The Role Of George Henry Lewes In George Eliot’S Career: A Reconsideration,
2017
University of Nebraska-Lincoln
The Role Of George Henry Lewes In George Eliot’S Career: A Reconsideration, Beverley Rilett
Department of English: Faculty Publications
This article examines the “protection” and “encouragement” George Henry Lewes provided to Eliot throughout her fiction-writing career. According to biographers, Lewes showed his selfless devotion to Eliot by encouraging her to begin and continue writing fiction; by fostering the mystery of her authorship; by managing her finances; by negotiating her publishing contracts; by managing her schedule; by hosting a salon to promote her books; and by staying close by her side for twenty-four years until death parted them. By reconsidering each element of Lewes’s devotion separately, Rilett challenges the prevailing construction of the Eliot–Lewes relationship as the ideal partnership of …
Victorian Dogs, Victorian Men: Affect And Animals In Nineteenth-Century Literature And Culture,
2017
CUNY Borough of Manhattan Community College
Victorian Dogs, Victorian Men: Affect And Animals In Nineteenth-Century Literature And Culture, Keridiana Chez
Publications and Research
Victorian Dogs, Victorian Men: Affect and Animals in Nineteenth-Century Literature and Culture by Keridiana W. Chez is the first monograph located at the intersection of animal and affect studies to examine how gender is produced via the regulation of interspecies relationships. Looking specifically at the development of the human-dog relationship, Chez argues that the bourgeoisie fostered connections with canine companions in order to mediate and regulate gender dynamics in the family. As Chez shows, the aim of these new practices was not to use animals as surrogates to fill emotional vacancies but rather to incorporate them as “emotional prostheses.”
Chez …
Introduction: A Gun For Every Girl: Girlhood In Contemporary Visual Culture,
2017
Queen's University
Introduction: A Gun For Every Girl: Girlhood In Contemporary Visual Culture, Jen Kennedy, Trista E. Mallory, Angelique Szymanek
Journal of Feminist Scholarship
No abstract provided.
Nonconsensual Collaborations, 2012-Present: Notes On A Shared Condition,
2017
New York University
Nonconsensual Collaborations, 2012-Present: Notes On A Shared Condition, Aliza Shvarts
Journal of Feminist Scholarship
"Nonconsensual Collaborations, 2012-present: Notes on a Shared Condition" is an extended performance text. It investigates the unmarked gendered dynamics of artistic collaboration, documenting a series of “nonconsensual collaborations”—that is, performances with other artists who did not agree to their participation. Presented here as written narratives, these nonconsensual collaborations frame everyday occurrences of violation, erasure, and misrecognition, exploring how discourses of consent arise from the raced and gendered histories of property relations. They call into question the politics of representation, the status of the document, the formation of evidentiary truth, and the interpenetration of sexual and aesthetic economies. These nonconsensual collaborations …
Acting Objects/Objecting Girls: Ann Hirsch’S Playground,
2017
Queen's University
Acting Objects/Objecting Girls: Ann Hirsch’S Playground, Jen Kennedy
Journal of Feminist Scholarship
This paper identifies and explores an oscillation between subjectivization and objectification in young girls’ participation in digital culture as a site of self-exploration and sexual experimentation. Using media artist Anne Hirsch’s performance Playground (2013) as a case study, it examines how the ways that adolescent girls use the internet not only complicate the subject/object opposition at the crux of many Western feminist critiques of representation but may even suggest forms of agency that think beyond this binary.
A Delicate Knot: Photographing Black Girlhood And Womanhood,
2017
University of Rhode Island
A Delicate Knot: Photographing Black Girlhood And Womanhood, Nakeya Brown
Journal of Feminist Scholarship
No abstract provided.
"This Is A Closed Space For Queer Identifying Folx": Queer Spaces On Campus,
2017
Oberlin College
"This Is A Closed Space For Queer Identifying Folx": Queer Spaces On Campus, Tory Adna Sparks
Honors Papers
Using data from 27 interviews conducted in Fall 2016, I will show how students at Oberlin College construct queer-only spaces as sites for the formation of their queer identities. This is done through three discourses: the rhetoric of safe spaces, the ambiguity of queer as an identity label, and the positioning of a space as open or closed based on self-identification. Thus, in entering a space in which participation is contingent upon self-identification with the category “queer” (as it pertains to non-heterosexual and/or non-cis identity), students at Oberlin College are co-producing their queer identities while simultaneously forming “queer spaces.” This …
Ua19/16/1/5 Lady Topper Golf 2016-17 Season Statistics,
2017
Western Kentucky University
Ua19/16/1/5 Lady Topper Golf 2016-17 Season Statistics, Wku Athletics Media Relations
WKU Administration Documents
Statistical analysis of the 2016-17 women's golf team season.
Ua19/16/2 Track & Field Press Releases,
2017
Western Kentucky University
Ua19/16/2 Track & Field Press Releases, Wku Athletic Media Relations
WKU Administration Documents
Press releases regarding WKU's track & field teams for 2017.
Más Rudas Collective, 2009-2016 (An Archival Epilogue To An Epic Pachanga),
2017
Archives of American Art, Smithsonian Institution
Más Rudas Collective, 2009-2016 (An Archival Epilogue To An Epic Pachanga), Josh T. Franco
Journal of Feminist Scholarship
Contemporary artists Más Rudas Collective (MRC) were active in San Antonio, Texas, from 2009 to 2016. This essay looks to primary source documents from preceding decades and keystone exhibitions of Chicana/o art to articulate MRC’s position in a network of art production and curatorial activity that takes Chicana/o identity as a conceptual framework and/or departure point. Specific examples of MRC members’ reappropriations of Mexican, Mexican American, and Chicana/o cultural elements are analyzed and considered as “weaponizations” against cultures of body shaming and misogyny. Their approach is compared to that of other artists and curators in order to highlight the variety …
Ua19/16/5/5 Athletic Media Relations - Cheerleading,
2017
Western Kentucky University
Ua19/16/5/5 Athletic Media Relations - Cheerleading, Wku Archives
WKU Archives Collection Inventories
Film, video and audio regarding WKU cheerleaders.
Wgs 40th Anniversary Slideshow Presentation,
2017
University of Northern Iowa. Women's and Gender Studies Program.
Wgs 40th Anniversary Slideshow Presentation, University Of Northern Iowa. Women's And Gender Studies Program.
Women’s and Gender Studies Program Documents
Slideshow that ran in background during the WGS 40th Anniversary luncheon.
Ua19/16/2 Softball Press Releases,
2017
Western Kentucky University
Ua19/16/2 Softball Press Releases, Wku Athletic Media Relations
WKU Administration Documents
Press releases regarding WKU's softball team for 2017.
‘Innocence Is As Innocence Does’: Anglo-Irish Politics, Masculinity And The De Cobain Gross Indecency Scandal, 1891-3,
2017
Western University
‘Innocence Is As Innocence Does’: Anglo-Irish Politics, Masculinity And The De Cobain Gross Indecency Scandal, 1891-3, Cal Murgu
FIMS Publications
This article reconstructs the circumstances of the little-known Edward S. W. De Cobain gross indecency scandal in the early 1890s. I examine its significance to Victorian notions of class, Anglo-Irish politics and gender performativity through an analysis of newspaper reporting, personal correspondence and court documents. Edward De Cobain, Member of Parliament for East Belfast, became the focus of attention after serious allegations of attempted buggery were launched against him. De Cobain absconded from Britain upon word of the charges, but he continued to maintain his innocence while abroad until his eventual incarceration in 1893. In this article I revisit this …
Sexuality In The Time Of War, Or, How Rape Became A Crime Against Humanity,
2017
Western University
Sexuality In The Time Of War, Or, How Rape Became A Crime Against Humanity, Sharon Sliwinski
Data and Test Instruments
Working closely with women's testimonies from the genocides in the former Yugoslavia and Rwanda, this chapter aims to widen space in contemporary human rights discourse for discussion about sexuality--and in particular about the ways sexual violence functions as one of the forces of sovereign power. There is an intimate and largely non-visible strategy that sovereign power has at its disposal to cleave a subject from their capacity to live a human life, namely, by attacking the individual’s sense of sovereignty over her own body.
Ua19/16/2 Volleyball Press Releases,
2017
Western Kentucky University
Ua19/16/2 Volleyball Press Releases, Wku Athletic Media Relations
WKU Administration Documents
Press releases regarding WKU's volleyball team for 2017.
Towards A Synthesis: Tracing The Evolution Of Masculinity In The Eighteenth-Century Novel,
2017
Cleveland State University
Towards A Synthesis: Tracing The Evolution Of Masculinity In The Eighteenth-Century Novel, Anthony Necastro Necastro
ETD Archive
Studies of eighteenth-century British novels are typically centered on the alleged “rise” of the novel; that is, the formation of the novel as a genre distinguished from the epics, dramas, romances, and satires of past centuries. These new novels betray the critical trajectory of masculinity throughout the politically turbulent long British eighteenth century (1688-1815). While critics have studied individual constructions of masculinity within particular novels, or masculinity presented by a single author’s corpus, this paper tracks the various constructions of masculinity and demonstrates the relationship between masculinity and political change. The novel’s century-long “rise” presents the reflection of the English …
Weird Propaganda: Texts Of The Black Power And Women’S Liberation Movements,
2017
Wayne State University
Weird Propaganda: Texts Of The Black Power And Women’S Liberation Movements, Marie Buck
Wayne State University Dissertations
“Weird Propaganda: Texts of the Black Power and Women’s Liberation Movements” examines texts of the Black Power and Women’s Liberation Movements: the early Black Arts Movement anthology For Malcolm; the now-canonical texts Our Bodies, Ourselves; The Black Woman; and Sisterhood Is Powerful; a number of pamphlets and other small press works; and the Black Panthers’ newspaper. This project argues that writers and activists used senses of the uncanny, along with elements of science fiction and fantasy, to negotiate the day-to-day uncertainties of political organizing and, more broadly, political hope. The texts examined here convey particular political views in an explict …
Digital Literacies And “Glee”: The Role Of Fan Fiction Virtual Writing And Social Commentary In Response To Bullying Themes With Adolescent Writers,
2017
Wayne State University
Digital Literacies And “Glee”: The Role Of Fan Fiction Virtual Writing And Social Commentary In Response To Bullying Themes With Adolescent Writers, Mandy Rita Stewart
Wayne State University Dissertations
ABSTRACT
DIGITAL LITERACIES AND “GLEE”: THE ROLE OF FAN FICTION VIRTUAL WRITING AND SOCIAL COMMENTARY IN RESPONSE TO BULLYING THEMES WITH ADOLESCENT WRITERS
by
MANDY STEWART
May 2017
Advisor: Dr. Gina DeBlase
Major: Curriculum and Instruction
Degree: Doctor of Philosophy
As the education system turns its attention to climate, bullying, and Lesbian, Gay, Bisexual, Transgender (LGBT) issues in the classroom, there is a focus on developing our student population abilities to be more accepting and tolerant of diversity. This study explored how ten students, aged 16-17, interacted with virtual literacy events on www.fanfiction.net, and how that contributed to their refinements …
The Complete Poems Of Anne Bannerman,
2017
Duquesne University
The Complete Poems Of Anne Bannerman, Matthew Heilman
Electronic Theses and Dissertations
Anne Bannerman (c.1780-1829) spent most of her life in Edinburgh, Scotland and published three volumes of poetry in the early nineteenth century. For my dissertation, I have prepared the first fully-annotated critical edition of Bannerman’s complete works, including Poems (1800), Tales of Superstition and Chivalry (1802), and Poems, A New Edition (1807). A comprehensive introduction provides information on Bannerman’s life and background, and examines her work in the context of British Romanticism, the Gothic, Scottish nationalism, and the ballad tradition. Close-readings of the poems examine the ways in which Bannerman’s female narrators challenge early nineteenth-century conceptualizations of gender, particularly in …
