Film and Media Studies Commons^™

Listen Like This: Audiovisual Argument In Rockumentary, Lindsey Eckenroth

Dissertations, Theses, and Capstone Projects

Rockumentaries are commodities that construct authoritative interpretations of popular music history, shaping how we come to know, value, hear, consume, and identify with popular music and those who create it. The arguments rockumentaries make, and the ways they make them, are the subject of this dissertation. Rather than position rockumentary as a genre, I investigate it as a set of representational tendencies to be examined in relation to stardom, authenticity, fandom, the culture industry, and the music(ians) these films represent. My introduction argues that rockumentaries operate according to what I call the offstage pattern, a dialectical structure in which …

Aronofsky’S Black Swan As A Postmodern Fairy Tale: Mirroring A Narcissistic Society, Margarete Johanna Landwehr

Languages & Cultures Faculty Publications

Based on the plot of Swan Lake, Black Swan depicts an ingenue's metamorphosis into a woman and a prima ballerina that contains a fairy-tale plot in which a naive heroine overcomes enemies and obstacles in order to achieve success and sexual maturity. Unlike a traditional fairy tale, this cinematic tale concludes with death and the clear distinctions between good and evil, helper and adversary and reality vs. fantasy are fluid. As in many fairy tales, the film criticizes the values of its era, namely, the narcissistic aspects of contemporary society with its excessive worship of youth, beauty and celebrity, and …

Some Notes On Birds: Language And Attention In The Age Of Social Media, Aimee Lamoureux

Dissertations, Theses, and Capstone Projects

Technology, social media, and its affiliated distractions are now an ever-present part of our daily lives. Attention is a commodity, one which tech companies value because it delivers them bigger and bigger profits. Their products are intentionally designed to be additive, to demand more and more of our time and attention throughout our day. However, attention is not simply a commodity, but the way in which we connect with the external world and attend to our everyday experience. The world that we create in the mind is the world that ends up forming the reality of our everyday lives. Complex …

Put Yourself First (In A Sexy Way): Postfeminist Beauty Messaging And Resistant Media Texts, Margarita Artoglou

Dissertations, Theses, and Capstone Projects

The makeover montage trope is one of the most recognizable in media content aimed at young women, sending the message that social status and acceptance are only a new outfit and face of makeup away. While this trope and its message have been heavily critiqued by scholars, the message that beauty—and all its social benefits—can be achieved through consumerism has not disappeared, though the means by which this message is conveyed has changed. As a result of companies co-opting feminist rhetoric, conforming to standards of beauty has been recast as a “choice” one makes for herself, often wrapped in the …

When Saeed Betrays Fuad: Laughing At The Mechanized Occupation, Ezgi Demirors

Dissertations, Theses, and Capstone Projects

This thesis comparatively explores the emergence of the comic in the novel The Secret Life of Saeed The Pessoptimist by Emile Habibi and the film The Time That Remains directed by Elia Suleiman, by building on Bergson’s theory of mechanization. By tracing Bergson’s idea that comic effect is created through the creeping up of the mechanical on the living, the establishment of the “mechanical occupation” as a source of the comic will be elucidated. The comic will be explored in terms of the ways in which both texts offer a new historicizing operation, being works that focus on the narration …

Towards A Decolonial Feminist Aesthetics: Gender, Race, And Empire In Theresa Hak Kyung Cha’S Dictee, Juwon Jun

Dissertations, Theses, and Capstone Projects

Defining revolutionary struggle as a struggle between fictions, Trinh T. Minh-ha asserts that art in revolution is a spiritual presence which widens the conception of freedom. Political struggle is constituted by clashes in differently written and conceived realities—hinged on the creation and realization of multiple liberatory fictions. Liberation then requires us to attend to creating new myths and conceptions of freedom which can free us from the current structures of domination that produce current subjects and realities. If culture is indeed an “essential element in the history of a people,” mapping decoloniality in cultural and aesthetic fields may be essential …

Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea

Dissertations, Theses, and Capstone Projects

This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …

Disrupting Paradise: A Pan-Caribbean Film Series, Dessane L. Cassell

Dissertations, Theses, and Capstone Projects

As one of the regions most economically dependent on tourism in the world, the Caribbean is a place where the impacts of colonial myth-making remain viscerally felt. Long framed as a tropical “paradise,” the Caribbean has been marked by campaigns to package and promote the region as idyllic, picturesque, and available for (primarily Western) consumption. Building upon the writings of Krista Thompson, Ian Gregory Strachan, and Angelique V. Nixon, Disrupting Paradise connects the myth of “paradise” and the modern tourism industry to the long, extractive history of colonialism in the region. Taking shape as a film series, this project examines …

Native American Representation In Film, Matthew Mccadden

Symposium of Student Scholars

Abstract: This paper looks at the history of indigenous portrayals in popular culture and how it influenced future film makers to create the Native stereotype in film. The purpose of this research paper is to discuss the representation of Native Americans in film and how it affects people’s perception of Native Americans. It looks at the negative associations with Native Americans that viewers tend to think of when viewing cinema, and it discusses the help and harm it has done to the Native American community. I used evidence from classic and contemporary films, Buffalo Bill’s Wild West Show, older genre …

Native American Representation In Film, Matthew Mccadden

Symposium of Student Scholars

Abstract: This paper looks at the history of indigenous portrayals in popular culture and how it influenced future film makers to create the Native stereotype in film. The purpose of this research paper is to discuss the representation of Native Americans in film and how it affects people’s perception of Native Americans. It looks at the negative associations with Native Americans that viewers tend to think of when viewing cinema, and it discusses the help and harm it has done to the Native American community. I used evidence from classic and contemporary films, Buffalo Bill’s Wild West Show, older genre …

Using Visual Storytelling To Design Solutions-Based Approaches To Homelessness, Peggy Peattie

Dissertations

Despite millions of dollars spent over several decades on assistance programs, the nation’s homeless population has increased for the last four years in a row. The number of people reporting as homeless for the first time doubled in San Diego between June 2019 and June 2020. Trying to impose a one-size-fits-all model of care on a population comprised of unique individuals has resulted in many homeless opting for the street rather than subjugating themselves to rules they feel do not treat them with respect and dignity. Yet, the perspectives of homeless individuals are excluded from decision-making dialogue around policies and …

Crossing The Threshold: An Analysis Of The Hero's Journey, Megan C. Hulings

Theses - ALL

The Hero's Journey is well-known amongst storytellers the world over as a useful structure to create compelling characters and engaging plots, though many see its use as derivative and uninspired. After its explosion in popularity in the 1970s, audiences have come to expect stories to hit every step of the Hero's Journey beat-for-beat.

This thesis will explore the history of the Hero's Journey, from its conception to its modern interpretation. It will examine the individual parts that can elevate this simple structure into a complex narrative. By navigating the works of both Christopher Vogler and John Yorke, this thesis will …

Argo: Cia Influence And American Jingoism, Andrea De Oliveira

The Yale Undergraduate Research Journal

“Argo: CIA Influence and American Jingoism” focuses on the ways in which CIA involvement in the production and publicity of Ben Affleck’s Argo (2012) yielded a biased representation of the Iranian public. Throughout the film, Affleck pictures Iranians as aggressive and deindividualized, spreading the trope of the Middle Eastern fanatic to viewers worldwide. While villainizing the Iranian public, Argo undermines a fraught history of United States intervention in Iran. Although Affleck takes several liberties in cinematizing the Iranian Hostage Crisis, Argo masquerades as a historical authority, peppered with markers of authenticity such as newsreel footage. I argue that the film …

For A New Ethics Of Reading: Analyzing Tea In The Harem’S Reception, Hannah Kwak

The Yale Undergraduate Research Journal

This paper examines the extratextual materials that reified the novel/film Tea in the Harem as an archive of knowledge about the beur community. I argue that Tea in the Harem was subjected to what I call an anthropological approach to literature, a reading practice which instrumentalizes and subordinates the text to the historical reality which it is said to represent. Though in many ways entangled with the principles of French republicanism, the reception of Tea in the Harem is symptomatic of a more general phenomenon in which literatures of “the other” are expected to rehabilitate, educate, and civilize the majority …

Le Centre Et La Périphérie Des Communautés Rurales Dans Les Films Burkinabés Kounandi Et Yaaba, Clara Martinez

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

West-African film scholar Boukary Sawadogo identifies the 1990s as a period of transition in West-African Francophone cinema: Whereas earlier films from the region tend to deal broadly with socioeconomic themes relevant to the African continent at large, newer productions generally emphasize local and personal concerns, often addressing social issues from the starting point of a marginalized individual. In this paper, I explore two Burkinabe films, Yaaba (Idrissa Ouédraogo, 1989) and Kounandi (Apolline Traoré, 2004), in relation to Sawadogo’s analytic framework of marginality. After establishing the liminal position of the film’s lead characters, shunned since childhood by their close-knit rural communities, …

From Stowaway To Emperor: Understanding Brutus Jones In Eugene O'Neill's The Emperor Jones, Justin W. Davis

LSU New Orleans Theses and Dissertations

The body of this thesis is a documentation of the process of creating the character of Brutus Jones in Eugene O’Neill’s The Emperor Jones, including research, character analysis, rehearsal journal, list of actions and activities, and the play. The Emperor Jones was produced by the University of New Orleans Department of Film and Theatre in New Orleans, Louisiana in the fall of 2020. Due to the Coronavirus, all actors and crew were tested and masked during rehearsals and filming. The play was filmed in the Robert E. Nims theatre and presented online on the evenings of November 21^st, …

Interview, Elizabeth Naiden

Theses and Dissertations

An exploration of work by Liz Naiden in the form of a conversation discussing light and dark, attention and proprioception, and design and architectural theories of space in installation works. Addresses the role of voice, speech, and reading and speaking aloud, performing for oneself, and performing for others.

Empirical Drawings: Utilizing Comic Essays In The Social Studies Classroom To Teach Citizenship, Angelo Letizia

SANE journal: Sequential Art Narrative in Education

This article posits that the comic medium, wedded with traditional essay assignments, may be a powerful tool for social studies teachers, those who prepare social studies teachers at the collegiate level and other teachers and professors who desire to teach about citizenship in an era of "fake news" and alternative facts.

Mammy And Aunt Jemima: Keeping The Old South Alive In Popular Visual Culture, Angela G. Athnasios

Honors College Theses

Throughout the late nineteenth and twentieth century, American popular visual culture produced racist portrayals of Black Americans. Literature, illustrations, minstrelsy, film, and television are notorious for promoting such unflattering images. Each of these media typified African Americans as exaggerated caricatures with dark skin, bulging eyes, bright-red lips, and goofy smiles. The creators of these stereotypes project their racist beliefs into popular culture. This in turn heavily influences the way other races view people of African descent, as well as how Black people view themselves. From mammies, to Jezebels, to pickaninnies, and everything in between, the message ultimately conveyed in these …

Introduction To Video Technology, Ent 1190, Course Outline, Steven Olswang

Open Educational Resources

An introduction to the basic components and practices of preproduction and production methodologies for content creation in commercial video and film production. Through lectures, reading assignments, screenings and practice, students will learn the basics of all stages of production and working together, creating effective production aesthetics in pre-production, production and post-production, script-writing and story-boarding, cinematography aesthetics (lighting and camera), and design and graphics functions in editing.