Film and Media Studies Commons^™

Hollywood, The Media, And The Alteration Of Image In The 1940s, Sean M. Conrad

Seaver College Research And Scholarly Achievement Symposium

I am currently writing a feature-length screenplay entitled Klara based on true events and people surrounding the rise of Nazi Germany and the exile of Jewish-German intellectuals to America during 1933-1945. The narrative is grounded in the work of the European Film Fund (1938-1948), the Paul Kohner Talent Agency, and the various agents of propaganda at work both in Nazi Germany and America during this time period. Through my research I hope to explicate how Jewish-German exile in America influenced not only those exiled, but also the burgeoning American film industry and how the cross-cultural intersection of media propaganda, both …

Good Game Well Played: An Esports Documentary, Gabriella Clare Devia-Allen

Theses and Dissertations

This film explores the operations and cultural practices of the esports community with an emphasis on Twitch as the dominant community platform. Explored sub-communities include Counter-Strike: Global Offensive, Duelyst, and League of Legends. A focus on Duelyst allows us to explore the characteristics of an accessible esports culture while also referencing League of Legends and Counter-Strike: Global Offensive offers an objective look at two of the industry’s most developed esports scenes. This documentary tracks the production of broadcast content, the lifestyles of professional players, and the narratives of the industry’s most involved employees. In doing so, the research draws conclusions …

The Dislocated Spectator's Relationship To Enchanted Objects In Early Film And Modernist Poetry, Rachel Christine Ekblad

USF Tampa Graduate Theses and Dissertations

In the early 1900s, industry and new technologies dislocated our sense of selfhood. Since the Industrial Revolution, the world had become increasingly crammed with material objects, leading up to when the invention of radio and the rise of electricity perpetuated and evidenced an interest in the immaterial. A similar fascination with magic as expressed in cultural forms such as the traveling show and the séance pointed to our new relationship to the object world: the self, dislocated from the body, could relocate in objects, forming a circuitous relationship akin to electricity. This phenomenon is encapsulated by the representation of enchanted …

"You Want It All To Happen Now!": The Jinx, The Imposter, And Re-Enacting The Digital Thriller In True Crime Documentaries, Brett Michael Phillips

USF Tampa Graduate Theses and Dissertations

In this thesis, I outline the changing shape of the reenactment in the contemporary true crime documentary to illustrate a burgeoning crisis of epistemology and anxieties about the authority of evidence in the Digital Age. I examine two works—The Jinx and The Imposter—that deal with evidence in formally similar but ideologically opposite ways.

Logic in the Digital Age prioritizes an ever-widening collection of increasingly more precise artifacts and details, which supposedly paint a more complete picture but end up highlighting what is unknown more often. Key to this examination is the adoption of classic Hollywood thriller techniques (e.g., non-traditional narrative …

Playing-With The World: Toy Story's Aesthetics And Metaphysics Of Play, Jonathan Hendricks

USF Tampa Graduate Theses and Dissertations

Pixar’s Toy Story (John Lassiter, 1995) is not just a story about toys and the children that play with them, but a demonstration of how we interact with the world. This thesis looks at the way in which both main children, Andy and Sid, interact with their toys and how this interaction is one that is structured by way of what Martin Heidegger calls “Enframing.” In this modality of playing, toys and other things and entities in the world, and the world itself, appear to the children as on-hand resources for use at any time and can be molded, as …

The Image Of Rebirth In Literature, Media, And Society: 2017 Sassi Conference Proceedings, Society For The Academic Study Of Social Imagery, Thomas G. Endres

Society for the Academic Study of Social Imagery

These papers have been selected from among those presented at the spring 2017 conference of the Society for the Academic Study of Social Imagery (SASSI), devoted to the theme of THE IMAGE OF REBIRTH in Literature, Media, and Society. As the following papers demonstrate, this is a rich and provocative topic with interesting and surprising implications.

Identity And Scene: Alterity And Authenticity In Taxicab Confessions, Steven W. Schoen

Faculty Publications

This essay examines the visual rhetoric of HBOs reality TV program Taxicab Confessions, New York, New York (2005). Drawing on Burke’s rhetorical understanding of scene and Straw’s approach to scene as a category for the analysis of urban culture, I argue that the taxicab interior and nighttime street images of New York City structure a scene of indeterminacy, intimacy, and “reality,” thus framing the passengers’ self-presentations within a context of “authenticity.” The program’s visual structure locates passengers simultaneously outside of and within social norms and reinforces hegemonic notions of race, gender, and sexuality. Passengers are situated within a scene that …

Sexy Robots: A Perpetuation Of Patriarchy, Ashlyn Des Roches

Communication Studies

This feminist critique looks into the way that gender, specifically females, are portrayed in some of Hollywood's top films involving Artificial Intelligence: Blade Runner, Her, and Ex Machina. These movies work as a perpetuation of patriarchal ideologies while maintaining the objectification and hypersexuality of women as normalized behaviors. Additionally, while some forms of empowerment are conveyed, the features illustrate women merely on a spectrum of extreme behavior; due to Heuristics and Cultivation Theory, these misrepresentations can be associated with women outside the surrealist realm of the depicted artificially intelligent worlds.

Ted Talks As An Emergent Genre, Julia Ludewig

CLCWeb: Comparative Literature and Culture

In her article "TED Talks as an Emergent Genre" Julia Ludewig analyzes TED talks—short, informational, and entertaining presentations that are given during TED conferences in North America and abroad—as a hybrid and emerging genre. Based on a qualitative interpretation of 14 such talks, she offers a list of recurring thematic, argumentative, and rhetorical features, which she aligns with three parent genres—the sales pitch, the memoir, and the academic lecture. Comparing recent versions of TED talks with three older talks from the 1980s and 1990s, she suggests an historical trajectory, which emphasizes the professional performance character of recent talks and their …

The Dramatization Of Cultural Hybridity And The "In-Between" Turkey In Fazıl's Künye, Önder Çakırtaş

CLCWeb: Comparative Literature and Culture

In his article "The Dramatization of Cultural Hybridity and the "In-Between" Turkey in Fazıl's Künye" Önder Çakırtaş addresses Turkey's historical context and exposes how political, social and cultural changes were expressed in Turkey's public sphere. Using Niyazi Berkes's theory of secularism as proceeding of modernism Çakırtaş discusses different examples of stylistic strategies of cultural hybridity in the playwright's historical-based play, Künye. He investigates how political changes in pre-Turkey times signify Turkey's national striving, and how the Ottoman-conservative past metamorphoses into Turkic-secular. The study juxtaposes the perceptions of 'introduction to Westernization' and 'departure from Islamic past' in a period …

Anarcho-Feminist Melodrama And The Manic Pixie Dream Girl, Claire T. Solomon

CLCWeb: Comparative Literature and Culture

In her article "Anarcho-Feminist Melodrama and the Manic Pixie Dream Girl (1929-2016)" Claire Solomon analyzes the Manic Pixie Dream Girl trope as an apparatus of capture (Deleuze and Guattari, A Thousand). More precisely, her article models how such tropes imply modes of reading anachronistically and metafictionally that decontextualize gestures of resistance and conflate female writers, performers, and characters across time and place. Solomon offers a situated formalist reading of Argentine playwright Salvadora Medina Onrubia's 1929 drama, Las descentradas, revealing an avant-garde counterpoint of melodrama and metafiction as an ambiguous alternative to capture.

Approaching The Value And The Future Of The Novel: A Book Review Article On Boxall's Scholarship, Yili Tang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Animated Landscapes: History, Form And Function, "Evoking The Oracle", Tom Klein

Faculty Pub Night

No abstract provided.

The Subject Librarian Newsletter, Film, Spring 2017, Richard Harrison

Libraries' Newsletters

No abstract provided.

“The Robocop We Deserve”: Post-Human Transformations And Social Critique In Paul Verhoeven’S And Jose Padilha’S Robocop, Mynt Marsellus

Laurier Undergraduate Journal of the Arts

No abstract provided.

Papa’S Got A Brand New Kino German Wartime Memory In Edgar Reitz’S Heimat: A Chronicle Of Germany, Nathan Maclean

Laurier Undergraduate Journal of the Arts

No abstract provided.

I Love Dick, William L. Blizek

Journal of Religion & Film

This is a film review of I Love Dick (2017), directed by Jill Soloway.

Sundance Film Festival 2017, John C. Lyden

Journal of Religion & Film

Introduction to our coverage of the Sundance Film Festival 2017.

Blowing Off Ste(A)M: The Value Of The Creative Arts For Gifted Stem Students (Iagc 2017), Tracy A. Townsend, Michael W. Hancock, Michael P. Dean

Faculty Publications & Research

The following is a collection of teaching documents, including classroom activities and assignment prompts, used in the Illinois Mathematics and Science Academy’s Graphic Novels, Creative Writing, and Modern Theater classes. These materials are easily included in courses with broader topical focuses, however, either as single-day activities or units of study. The specific materials included here are especially beneficial as means of encouraging student creativity, building up a variety of communication skills, rewarding experimental work, and providing new outlets for critical thinking and social-emotional development.

The Modern Jungle, John C. Lyden

Journal of Religion & Film

This is a film review of The Modern Jungle (2017) directed by Charles Fairbanks and Saul Kak.