Medusa As Victim And Tool Of Male Aggression,
2020
Trinity University
Medusa As Victim And Tool Of Male Aggression, William S. Duffy
Verbum Incarnatum: An Academic Journal of Social Justice
While Medusa, like many monsters from Greek Mythology, has multiple origin stories, the one arguably best known to modern audiences is the one related in Ovid’s Metamorphoses 4.5750-803, in which Medusa is raped by Neptune in Minerva’s temple and subsequently punished by the goddess by being turned into the monster we all know. This means that Medusa is, to use the modern parlance, a survivor. Furthermore, Medusa’s experience after her violation echoes common elements of the survivor’s experience even millennia later. This suggests that many of the institutional responses to sexual assault that bedevil survivors today existed in some form …
Free Battered Texas Women: Survivor-Advocates Organizing At The Crossroads Of Gendered Violence, Disability, And Incarceration,
2020
Free Battered TX Women
Free Battered Texas Women: Survivor-Advocates Organizing At The Crossroads Of Gendered Violence, Disability, And Incarceration, Cathy Marston Phd
Verbum Incarnatum: An Academic Journal of Social Justice
This article recaps my symposium presentation, where I argue that feminist organizing strategies are central to healing our society and creating restorative justice from my perspective as a survivor of occupational injury, battering, and criminalization for self-defense. This includes the creation of Free Battered Texas Women. We prefer to think of ourselves as survivor-advocates who use a variety of tactics to empower ourselves, incarcerated battered women, and citizens. These strategies include pedagogy; poetry and other written forms; art; and legislative advocacy. I blend this grassroots activism with feminist disability theory, radical feminist theory, feminist ethnography, and feminist criminology.
La Strada,
2020
Chapman University
La Strada, Federico Pacchioni
World Languages and Cultures Faculty Books and Book Chapters
"Released in 1954, La strada was the third solo directorial work of Federico Fellini and followed the critical and commercial success of I vitelloni (1953). Together with the films that preceded La dolce vita (1960), La strada represented a more traditional narrative and sober visual style that contrasted with Fellini's later experimental work. It is also an important film for understanding Fellini's reputation and evolution as an auteur director, especially in the light of the debate that it triggered among the Italian and French critics of the time regarding the true 'calling' of Italian neorealism. The idea for La strada …
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water,
2020
University of Washington Tacoma
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain
CLCWeb: Comparative Literature and Culture
Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …
Making The Global Visible: Charting The Uneven Development Of Global Monsters In Bong Joon-Ho’S Okja And Nacho Vigalondo’S Colossal,
2020
Soonchunhyang University, South Korea
Making The Global Visible: Charting The Uneven Development Of Global Monsters In Bong Joon-Ho’S Okja And Nacho Vigalondo’S Colossal, Ju Young Jin
CLCWeb: Comparative Literature and Culture
In her essay, “Making the Global Visible: Charting the Uneven Development of Global Monsters in Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal,” Ju Young Jin examines the entanglement of the global and the monstrous in two recent films that position Korea on the cusp between Cold War politics and global capitalism: Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal. The Korean filmmaker Bong Joon-Ho and Spanish filmmaker Nacho Vigalondo offer viewers films that challenge conventional notions of monster by fusing it with a coming-of-age plot of the female protagonist that takes place on a global scale, which contests the …
Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization,
2020
Texas State University
Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.
CLCWeb: Comparative Literature and Culture
The predominance of the horror genre, broadly conceived, in recent years attests to the profound sense of anxiety and dread permeating late capitalist societies. As the processes and effects of globalization become more viscerally experienced, they are also often rendered invisible or unknowable, and individuals and groups find themselves subject to an immense array of forces beyond their control. The contemporary scene is crowded with monsters, from alien invaders to the zombie apocalypse, set against the backdrop of darkly fantastic landscapes and dystopian visions. Drawing upon a variety of Marxist cultural theory, Robert T. Tally Jr. explores the topographies of …
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures,
2020
Soonchunhyang University, South Korea
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe
CLCWeb: Comparative Literature and Culture
This special issue on “The Monstrous Global: The Effects of Globalization on Cultures” explores representations of the monstrous effects and products of globalization. The monstrous (as in The Monstrous Feminine by Barbara Creed) in this sense alludes to the ways in which local or national displays of fear and anxiety about the Other are embedded in struggles and tensions of global scale; the inability to cognitively map the effect of such global forces on local/national problems produces monstrous representations of the global. Global forces such as neoliberalism and reactionary nationalism, technology, climate change, migration and displacement lead to accelerating instability …
A Deconstructive Reading Of Taoist Influenced Chinese And American Poetry,
2020
Southwest Jiaotong University
A Deconstructive Reading Of Taoist Influenced Chinese And American Poetry, Hong Zeng
CLCWeb: Comparative Literature and Culture
In her article “A Deconstructive Reading of Taoist Influenced Chinese and American Poetry” Hong Zeng attempts to deconstruct the logos status of "Nature" in Chinese natural philosophy and explore the tragic potentiality of such philosophy and poetry under its influence. It also analyzes its aesthetic strategies used to overcome historical tragedy, and how such tragic potentiality in classical Chinese philosophy and poetry break out into the imagery of death and fragmentation in modern Chinese and American poetry under its influence, including poetry by such poets as Hai Zi, Gu Cheng, Robert Bly and Wallace Stevens, and how it sometimes leads …
The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought,
2020
Jagiellonian University, Cracow and the University of Groningen
The Others (2001) By Alejandro Amenábar In The Light Of Valentinian Thought, Fryderyk Kwiatkowski
CLCWeb: Comparative Literature and Culture
The article offers a Valentinian interpretation of the Hollywood film The Others (2001). A particular attention is paid to the ways in which cinematic motifs and narrative elements of the film draw on myths, ideas and symbolic imagery present in Valentinian works, especially in the Gospel of Truth (NHC I, 3) and the Gospel of Philip (NHC II, 3). In the course of the heuristic analysis, the paper argues that although the film employs Valentinian ideas, it depicts different understanding of the world. This issue is addressed in the last part of the article by situating the film within broader …
Legend Has It: Tracking The Research Trope In Supernatural Horror Film Franchises,
2020
CUNY Graduate Center
Legend Has It: Tracking The Research Trope In Supernatural Horror Film Franchises, Deirdre M. Flood
Dissertations, Theses, and Capstone Projects
This study will analyze how information about monsters is conveyed in three horror franchises: Poltergeist (1982-2015), A Nightmare on Elm Street (1984-2010), and The Ring (2002- 2018). My analysis centers on the changing role of libraries and research, and how this affects the ways that monsters are portrayed differently across the time periods represented in these films. These franchises, which span a number of decades, and encompass sixteen films in total, offer a good wealth of information to study because they are all films centered around monsters that haunt. These monsters, while aesthetically in opposition to each other, are all …
Binaural: Trauma And Disability Representation In Cinema,
2020
CUNY Graduate Center
Binaural: Trauma And Disability Representation In Cinema, Joshua Grossberg
Dissertations, Theses, and Capstone Projects
In the year 2019, the film business is undergoing profound change. Streaming services like Netflix and Amazon have become major distribution outlets, threatening the hegemony of traditional Hollywood studios and altering the kinds of movies that receive a theatrical release. Gone is the middle budget film, replaced by franchises like Marvel Cinematic Universe, The Fast and the Furious and Star Wars based on already popular intellectual property. But that's not all. In the wake of the fallout of the #OscarsSoWhite controversy and the #MeToo Movement, for the first time serious efforts are being made both outside and inside the industry …
Lo Visible, Lo Invisible Y Lo Imaginable: Neoliberalismo Y Ciudad En Las Producciones Culturales De Posguerra En Centroamérica,
2020
CUNY Graduate Center
Lo Visible, Lo Invisible Y Lo Imaginable: Neoliberalismo Y Ciudad En Las Producciones Culturales De Posguerra En Centroamérica, Maria A. Leon Umana
Dissertations, Theses, and Capstone Projects
This project researches the radical change that the peace treaty of the 1990s brought to Central American societies in connection with economic models. Specifically, it examines the way in which the implementation of neoliberal policies has transformed the cities concerning the spatial and the social; consequently, resulting in an important urban shift in regard to postwar cultural productions. I build a theoretical model organizes the investigation in three representative examples of Central American urban imaginaries (The Visible, The Invisible, and the Imaginable) so as to enlighten and/or enrich the analysis of the region’s urban social realities—examined in detail in a …
Digitalisation In 21st Century Music Education: Smartphone As Communication And Teaching Learning Tool,
2020
Universiti Malaya
Digitalisation In 21st Century Music Education: Smartphone As Communication And Teaching Learning Tool, Ginajil Havilah
Student Works (2020-2029)
Parents were the biggest influencer to every child’s development in any area of life, thus it is crucial to enhance parental involvement in order to assist efficiently in child’s learning at home environment. Moreover, this generation of children has commitment in more than one activity every week, therefore it is important for parents to manage the time equally in turn to have quality performances achieved from the children. Thus, this study is conducted on Digitalisationin 21st Century Music Education: Smartphone as Communication and Teaching-Learning Tool. The aims of this study are: (1) to investigate the effectiveness of digital device in …
American Novels Amidst The Rise Of New Media: Emergent Publics And Forms,
2020
CUNY Graduate Center
American Novels Amidst The Rise Of New Media: Emergent Publics And Forms, Sarah Ruth Jacobs
Dissertations, Theses, and Capstone Projects
This dissertation examines long-term shifts in the quantities and demographics (namely the race and educational attainment) of twentieth-century American literary readers alongside the rise and popular consumption of new media (namely television and the internet). The twentieth and twenty-first centuries are testament to a great expansion in the numbers and demographics of literary readers, and in turn an increase in the variety and intended audiences of literary publications. Examples include the rise of “middlebrow” readers and books in the 1940s and the rise of African-American, feminist, and countercultural small presses in the 1960s and 1970s. However, even as the variety …
Grayscale Portfolio,
2020
Eastern Washington University
Grayscale Portfolio, Brandon D. Chambers
2020 Symposium Creative Works
This collection is intended to evoke the sensory details that are intensified by grayscale photography. Although photography is a visual arts medium, it possesses the potential to engage the viewers’ auditory, tactical, and olfactory senses. The color symbolism theory argues that through natural association and psychological symbolism, colors have specific connotations and therefore, elicit certain emotions. If this is, in fact, the case, what then can be gained from an image that is void of color? I feel that color often distracts the viewer from the intimate details of the images and prevents them from fully immersing themselves in the …
People And Place: A Journey Through Film, Tourism, And Heritage,
2020
University of Denver
People And Place: A Journey Through Film, Tourism, And Heritage, Sarah Beals
Electronic Theses and Dissertations
Old Tucson Studios is a theme park where film, tourism, and heritage all converge through the American Western genre. During national social change, Westerns increase in number to reflect national values and identity. Westerns that ally with landscapes and people are potentially the most powerful storytelling tool in mainstream media. My research shows that this paring of people and place creates a prevailing image in the audience’s memory. The results suggest that the current image of the West comes from films made between 1951-1970, despite there being newer Westerns. John Wayne and saguaro cactus are enduring images with historic, cultural, …
Noah Fidlin Senior Art Portfolio,
2020
St. Norbert College
Noah Fidlin Senior Art Portfolio, Noah J. Fidlin
Senior Art Portfolios
An art, photography and design magazine that combines analog and digital media.
Annual Report 2019-2020,
2020
DePaul University
Annual Report 2019-2020, Depaul University College Of Computing And Digital Media
CDM Annual Reports
LETTER FROM THE DEAN
As I write this letter wrapping up the 2019-20 academic year, we remain in a global pandemic that has profoundly altered our lives. While many things have changed, some stayed the same: our CDM community worked hard, showed up for one another, and continued to advance their respective fields. A year that began like many others changed swiftly on March 11th when the University announced that spring classes would run remotely. By March 28th, the first day of spring quarter, we had moved 500 CDM courses online thanks to the diligent work of our faculty, staff, …
Letters From The “Gentlemen Of The Press,” 1810-1845,
2020
Virginia Commonwealth University
Letters From The “Gentlemen Of The Press,” 1810-1845, David E. Latane
English Publications
A collection of letters by men and women associated with the periodical press in England in the first half of the nineteenth century, transcribed, annotated, and presented with scans of the original letters. Notable contributors include Times editors Thomas Barnes and John Delane, Fraser's Magazine writers William Maginn and John Heraud, Charles Molloy Westmacott editor of The Age, Stanley Lees Giffard of The Standard , and Mary Russell Mitford.
Escaping Suburbia: A Study In Film Auteur Pertaining To Tim Burton And The Coen Brothers,
2020
Central Washington University
Escaping Suburbia: A Study In Film Auteur Pertaining To Tim Burton And The Coen Brothers, Morgan Bedard
Undergraduate Honors Theses
This project will focus on the concept of “Auteur Theory” which is a particular film theory branch that emphasizes the filmmaker as the “author” of their work. “Auteur” is a French word meaning “author” in the sense of a person holding complete creative control. Studying Auteur Theory allows for viewers to better understand the filmmaker as a person by connecting visual patterns to the auteurs’ own life. The “filmmaker” in Auteur Theory is defined as the director and they must exercise almost or complete control of all aspects of a film. Distinct visual characteristics as well as repeated casting of …
