Brian Reynolds, Public Visibility, And Gay Stardom,
2020
University of Louisville
Brian Reynolds, Public Visibility, And Gay Stardom, Finley Freibert
Faculty and Staff Scholarship
Once gracing the covers of numerous gay newspapers and magazines, Brian Reynolds was a key figure of Los Angeles’ emergent gay adult film industry of the late 1960s. He had all but disappeared from gay adult film historiography until he re-emerged as a cover model for a scholarly journal in 2012, to illustrate pioneering scholarship that initiated contemporary Pat Rocco studies. This article puts the story of Brian Reynolds in dialogue with critical star studies in order to offer a recovery history of Reynolds. Reynolds’ rise to celebrity and sudden relegation to obscurity underscores the historical instability of gay pornographic …
Digital German-Jewish Futures: Experiential Learning, Activism, And Entertainment.,
2020
Gettysburg College
Digital German-Jewish Futures: Experiential Learning, Activism, And Entertainment., Kerry Wallach
German Studies Faculty Publications
The future of the German-Jewish past is, in a word, digital, and not only in the sense of digital humanities or digital history. Future generations of scholars, students, and the general public will engage with the past online in the same ways—and for many of the same reasons—that they engage with everything else. There needs to be something redeeming, enjoyable, or at least memorable about studying history for people to feel that it is worthwhile. For many, the act of learning about the past serves as a kind of virtual travel, even an escape, to another time and place. Learning …
Poetic Walking Across Mobile Boundaries: Contemporary Southeast Asian Narratives In The Work Of Trinh T. Minh-Ha And Apichatpong Weerasethakul,
2020
University of San Francisco
Poetic Walking Across Mobile Boundaries: Contemporary Southeast Asian Narratives In The Work Of Trinh T. Minh-Ha And Apichatpong Weerasethakul, Weiying Yu
Master's Projects and Capstones
This research investigates how personal politics, the poetics of cinematic narrative form, and current Southeast Asian landscapes are embodied in the work of filmmakers/artists Trinh T. Minh-ha (b. 1952, Hanoi, Vietnam) and Apichatpong Weerasethakul (b. 1970, Bangkok, Thailand). Trinh and Apichatpong’s transnational reflections and radical poetics challenge the West as the authoritative domain of modern knowledge, evoking a border rupture that questions hegemonic definitions of culture, history, geography, and society. Synthesizing art and politics, their works create experimental spaces to navigate the multidimensional consciousness associated with the Asia Pacific and global political issues of immigration, refugeeism, military action resistance, and …
Whatever It Takes: Redemption, Individualism, Altruism And The Marvel Cinematic Universe,
2020
Morehead State University
Whatever It Takes: Redemption, Individualism, Altruism And The Marvel Cinematic Universe, Rianna Jeanine Robinson
Morehead State Theses and Dissertations
A thesis presented to the faculty of the Caudill College of Arts, Humanities and Social Sciences at Morehead State University in partial fulfillment of the requirements for the degree of Master of Arts by Rianna Jeanine Robinson on December 14, 2020.
Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller,
2020
Fudan University
Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller, Liyuan Zhu
CLCWeb: Comparative Literature and Culture
This paper is a response to Hillis Miller’s query on the author’s essay “Hillis Miller on the End of Literature.” The author basically agrees with Miller’s view on the shift from print culture to digital culture, explaining the special cultural context under which Chinese scholars emphasize the visual turn. Based on the rapid development of Chinese online literature, the author points out that print culture does not rival but coexists with digital culture. On the other hand, drawing on Aristotle’s Poetics and insights of several leading figures of contemporary hermeneutics, the author contends that Miller’s dichotomy of poetics (form) and …
China Question Of Us-American Imagism,
2020
Hangzhou Normal Universy
China Question Of Us-American Imagism, Qingben Li
CLCWeb: Comparative Literature and Culture
This paper investigates first the influences of ancient Chinese culture on Ezra Pound, and then Pound’s influence on the New Culture Movement of modern China (1917). It is a kind of circular journey of literary texts and theories from ancient China to the West and then back to China. This journey, or “circle model,” involves textual appropriation, variation, transformation and misunderstanding in every stage.
Western Theory And Historical Studies Of Chinese Literary Criticism,
2020
East China Normal University
Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu
CLCWeb: Comparative Literature and Culture
This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literature” and “literary criticism” in the early twentieth century, largely through Japan, laid the very foundation of historical studies of classical Chinese literary criticism as an independent subject of study. This paper argues that when adopting Western methods …
The Chuanyue (Traversing) Of Western Cultural Industry Theories In China,
2020
Shandong Normal University
The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai
CLCWeb: Comparative Literature and Culture
This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …
Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism,
2020
East China Normal University, Shanghai
Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu
CLCWeb: Comparative Literature and Culture
This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC.
“Western Marxism” In Mao’S China,
2020
Shanghai University,China
“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang
CLCWeb: Comparative Literature and Culture
China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …
The Television Showrunner: A Case Study Analysis Of Insecure And Fleabag,
2020
Loyola Marymount University
The Television Showrunner: A Case Study Analysis Of Insecure And Fleabag, Haley Bulen, Charles Howard
Honors Thesis
In light of the rise in video-on-demand (VOD) services, television has exploded in popularity on an international scale, eclipsing its predecessor of movies. This phenomenon has been further heightened by the COVID-19 pandemic as audiences flocked to their television screens during Stay-At-Home orders. Specifically, Netflix received 15 million more subscribers since mid- March, 2.3 million more Americans subscribed to Netflix since March, and broadcast television viewing has jumped by 8.3 million viewers (Fitzgerald). With the demand for high-quality entertainment, the role of the television creator/showrunner has become increasingly important, as this individual or pair of individuals is tasked with maintaining …
Making Data Playable: A Game Co-Creation Method To Promote Creative Data Literacy,
2020
Utrecht University
Making Data Playable: A Game Co-Creation Method To Promote Creative Data Literacy, Stefan Werning
Journal of Media Literacy Education
This article explores how making data playable, i.e. developing exploratory co-creation techniques that use elements of play and games to interpret small to mid-sized datasets beyond the current focus on visual evidence, can help a) promote creative data literacy in higher education, and b) expand existing definitions of data literacy. The article briefly investigates playful characteristics in existing data practices, and discusses how this perspective compares to existing frameworks that define data literacy. In a second step, we present a Discursive Game Design technique to promote creative data literacy. The article reports on findings from a sample workshop, during which …
News,
2020
DePaul University
News
In The Loop
News briefs: Hollywood Reporter Honor; Studio CDM Documents Remote Initiatives; Animation Jam Goes Virtual; "Tom of Your Life" Film Release; D.E.F. Showcase 2020; Trackmania Soundtrack; Alumnus Commemorates St. Vincent de Paul; Alumni Games at PixelPop; Cybersecurity Champion
Walking The Walk,
2020
DePaul University
Walking The Walk
In The Loop
DePaul's College of Computing and Digital Media has several programs that engage students in enjoyable and educational endeavors that build their skill sets, confidence, and connections. The School of Cinematic Arts has partnered for several years with the Chicago Housing Authority (CHA) on a program that pays youth residents of CHA housing to participate in documentary filmmaking, screenwriting and design. DeSports involves students at two Chicago Public Schools (CPS) in e-sports to develop collaboration, communication and critical-thinking skills. Middle-school girls in CPS participate STEM-oriented pursuits as part of Digital Youth Divas.
Alumna Profile: Meet Would-Be Hot Topic Influencer Vera Drew,
2020
DePaul University
Alumna Profile: Meet Would-Be Hot Topic Influencer Vera Drew
In The Loop
Digital cinema graduate Vera Drew (CDM '11) talks about her life in Los Angeles, her work as a film editor for Sacha Baron Cohen, Tim Heidecker and Eric Wareheim, and how she has managed coming out as a trans woman and keeping busy during the COVID-19 pandemic.
The Vampire That Refused To Die: Dracula And Nosferatu,
2020
University of Western Ontario
The Vampire That Refused To Die: Dracula And Nosferatu, Louis J. D'Alton
Proceedings from the Document Academy
This paper considers the efforts of the Stoker estate to stop an infringing work, Nosferatu, in a new medium while simultaneously attempting to create new vehicles to exploit the legacy of Dracula. Focusing on the works as they pass and transform through overlapping and related frames allows the consideration of both the private and public lives of the document. It also highlights the limitations of policy frames and the continuing relevance of these historical processes in discussions of the document.
Embracing Monsters,
2020
University of Alabama
Embracing Monsters, Laurie J. Bonnici, Brian C. O'Connor
Proceedings from the Document Academy
We propose monsters are documents. Monsters show us, make evident to us, teach us. An exploration of five monsters, both popular and unknown, reveals they fit within a standard model of message making; the binary nature of that model separates meaning from message enabling explanation of evolving interpretations of a monster. We examine the coding and decoding of monster documents through a functional ontology lens. We posit that monsters defy protype and thus serve as attempts at documenting the undocumented. Simultaneously monsters present clues to understanding through imagery that spans the unfamiliar and the familiar allowing the recipient to engage …
Mulan: An Exploration Of Culture And Representation In Hollywood,
2020
Chapman University
Mulan: An Exploration Of Culture And Representation In Hollywood, Annie Okuhara, Bernadine Cortina, Hung Le, Ryan Nakahara, Jerry Zou
Student Scholar Symposium Abstracts and Posters
'Mulan: An Exploration of Culture and Representation in Hollywood' is a presentation and detailed analysis of various representational, cultural, and minority-related issues in the context of Hollywood and western media. The presentation will focalize specifically around the recent live-action remake of the 1998 film "Mulan". The remake, premiered in March 2020, received critical backlash from various audiences (mostly from the BIPOC community), bashing the film for its misrepresentation of Ancient China and Ancient Chinese culture. Through this misrepresentation, the Hollywood film ultimately reflects views of cultural appropriation, misogyny, and overall minority underrepresentation in the United States. The research presents the …
Présence Francophone, Numéro 95,
2020
College of the Holy Cross
Présence Francophone, Numéro 95
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
La Distribution En France Des Films D'Afrique Sud Saharienne Francophone,
2020
Université de Strasbourg
La Distribution En France Des Films D'Afrique Sud Saharienne Francophone, Patricia Caillé, Claude Forest
Présence Francophone: Revue internationale de langue et de littérature
Since the first such productions of the post-independence era, films directed by African filmmakers from former sub-Saharan French colonies have enjoyed very limited broadcast in theatres in France. Indeed, with very few exceptions, they have hardly been seen by French audiences at all. The image of the "festival film" - a label they were assigned - has had a significant negative impact, reinforcing their status as niche films reserved exclusively for film buffs. The few film titles that come up over and over again have led critics astray, restricting their view of this cinema to the places and stories portrayed …
