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Review Of Imagining Italy: Victorian Writers And Travellers, Catherine Waters, Michael Hollington, John Jordan

The George Eliot Review Online, ISSN: 2831-5375

Two of the essays in this volume take George Eliot's Romola as their subject. Both reward attention, and they may be in danger of escaping deserved notice given the major concentration here on the life and writing of Dickens. This is the second of three publications projected by the organizers of a conference on 'Dickens, Victorian Culture, Italy', held in Genoa in 2007. The advance poster for the conference, still on the web, inadvertently does the book a slight disservice: 'At present', the organizers write, 'we are considering any or all of 1) A volume of the very best papers …

Japanese Branch Report- 2010, Naomi Ohno

The George Eliot Review Online, ISSN: 2831-5375

On Saturday 4 December 2010, the Fourteenth Annual Convention of the George Eliot Fellowship of Japan was held at Okayama University.

The morning session began with an opening remark by Hiroshi Oshima (Hyogo University of Teacher Education), followed by a Welcome Address by Shintetsu Fukunaga (Okayama University). In the morning, we had three papers presented. The first two papers were introduced and commented upon by Shota Nakajima (Tokushima Bunri University), and the third by Mizue Aida (Nihon University).

The first paper was 'The Seductive Power of Eyes - Re-examining Maggie Tulliver in The Mill on the Floss' by Eri Yoshimura …

Translating The Mill On The Floss Into French, Alain Jumeau

The George Eliot Review Online, ISSN: 2831-5375

Before dealing with my personal experience of translating The Mill on the Floss into French, I shall start with a few remarks on George Eliot's literary status in France compared with that in English-speaking countries. In Britain, in the States and other English-speaking countries, George Eliot is usually regarded as a great novelist, of the same magnitude as Dickens perhaps, although her novels are definitely more 'high-brow'. It might even be argued that she is the greatest female English novelist. In France, her reputation is quite different and it is possible to find educated people who have never read her …

Review Of The Cambridge Companion To English Literature, Joanne Shattock

The George Eliot Review Online, ISSN: 2831-5375

This anthology, edited by Joanne Shattock, with an introduction and contribution by her, contains a rich variety of essays by scholars from British, American and Canadian universities. It begins its survey of Victorian culture in the seven years before Queen Victoria came to the throne, because that allows for discussions on the influence of Romanticism, and ends with 1914, because, in the two decades or so before the outbreak of the Great War, it is argued, Victorianism overlapped Modernism, at least in some parts of the English speaking world. Along the way, the Companion considers the enormous range of texts …

Conference Report- The Mills On The Floss, Juliette Atkinson

The George Eliot Review Online, ISSN: 2831-5375

'The Mill on the Floss is everyone's favourite novel' was the provocative declaration that launched the conference, devoted to Eliot's second novel, held at the Institute of English Studies on 6 November 2010. Barbara Hardy's opening statement was given some weight by the day's papers which, in tackling subjects as diverse as translation, inheritance, idleness, and adaptation, repeatedly expressed the speakers' highly personal relationship with the novel.

In the first of two hour-long papers, entitled 'Inheritance and parental investment in The Mill on the Floss' , David Amigoni (Exeter) offered fresh insights into the intersection of aesthetic and scientific concerns …

Review Of The Mill On The Floss On The Bbc In 1978, Catherine Brown

The George Eliot Review Online, ISSN: 2831-5375

The 2010 London conference on The Mill on the Floss was designedly conscious of its distance in time from its subject - this distance being measurable by a round number. It was as important to keep in mind, however, the distance between the novel's composition and its setting. As it happens, this was the same as that between the conference and the 1978 BBC TV adaptation of the novel on which this paper reflects. For Eliot, the temporal setting corresponded to her childhood, as it would have done for some of her readers, and as will also be true of …

Review Of Imagining Minds: The Neuro-Aesthetics Of Austen, Eliot And Hardy, Kay Young

The George Eliot Review Online, ISSN: 2831-5375

Imagining Minds sets out to read nineteenth-century fiction in the context of modern theories of human cognition and of the mind/body relationship, making the central contention that 'the novel is an aesthetic map to and experience of the nature of the mind-brain' (9; Young's italics). Young takes up concepts from a range of modern psychological theories, especially those of Antonio Damasio, and also makes frequent reference to the revolutionary, and still seminal, work of William James, as a framework within which to investigate how the three major novelists of the title represent the mind's problematic relations with the world as …

Enter The Aunts...., Kathryn Hughes

The George Eliot Review Online, ISSN: 2831-5375

My title is taken from Chapter 7 of 'Book First' of The Mill on the Floss which describes the moment we first meet Aunts Glegg, Pullet and Deane in all their bustling, sharp-tongued, comic glory. The full title of the chapter is 'Enter the Aunts and Uncles' and the three redoubtable Dodson sisters are indeed accompanied by their husbands, the Uncles, as they descend upon Dorlcote Mill for a family summit about their nephew Tom Tulliver's education. Yet while Messrs Glegg, Pullet and Deane subsequently play their individual parts in the unfolding of the novel's plot, it is the Aunts …

A Portrait Of Lucy Deane, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

The young woman lifted her hands from the keys, and swivelled on her piano-stool to smile at the large bald-headed man comfortable in a crimson armchair.

'Well, sir, was that to your liking?'

'I seem to remember the piece, my dear, but not the composer. Is it something you haven't played for a long time? By one o’ your Germans? You know I never was musical, though I played the flute when I was a young man. Trade opened my eyes and sharpened my wits but I didn't have your expensive schooling.'

'No, papa, not one of my Germans but …

Annual Report 2010, John Burton

The George Eliot Review Online, ISSN: 2831-5375

It is pleasing to report another successful year for the Fellowship, albeit with the occasional blip where we were perhaps over-ambitious in our plans: we had to cancel two of our George Eliot Country Tours. We lost a few members, either as a result of age and infirmity or the increase in our subscription rates, but we also gained new ones, and made many new contacts as a result of our activities through the year

I start with thanks to the Fellowship Council, strengthened at the AGM with new members; I am glad to report that our Council meetings are …

Mr. And Mrs. Cross With The Artist John Wharlton Bunney In Venice, June 1880, Sarah Bunney

The George Eliot Review Online, ISSN: 2831-5375

The dramatic incident in Venice on the morning of 16 June 1880, when the newly married John Walter Cross jumped into the Grand Canal from his hotel room's balcony, has attracted much curiosity and speculation. Understandably Mrs. Cross (George Eliot) was reticent about the happening in her journal and letters, and also wrote little about her stay in Venice before and after the event. But there is another source of information about the couple's Venetian experiences - the personal recollections and correspondence of the English artist John Wharlton Bunney (1828-82).

Bunney, described by Marian as 'an excellent painter and an …

'Pier Glass Imagery' In George Eliot's Middlemarch And Its Fictional Treatment Of Spinoza's Ethics, Tapan Kumar Mukherjee

The George Eliot Review Online, ISSN: 2831-5375

In 'George Eliot's Middlemarch as a translation of Spinoza's Ethics' (GER 40), Miriam Henson refers to the author's use of 'pier glass' imagery to illustrate her theory of morality and to show how an individual looks at the world from his self as the centre of moral vision and limitation. It is well known that Spinoza expounds his ethical theory in terms of geometrical concepts and physical theories of concentric and eccentric circles and lines etc. He was a lens grinder by profession and it is natural that he used to explore the mechanism of his trade in terms of …

Wreath-Laying In Poets' Corner, Westminster Abbey 22 June 2010, Kathryn Hughes

The George Eliot Review Online, ISSN: 2831-5375

It seems extraordinary to think that ISO years ago Mary Ann Evans, a young woman with very few resources apart from a strong conscience and an enquiring mind, almost ruined her life by revealing to her father that she was no longer certain that the Bible was the literal word of God. Might it not instead be the work of men, she wondered, reaching out to report their sense of God at work in their own lives? Was it not, in fact, a record of human rather than divine history?

For this piece of heresy, as we know, Mary Ann …

Between Deafness And Sound: Aurality And The Limits Of Sympathy In The Mill On The Floss, Kyriaki Hadjiafxendi

The George Eliot Review Online, ISSN: 2831-5375

In his review of The Mill on the Floss on 19 May 1860 for The Times, E. S. Dallas began by arguing that Eliot's first novel Adam Bede was successful because 'the temporary delight of listening to a pleasant tale' it gave its readers helped to achieve 'the permanent good of an increased sympathy with our kind'.1 Although the publication of The Mill on the Floss proved, according to Dallas, that 'George Eliot' was 'as great as ever', it could not match the triumph of Adam Bede because she was determined not to repeat the idealism of a world that …

The Thirty-Nine George Eliot Memorial Lecture, 2010- The Mill On The Floss And The Difficulties Of Relationships, Rosemary Ashton

The George Eliot Review Online, ISSN: 2831-5375

By late 1859, when she had almost finished writing The Mill on the Floss, George Eliot was still unsure of its final title. The working title was 'Sister Maggie', which was particularly appropriate to the first two thirds of the novel, where interest is concentrated on the pleasures and pains of the childhood relationship between Tom and Maggie Tulliver. But in the last third of the book, attention had turned to the romantic relationship between Maggie and Stephen Guest, itself intruding into Maggie's near-engagement to Philip Wakem, with Tom kept in the background until the death of brother and sister …

'Even Our Failures Are A Prophecy': The Mill On The Floss And The 1860s*, Marilyn Orr

The George Eliot Review Online, ISSN: 2831-5375

My title comes from a poem, 'A Minor Prophet' " written by George Eliot in 1865, and I want to enlist its help in showing in this paper how the failures she experienced during the decade following the publication of The Mill on the Floss turned into a prophecy that shaped an aesthetic for the rest of her career.

Also known as 'My Vegetarian Friend’, this poem traces many of the important ideas that Eliot has been working with from the start of her career. It begins as a humorous characterization of 'a vegetarian seer', who anticipates a glorious 'Millennium' …

Images Of God, Imago Dei And God's Relationship With Humanity Through The Image Of Mary's Breast Milk: A Focus Upon Sor María Anna Águeda De San Ignacio (1695-1756), Neomi Dolores Deanda

Dissertations

This dissertation presents an original contribution to the academic field of Theology, specifically Constructive Theology, because it begins the retrieval work of a woman's voice from seventeenth and eighteenth century Mexico, an entire area of historical and theological thought which has been globally under-explored. Analysis of María Anna Águeda de San Ignacio's eighteenth century original publications give a glimpse into this woman's official authority during her time, which also presents a historical woman's voice who has held ecclesial authority.

This project engages María Anna Águeda de San Ignacio's work to draw theological insights and further expand understandings about notions of …

Introduction To Willa Cather And Modern Cultures [Cather Studies 9], Melissa J. Homestead

Department of English: Faculty Publications

To some, linking Willa Cather to "the modern" or more narrowly to literary modernism still seems an eccentric proposition. As Richard Millington has pointed out, "one will look in vain for Cather's name in the index of most accounts, whether new or old, of the nature and history of Anglo-American modernism" (52). Perhaps she fails to feature in these accounts because in her public pronouncements and certain recurring motifs in her fiction, she appeared to turn her back on modernity. Cather was skeptical about many aspects of the culture that took shape around her in the early decades of the …

The Irony Of Refuge: Gender-Based Violence Against Female Refugees In Africa, Liz Miller

Human Rights & Human Welfare

The Sudanese soldiers and the Janjawid invaded her village. When she tried to escape, they gang-raped her. At that time, she was eight months pregnant and described giving birth to a dead baby afterward and being very sick. She could not make it with her group to the border to flee to Chad so she had to walk alone. Once she got to Chad, she was raped by a Chadian soldier outside of the camp and became pregnant. Afterwards, her husband divorced her, and she now lives with the stigma of being a rape victim. She has been expelled from …

Women In Afghanistan: A Human Rights Tragedy Ten Years After 9/11, Hayat Alvi

Human Rights & Human Welfare

Ten years after the September 11th attacks in the United States and the military campaign in Afghanistan, there is some good news, but unfortunately still much bad news pertaining to women in Afghanistan. The patterns of politics, security/military operations, religious fanaticism, heavily patriarchal structures and practices, and ongoing insurgent violence continue to threaten girls and women in the most insidious ways. Although women’s rights and freedoms in Afghanistan have finally entered the radar screen of the international community’s consciousness, they still linger in the margins in many respects.

Socio-cultural and extremist religious elements continue to pose serious obstacles to reconstruction …