Film and Media Studies Commons^™

No Laughing Matter: Failures Of Satire During The 2016 Presidential Election, Jamie Noelle Smith

Honors Theses and Capstones

The 2016 presidential election was so full of unusual characters and unprecedented scandals, that media outlets, from the nightly news to late-night, had to adjust to this new normal in politics. Indeed, not even the jokesters on the handful of political satire shows on television were immune to the necessary changes that all the media had to take in covering Donald Trump. Given how many people tuned into to these shows each week, it is no surprise that the role that political satire television may have played in the election results was fodder for those giving post-election hot takes. Many …

The Dmz Responds, Seo-Young J. Chu

Publications and Research

Seo-Young Chu’s “The DMZ Responds” appeared in Telos 184 (Fall 2018), a special issue on Korea edited by Haerin Shin.

Democracy At Stake In The Digital Age: Engaging In The Net Neutrality Debate For The Preservation Of Free Speech And The Redemption Of Public Interest, Christina (Sung Min) Yoh

CMC Senior Theses

Net neutrality is currently one of the most topical government policies up for debate. In the following paper, I will examine three cases in which net neutrality has been threatened by internet service providers and the Federal Communications Commission and reinforced by public interest groups, major website companies, and the public. The online regime has been a critical instrument in the outcome of all three cases, highlighting the role and influence of internet users in the virtual and physical public spheres.

Some say that the battle is already lost. FCC Chairman Ajit Pai and his Republican majority in the agency …

Jocks For Justice: How Sports Media Reflects And Propagates Societal Narratives, Laura Kathryn Reifsnyder

CMC Senior Theses

Sports presents one of the most popular forms of entertainment in society, and sports media continues to expand its billion-dollar influence through new television deal and broadcasting rights. But with a population of journalists who are overwhelmingly white, straight, and male, sports media is promoting the hegemony of said image by reproducing stereotypes in its broadcasts to audiences around the country. Mainstream media regurgitates these stereotypes in their coverage of minority athlete by portraying black players as unintelligent or “thug”-ish, women as “butch”, and gay athletes as effeminate. These representations allow for the perpetuation of the white, heterosexual male narrative …

21st Century Film Criticism: The Evolution Of Film Criticism From Professional Intellectual Analysis To A Democratic Phenomenon, Asher Weiss

CMC Senior Theses

Film criticism has changed since its inception and will continue to change moving forward. The evolution of film criticism has largely been a story of the shift from an elite field of intellectual exploration by a few knowledgeable experts to a democratic phenomenon where expert analysis is aggregated and averaged, and the lines are blurred between true expertise and the random opinions of the masses. This paper will address the transition from the birth of film criticism to its popularization through the 90s, to what it has become today. By exploring the nature of film criticism historically and reviewing the …

A Tropic Understanding Of Street Art As Political And Social Advocacy, Lindsay K. Kosel

Honors Theses and Capstones

Graffiti and street art has been prevalent in the past few decades taking stances toward social and political adversity, but there lacks discussion about how dialogue is provoked within street artwork. Through the detailed analysis of the visual display created by JR on the West Bank Wall, these paper places focus on the rhetorical function of how street artist utilize images as means for political and social advocacy. The display shifts the focus from trauma, dislocation, and victimhood to that of comedic relief in our “humanness”. The identification of tropes within a street art display indicates that they are in …

In Media Res, Christopher Andrew Sisk

Theses and Dissertations

We are inundated by a constant feed of media that responds and adapts in real time to the impulses of our psyches and the dimensions of our devices. Beneath the surface, this stream of information is directed by hidden, automated controls and steered by political agendas. The transmission of information has evolved into a spiral of entropy, and the boundaries between author, content, platform, and receiver have blurred. This reductive space of responsive media is a catalyst for immense political and cultural change, causing us to question our notions of authority, truth, and reality.

Preserving Film Preservation From The Right Of Publicity, Christopher J. Buccafusco, Jared Vasconcellos Grubow, Ian J. Postman

Faculty Scholarship

No abstract provided.

He Scores Through A Screen: Mediating Masculinities Through Hockey Video Games, Marc A. Ouellette, Steven Conway

English Faculty Publications

Hockey video games highlight the ways in which the video game medium shapes and conditions the experience of producing and/or performing the sport “in real life.” Indeed, the accumulation of advanced statistics in and through the constant evaluation, measurement, and surveillance which are inherent to video games—and increasingly seen as foundational for sport—reveals important contradictions not only in the way the embodied sport is played and understood, but also in terms of the proofs of masculinity upon which the sport is built. It then becomes clear that the building of masculinity and the empowerment of the character become one and …

The Western, Violence, And Queer Expression In Red River, Brokeback Mountain, And Thelma & Louise, Dean Symmonds

Undergraduate Research Awards

Of all the tools the film industry has used in the past and present to contribute to American myth-making, the Western is the most iconic. If, as critic J. Hoberman argues in a Village Voice article, “the Western has always been the most idyllically homosocial of modes,” and, as film scholar Erika Spohrer writes in her article about genre and Brokeback Mountain (2005, dir. Ang Lee), “by inserting Brokeback Mountain into the Western canon, critics force a re-vision, a re-seeing of all Westerns that have preceded it,” then I argue for the necessity of pursuing that critical work and analyzing …

Reeling Backward: The Haptics Of A Medium And The Queerness Of Obsolescence, Travis L. Wagner

Student Publications

This article considers the haptics of queer activist footage shot on video, and more specifically footage shot on magnetic media. Despite ideal methods of care, magnetic media faces extreme concern from a preservation standpoint. As a format that is both subject to rampant deterioration (known colloquially as “sticky shed”) and obsolescence (with the ceasing VCR production), the queer activist videotape is an archival artefact irretrievably stuck in a liminal space. To play a tape is to contribute to its destruction, yet to not play the tape is to overlook potentially unique moments in queer history. As such, this article explores …

Rebooting Masculinity After 9/11: Male Heroism On Film From Bush To Trump, Owen R. Horton

Theses and Dissertations--English

Conceptions of masculinity on film shifted after the September 11, 2001 terrorist attacks from representations of male heroism as invulnerable, powerful, and safe to representations of male heroism as resilient, vengeful, and vulnerable. At the same time, the antagonists of these films shifted towards representations as shadowy, unknowable, and disembodied. These changing representations, I argue, are windows into the anxieties Americans faced in the aftermath of the attacks. The continuing presentation of power as linked to violence, however, illustrates the ways in which conceptions of masculinity have stayed the same.

Donald Duck Goest To War: Involvement Of The U.S. And International Film During World War Ii, Katherine Wennerdahl

A with Honors Projects

Films hold the capability to shape perspectives and beliefs, spread new ideas, and express suppressed feelings in the hardest of times. Between the year 1939 to 1945, the second World War took the lives of over 50 million people and left homes in ruin. During this time, artists all over the world continued to practice their art forms, many refusing to ignore the atrocities that were occurring. In particular, film makers across the world took the power of the camera and mass media to make statements that have been engraved in filmstrips and history. This paper will identify a handful …

Identity Crisis In Gaslight, Savannah Weishaar

A with Honors Projects

In the film Gaslight (1944), the main character Paula (portrayed by Ingrid Berman) struggles with her sense of self after adolescence. After her aunt – who is also her guardian – is murdered, Paula is sent to Italy to learn to become a famous opera singer like her aunt. Paula spends several years in Italy where she meets a man named Gregory. She falls in love quickly and agrees to marry him after two weeks together. After their marriage, Gregory convinces Paula to move back to London to live in the townhouse her aunt had left her. During their time …

Repackaging The Reach Of Dreams: News Coverage Of Daca Rescindment By Three National Newspapers On Twitter, Megan Pietruszewski

Dissertations, Master's Theses and Master's Reports

This thesis examines the frames used by three news organizations to cover the rescindment of the Deferred Action for Childhood Arrivals (DACA) program. The rescindment of DACA was a pivotal transition period open to new immigration policy, and frames used in the news coverage of DACA are important as frames influence public opinion and possible future immigration policy. This study uses corpus linguistic methods and Van Gorp’s inductive framing analysis to explore how a complex political decision like DACA rescindment is covered in condensed news stories on Twitter as well as in full-length news articles. The Executive Critique frame, which …

The Construction Of Truth In Fiction: An Analysis Of The Faux Footage Genre In Television, Samantha Richards

Scripps Senior Theses

This paper explores the way that “truth” is constructed in a fictional sphere through visual and narrative references. I draw upon Caetlin Benson-Allott’s Paranormal Spectatorship, and Jay David Bolter and Richard Grusin’s Remediation to inform my analysis of these constructions. I look specifically at Roanoke, the sixth season of American Horror Story, to provide examples of the way faux footage horror’s unique use of the subjective shot constructs the spectator as both a witness and an interrogator, and creates an aesthetic language of truth. While being immersed in the story, viewers are simultaneously invited to consider how …

A To Z Of Superhero Movies, Jiyeon Kim

CMC Senior Theses

This project explores the question of originality and appropriation in the creative world by using mashup video as a medium. How can old repetitive stories be deconstructed and transformed into something new? I have created alphabetically ordered montages of shots/scenes containing words/letters from superhero films. By doing so, I do not provide a concrete answer to what is really original in today’s world, but rather encourage the audience to actively participate in the viewing experience of the carefully structured ontology and see the infinite possibility of the modern-day mashup culture.

From Model Building To 3d Printing: Star Trek And Build Code Across The Analog/Digital Divide, Bob Rehak

Film & Media Studies Faculty Works

No abstract provided.

Melodrama And The Aesthetics Of Emotion, E. Deidre Pribram Ph.D.

Communications: Faculty Publications

Melodrama has long been associated with emotion, frequently in a pejorative sense due to its apparent emotional excesses. Conversely, scholars have argued that the melodramatic mode expresses “forces, desires, fears which... operate in human life," for which we have “no other language” (Gledhill tool, 31,37). In this chapter I explore how emotionality serves melodrama as an alrernarive “language" precisely to express forces, desires, and fears that operate beyond cognitive or ideological explanation.

Media Censures: The Hutchins Commission On The Press, The New York Intellectuals On Mass Culture, Stephen Bates

Hank Greenspun School of Journalism and Media Studies Faculty Research

Around the middle of the 20th century, two groups of American intellectuals turned their attention to the mass media. The scholars on the Commission on Freedom of the Press, chaired by University of Chicago president Robert Maynard Hutchins, assessed the American news media. Dwight Macdonald and his fellow New York intellectuals assessed the American entertainment media and other forms of mass culture. On the whole, both groups were appalled. Hutchins et al. and Macdonald et al. inhabited different worlds—the intellectual establishment and the intellectual antiestablishment—yet the two groups developed parallel critiques. Comparing them reveals important aspects of the role of …