Feminist, Gender, and Sexuality Studies Commons^™

Making The Margins Visible: Dignity At Work And The Promise Of Puttaswamy—Review Of Gendered Bodies And Worlds Of Labour: Reconceptualizing Dignity After Puttaswamy Vs Union Of India, Shreya Shree

National Law School Journal

This review examines Kalpana Kannabiran and Devi Jagani’s reimagination of dignity as a framework for securing justice in gendered labourscapes. By centering a broad and dynamic understanding of dignity as a right, an inherent characteristic, and an enabling condition for rights-talk, the book advances new ways of articulating rights-claims through an intersectional and interdisciplinary reading of the Indian Constitution. The review highlights the significance of this approach in renewing understandings of the worker, labour, discrimination, and rights, while exploring its possibilities and limits in confronting violence and injustices embedded in gendered labour relations within the domestic sphere and beyond.

For The Enemy Is No Longer Men, But Our Own Sisters: Anti-Era Activists Within The Feminist Narrative, Grace Chipman

AWE (A Woman’s Experience)

When Alice Paul drafted the Equal Rights Amendment (ERA) in 1923, she had hoped it would become a unifying document for women across America. However, forty-nine years later, when Congress passed the amendment, radical feminists led the charge for its ratification. Paul, a prominent feminist, feared that the amendment became so politicized it was tearing apart the women’s movement. Dianne Fife Kay, an anti-ERA activist, described the period as a time in which “the enemy was no longer men, but our own sisters.” As Paul had feared, radical feminism had ruptured the sisterhood that first-wave feminism created.

Full Issue

AWE (A Woman’s Experience)

No abstract provided.

Entr’Acte By Caroline Shaw, Elizabeth Thorup

AWE (A Woman’s Experience)

Minerva Teichert Award 2024

Winner

Caroline Shaw is one of the most prominent up-and-coming composers of our day, so playing her music felt relevant and exciting.

Feminine Fragility, Megan Bentley

AWE (A Woman’s Experience)

No abstract provided.

Mother, Megan Bentley

AWE (A Woman’s Experience)

No abstract provided.

Take My Joy, Abbie Calhoun

AWE (A Woman’s Experience)

No abstract provided.

Botanical Blue: The Legacy Of Anna Atkins, Zoë Kate Leatham

AWE (A Woman’s Experience)

No abstract provided.

You Glow Girl, Kyli Fox Soug

AWE (A Woman’s Experience)

No abstract provided.

An Examination Of Katherine Philips And Aphra Behn: Differing Approaches To Male Authority Inside And Outside The Private Sphere, Sophie Hirtle

AWE (A Woman’s Experience)

Susa Young Gates Award 2024

Winner

The mid to late 1600s were a time of intense societal change in England as a result of the English Civil War and the abdication and restoration of the English monarchy. During this time of religious and political upheaval, those who had historically been silenced found more opportunities to speak up regarding recent changes. This was the case for Katherine Philips and Aphra Behn, two female writers who had their own distinct views on the recent political and religious upheaval. In past studies concerning these two women, there has been a trend of either …

Obstetric Fistula Prevalence Among Internally Displaced Women In Sub-Saharan Africa, Kyli Fox Soug

AWE (A Woman’s Experience)

Obstetric fistulas are rare in the West but common for women in the Global South, particularly in sub-Saharan Africa and South Asia. Fistulas are caused by prolonged or obstructed labor which forces downward pressure on the baby’s head and the mother’s pelvis. This pressure creates a non-natural opening in the genital region. Fistulas cause leakage of waste and therefore are often accompanied by unwanted odors. As of 2021, the prevalence of obstetric fistulas was 2 million women in South Asia and sub-Saharan Africa, and 3 in every 1000 women of reproductive age in the world have a fistula. In the …

Wearing The Pants: Patriarchal Breeches Roles In Oroonoko And The Rover, Emmalee Collyer

AWE (A Woman’s Experience)

Oroonoko and The Rover, or, the Banished Cavaliers are set in very different locations with a variety of colorful characters. Oroonoko features a split plot set in Suriname exploring the relationships between commerce, slavery, and marriage; whereas The Rover features the collision of three women and a group of cavaliers at Carnival in Naples. But these seemingly disparate plays do have something in common; both are popular adaptations by arguably progressive playwrights. Thomas Southerne adapted a novel by Aphra Behn into Oroonoko, and Aphra Behn adapted Thomas Killigrew’s Thomaso, or The Wanderer into The Rover. Both Southerne and …

Our Mothers In Science, Alexis Bass

AWE (A Woman’s Experience)

No abstract provided.

Oh To See Me Like You Do, Tala Alnasser

AWE (A Woman’s Experience)

I have no perception of how I look, and I mean this in the literal sense. I get complimented for the eyes and smile of my mother and the wit and curiosity of my father. It is not that I don’t believe in their beauty. I do—in fact, if I could tell my ten-year-old self that people find me beautiful, she might not believe it.

Mental Palace, Emily Orton

AWE (A Woman’s Experience)

It was a beautiful mess—until you burned it all down and expected me to rejoice in the flames. Every small detail crumbles beneath my feet. Every reminiscent piece of the picture I could once comprehend. All of it, reduced to the ash of what once was. Lost. Gone. And now I’m expected to rebuild it into what they deem it to be. I don’t like this new feeling. The smell of it burns my nostrils. It’s unfamiliar, devoid of every precious memory that once held it together. The concrete and plaster now sealed by the alms of everyone else’s wishes.

Waiting, Kennedy Kleinman

AWE (A Woman’s Experience)

I was six years old when a well-intentioned neighbor told my mom about a diet her daughter had started that she believed I should also try. She said, “It really works, you just have to wait.”

Mutualistas: La Sociedad Auxiliar De Mutua Beneficiaria, Antonito Colorado, 1937-1994, José A. Rivera Ph.D

Faculty Publications

Mutual Aid Societies proliferated in the American Southwest during a period of rapid social change, 1880-1930. In Hispanic towns, these societies were referred to as mutualistas, with a large number concentrated in the San Luis Valley of Colorado and rural counties of northcentral New Mexico. One of the men’s organizations, La Sociedad Protección Mutua de Trabajadores Unidos (SPMDTU), started in Antonito, Colorado, and quickly spread to other communities of southern Colorado and northern New Mexico and eventually to a few mining towns in Utah. With a tri-state model in place, women formed their own mutual protection societies: Sociedad Protectora …

Acting Religion: Analyzing The Aids Crisis Through A Religious Lens, Anya Thaovan Nguyenkhoa

Voces Novae

No abstract provided.

Where Do I Belong? What Should I Call Home?, Viplav Bhaskar Subramanian

Deliberately Queer Journal

Employing autoethnography, this reflection explores the contestations of home-place for queer racialized identities. Tony Adams asserts the vitality of such an embodied investigation when speaking about intersectionally assembled marginalized communities and identities through stating, “I turned to writing stories that others could use in times of relational distress […] by doing and living autoethnography” (Jones et al., 2013, p. 21). In this piece, I delve into my lived experiences, chartering conceptions of belonging while integrating personal stories and theoretical discourses. Such an embodiment, as expressed by Ellingson (2017), considers the body as “simultaneously physical and affective, social and individual, produced …

Pretty And Problematic: The Use Of Music In Guadagnino's 'Call Me By Your Name', Brandon L. Foskett

Deliberately Queer Journal

Tension in the reception of the American-Italian film Call Me by Your Name (dir. Guadagnino, 2017)—as a beautiful film that implicitly condones a problematic narrative—is shaped in part by its compilation soundtrack. Already lauded as a timeless masterpiece in cinematography, sensuality, and music, the film also receives steadfast criticism regarding its portrayal of homosexuality and alleged condoning of interage desire between Elio, a 17-year-old Italian-French boy, and Oliver, a 24-year-old American man. In this paper, I analyze five musical episodes from the film, including The Psychedelic Furs’ “Love My Way,” Ravel’s Une barque sur l’océan, and Sufjan Stevens’s “Mystery …