation in order to temporarily subvert ego and create a new subjective reality in visual form. The results of my research will provide the reader with the ability to connect existing philosophies of the Yoga Sutras and Jungian Theory with new art works that explore active meditation, neurosis, and the archetypes of the collective psyche. My goal is to reconstruct these concepts into a visual medium that reshapes facts and theories into images of my own truth, giving free play to fantasy akin …
Pioneer Of Self: An Intimate Retrospective,
2017
University of Central Florida
Pioneer Of Self: An Intimate Retrospective, Juliet Diienno
Electronic Theses and Dissertations
Reality is ever changing, and as we gain experience, our perceptions of it transform. Plato's allegory of the cave addresses the way one person's journey from darkness into daylight transforms his reality. My own body of work can be described through this extended metaphor, similarly benefiting from effects of education, self-reflection, and experience dramatically altering my perceptions of myself and my artwork. As projected by Plato, I was forced through an arduous confrontation with my lack of understanding of the human condition, reshaping my ideas to comprehend and adapt to the metaphorical daylight. With new understanding, I return to give …
Rhetorical Commonsense And Child Molester Panic--A Queer Intervention,
2017
Chapman University
Rhetorical Commonsense And Child Molester Panic--A Queer Intervention, Ian Barnard
English Faculty Articles and Research
This article considers how contemporary representations of child molesters in scholarly, political, and popular culture participate in projects that revolve around the recuperation of heteronormativity. I argue that these multimodal obsessions with child molestation displace the resilience of entrenched homophobic fears, prejudices, and dispositions, giving the lie to the commonplace that the political advance of same-sex marriage in the United States signals the apotheosis of gay rights. My analysis focuses on two representative popular and scholarly texts: the long-running television series Law and Order: SVU and a scholarly article about the Jerry Sandusky case published in jac. The former …
Revolution '67,
2017
Bongiorno Productions
Revolution '67, Marylou And Jerome Bongiorno
The Journal of Traditions & Beliefs
No abstract provided.
Foreign Film Localization: Japanese Film For American Audiences,
2017
Whittier College
Foreign Film Localization: Japanese Film For American Audiences, Shannon Gerow
Whittier Scholars Program
This study looks at the effects of international marketing on movies and the localizing of films to appeal to the audience of specific cultures. The ‘bending’ of cultures aspects in film for the sake of clarity, appeal, or artistic liberty (particularly in translation) is what I analyzed in this paper. This paper will include the ways in which foreign aspects are rationalized and I will look at two specific cases. These cases include the two Japanese films, "Howls Moving Castle” and “A Letter to Momo". These movies are looked at in terms of their distinctly Japanese characteristics which are present …
Let’S Get Serious: Deconstructing The Buzzfeed Video,
2017
Whittier College
Let’S Get Serious: Deconstructing The Buzzfeed Video, Kiara Downs
Whittier Scholars Program
My research looks at the ways these videos are made and the formula behind them. I seek to understand two aspects of the making of a serious Buzzfeed video: the technical elements that drive it’s narrative and the way it responds to the world. These two elements are the most interesting as they cement the difference between fun videos and the serious. My project will compile the BuzzFeed videos of a serious nature released over the 2016 paper. For the purposes of this project I will only be drawing videos from the BuzzFeed video flagship channel and the BuzzFeed Yellow …
Yi, Observational Documentary Aesthetics, And The Identity Politics Of Transcultural Migrancy,
2017
Virginia Commonwealth University
Yi, Observational Documentary Aesthetics, And The Identity Politics Of Transcultural Migrancy, Jiacheng Xu 4159187
Theses and Dissertations
There is a moment in Edward Yang’s acclaimed film Yi Yi (2000) in which a young boy in a conversation with his father observes that he cannot see what his father sees and that his father cannot see what he sees, prompting two questions: “How can I know what you see?” and “Can we only know half of the truth?” Unable to provide adequate answers, his father instead offers his son a camera. Later in the film, the same boy presents his uncle with a picture he took of the back of his head. When asked why, the boy responds …
Below The Neck, Above The Knees,
2017
Virginia Commonwealth University
Below The Neck, Above The Knees, Desiree Dawn Kapler
Theses and Dissertations
My thesis explores the act of violation in the context of trauma and healing through the use of personal narratives and experimental film. My research allows personal storytelling to transform into a larger and more universal theme of generational trauma and dysfunction. Through a feminist lens, I challenge social norms of body autonomy for the sick and abused, capitalism’s social effects on the poor, and passed down maternal lessons from the women who are doing the best that they can with the lives and opportunities that they have been given.
This work is created in spite of the labels my …
American Mom,
2017
Scripps College
American Mom, Maria Weiss
Scripps Senior Theses
A reflection of my short film American Mom
"Perhaps," She Said, "Looking Itself Could Be An Antidote.",
2017
University of Montana, Missoula
"Perhaps," She Said, "Looking Itself Could Be An Antidote.", Sarah Moore
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
Affect Bleeds In Feminist Networks: An "Essay" In Six Parts,
2017
CUNY Brooklyn College
Affect Bleeds In Feminist Networks: An "Essay" In Six Parts, Alexandra Juhasz
Publications and Research
No abstract provided.
Style, Affect, And Subjectivity: An Introduction To" Readings Of The Romanian New Wave",
2017
Denison University
Style, Affect, And Subjectivity: An Introduction To" Readings Of The Romanian New Wave", Alina Haliliuc, Jesse Schlotterbeck
Faculty Publications
No abstract provided.
Franco, Pedro Y El Género,
2017
Colby College
Franco, Pedro Y El Género, Kaleigh E. Hoffman
Honors Theses
El franquismo no dejaba de existir después de la muerte de Franco. Mientras las reglas de censura oficiales desaparecieron con el fin de la dictadura, sus rasgos permanecían, en términos de la vida social, además del cine. La influencia de Franco en el cine determinaba que los conceptos de la masculinidad y la feminidad no tenían espacio para interpretación. De hecho, durante la dictadura, el cine franquista reflejaba la rigidez de género y la falta de expresión. No había aprobación de cine que demostrara la homosexualidad, las personas transgénero ni la fluidez de género. De la represión, sin embargo, emergió …
Fantissity,
2017
Eastern Illinois University
The Double Abcx Model, Family Stress Theory, Risk, Protection, And Resilience In The Movie “Precious”,
2017
Louisiana State University at Baton Rouge
The Double Abcx Model, Family Stress Theory, Risk, Protection, And Resilience In The Movie “Precious”, Cassandra Chaney Phd
Faculty Publications
The critically acclaimed movie Precious [1] highlights the multiple stressors and crises experienced by an abused Black teen female living in poverty. Given its introduction to the screen, scholars have yet to make critical connections between the family dynamics portrayed in this movie and a particular family theory. The purpose of this paper is to help scholars who teach family stress courses apply the experiences of this young woman and her family to McCubbin and Patterson’s [2] Double ABCX Model. Furthermore, this paper will examine the risk factors, the protective factors, and the resilience demonstrated by the movie’s protagonist, Claireece …
The Narrative Of The Outsider: Marginalization In The Works Of María Luisa Bemberg, Lucrecia Martel, And Lucía Puenzo,
2017
Wayne State University
The Narrative Of The Outsider: Marginalization In The Works Of María Luisa Bemberg, Lucrecia Martel, And Lucía Puenzo, Natalie Nagl
Wayne State University Dissertations
Through film and literature, my dissertation explores the representation of race, social class, and gender in the works of three Argentine directors. These social constructs have become so ingrained in interpersonal relations that there is rigidity in how they are considered. Therefore, those individuals who do not think and interact appropriately with the constructs occupy the outside. The possibility of marginalization adds another layer to the constructs by sensitizing them to the point that they affect the individual and their relationships (i.e. psychologically and socially). However, several representations, such as those that make up our corpus, challenge the definitions of …
