Film and Media Studies Commons^™

Central State Communication Top Paper Award For Different Rights (In)Different Times: Rendering The Invisible Visible Through A Comparative Iconographic Analysis Of The Women’S Suffrage Parade Of 1913 And The 2017 Women’S March On Washington, Sara Potter

Awards

CSCA Top Paper in Communication Ethics, Activism, and Social Justice
Understanding the differences between Mirzoeff’s (2012) usage of visuality and Ball’s (2016) usage of invisibility can help us understand how various women’s movements throughout history have shaped and reshaped women’s roles, identities, and power. The women’s suffrage movements at the turn of the 20^th century are a provocative place for identifying this shift. Women within the 1912 and 1913 suffrage movements understood the boundary points between (the history of) a women's place within society and the potential for a shift in the engendered power structures, from a patriarchal society …

Human Rights, Sharon Sliwinski

Data and Test Instruments

It is one of the most recognizable passages in the United Nations’ Universal Declaration of Human Rights (UDHR) – that slightly oblique, and yet grave reference to the Nazi death camps: ‘Whereas disregard and contempt for human rights have resulted in barbarous acts which have outraged the conscience of mankind…’ These barbarous acts were front-page news in most of the Allied countries in the spring of 1945, at the very moment when the United Nations was founded at a conference in San Francisco. The newsstands were filled with photographs from the newly liberated Dachau and Buchenwald camps. Illustrated magazines such …

Untangling Late-Victorian Anxieties: Hair Symbolism In Dracula, Nancy Rosenberg England

Journal of Dracula Studies

No abstract provided.

Gender And The Apotropaic In Charles Keeping's Illustrations To Dracula, Alice Mills

Journal of Dracula Studies

No abstract provided.

Homonormativity And The Contemporary Vampire, Christine Prevas

Journal of Dracula Studies

No abstract provided.

A Topography Of Darkness: Isabel Allende’S “If You Touched My Heart,” The Gothic, And Disability, Laura Alexander

Journal of Dracula Studies

No abstract provided.

Beast(S) Of Burden: Animal Anxiety In Bram Stoker’S Dracula, Lindsey Kurz

Journal of Dracula Studies

No abstract provided.

Why Can't They Let A Girl Marry One Man?: The Origins Of Lucy Westenra's Suitors, Leah Davydov

Journal of Dracula Studies

No abstract provided.

Medievalism In True Blood, Natalie Grinnell

Journal of Dracula Studies

No abstract provided.

Anatomy Of The Victorian Vampire: Bodily Imaginings In Four Pre-Stoker Texts, Jane Kubiesa

Journal of Dracula Studies

No abstract provided.

The Science Of Degeneration In Stoker’S Dracula And Wells’ The Island Of Dr. Moreau, Alessandra Albano

Journal of Dracula Studies

No abstract provided.

Liquor Store Theatre: Ethnography & Contemporary Art In Detroit, Maya Stovall, Ph.D.

Wayne State University Dissertations

ABSTRACT

LIQUOR STORE THEATRE:

ETHNOGRAPHY AND CONTEMPORARY ART IN DETROIT

by

MAYA STOVALL

2018

Advisor: Dr. Andrew D. Newman

Major: Anthropology

Degree: Doctor of Philosophy

Liquor Store Theatre is a study of the struggle for the city in contemporary Detroit. An ethnography completed over several years in an east side Detroit neighborhood called McDougall Hunt, the project exists in a variety of registers, working across contemporary art, performance, urban anthropology, critical geography, visual studies, film and new media, African American studies, and urban studies. The visual work of Liquor Store Theatre includes a four-volume, twenty-plus video episode meditation on city …

Stranger Danger: The Inversion Of Suburban Stranger-Danger Symbolism In Stranger Things, Gregory Shea

The Graduate Review

A dramatic shift took place in the suburban conception of children in America during the early 1980s. The high-profile abductions and murders of a small number of children led to a profound shift in suburban thinking about child safety. Suburban parents embarked on a wild search for methods of safeguarding their children against the largely symbolic threats of stranger danger, but, in the end, many of the reactions to stranger danger only served to disempower children in the suburbs. In this paper, I contend that Matt and Ross Duffer’s Stranger Things enters into a symbolic discourse with the stranger danger …

The Diaspora And The Nation : A Cultural Poetics Of Re-Membering In Lai Shengchuan’S Taiwan Trilogy, Jon Eugene Von Kowallis

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Lang And Law: Analyzing Representations Of Law, Justice, And Violence In The Films Of Fritz Lang, Dante Fresse

Honors Theses

This thesis analyzes the representations of Law, Justice, and Violence in the German and American films of Fritz Lang. Through an overview of legal and social unrest in Germany and courtroom drama, criminal conviction, mob violence, and police corruption in America, Lang challenges the legitimacy of Law and shows how it is subverted by outside forces. At other times, Lang shows Law working in collusion with criminal agencies or against the interests of the public. In doing this, Lang’s films present images of legal decay in the urban sphere, prompted by anxieties which come about through spatial alienation, city structure, …

In-Terracial Conversation, Cheryl Dunye, Alexandra Juhasz

Publications and Research

No abstract provided.

Review Of Seeing Like The Buddha. Enlightenment Through Film By Francisca Cho, Ronald S. Green

Philosophy and Religious Studies

No abstract provided.

Your Iphone Cannot Escape History, And Neither Can You: Self-Reflexive Design For A Mobile History Learning Game, Owen Gottlieb

Articles

This chapter focuses on the design approach used in the self-reflexive finale of the mobile augmented reality history game Jewish Time Jump: New York. In the finale, the iOS device itself and the player using it are implicated in the historical moment and theme of the game. The author-designer-researcher drew from self-reflexive traditions in theater, cinema, and nonmobile games to craft the reveal of the connection between the mobile device and the history that the learners were studying. Through centering on this particular design element, the author demonstrates how self-reflexivity can be deployed in a mobile learning experience to …

Dans La Serre: Framing The Greenhouse In Le Jour Se Lève (1939) And La Règle Du Jeu (1939), Barry Nevin

Articles

Beyond the year of their production, their notoriously foreboding references to contemporary national and international politics, and their shared status as canonised classics of French cinema, Marcel Carné’s Le Jour se lève (1939) and Jean Renoir’s La Règle du jeu (1939) both portray the romantic union of two parties within a greenhouse. This article aims to elaborate on these images in two central ways: first, it theorises glass in cinema with reference to the writings of André Bazin and Gilles Deleuze; second, it situates Carné and Renoir’s greenhouses within their respective dramatic, aesthetic and political contexts. In both cases, the …

Manipulations Of Stereotypes And Horror Clichés To Criticize Post-Racial White Liberalism In Jordan Peele’S Get Out , Jillian Boger

The Graduate Review

In Jordan Peele’s 2017 horror movie Get Out, Peele makes both white liberalism and the horror genre targets of satire. The subversion of traditional horror clichés and tropes such as Carol Clover’s Final Girl and body stealing/identity theft allows Peele to parody the genre as well as reorient audiences against stereotypes of blackness. In order to discuss the subversion of expectations, it is important to first identify moments of codeswitching. Another point of importance is noticing how Chris Washington’s role as Get Out’s Final Girl challenges stereotypical representations of black masculinity in other media. Additionally, to discuss automatic revulsion towards …