Cheer Up Luv: An Examination Of The Activistic Efforts Of Eliza Hatch,
2019
Arcadia University
Cheer Up Luv: An Examination Of The Activistic Efforts Of Eliza Hatch, Jasper (Kirsten) Boyd
Faculty Curated Undergraduate Works
This paper examines the efforts put forth by Eliza Hatch, who is an established photojournalist and activist, which pertain to women’s rights and sexual harassment all over the world. Hatch has a multitude of projects dealing with sexual harassment and the unequal treatment of women all across the globe. She is mainly based in London and New York, but has also completed projects in Sri Lanka. Through her activistic career, which began in 2017, she has garnered ample media attention and has raised awareness regarding the issues she tackles in her projects. Through her photo-sets, documentaries, and talks at universities, …
A Power Man’S Theology: Marvel’S Luke Cage And Black Liberation Theology,
2019
Abilene Christian University
A Power Man’S Theology: Marvel’S Luke Cage And Black Liberation Theology, Diarron B. Morrison
Electronic Theses and Dissertations
Netflix released Marvel’s Luke Cage in 2016 to critical acclaim. Born from a 1970s comic book, the series features Luke Cage, an African-American superhero. Cage is a big, bald, bulletproof black man. Instead of tights and a cape, Cage wears a hoodie calling the audience to remember Trayvon Martin and other victims of white racism. Theologian James Cone created Black Liberation Theology in the 1970s. As a result of Cone’s work, Black Liberation Theology addresses the issue of white racism from a theological standpoint. In this thesis I present a close reading of Marvel’s Luke Cage using Black Liberation Theology …
Imaginary Conquests: Folktales, Film, And The Japanese Empire In Asia,
2019
Singapore Management University
Imaginary Conquests: Folktales, Film, And The Japanese Empire In Asia, Richard M Davis
Research Collection School of Social Sciences
This article highlights three family-targeted films made under the wartime Japanese empire: Yamamoto Kajir ō ’s musical comedy Songokū (1940) and Seo Mitsuyo’s animated Momotarō films, Sea Eagles (1943) and Divine Warriors of the Sea (1945). Significantly, these films are based on two fantastical premodern stories—the Chinese novel Journey to the West and the Japanese Momotarō legend, respectively—whose quest narratives map onto Japan’s contemporaneous military expansion into mainland China and the islands of the South Pacific. Despite the films’ seeming alignment with ultranationalist ideology, I argue that the geopolitical trajectories of their narratives are rendered ambiguous by their various reception …
Fall 2019,
2019
DePaul University
Fall 2019
In The Loop
Health Outlook: A unique medical informatics partnership opens students' eyes to research-intensive graduate programs and careers; The Voices of Summer: CDM and the Chicago Housing Authority team up to help Chicago youth express their creativity; Bright Idea: Data science professors take a shine to luminous technology for online learning; They've Got Game: A team of students and alumni score points with a tricked-out basketball toy and an anime hoops star; You Look Marvelous; A DePaul alumna sours at America's most superpowered dream factory; Seen and Heard; Code of Honor: Redar Ismail transforms adversity into award-winning software that aids others
The Death Of Physical Media: The Dangers Of Streaming And The End Of The Home Library,
2019
Portland State University
The Death Of Physical Media: The Dangers Of Streaming And The End Of The Home Library, Amelia Eichler
University Honors Theses
This thesis aims to provide an extensive look at the history of collecting film within the home, starting from pre-cinematic optical toys to today's use of streaming platforms. There is an extensive knowledge gap in the history of film collecting. Much of the information is anecdotal and providing an extensive background will close this gap. Contrasting the different technologies in the home allows for people to see how film collecting practices have evolved. Streaming is currently a new phenomena that has taken over the industry and changed the structure of the home library. Rather than aid the home library, this …
Jewish Time Jump: New York,
2019
Rochester Institute of Technology
Jewish Time Jump: New York, Owen Gottlieb
Articles
Jewish Time Jump: New York (Gottlieb & Ash, 2013) is a place-based mobile augmented reality game and simulation that takes the form of a situated documentary. Players take on the role of time traveling reporters tracking down a story “lost to time” to bring back to their editor at the Jewish Time Jump Gazette. The game is played in Washington Square Park in Greenwich Village, New York City. Players’ iPhones become their time traveling device and companion. Based on the player’s GPS location, players receive digital images from their location from over a hundred years in the past as well …
“You’Ll Never Meet Someone Like Me Again”: Patty Jenkins’S Monster As Rogue Cinema,
2019
Tennessee State University
“You’Ll Never Meet Someone Like Me Again”: Patty Jenkins’S Monster As Rogue Cinema, Michelle D. Wise
Languages, Literature & Philosophy Faculty Research
Film is a powerful medium that can influence audience’s perceptions, values and ideals. As filmmaking evolved into a serious art form, it became a powerful tool for telling stories that require us to re-examine our ideology. While it remains popular to adapt a literary novel or text for the screen, filmmakers have more freedom to pick and choose the stories they want to tell. This freedom allows filmmakers to explore narratives that might otherwise go unheard, which include stories that feature marginal figures, such as serial killers, as sympathetic protagonists, which is what director Patty Jenkins achieves in her 2003 …
A Beautiful Day In The Neighborhood,
2019
Grand View University, Des Moines, Iowa
A Beautiful Day In The Neighborhood, John C. Lyden
Journal of Religion & Film
This is a film review of A Beautiful Day in the Neighborhood (2019), directed by Marielle Heller.
Panoptic Vision: Disjuncture, Transgressions, And Imagination In Laila Marrakchi’S Film Rock The Casbah,
2019
Louisiana State University
Panoptic Vision: Disjuncture, Transgressions, And Imagination In Laila Marrakchi’S Film Rock The Casbah, Touria Khannous
Journal of Global Initiatives: Policy, Pedagogy, Perspective
This article focuses on Laila Marrakchi’s film Rock the Casbah (2013), which reflects the exchange between global and local cultural and sociopolitical ideologies of a new Morocco. The film highlights the contradictions of globalization as it occurs through disjuncture. Arjun Appadurai’s theory of the world in motion and “a world of flows” provides a relevant framework for this analysis. The article uses Appadurai’s notion of “disjuncture” as a theoretical framework to discuss the dynamics and interrelationships involved in the protagonist’s movement between Western mediascapes as a filmstar and her Moroccan family’s local context. Appadurai’s conceptualization of globalization is crucial for …
An Ecology Of Care: Training In Dependence And Caretaking In The Witcher 3: Wild Hunt,
2019
University of South Florida
An Ecology Of Care: Training In Dependence And Caretaking In The Witcher 3: Wild Hunt, Elizabeth Rossbach
USF Tampa Graduate Theses and Dissertations
This project investigates the popular open-world fantasy RPG, The Witcher 3: Wild Hunt (CD Projekt RED 2015) and the ways in which the Witcher 3 brings questions of care and dependence to a digital medium so often thought of in terms of violence and/or mastery. Much of the previous discourse on video games, particularly role-playing games, has tended to center on violence and what this might mean for players behavior or the potential real world effects of this violence. Departing from a focus on violence I argue that the Witcher 3, reveals the potentials of open-world RPG video games to …
Learners’ Perspectives On The Use And Support Of Student Created Video Assignments At James Madison University,
2019
James Madison University
Learners’ Perspectives On The Use And Support Of Student Created Video Assignments At James Madison University, Annette Bruff Liskey
Showcase of Graduate Student Scholarship and Creative Activities
This research is an exploratory analysis of the use of student created video assignments at JMU, a pedagogical strategy that is increasingly common but not widely researched. The study collected quantitative data via an online survey of JMU students with the objective of examining the use, design, and outcomes of student created video assignments at James Madison University. Survey topics included the requirements of the assignment, the course that included the assignment, resources available and/or used to complete the assignment, students’ perceptions of the learning outcomes, as well as non-identifying information about each respondent’s demographics and academic experience at JMU. …
Apocalypse Lakardowo: Ecocritical Analysis In The Film Lakardowo Mencari Keadilan,
2019
Bahasa dan Sastra Arab Universitas Islam Negeri Maulana Malik Ibrahim Malang
Apocalypse Lakardowo: Ecocritical Analysis In The Film Lakardowo Mencari Keadilan, Aulia Maulida, Abdul Basid
International Review of Humanities Studies
Human-nature interaction today enters a worrying stage. Film as a literary work begins to record this interaction. The film Lakardowo Mencari Keadilan to be one of them. This research uses the content analysis method with an ecocritical approach. This film is a research primary data source supported by various related references. The analysis emphasizes the study of environmental literature which focuses on apocalyptic reading with pastoral views that surround it through Creswell spiral analysis methods: data management, reading, and note-taking, classification and interpretation, then data visualization. In this research, Lakardowo's environment in the film Lakardowo Mencari Keadilan reflects the impact …
The Missing Archive Of Loss,
2019
American University of Beirut
The Missing Archive Of Loss, Zeina G. Halabi
Regards
The article examines the power of visual archives and the implication of their absence on the work of mourning. It explores the photographic work of the Iranian artist Azadeh Akhlaghui, who retroactively assigned visual identities to the unrecorded death of prominent Iranian figures. The scenes of death, reconstructed in highly staged photographs, operate as the guardians of collective memory insofar as they enable the work of mourning – a process of reckoning with loss that ultimately frees the collectivity from enduring melancholia.
Résumé
L'article examine le pouvoir de l’archive visuelle et les implications de son absence sur le travail de …
Introduction,
2019
Université Saint-Joseph de Beyrouth
Introduction, La Rédaction De « Regards »
Regards
Dans ce deuxième numéro de la nouvelle formule, Regards se penche sur la question du portrait et de l’autoportrait, qui occupent une place prépondérante dans l’histoire de l’art. La peinture et la littérature, tout autant que le théâtre, le cinéma et les arts visuels, ont tous été tentés de saisir, avec leurs caractéristiques respectives, les traits d’une personne, connue ou anonyme, tandis qu’écrivains et artistes se sont, à un moment ou à un autre, focalisés sur la représentation de soi.
Changing Body And Society: A Speculative Examination Of Portraiture In Choucair’S Non-Representational Corpus,
2019
American University of Beirut
Changing Body And Society: A Speculative Examination Of Portraiture In Choucair’S Non-Representational Corpus, Kirsten Scheid
Regards
What ways do portraits relate people to aesthetic practices and social configurations when representational and individualizing assumptions that ensue from figurative art cannot be assumed? If social being is not given, an art act might be seen to affect primarily an artist’s relation to the possibility of subjectivity. The idea that the audience of an artwork includes the artist herself raises questions about her self-understanding and social being.
Building on my ethnographic research, I conduct a speculative examination of portraiture in relation to the career of Saloua Raouda Choucair towards founding a local art history. To conduct my review, I …
Portraits De Téléspectateurs Turcs : Enquêter Au Coeur Du Quotidien,
2019
Université Toulouse Jean-Jaurès
Portraits De Téléspectateurs Turcs : Enquêter Au Coeur Du Quotidien, Nese Öztemir
Regards
Dans le cas de la recherche en SIC, le portrait s’avère être une méthode adaptée pour pénétrer dans le contexte « naturel » de réception et ainsi rendre compte de ce qui se passe « autour de » la télévision. En ce sens, la pratique télévisuelle en Turquie constitue un levier intéressant pour étudier la façon dont l’organisation genrée du monde domestique travaille les rituels de réception. Comme le résume Pasquier (1999 : 233), regarder la télévision, c’est vivre une expérience organisée et socialement normée.
En s’appuyant sur les portraits individuels, travaillés dans le cadre d’entretiens semi-directifs menés dans deux …
Chouchou, Figure Gravée Dans La Mémoire Collective Du Théâtre Libanais,
2019
Inalco – Cermom
Chouchou, Figure Gravée Dans La Mémoire Collective Du Théâtre Libanais, Rawan Kachmar
Regards
Chouchou is the nickname of Lebanese artist Hassan Alâ’ed-dine (1939-1975). Hassan founded the Lebanese National Theatre (1965-1975), the first daily theatre in Lebanon. This theatre produced, during a ten-year period, twenty-six comedic plays in which Chouchou played the main character. Who is Chouchou, though, and how did he turn into a star in the eyes of the Lebanese general public of theatre? Chouchou — with his strong Beiruti accent, a vortex of extravagant movements, a sensitive soul with a fragile heart, a conman with his distinct moustache — appropriated his own unique physical and speech mannerisms, which rendered him a …
جان شمعون وتاريخ لبنان المعلّق,
2019
IESAV, Université Saint-Joseph de Beyrouth
جان شمعون وتاريخ لبنان المعلّق, Hady Zaccak
Regards
Jean Chamoun is one of the main Lebanese documentary filmmakers. After taking part in the Palestinian Political Cinema in the seventies, he documented, with his wife, the Palestinian filmmaker Mai Masri, the main events of the Lebanese War, the resistance in South Lebanon in the eighties until the liberation of the South from Israeli occupation in 2000, and the 2006 war. In his work, Chamoun focused on the human being in his daily life and continuous struggle for dignity under the strain of history. His social and political documentaries, as well as his sole fiction drama – extremely popular but …
العروض الفنية المعاصرة – التجهيز والأداء الفني تأثير التراث والمجتمع والسياسة,
2019
IESAV, Université Saint-Joseph de Beyrouth
العروض الفنية المعاصرة – التجهيز والأداء الفني تأثير التراث والمجتمع والسياسة, Hana Kaaki
Regards
A review of contemporary artistic practices in Lebanon in relation to tradition, the socio-cultural context of production, and politics.
Beyrouth Vagabond,
2019
IESAV, Université Saint-Joseph de Beyrouth
Beyrouth Vagabond, Pascale Feghali
Regards
Starting from the filmed narrative of three characters — Abou Youssef, a homeless person found during the day at the Sanayeh public garden; a security person in charge of a crumbling building in the Grand Hotels’ sector; and Fatmeh, who squats in an abandoned property in the same sector — this article introduces us into the heartland of Beirut through the eyes of tramps and vagabonds. It is made up of narratives and counter-narratives built on elements of reality but that, in fact, speak of another dimension of reality where truth is no longer an issue. The stories are set …
