Film and Media Studies Commons^™

Mainstream Versus Ethnic Media: How They Shape Ethnic Pride And Self-Esteem Among Ethnic Minority Audiences, Srividya Ramasubramanian, Marissa Joanna Doshi, Muniba Saleem

Media Studies - All Scholarship

This article explores the underlying processes that influence the ways in which mainstream and ethnic media shape ethnic minority audiences’ self-concepts. Ethnic minorities are often underrepresented and presented in stereotypical and negative ways in mainstream popular U.S. culture, while ethnic media tend to represent them in more diverse and auspicious ways. This study uses survey methodology to simultaneously assess the differential effects of mainstream and ethnic media on ethnic minorities. Specifically, it tests the role of mainstream media and ethnic media in influencing ethnic pride, self-esteem, and ethnic performance (behavioral expression of one’s ethnic identity) among Indian Americans. Results from …

Cli-­Fi Cinema: An Epideictic Rhetoric Of Blame, Chloe Louise Powell

Graduate Research Symposium (2010 - 2017)

This thesis identifies and explains the mechanisms within two cli­-fi films, The Day The Earth Stood Still (2008), and Interstellar (2014), to offer an account of: (1) their purpose in helping us to understand and cope with climate change, and (2) their use in the transmission of values and ideologies in order to build and strengthen community. Because cli­-fi films begin from a dystopic vision of a possible future, it fulfills the "blame" function of epideictic in order to provoke the "ecological imagination." Through this provocation we are then provided the possibility of hope and redemption through the adoption of …

Blade Runner And The Divine Menace, Alexander W. Pickens

MAD-RUSH Undergraduate Research Conference

Following the decline of Christianity in mainstream Western culture, a void rose in the moral and societal code. Those writers that emerged presented alternate visions that worked their way into the literature of the 20th century. Karl Marx's interpretation of the structure of labor in capitalism presented a new societal hierarchy whose finer points have been worked out in the complex film Blade Runner. This dystopian nightmare, in which a Marxist interpretation of current society bogged down by the ennui of capitalist accumulation is confronted, describes a new religious order based upon this economic theory. Central to this reimagining …

Female Moments / Male Structures: The Representation Of Women In Romantic Comedies, Jordan A. Scharaga

Media and Communication Studies Honors Papers

Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. In 1999, a character struggles …

Homosociality In Michael Radford’S "The Merchant Of Venice", Eric A. Pitz

Conspectus Borealis

No abstract provided.

Movies In Medicine: Cinema Therapy For Children Suffering From Chronic Health Conditions, Wesley D. Buskirk

Cinesthesia

Children suffering from chronic health conditions endure many traumatic experiences, which often result in physiological turmoil. Physiological turmoil from posttraumatic stress can negatively impact pediatric patients' treatments and frequently requires therapy to promote psychological well-being, physical health, and lifelong coping methods. Cinema therapy, also known as movie therapy, utilizes narrative-based audiovisual stimuli as a therapeutic catalyst for child medical patients suffering from chronic health conditions.

Faint Glimmers Of Civilization: Mediated Nostalgia And “The Grand Budapest Hotel”, Jamie L. Bick

Cinesthesia

This paper explores how Wes Anderson strategically uses nostalgia in his 2014 film The Grand Budapest Hotel as a form of social commentary on the European interwar period and its relation to the current historical era.

Understanding Loss Of Self In "My Beautiful Broken Brain", Erika P. Collin

Cinesthesia

No abstract provided.

The Value Of Parental Co-Viewing On Children And Families, Alison Work

Cinesthesia

When we think back to movie watching in the sixties, we typically picture a family sitting around the television and experiencing the film together. Nowadays, it is common for parents to put on a movie for their child to watch while they focus on other tasks. In our modern, fast paced environment, with movies available to stream at all times, the act of watching a movie as a family has become increasingly rare, and there has been a lack of parental monitoring of media. Consequently, films are not being utilized to their full potential. Films can have a tremendous impact …

"Revealing Reality": Four Asian Filmmakers Visualize The Transnational Imaginary, Stephen Edward Spence

American Studies ETDs

This dissertation posits that four Asian filmmakers engage in “revealing reality” in unique but interconnected ways that employ innovative narrative and cinematic/visual techniques, including a direct address to the senses and an augmenting of their vision with fantasy or surrealism. My study argues that Hou Hsiao-hsien (Taiwan), Jia Zhangke (China), Tsai Ming-liang (Taiwan), and Apichatpong Weerasethakul (Thailand) mobilize this visual and narrative strategy to participate in debates about globalization and to comment on the state of their respective nations, the concept of the nation, and the transnational. The films of each artist are examined in detail; I investigate their stylistic …

1st Place Contest Entry: Critical Media Literacy: Liberating The "Criminal" And Empowering African American Males, Talia Cain

Kevin and Tam Ross Undergraduate Research Prize

This is Talia Cain's submission for the 2017 Kevin and Tam Ross Undergraduate Research Prize, which won first place. She wrote about how media contributes to the criminalization of African American males and the effects of this on African American male students.

Talia is a sophomore at Chapman University, majoring in Integrated Educational Studies. Her faculty mentor is Professor Anne Steketee.

Widerstandsidentitäten: Identitäts- Und Heimatsuche Der Nachfolgegenerationen Türkischer Migranten In Fatih Akins Gegen Die Wand, Feo Aladağs Die Fremde Und Feridun Zaimoğlus Kanak Sprak, Anja Ruxanda Barr

Foreign Languages & Literatures ETDs

ABSTRACT

This paper examines how Fatih Akin’s film Head-On/Gegen die Wand (2004), Feo Aladağ’s film When We Leave/Die Fremde (2010), and Feridun Zaimoğlu’s text Kanak Spraak construct a new Turkish-German identity that is established through resistance to a homogenously imagined culture. With the current influx of immigrants to Germany, the debate about integration, hybridity, and divergence has become more important than ever. The emergence of hybrid migrant identities that are being problematized in Turkish-German movies and texts has shown that issues of belonging and identity caused by multipositionality have become an integral part of Turkish-German narratives. Over time, representations …

Mass Media In Society, Sarah Mathis, Camila Garcia, Douglas Laman, Amanda Crotzer, Veronica Nicole Lang

Collin College Undergraduate Interdisciplinary Student Research Conference

Panel Chair: Lisa Vazzi

Student Presenters: Sarah Mathis, Camila Garcia, Douglas Laman, Amanda Crotzer, and Veronica Nicole Liang

• Sarah Mathis “The Effects of Media on Women’s Body Image”
• Camila Garcia “Positive Advantages of Mass Communication”
• Douglas Laman “Autism, Actually: A Look at Representation of Autism in Pop Culture”
• Amanda Crotzer “Thruth in Advertising: Targeting Children in and Age of Privatized Media Consumption”

Potter, Hugh Oliver, 1905-1986 (Mss 602), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 602. Correspondence, research notes, book manuscripts, promotional material, and editorials related to Hugh O. Potter’s career as a radio broadcaster and his interests in Kentucky history, specifically Owensboro and Daviess County, and Abraham Lincoln. Includes one box of original legal documents (1783-1953) related to the Massie family of Daviess County.

Images, Speech Balloons, And Artful Representation: Comics As Visual Narratives Of Early Career Teachers, Julian Lawrence, Ching-Chiu Lin, Rita Irwin

SANE journal: Sequential Art Narrative in Education

The ways in which teachers adjust to challenges in the process of becoming professionals are complicated. Teacher mentorship, however, is an important step to creating and sustaining a strong professional career. This article discusses new understandings from a Canadian research project: Pedagogical Assemblage: Building and Sustaining Teacher Capacity through Mentoring Programs in British Columbia. Through our use of an a/r/tography informed methodology in teacher mentorship, we have come to understand how the use of comics permits an unfolding of visual narratives as a unique way of contextualizing the complex stories of teaching and learning. Our motivation in employing comics as …

Teaching Critical Looking: Pedagogical Approaches To Using Comics As Queer Theory, Ashley Manchester

SANE journal: Sequential Art Narrative in Education

Given the challenging depth of queer theoretical concepts, this article argues that one of the most effective ways to teach the complexities of queer theory is by utilizing comics in the classroom. I focus on how college-level instructors can use the content, form, and history of comics to teach students how to enact and do queer theory. By reading and making comics, students learn concrete and theoretical tools for combatting oppressive discourses and modes of meaning making. Teaching comics as queer theory promotes both innovative critical thinking and critical looking skills by centralizing both the rich history of queer comics …

Using Superheroes To Visually And Critically Analyze Comics, Stereotypes, And Society, Mike P. Cook, Ryle Frey

SANE journal: Sequential Art Narrative in Education

The purpose of this article is to provide teachers and students useful methods for utilizing the power of comic books as literacy sponsors in ELA classrooms. Given the continued boom in the popularity of comics in popular culture, this provides a relevant way to introduce students to visual and critical analysis. Engaging in meaningful analysis of comic superheroes can help students develop the skills required to critically analyze the stereotypes and social issues both within comics and within the world that surrounds them. Through the study of traditional and contemporary comic book heroes, students can critique society and begin to …

Review Of Captain Marvel And The Art Of Nostalgia, By Brian Cremins, Sean Kleefeld

SANE journal: Sequential Art Narrative in Education

No abstract provided.

The Double Work Of The Female Spectator, Emily Greitzer

Undergraduate Distinction Papers

This essay evaluates and analyses the tropes and conventions of classical narrative cinema, particularly its tropes and conventions concerning women and the female character. I incorporate film studies spectatorship and apparatus theories in order to assess the impact of these tropes and conventions on the female spectator, and use Gone Girl as a base point for working through these ideological effects, as well as deconstructing how they work inside the structure of narrative film itself. I was inspired by the way that film moves me to investigate spectatorship for my final paper, and feminist film theory drove me to seek …

An Analysis Of Psychological Manipulation In Military Culture, Kevin V. Chu

Undergraduate Research and Scholarship Symposium

While strict discipline is substantiated as necessary by the armed forces, this creates an environment where individual decision-making is oppressed in favor of mob mentality. Much like how individuals adhere to the culture of common society, the military presents its own social structures for its soldiers. The film A Few Good Men (1992) explores these military institutions where its hierarchal structure emphasizes motifs of obedience, ideology, conformity, and labels, which are central to how it deals with unpredictable problems. Although necessary, these shape the underlying vulnerable psychology of soldiers who learn to view themselves as instruments for superiors, to coincide …