Series 14_Lelend Center Archives,
2015
Texas Southern University
Series 14_Lelend Center Archives, Mickey Leland Center For Environment Justice & Sustainability
Series 14 : The Mickey Leland Audio Video Collection – Documents
Mickey Leland Papers & Collection Archives at Texas Southern University (www.lelandcenter.org) Series 14: The Mickey Leland Audio Visual CollectionThe Mickey Leland audio-visual collection includes audio recordings, films and video recordings, and a photographic collection.The Film/Video Collection. Films and videos in this collection range in viewing length from 10 seconds to more than an hour. The videos have been indexed by speakers, those spoken about, bills discussed, government agencies named and specific historic events. Keywords have also been applied in “Notes” to give the user the broadest possible access to the Collection.The Video Collection has been processed into four categories: 1. …
The World According To Frank Underwood: Politics And Power In "House Of Cards",
2015
Claremont McKenna College
The World According To Frank Underwood: Politics And Power In "House Of Cards", Lindsey E. Davidson
CMC Senior Theses
This thesis, argues that House of Cards portrays an embellished reality of our government through a Machiavellian lens, particularly looking at the politics of scandal through the 25th Amendment and impeachment, as well as the role of political spouses. It also address the underlying question of appointing someone as controversial as Frank Underwood to the vice presidential position knowing his manipulative nature, and will analyze his schemes from a realistic perspective.
The Power Of Creativity: How Web-Based Parody Encourages Chinese Civil Participation,
2015
Bowling Green State University
The Power Of Creativity: How Web-Based Parody Encourages Chinese Civil Participation, Amber Boczar
International ResearchScape Journal
This article investigates that relationship between e’gao (parody using web-based media) and Chinese civil participation. E’gao (恶搞 EUH-gow) uses videos, images, and text based campaigns that use humor to remove fear of political commentary and action. By detailing the development of China’s internet use, and the creation of the e’gao movement, I argue that e’gao removes the fear of participating in campaigns and movements, which criticize government policy and actions on both local and state levels, by using humor and anonymity of large online numbers. E’gao can provide a way for the common citizens to mold policy, and hold authority …
Explicit Content: A Discussion Of The Mpaa Film Rating System And The Nc-17 Rating,
2015
Scripps College
Explicit Content: A Discussion Of The Mpaa Film Rating System And The Nc-17 Rating, Caroline H. Miller
Scripps Senior Theses
The United States film industry is controlled by the Motion Picture Association of America (MPAA) and its six signatories--the major productions studios (Sony, Warner Brothers, Universal, Walt Disney, 20th Century Fox, Time Warner), and through this joint-partnership they have monopolized prime production, distribution, exhibition and classification of the U.S film market.
The objective of this project is to shed light on biases present in the MPAA rating system's treatment of sex and violence under the X/NC-17 rating in order to demonstrate the lack of viability of the system in today's world.
Queer Content In Science Fiction Allegory And Analogue: Is It In Disguise?,
2015
Scripps College
Queer Content In Science Fiction Allegory And Analogue: Is It In Disguise?, Anna C. Marburger
Scripps Senior Theses
This thesis performs a textual analysis of two for-profit science fiction texts in which the authors implanted queer content: Bryan Singer's X-Men films and James Robert's Transformers comic series, "More Than Meets the Eye". The argument incorporates queer (referring to attraction and gender variance) media representation and western identity politics lenses into its critique.
By interrogating reality through the masquerade of an impossible universe, science fiction affects how subversive a text can be. When authors designate the natural and the unnatural in a strange universe, they designate what and who belongs in our society. Whatever they imagine has an effect …
“Rip It!”: A Juxtapositional And Critical Discourse Analysis Of Gender Violence In 3 Tyler Perry Films,
2015
Virginia Commonwealth University
“Rip It!”: A Juxtapositional And Critical Discourse Analysis Of Gender Violence In 3 Tyler Perry Films, Avina Ross
Graduate Research Posters
This qualitative study uses juxtapositional, intersectional and critical discourse analyses as one composite framework to assess Black female victimness and matriarchy in three Tyler Perry films. Findings exposed a transitional archetype model consisting of 5 domains (Victim, Bitterfruit, Matriarch, Forgiver and Princess) whereby victimized characters are portrayed using racist and sexist stereotypes. Additionally, rich juxtapositions in the films with regard to Black female victimness and matriarchy were also revealed. These juxtapositions play out in the transitional archetype model and reiterate a harmful racist gendered stereotype: strong, Black women (matriarchs) are not and cannot, by way of their strength, aggressiveness and …
Moving Foward?: Problematic Ideologies In Twenty-First Century Fairy Tale Films,
2015
Central Washington University
Moving Foward?: Problematic Ideologies In Twenty-First Century Fairy Tale Films, Alyson Kilmer
All Master's Theses
Fairy tales, as a reflection of our values and belief systems, are crucial in shaping and maintaining cultural ideologies. In the twenty-first century, cinematic fairy tales have the unique position of representing such values in an expansive and expeditious manner. Audiences must therefore be critically conscious of the messages promoted by these tales. An analysis of the five most popular contemporary fairy tale films, Disney’s Princess and the Frog (2009), Tangled (2010), Universal’s Snow White and the Huntsman (2012), and Disney’s Frozen (2013) and Maleficent (2014), revealed minimal attempts to propitiate critical audiences in regard to changing cultural values, but …
Social Media & Audience Participation In Regard To Television,
2015
The University Of Akron
Social Media & Audience Participation In Regard To Television, Jean Marie Mcbride
Williams Honors College, Honors Research Projects
Jean McBride
Major: Communications: Radio/TV Broadcasting & Mass Media Production
Project Sponsor: Dr. Sylvia White
Number of Project Credits: 3
Social Media & Audience Participation in Regard to Television
The purpose of my honors project was seeing if social media had an influence on television show ratings and popularity by incorporating audience participation. Especially in regards to television shows that have been around for years, I was interested to see if television ratings went up when using Twitter compared to when they did not use Twitter to increase viewers and audience participation. I surveyed forty-nine collegiate women between the ages …
This Is Not A Trend,
2015
University of Montana - Missoula
This Is Not A Trend, Michael T. Workman
Undergraduate Theses, Professional Papers, and Capstone Artifacts
ABSTRACT
Workman, Michael, B.F.A., May 2015 Art
THIS IS NOT A TREND
Faculty Mentor: Elizabeth Dove
This is not a trend is a multi-media art installation that examines the valuation system of contemporary art by creating an absurd situation that mimics a real commercial experience. The manner in which value is placed on art is artificial. Both the monetary and intellectual value of art is decided mostly on the reputation of the artist, their fame, and how well their work is marketed to the public. These characteristics are marketed to art consumers in order to sell them an authentic “art” …
Cute As A Button,
2015
Virginia Commonwealth University
Cute As A Button, Marta R. Finkelstein
Theses and Dissertations
Cute As A Button explores powerlessness, vulnerability, illness and addiction all wrapped up in tender buttons and a cute, cuddly creature. Using animation, sculpture, sound and an intimate space, I surround the viewer in a saccharine nightmare, one that references the dark underbelly of the cute and the sweet. The visual and aural elements are representative of the psychological and emotional states of powerlessness, which are overcome by the act of making and exploring a medium over which I can have complete control.
Long Live The Evil Queen: Once Upon A Time's Evolved Villain,
2015
Salve Regina University
Long Live The Evil Queen: Once Upon A Time's Evolved Villain, Frank S. Lombari
Pell Scholars and Senior Theses
Mirror on the wall, who's the fairest Queen of all? In today's pop culture, many traditional villains are beginning to be turned into antiheroes. ABC's television show Once Upon a Time has taken a number of fairy tale villains and provided them both a background and character growth. Specifically, the adaptation of the Evil Queen has shifted from primary antagonist to redeemed hero over the first three seasons. The show also displays her in the real-world rather than just a fairy tale universe. The author claims that this radical development occurs due three essential aspects: the Evil Queen and Snow …
Queer-Baiting On The Bbc’S Sherlock: Addressing The Invalidation Of Queer Experience Through Online Fan Fiction Communities,
2015
Virginia Commonwealth University
Queer-Baiting On The Bbc’S Sherlock: Addressing The Invalidation Of Queer Experience Through Online Fan Fiction Communities, Cassidy Sheehan
UROP Posters
Fans of a particular media source often write fan fiction to build on, deviate from, and transform original source material. The BBC’s Sherlock is not exempt from this common practice; in fact, the homoerotic subtext which persistently endures within the show lends itself to the production of slash fan fiction. Many perceive this subtext as a method of queer-baiting, or an ultimately harmful tactic used by writers and producers to lure in queer viewers. In this paper, dialogue and scenes from the show itself are compared to excerpts from works of fan fiction in order to explore reactions to queer-baiting …
Navegando Las Barreras Entre El Patriarcado Y El Poder Femenino: Un Análisis De La Representación De La Mujer En El Cine Español Desde 1948 A 2014,
2015
University of New Hampshire - Main Campus
Navegando Las Barreras Entre El Patriarcado Y El Poder Femenino: Un Análisis De La Representación De La Mujer En El Cine Español Desde 1948 A 2014, Olivia Sloan Marple
Honors Theses and Capstones
Este ensayo tratará del papel de la mujer en el cine español y como las representaciones de la mujer en el cine se conectan con lo que pasa en la sociedad española. Específicamente, mostrará que el poder del papel de la mujer se correlaciona con la deconstrucción de los roles de género en la sociedad patriarcal y la fluidez de género representadas en las películas.
Además, este ensayo intenta demostrar que no vemos una trayectoria directa de la representación de la liberación femenina en el cine español. Efectivamente, el poder de los papeles femeninos no tienen que ver con la …
Review Article About Chinese Comparative Humanities Journals Published In 2013,
2014
Central China Normal University
Review Article About Chinese Comparative Humanities Journals Published In 2013, Yuan Liu
CLCWeb: Comparative Literature and Culture
No abstract provided.
Reception And Variations Of Classical Narratology In Chinese Scholarship,
2014
Shanghai Jiao Tong University
Reception And Variations Of Classical Narratology In Chinese Scholarship, Biwu Shang
CLCWeb: Comparative Literature and Culture
In his article "Reception and Variations of Classical Narratology in Chinese Scholarship" Biwu Shang discusses the field's impact starting in the 1970s to today. Shang's survey includes translations of Western frameworks including introductions published during three waves (the 1980s, 1990s, and 2000s respectively). While Shang posits that Chinese narratology owes a debt to English-language Western scholarship, as it stands in the last decades this is counterbalanced with the development of Chinese narratology and Western scholarship started to show interest in Chinese scholarship: indeed, the more exchanges between Chinese scholarship and that of the West develop, the more beneficial the dialogue …
Introduction To New Work On Electronic Literature And Cyberculture,
2014
Don Bosco University Madrid
Introduction To New Work On Electronic Literature And Cyberculture, Maya Zalbidea, Mark C. Marino, Asunción López-Varela
CLCWeb: Comparative Literature and Culture
No abstract provided.
E-Literature, New Media Art, And E-Literary Criticism,
2014
Ljubljana
E-Literature, New Media Art, And E-Literary Criticism, Janez Strehovec
CLCWeb: Comparative Literature and Culture
In his article "E-Literature, New Media Art, and E-Literary Criticism" Janez Strehovec explores the commonalities between electronic literature and new media art. Rather than deploying the traditional conceptual apparatus of e-literary criticism directed first and foremost to the new media elements of e-literature, Strehovec takes into account approaches from current theories in the social sciences and humanities. In doing so, he draws upon examples of new media art as a practice in which the novel's social paradigms change the way of art-making and challenge the very function of art. Close-readings of some new media art projects including Bookchin's Mass Ornament …
Towards Digital Art In Information Society,
2014
Global Net Society Institute
Towards Digital Art In Information Society, Montse Arbelo, Joseba Franco
CLCWeb: Comparative Literature and Culture
In their article "Towards Digital Art in Information Society" Montse Arbelo and Joseba Franco propose the development of the platform of a Network of Experimental Centers be formed by small groups of people who are qualified and who seek optimal operational effectiveness and who dedicate their resources to the production of digital content and we offer artechmedia <http://www.artechmedia.org> as a base point of departure. Such an international network in a collaborative structure based on national networks would make possible to coordinate existing resources to develop social networks, generate and promote content, engage in forums of discussion and creativity workshops, and …
New Challenges For The Archiving Of Digital Writing,
2014
University of Trier
New Challenges For The Archiving Of Digital Writing, Heiko Zimmermann
CLCWeb: Comparative Literature and Culture
In his article "New Challenges for the Archiving of Digital Writing" Heiko Zimmermann discusses the challenges of the preservation of digital texts. In addition to the problems already at the focus of attention of digital archivists, there are elements in digital literature which need to be taken into consideration when trying to archive them. Zimmermann analyses two works of digital literature, the collaborative writing project A Million Penguins (2006-2007) and Renée Tuner's She… (2008) and shows how the ontology of these texts is bound to elements of performance, to direct social interaction of writers and readers to the uniquely subjective …
The Meaning And Relevance Of Video Game Literacy,
2014
Ghent University
The Meaning And Relevance Of Video Game Literacy, Jeroen Bourgonjon
CLCWeb: Comparative Literature and Culture
In his article "The Meaning and Relevance of Video Game Literacy" Jeroen Bourgonjon argues that video gaming deserves scholarly attention as a social practice and a site for meaning-making and learning. Based on an overview of contemporary trends in literacy and cultural studies, he argues that video games cannot be approached like traditional text forms. He contends that video games serve as an important frame of reference for young people and call for informed decision making in the context of culture, education, and policy. Bourgonjon provides an integrated perspective on video game literacy by employing theoretical insights about their distinctive …
