Introduction To Fiction And Ethics In The Twenty-First Century,
2015
Konkuk University & Central China Normal University
Introduction To Fiction And Ethics In The Twenty-First Century, Zhenzhao Nie, Biwu Shang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Ethical Dilemma And Ethical Epiphany In Mcewan’S The Children Act,
2015
Shanghai Jiao Tong University
Ethical Dilemma And Ethical Epiphany In Mcewan’S The Children Act, Biwu Shang
CLCWeb: Comparative Literature and Culture
In his article "Ethical Dilemma and Ethical Epiphany in McEwan's The Children Act" Biwu Shang attempts to explore the ethical nature of the child's welfare in Ian McEwan's novel. Shang examines the various legal cases processed by the British High Court judge Fiona Maye and the blood transfusion case of Adam Henry in particular. Shang argues that Maye adopts ethical criteria throughout the cases she deals with. More significantly, Adam's blood transfusion case and his consequential death lead Maye to her ethical epiphany related to the child's welfare: life is the fundamental welfare of the child and to protect …
Human Cloning As The Other In Ishiguro's Never Let Me Go,
2015
Suzhou University of Science and Technology
Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo
CLCWeb: Comparative Literature and Culture
In her article "Human Cloning as the Other in Ishiguro's Never Let Me Go" Wen Guo analyzes Kazuo Ishiguro's novel with focus on Ishiguro's analogy between human cloning and people of marginality in contemporary society. Guo discusses the novel's ambience of doubt and suspense and elaborates on how the theme of otherness is addressed by Ishiguro's mock-realism in a landscape of science fiction. Further, Guo analyses the "unhomely" Hailsham of the novel, the clones' self-pursuit, and their ethical attitudes. Guo argues that in Ishiguro's novel a person's ethical choices are determined by his/her situation which confirms Ishiguro's beliefs with …
Narrative Ethics And Alterity In Adichie's Novel Americanah,
2015
Justus Liebig University Giessen
Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning
CLCWeb: Comparative Literature and Culture
In her article "Narrative Ethics and Alterity in Adichie's Novel Americanah" Nora Berning analyses Chimamanda Ngozi Adichie's novel through the lens of a narrative ethics of alterity. Focusing on the notion of alterity, Berning argues that a specific turn-of-the-century ethics emerges in contemporary fictions of migration in general and in intercultural novels in particular. An ethical genre in its own right, such twenty-first century fictions as Americanah generate a particular kind of ethical knowledge that revolves around questions of identity and alterity and around individual and collective perceptions of self and other. By addressing the interplay of "the ethics …
Ethics Of Counter Narrative In Delillo’S Falling Man,
2015
Zhejiang Sci-Tech University
Ethics Of Counter Narrative In Delillo’S Falling Man, Qingji He
CLCWeb: Comparative Literature and Culture
In his article "Ethics of Counter-Narrative in DeLillo's Falling Man" Qingji He analyzes Don DeLillo's counter-narrative in his post-9/11 novel Falling Man. The objective is to show how ethical dimensions function fundamentally in formulating an appropriate counter-narrative and why DeLillo's counter-narrative echoes views expressed in his "In the Ruins of the Future." He argues that DeLillo's counter-narrative entails the necessity of ethical consciousness and responsibility. It is Giorgio Morandi's still life paintings instead of media representation that become pivotal in Lianne's transformative and redemptive process after the terrorist attack. Similarly, David Janiak's performance art and Richard Drew's picture …
Ethics Of Father And Son In Ri's 流域へ (Watershed Above) And Kaneshiro's Go,
2015
Konkuk University
Ethics Of Father And Son In Ri's 流域へ (Watershed Above) And Kaneshiro's Go, Inseop Shin, Jooyoung Kim
CLCWeb: Comparative Literature and Culture
In their article "Ethics of Father and Son in Ri's 流域へ (Watershed Above) and Kaneshiro's GO" Inseop Shin and Jooyoung Kim discuss the ethics of father and son as they appear in the two novels by Kaisei Ri and Kazuki Kaneshiro. In both narratives the protagonists suffer from ethical conflicts with their fathers during their struggle to find their identities. The father is port-rayed as a figure who determines the ethical choices the protagonists face when they pursue their own lives. Shin and Kim argue that Korean Japanese fiction is a narrative that folds these choices back on oneself. …
The Reanimation Of The Zombie Genre,
2015
CUNY Graduate School of Journalism
The Reanimation Of The Zombie Genre, William Engel
Capstones
The following piece is an examination of the evolution of the zombie in popular media. It begins with a brief recap of the zombie’s history, beginning with its roots in 19th century Haitian folklore, followed by its usage in the format of film. The most notable and enduring entries in the zombie film genre served as scathing critiques of contemporary human issues, encapsulating all of the fears and insecurities of its audience. In recent years, however, due to the way the international film market has changed, the zombie film has lost its emotional power and edge. Contemporary zombie filmmakers are …
The Relationship Between Elevation, Connectedness, And Compassionate Love In Meaningful Films,
2015
Chapman University
The Relationship Between Elevation, Connectedness, And Compassionate Love In Meaningful Films, Sophie Janicke, Mary Beth Oliver
Communication Faculty Articles and Research
Expanding on the research of meaningful entertainment media and its effects, this study investigated the relationship between experiences related to elevation responses to film. Whereas research thus far has focused primarily on portrayals of altruism to elicit elevation, the results of this study show that portrayals of connectedness, love, and kindness in meaningful films are also able to elicit feelings of elevation. Moreover, elevation mediated the relationship between meaningful films and feelings of connectedness towards the transcendent, close others and toward one’s family; compassionate love towards close others; and compassionate motivation to love and be good to humanity. The study …
Honors College Recruitment Video,
2015
Bowling Green State University
Honors College Recruitment Video, Michael Pirt
Honors Projects
My Honors project was delivered through the medium of video as I attempted to find out what the Honors College means to its members in hopes of using their answers to inspire incoming students to join the Honors College.
The Lens That Sees Itself: Fruitful Interactions Of Film And Philosophy,
2015
Grand Valley State University
The Lens That Sees Itself: Fruitful Interactions Of Film And Philosophy, Travis Wheeler
Cinesthesia
Much of film theory holds that film is primarily an act of communication, whose message the audience understands. While this allows us great insights into the ideological and subconscious functions of a great many films, it falls short of this success with more enigmatic films. In instances such as these, where films are not easily understood, a different paradigm is necessary. Using philosophical texts as comparative tools in film analysis provides the answer to this "blindspot" in film criticism.
Overt And Covert Shandyism Of Nabokov's Nikolai Gogol,
2015
Hunter College
Overt And Covert Shandyism Of Nabokov's Nikolai Gogol, Margarit Ordukhanyan
CLCWeb: Comparative Literature and Culture
In her article "Overt and Covert Shandyism of Nabokov's Nikolai Gogol" Margarit Ordukhanyan examines Vladimir Nabokov's 1942 novel, an unusual biography of the nineteenth-century Russian author. Ordukhanyan discusses parallels between Nabokov's biography of Gogol and Laurence Sterne's Life and Opinions of Tristram Shandy. She highlights the direct allusions and textual references Nabokov makes to Sterne's novel and argues that Nabokov uses Tristram Shandy as the model for creating and interpreting his biography of Gogol by fictionalizing Gogol and portraying him as a Shandean character. Further, Ordukhanyan discusses how Nabokov uses Sterne's novel to undermine the genre of literary …
Leisure And Posthumanism In Houellebecq's Platform And Lanzarote,
2015
Beit Berl College
Leisure And Posthumanism In Houellebecq's Platform And Lanzarote, Nurit Buchweitz, Elie Cohen-Gewerc
CLCWeb: Comparative Literature and Culture
In their article "Leisure and Posthumanism in Houellebecq's Platform and Lanzarote" Nuriot Buchweitz and Elie Cohen-Gewerc analyze Michel Houellebecq's novels in the context of leisure studies. They posit that in particular in Platform and Lanzarote Houellebecq explores leisure practices available in industrial societies marked by consumer culture. Further, Buchweitz and Cohen-Gewerc argue that the abundant depictions of leisure in Houellbecq's texts is not unintentional because he introduces the concept of the posthuman condition and rethinks agency and human selfhood as a consequence of the collapse of subjectivity. Employing postmodern indeterminacy, Houellebecq explores contemporary mores and debates the extinction of …
Panic At The Drive-In: Affordance, Moral Panic, And Drive-In Theatres,
2015
Wilfrid Laurier University
Panic At The Drive-In: Affordance, Moral Panic, And Drive-In Theatres, Maria Chatzifilalithis
Laurier Undergraduate Journal of the Arts
No abstract provided.
Exploring The Role Of Identification And Moral Disengagement In The Enjoyment Of An Antihero Television Series,
2015
Chapman University
Exploring The Role Of Identification And Moral Disengagement In The Enjoyment Of An Antihero Television Series, Sophie Janicke, Arthur A. Raney
Communication Faculty Articles and Research
Affective disposition theory explains well the process of enjoying hero narratives but not the appeal of narratives featuring antiheroes. Recent antihero studies suggest that character identification and moral disengagement might be important factors in the enjoyment of such fare. The current study builds on this work. A sample of 101 self-identified fans and nonfans of the television series 24 viewed a condensed version of Season 1, providing evaluation of various protagonist perceptions, moral judgments, and emotional responses to the narrative, as well as overall enjoyment. As expected, fans reported greater liking of the protagonist and greater enjoyment. But more importantly, …
Human Trafficking And Film: How Popular Portrayals Influence Law And Public Perception,
2015
Georgia State University College of Law
Human Trafficking And Film: How Popular Portrayals Influence Law And Public Perception, Jonathan Todres
Faculty Publications By Year
No abstract provided.
You’Ve Gotta Keep The Faith: Making Sense Of Disaster In Post 9/11 Apocalyptic Cinema,
2015
University of Winchester
You’Ve Gotta Keep The Faith: Making Sense Of Disaster In Post 9/11 Apocalyptic Cinema, Matthew Leggatt
Journal of Religion & Film
Abstract: Chronologically examining the role of faith based narratives in the Hollywood apocalypse since the mid-90s, this article charts their reintroduction in the period after 9/11. Through the study of an extensive array of contemporary films the different structures of faith they offer and an exploration of how such faith is used in order to make meaning from disaster, I assert that post 9/11 apocalyptic movies have grappled with issues of faith and meaning in a far more complex way than in the films of the 90s, questioning the value of such faith in a post-disaster world. In concluding, I …
A Path Less Traveled: Rethinking Spirituality In The Films Of Alejandro Jodorowsky,
2015
New England Institute of Technology
A Path Less Traveled: Rethinking Spirituality In The Films Of Alejandro Jodorowsky, Adam Breckenridge
Journal of Religion & Film
This essay seeks to add to the scholarship around the films of Alejandro Jodorowsky by looking at how Jodorowsky challenge to mainstream religion and spirituality in two of his major films: El Topo and The Holy Mountain. I situate both these films within their cultural context and, working with Slavoj Zizek’s idea of the sadistic trap, explore how they challenge not only mainstream religious beliefs but countercultural ones as well. By doing so, I hope to cast some light on what makes the subversive nature of his films so valuable and to provide some guidance to two films that …
Blood, Tits And The Modern Depiction Of Antiquity – Sparatcus: Blood And Sand And The Display Of A Historical Myth,
2015
CUNY Queensborough Community College
Blood, Tits And The Modern Depiction Of Antiquity – Sparatcus: Blood And Sand And The Display Of A Historical Myth, Frank Jacob
Publications and Research
The article is dealing with the depiction of antiquity in the TV series Spartacus: Blood and Sand.
Hollywood’S Image Of The Second World War - David Ayer’S Fury (2014) And The Depiction Of Violence In War,
2015
CUNY Queensborough Community College
Hollywood’S Image Of The Second World War - David Ayer’S Fury (2014) And The Depiction Of Violence In War, Frank Jacob
Publications and Research
The article describes the way in which violence is depicted in David Ayer’s World War II movie Fury (2014). It also deals with the general question how violence is visualized in current Hollywood movies.
Audience Vs. Art: The Plight Of The Contemporary Bengali Filmmaker,
2015
SIT Graduate Institute - Study Abroad
Audience Vs. Art: The Plight Of The Contemporary Bengali Filmmaker, Gabriel Doss
Independent Study Project (ISP) Collection
This document is a 2015 survey of contemporary Bengali Cinema, which is primarily composed of (1) a brief history of the industry from its origins to the present day and (2) a survey of the careers of six prominent, active Bengali directors: Goutam Ghose, Buddhadeb Dasgupta, Aparna Sen, Sekhar Das, Srijit Murkerji, and Kamaleshwar Mukerjee. The guiding question for the research was "How does a Bengali director express him/herself honestly within the economic restrictions serving the Bengali audience?" Research was conducting by watching 71 films, conducting 11 interviews, including 7 interviews with directors, including each director mentioned above. The conclusion …
