Creating Cartoon Style With 3d Animation,
2024
Clemson University
Creating Cartoon Style With 3d Animation, Sean William Meade
All Theses
Computer-generated three-dimensional animation is often used to imitate live-action filmmaking and photorealistic objects and effects. However, it is equally possible to use three-dimensional computer-generated imagery to imitate cartoon, hand-drawn two-dimensional animation. Cartoons and hand drawn animation have their own sets of limitations which change their visual style. Animators may choose to draw scenes with elements that break continuity or are not realistic. Every choice from the color to the scene composition is different from now-conventional three-dimensional CGI. With this thesis, I investigate how to create a three-dimensional scene that closely resembles the appearance of a two-dimensional cartoon animated scene drawn …
Karl Freund’S Hollywood Aesthetic: Maintaining Visual Style Within The Studio System,
2024
Marshall University
Karl Freund’S Hollywood Aesthetic: Maintaining Visual Style Within The Studio System, Casey Walker
Journal of 20th Century Media History
This article explores the distinct cinematographic style of classical Hollywood cinematographer (and briefly director) Karl Freund throughout his Hollywood studio film career (1930-1950). After leaving the German studio UFA, Freund spent two decades in the Hollywood studio system, known for its comprehensible narrative and visual style and hierarchical mode of production, which were considered constraints to the emergence of a unique visual style from any one filmmaker. Previous studies on cinematographers’ authorship and poetics focus almost universally on Gregg Toland, a cinematographer who largely worked outside of the big Hollywood studios. However, very little scholarship exists on cinematographers such as …
Film As An Educational Media In Building Awareness On Wild Animal Conservation (Case Study: Petualangan Sherina 2),
2024
PT Bina Mutu Bangsa
Film As An Educational Media In Building Awareness On Wild Animal Conservation (Case Study: Petualangan Sherina 2), Gumelar Setiaji, Melisa Bunga Altamira
Jurnal Vokasi Indonesia
Currently, films are not only a medium for entertainment, but can also be used as a medium for information, persuasion, and even education. Nature conservation is one of the environmental issues that is currently of concern. In a survey conducted by a non-governmental organization, the public paid sufficient attention to protecting biodiversity, flora, and fauna. Wild animal conservation is an issue that will be addressed in this research. The film "Petualangan Sherina 2" is a musical genre film that focuses on the importance of the conservation of wild animals, namely orangutans. This research will discuss how a film can be …
Revelation Perth International Film Festival Academic Conference 2024,
2024
SAE Institute Australasia
Revelation Perth International Film Festival Academic Conference 2024, James Thompson
Staff Scholarship - Australia & Dubai
Drawing delegates from around the country The Revelation Perth International Film Festival's Academic Conference is a truly interactive two days of intense discussion and debate on all things cinema
Revelation is Australia's only international film festival to host and encourage academic discussion alongside its screening program and we look forward to taking its discoveries to audiences around the country and world. It represents an important platform in film discussion and analysis in this country.
Taking place on Tuesday July 2nd and Weds July 3rd 2024, the Revelation Academic Conference draws local, national and international academics to discuss and analyse issues …
What Teams Need: Leading Digital Creatives,
2024
SAE Institute Australasia
What Teams Need: Leading Digital Creatives, Matthew Dyet
Staff Scholarship - Australia & Dubai
What Teams Need: Leading Digital Creatives was a talk at the Revelations Conference. Based on my book Great Games Need Great Leaders, this talk was focused more broadly on leadership in the creative industries due to the audience being primarily from film.
Sans Hommes, On N’Est Pas Rien”: Defying Patriarchy And Reclaiming Voices In Les Rivières,
2024
University of Louisiana at Lafayette
Sans Hommes, On N’Est Pas Rien”: Defying Patriarchy And Reclaiming Voices In Les Rivières, Warisara E. Sawin
Vernacular: New Connections in Language, Literature, & Culture
This article explores Jennifer Solheim’s conceptualization of “the call to listen” in postcolonial Francophone cultural production, as she argues for the importance of engaging with and responding to immigrant and minority narratives within this cultural milieu. This article further explores the dynamic relationship between media consumption and artistic creation, specifically the innovative realms of “accented” and “intercultural” cinema that have emerged from the conditions of globalization and migration. The unique cinematic languages of these forms convey the intricate experiences of those living in exile or as part of post-migratory populations.
An in-depth analysis is presented on Mai Hua’s documentary Les …
The Future In Focus,
2024
DePaul University
The Future In Focus
DePaul Magazine
Film and TV students at DePaul University's School of Cinematic Arts put special effects into action in a cutting-edge virtual production program.
Past * An Introduction To The Problem,
2024
CUNY John Jay College
Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center Kuda.Org, Olivera Jokic
Publications and Research
Who can know what is in the past? Is it what historians can tell us? Should we also trust what we can remember? Past • An Introduction to the Problem proposes that the problem of the past now concerns everyone. Visions of a different, brighter future defeated in the Cold War and its heated afterlives, we are being offered the past as the only horizon of possibility. And what are we supposed to find in that past? Philosopher Boris Buden considers these questions in a series of essays and conversations with filmmaker Želimir Žilnik, one of the most prominent filmmakers …
Maxime Cavajani Movement Lab Fellowship Final Presentation,
2024
Rhode Island School of Design
Maxime Cavajani Movement Lab Fellowship Final Presentation, Maxime Cavajani, Movement Lab
Personal Work
May 14th 2024, Fellowship Final Presenation
The Golden Age Of Mexican Cinema,
2024
CUNY Bernard M Baruch College
The Golden Age Of Mexican Cinema, Daniel Galindo
Publications and Research
This presentation is about the film called María Candelaria (1943), a film of the cinema of the golden age of Mexico that shows the lifestyle of the people of that time, more than anything it shows how women were reviled in the macho society. The Golden Age of Mexican Cinema is a period of brilliance in the history of Mexican cinema, which began in 1936-1956.
Chemical Meadows,
2024
CUNY Hunter College
Chemical Meadows, Nate Dorr
Theses and Dissertations
Chemical Meadows correlates water chemistry and photochemistry in New Jersey’s Meadowlands. A vast marshland transformed by industry and environmental contamination, the Meadowlands today are home to seven Superfund sites. By bathing 16mm film in contaminated waterways, sensitive photochemistry reveals hidden histories.
The Routes,
2024
CUNY Hunter College
The Routes, Wei-Ta Chen
Theses and Dissertations
The Routes is a 30-minute documentary that explores the filmmaker's reflection on the ties to family and homeland, as well as the nature of non-fiction filmmaking itself, all the while portraying in parallel the story of immigrant artist Hung-Ju as he delicately balances creative challenges with nostalgia.
Container Film,
2024
CUNY Hunter College
Container Film, Dena Kopolovich
Theses and Dissertations
Container Film is an experimental nonfiction short film that explores the theme of carrying. Drawing inspiration from a blend of anthropological, religious, and artistic sources, the film is guided by an unknown narrator who contemplates the origins of humanity. Unlike conventional storytelling, the narrator’s uncertainty and inner dialogue punctuate the narrative, challenging a traditional linear structure. Jumping between diverse thoughts, she resists depicting human history with a singular hero or linear trajectory. Visually, the film unfolds through vivid tableaux vivants, dance sequences, and curious object arrangements, illustrating the subtle relationship between human cognition and materiality. Through its nuanced, tactile approach, …
Pricks And Pills,
2024
CUNY Hunter College
Pricks And Pills, Anna A. Charles
Theses and Dissertations
"Pricks and Pills" is a collection of audio pieces designed for an online platform where individuals with diabetes can listen to and find emotional support from others who share their experiences. This audio project provides an intimate look into the lives of people navigating the challenges of diabetes. Through heartfelt interviews with individuals and their families, the podcast highlights their journeys, showcasing both their struggles and triumphs.
Reflections Of Little Red Dot: An Interactive Mixed Reality Archival Experience,
2024
CUNY Hunter College
Reflections Of Little Red Dot: An Interactive Mixed Reality Archival Experience, Chloé Lee
Theses and Dissertations
It has been nearly a decade since I last visited Singapore, a place I am connected to yet an outsider. Reflections of Little Red Dot is a mixed-reality experience that animates my archive of drawings, videos, and 3D imagery from everyday Singaporeans in 2015, the year their country celebrated its 50th birthday.
Walking through this liminal mixed reality space, we hear how citizens are personally affected by the rapidly developing landscape and erasure of personal and historical sites of significance while reflecting on our collective agency to shape the future of our environments. We are invited into homes where loved …
間,
2024
CUNY Hunter College
間, Lele Dai
Theses and Dissertations
LeLe Dai makes contingent participatory public interventions using sensory materials such as sound, flickering light, and water. This paper examines their works through the lens of Chinese character Jian (間), meaning “gap/slit/incision,” to investigate the concept of “in-betweenness.”
Bengal Memory,
2024
CUNY Hunter College
Bengal Memory, Fahim Hamid
Theses and Dissertations
Bengal Memory is a documentary short film, told through an expository and personal lens, about a forgotten genocide that occurred in Bangladesh during its Liberation War, the controversial role that the U.S. government played in it, and how the lives of Bengali people in both the homeland and in the American diaspora were shaped by these events. As a Bangladeshi American and narrator of this story, I traveled to my native country to investigate. My father, Mohammed, had lived through the 1971 war and recounts his memories of the atrocities committed by West Pakistan, which claimed the lives of a …
Student Film Festival 2024 Playbill,
2024
Providence College
Student Film Festival 2024 Playbill, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
John Bowab Studio Theatre
Student Film Festival 2024
Thursday, May 2, 2024, 7pm
Festival Director: Ben Sweeney
Managing Director: Erin Schmidt
Department Chair: David Cabral
Technical Director: Trevor Elliott
Assistant Technical Director: Gabriel Luxton
Academic Administrative Coordinator: Ali Boyd
Production Administrative Coordinator: Barry Dejasu
INTRODUCTORY REMARKS
Father Kenneth Gumbert
COMPETING FILMS
Arnaldo Castro ’25, “Manny X” (8:37)
Colin Prancl '24, “The Transportation Revolution: Beta Cloth” (4:46)
Patrick Solosky '25, “Perspectives: Remembering 9/11" (10:20)
Jack Wilmott '24, “REMINISCE” (10:35)
Colin Prancl '24, “Swell” (7:27)
John Zygiel '24, “Evil at 11” (12:37)
JURY DELIBERATIONS …
Student Film Festival 2024 Poster,
2024
Providence College
Student Film Festival 2024 Poster, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
John Bowab Studio Theatre
Student Film Festival 2024
Thursday, May 2, 2024, 7pm
“Elegy For A Flower” - Remote Orchestral Session/Score-Focused Film,
2024
Chapman University
“Elegy For A Flower” - Remote Orchestral Session/Score-Focused Film, Logyn Okuda
Student Scholar Symposium Abstracts and Posters
Within the many aspects of a film exists the epicenter that is visual storytelling. Music production within film always becomes a point of discussion after the fact, as composers will use their musical expertise to aid the established vision of the filmmaker. Despite music technology having evolved to recreate the sound of an orchestra, the role of music remains the same. However, what if the roles were reversed? Through this endeavor, I sought out to find the impact of a multimedia work when music becomes the primary focus of storytelling. Explored in the past by Disney's "Fantasia" and Phillip Glass' …
