Open Access. Powered by Scholars. Published by Universities.®

Film Production Commons™

Open Access. Powered by Scholars. Published by Universities.®

744 Full-Text Articles 694 Authors 616,424 Downloads 136 Institutions

All Articles in Film Production

Faceted Search

744 full-text articles. Page 7 of 35.

Creating Cartoon Style With 3d Animation, Sean William Meade 2024 Clemson University

Creating Cartoon Style With 3d Animation, Sean William Meade

All Theses

Computer-generated three-dimensional animation is often used to imitate live-action filmmaking and photorealistic objects and effects. However, it is equally possible to use three-dimensional computer-generated imagery to imitate cartoon, hand-drawn two-dimensional animation. Cartoons and hand drawn animation have their own sets of limitations which change their visual style. Animators may choose to draw scenes with elements that break continuity or are not realistic. Every choice from the color to the scene composition is different from now-conventional three-dimensional CGI. With this thesis, I investigate how to create a three-dimensional scene that closely resembles the appearance of a two-dimensional cartoon animated scene drawn …


Karl Freund’S Hollywood Aesthetic: Maintaining Visual Style Within The Studio System, Casey Walker 2024 Marshall University

Karl Freund’S Hollywood Aesthetic: Maintaining Visual Style Within The Studio System, Casey Walker

Journal of 20th Century Media History

This article explores the distinct cinematographic style of classical Hollywood cinematographer (and briefly director) Karl Freund throughout his Hollywood studio film career (1930-1950). After leaving the German studio UFA, Freund spent two decades in the Hollywood studio system, known for its comprehensible narrative and visual style and hierarchical mode of production, which were considered constraints to the emergence of a unique visual style from any one filmmaker. Previous studies on cinematographers’ authorship and poetics focus almost universally on Gregg Toland, a cinematographer who largely worked outside of the big Hollywood studios. However, very little scholarship exists on cinematographers such as …


Film As An Educational Media In Building Awareness On Wild Animal Conservation (Case Study: Petualangan Sherina 2), Gumelar Setiaji, Melisa Bunga Altamira 2024 PT Bina Mutu Bangsa

Film As An Educational Media In Building Awareness On Wild Animal Conservation (Case Study: Petualangan Sherina 2), Gumelar Setiaji, Melisa Bunga Altamira

Jurnal Vokasi Indonesia

Currently, films are not only a medium for entertainment, but can also be used as a medium for information, persuasion, and even education. Nature conservation is one of the environmental issues that is currently of concern. In a survey conducted by a non-governmental organization, the public paid sufficient attention to protecting biodiversity, flora, and fauna. Wild animal conservation is an issue that will be addressed in this research. The film "Petualangan Sherina 2" is a musical genre film that focuses on the importance of the conservation of wild animals, namely orangutans. This research will discuss how a film can be …


Revelation Perth International Film Festival Academic Conference 2024, James Thompson 2024 SAE Institute Australasia

Revelation Perth International Film Festival Academic Conference 2024, James Thompson

Staff Scholarship - Australia & Dubai

Drawing delegates from around the country The Revelation Perth International Film Festival's Academic Conference is a truly interactive two days of intense discussion and debate on all things cinema

Revelation is Australia's only international film festival to host and encourage academic discussion alongside its screening program and we look forward to taking its discoveries to audiences around the country and world. It represents an important platform in film discussion and analysis in this country.

Taking place on Tuesday July 2nd and Weds July 3rd 2024, the Revelation Academic Conference draws local, national and international academics to discuss and analyse issues …


What Teams Need: Leading Digital Creatives, Matthew Dyet 2024 SAE Institute Australasia

What Teams Need: Leading Digital Creatives, Matthew Dyet

Staff Scholarship - Australia & Dubai

What Teams Need: Leading Digital Creatives was a talk at the Revelations Conference. Based on my book Great Games Need Great Leaders, this talk was focused more broadly on leadership in the creative industries due to the audience being primarily from film.


Sans Hommes, On N’Est Pas Rien”: Defying Patriarchy And Reclaiming Voices In Les Rivières, Warisara E. Sawin 2024 University of Louisiana at Lafayette

Sans Hommes, On N’Est Pas Rien”: Defying Patriarchy And Reclaiming Voices In Les Rivières, Warisara E. Sawin

Vernacular: New Connections in Language, Literature, & Culture

This article explores Jennifer Solheim’s conceptualization of “the call to listen” in postcolonial Francophone cultural production, as she argues for the importance of engaging with and responding to immigrant and minority narratives within this cultural milieu. This article further explores the dynamic relationship between media consumption and artistic creation, specifically the innovative realms of “accented” and “intercultural” cinema that have emerged from the conditions of globalization and migration. The unique cinematic languages of these forms convey the intricate experiences of those living in exile or as part of post-migratory populations.

An in-depth analysis is presented on Mai Hua’s documentary Les …


The Future In Focus, 2024 DePaul University

The Future In Focus

DePaul Magazine

Film and TV students at DePaul University's School of Cinematic Arts put special effects into action in a cutting-edge virtual production program.


Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center kuda.org, Olivera Jokic 2024 CUNY John Jay College

Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center Kuda.Org, Olivera Jokic

Publications and Research

Who can know what is in the past? Is it what historians can tell us? Should we also trust what we can remember? Past • An Introduction to the Problem proposes that the problem of the past now concerns everyone. Visions of a different, brighter future defeated in the Cold War and its heated afterlives, we are being offered the past as the only horizon of possibility. And what are we supposed to find in that past? Philosopher Boris Buden considers these questions in a series of essays and conversations with filmmaker Želimir Žilnik, one of the most prominent filmmakers …


Maxime Cavajani Movement Lab Fellowship Final Presentation, Maxime Cavajani, Movement Lab 2024 Rhode Island School of Design

Maxime Cavajani Movement Lab Fellowship Final Presentation, Maxime Cavajani, Movement Lab

Personal Work

May 14th 2024, Fellowship Final Presenation


The Golden Age Of Mexican Cinema, Daniel Galindo 2024 CUNY Bernard M Baruch College

The Golden Age Of Mexican Cinema, Daniel Galindo

Publications and Research

This presentation is about the film called María Candelaria (1943), a film of the cinema of the golden age of Mexico that shows the lifestyle of the people of that time, more than anything it shows how women were reviled in the macho society. The Golden Age of Mexican Cinema is a period of brilliance in the history of Mexican cinema, which began in 1936-1956.


Chemical Meadows, Nate Dorr 2024 CUNY Hunter College

Chemical Meadows, Nate Dorr

Theses and Dissertations

Chemical Meadows correlates water chemistry and photochemistry in New Jersey’s Meadowlands. A vast marshland transformed by industry and environmental contamination, the Meadowlands today are home to seven Superfund sites. By bathing 16mm film in contaminated waterways, sensitive photochemistry reveals hidden histories.


The Routes, Wei-Ta Chen 2024 CUNY Hunter College

The Routes, Wei-Ta Chen

Theses and Dissertations

The Routes is a 30-minute documentary that explores the filmmaker's reflection on the ties to family and homeland, as well as the nature of non-fiction filmmaking itself, all the while portraying in parallel the story of immigrant artist Hung-Ju as he delicately balances creative challenges with nostalgia.


Container Film, Dena Kopolovich 2024 CUNY Hunter College

Container Film, Dena Kopolovich

Theses and Dissertations

Container Film is an experimental nonfiction short film that explores the theme of carrying. Drawing inspiration from a blend of anthropological, religious, and artistic sources, the film is guided by an unknown narrator who contemplates the origins of humanity. Unlike conventional storytelling, the narrator’s uncertainty and inner dialogue punctuate the narrative, challenging a traditional linear structure. Jumping between diverse thoughts, she resists depicting human history with a singular hero or linear trajectory. Visually, the film unfolds through vivid tableaux vivants, dance sequences, and curious object arrangements, illustrating the subtle relationship between human cognition and materiality. Through its nuanced, tactile approach, …


Pricks And Pills, Anna A. Charles 2024 CUNY Hunter College

Pricks And Pills, Anna A. Charles

Theses and Dissertations

"Pricks and Pills" is a collection of audio pieces designed for an online platform where individuals with diabetes can listen to and find emotional support from others who share their experiences. This audio project provides an intimate look into the lives of people navigating the challenges of diabetes. Through heartfelt interviews with individuals and their families, the podcast highlights their journeys, showcasing both their struggles and triumphs.


Reflections Of Little Red Dot: An Interactive Mixed Reality Archival Experience, Chloé Lee 2024 CUNY Hunter College

Reflections Of Little Red Dot: An Interactive Mixed Reality Archival Experience, Chloé Lee

Theses and Dissertations

It has been nearly a decade since I last visited Singapore, a place I am connected to yet an outsider. Reflections of Little Red Dot is a mixed-reality experience that animates my archive of drawings, videos, and 3D imagery from everyday Singaporeans in 2015, the year their country celebrated its 50th birthday.

Walking through this liminal mixed reality space, we hear how citizens are personally affected by the rapidly developing landscape and erasure of personal and historical sites of significance while reflecting on our collective agency to shape the future of our environments. We are invited into homes where loved …


間, LeLe Dai 2024 CUNY Hunter College

間, Lele Dai

Theses and Dissertations

LeLe Dai makes contingent participatory public interventions using sensory materials such as sound, flickering light, and water. This paper examines their works through the lens of Chinese character Jian (間), meaning “gap/slit/incision,” to investigate the concept of “in-betweenness.”


Bengal Memory, Fahim Hamid 2024 CUNY Hunter College

Bengal Memory, Fahim Hamid

Theses and Dissertations

Bengal Memory is a documentary short film, told through an expository and personal lens, about a forgotten genocide that occurred in Bangladesh during its Liberation War, the controversial role that the U.S. government played in it, and how the lives of Bengali people in both the homeland and in the American diaspora were shaped by these events. As a Bangladeshi American and narrator of this story, I traveled to my native country to investigate. My father, Mohammed, had lived through the 1971 war and recounts his memories of the atrocities committed by West Pakistan, which claimed the lives of a …


Student Film Festival 2024 Playbill, Providence College 2024 Providence College

Student Film Festival 2024 Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre

Student Film Festival 2024

Thursday, May 2, 2024, 7pm

Festival Director: Ben Sweeney

Managing Director: Erin Schmidt

Department Chair: David Cabral

Technical Director: Trevor Elliott

Assistant Technical Director: Gabriel Luxton

Academic Administrative Coordinator: Ali Boyd

Production Administrative Coordinator: Barry Dejasu

INTRODUCTORY REMARKS

Father Kenneth Gumbert

COMPETING FILMS

Arnaldo Castro ’25, “Manny X” (8:37)

Colin Prancl '24, “The Transportation Revolution: Beta Cloth” (4:46)

Patrick Solosky '25, “Perspectives: Remembering 9/11" (10:20)

Jack Wilmott '24, “REMINISCE” (10:35)

Colin Prancl '24, “Swell” (7:27)

John Zygiel '24, “Evil at 11” (12:37)

JURY DELIBERATIONS …


Student Film Festival 2024 Poster, Providence College 2024 Providence College

Student Film Festival 2024 Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre

Student Film Festival 2024

Thursday, May 2, 2024, 7pm


“Elegy For A Flower” - Remote Orchestral Session/Score-Focused Film, Logyn Okuda 2024 Chapman University

“Elegy For A Flower” - Remote Orchestral Session/Score-Focused Film, Logyn Okuda

Student Scholar Symposium Abstracts and Posters

Within the many aspects of a film exists the epicenter that is visual storytelling. Music production within film always becomes a point of discussion after the fact, as composers will use their musical expertise to aid the established vision of the filmmaker. Despite music technology having evolved to recreate the sound of an orchestra, the role of music remains the same. However, what if the roles were reversed? Through this endeavor, I sought out to find the impact of a multimedia work when music becomes the primary focus of storytelling. Explored in the past by Disney's "Fantasia" and Phillip Glass' …


Digital Commons powered by bepress