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Neoclassicism And Camp In Sir William Hamilton’S Naples, Ersy Contogouris

ABO: Interactive Journal for Women in the Arts, 1640–1830

Susan Sontag, in her now-classic “Notes on Camp” (1964), traces the origins of camp to the eighteenth century (13, 14, 33). And although it is precisely the baroque and rococo art movements against which Winckelmann rebelled that Sontag identifies as camp, it is worth reflecting on whether the notion of imitation that is central to both movements – imitation of ancient works in the case of neoclassicism, and imitation as parody in the case of camp (Meyer 7) – might not bring the two closer. Once the conceptual chasm separating neoclassicism and camp has begun to be bridged, we can …

Sterne’S Sentimental Temptations: Sex, Sensibility, And The Uses Of Camp, Julie Beaulieu

ABO: Interactive Journal for Women in the Arts, 1640–1830

Laurence Sterne’s lack of commitment to the tenets of sentimentality in A Sentimental Journey—present in his ability to mock and praise the individual capacity to feel, and more precisely, in his satirical reading of the “cult of sensibility,” the new ideological imperative to have and to showcase deep, sentimental feelings—remains as one of the central challenges for readings of the novel. To explore Sterne’s portrayal of sensibility in A Sentimental Journey, I turn to camp sensibility, and the discussions that followed Susan Sontag’s “Notes on Camp.” Sterne’s novel could be read as camp, perhaps most notably in his …

Eighteenth-Century Camp Introduction, Ula Lukszo Klein, Emily Mn Kugler

ABO: Interactive Journal for Women in the Arts, 1640–1830

A blend of the silly and the extravagant that puts the serious into conversation with the ridiculous, camp today is often signified by elements of eighteenth-century Europe with its elaborate hairstyles, exaggerated silhouettes, affected courtiers, and a rise in the consumption of exotic goods, candelabras, masks, and other markers of elite excess (often with a nod to the era’s demise in the form of either the French Revolution or subsequent Victorian strictures). Camp’s relation to queer modes of performance and its prioritization of style over (or in conjunction with) substance offers a queer aesthetic lens to re-evaluate the eighteenth century …

“Queen Of The Underworld And Mistress Of The Labyrinth;” An Exploration And Critique Of Females In The Bildungsroman, Melissa Aucompaugh

CURCE Annual Undergraduate Conference

I explore the female bildungsroman expressed as a Counter Bildungsroman, the coming of age through a singular sexual event, coupled with a “a fall” and the Contra Bildungsroman, a more complex entrance into womanhood that reconfigures the female coming of age as rebirth instead of a fall. The first chapter, The Counter Bildungsroman, exposes how the Counter Bildungsroman’s coming of age scenario portrays the problematic expression of sexuality (or lack thereof) and entrance into womanhood in the film Labyrinth and the poem “Goblin Market.” Symbols emerge as supplements for the denied sexuality: the consumption of fruit …

The Equal Rights Amendment: Why All U.S. States Have Not Ratified, Gina Tan, Mirren Galway

CURCE Annual Undergraduate Conference

Currently, enacted legislation for the equality of men and women in the United States does not exist. Despite many advancements, as of 2018, the equality of men and women is not explicitly stated in the U.S. constitution. There is a long history of discrimination against women in the U.S., and for some time now, there have been pushes toward constitutionalizing equality based on Sex. One such push came in 1923, shortly after women were granted the right to vote and The Equal Rights Amendment (ERA) was introduced. This amendment mandates that the “Equality of rights under the law shall not …

Making It New And Keeping It Old: Recasting Frameworks And Contexts In Georgia O’Keeffe Studies, Linda M. Grasso

Publications and Research

Three recent Georgia O’Keeffe exhibition catalogues devise new interpretative frameworks and situate O’Keeffe in new contexts that are especially relevant to American Studies scholars interested in visual culture, material culture, gender studies, reception studies, and modernism. One places O’Keeffe in the company of other white women making modernist art in the early decades of the twentieth century; another provides critical interpretations that acknowledge and reject previous views that were skewered by monolithic gender and sexual lenses; and a third moves O’Keeffe into popular culture domains such as fashion, consumerism, and interior design. Raising questions about how curators present and shape …

The Examination Of Inconsistencies Among The Misconception, Ideology, And Reality Of The Punishment Of Male And Female Adulterers Through Letters And Court Records, Julie Ho Lely

Young Historians Conference

Due to the misogynistic roots of history, many scholars believe that female adulterers were punished more harshly than male adulterers; however, the wholistic examination of religion, gender norms, and medieval law reveal that despite the church’s ideology of equal condemnation of male and female adulterers, in reality, male adulterers were punished more frequently than women. By addressing the misconceptions, ideologies, and realities relating to adultery, this enables us to comprehend how social norms, law, and religion mutually influence each other while also revealing inconsistencies between the different fields. This paper focuses on adultery cases in the medieval times and examines …

Foundation Of Our Former Houses, Jeanne Ciravolo

MFA Statements

An investigation of forms of visual expression, inspired by narratives of female family members and influenced by art historical representations of women and the relation of gender to power structures. The research explores themes of illness, abuse, sexuality and identity and results in mixed media and painted paper collage works on drop cloths, and stitched drawings on domestic textiles, such as mattress pads and kitchen towels. The research methodology is inquiry and process based and is supported by works by Leon Golub, Nancy Spero, Kiki Smith and Kathy Wilkes.

Paper: Investigating The Work Of William Styron: The Perpetuation Of The Fantastic Hegemonic Imagination, William Sikich

Womanist Ethics

William Styron's Confessions of Nat Turner depicts a fictitious characterization of the historical Nat Turner. Styron, a white southerner, assumes Turner's perspective in order to tell a speculative story about his slave rebellion of 1831. Similarly, he tells the story of a fictional holocaust survivor in his novel, Sophie's Choice. The decision to take on these perspective evinces some arrogance on Styron's part, and the way in which he executes the narrative of each novel delivers their stories with varying levels of respect to their subjects: Styron's indirect telling of Sophie's story allows Styron some freedom to speculate, while …

“Flowing Along The Wall”: Anarcha-Feminist Bioethics And Resistance In Octavia E. Butler’S Dawn 2019., Theresa Mendez

Master's Theses

Science fiction (sf) texts conversant with the temporal play between past, present, and future push readers to imagine the extremes of human and environmental existence, interaction, and potential. Simultaneously, despite the sf genre’s tendency to traffic in extremes, these texts provoke readers to consider the ways in which these imagined worlds are grounded in history as well as in the contemporary social moment. As Donna Haraway has argued, “the boundary between science fiction and social reality is an optical illusion” (306). This illusory boundary must continue to be traversed in order to consider how sf literatures, particularly those which imagine …

Posthuman And Alien Breeding: The Implications Of Cybersex In Octavia Butler’S Dawn 2019., Elizabeth Rutkowski

Master's Theses

Speculative science fiction affords new ways for authors to represent social problems of the modern day in an apocalyptic manner. Authors such as Octavia Butler use science fiction to analyze social injustices revolving around race, gender, and sexuality. Throughout her novel Dawn, Butler uses the posthuman to represent minority groups in the late twentieth century. The posthuman represents those who have moved from humanity towards a new opportunity that is mixed with the potential for struggle. 1 As demonstrated through Butler’s work posthumanism blurs the lines between binaries such as male / female, straight / gay, and consensual / nonconsensual …

Chaucer's Pardoner: The Medieval Culture Of Cross-Dressing And Problems Of Religious Authority, Larissa Tracy

Medieval Feminist Forum: A Journal of Gender and Sexuality

One of the most ambiguous and contentious characters in Geoffrey Chaucer’s fourteenth-century Canterbury Tales is the Pardoner, the last (and arguably worst) of the pilgrims described in the General Prologue. The Pardoner accused of being a gelding or a mare endowed with several effeminate traits, plays on multiple gendered associations—including that of a cross-dressing woman. Throughout the Canterbury Tales Chaucer manipulates gender expectations and assumptions in the figure of the Pardoner without fully clarifying the Pardoner’s sex, sexuality or gender, leaving the text open to potentially subversive interpretations. By the fourteenth century, cross-dressing was a relatively common literary motif, …

A Study On The Reflections Of Women And Men On A Women’S Empowerment Project: A Case Study Of Sindhuli, Nepal, Shreyasha Khadka

Sustainability and Social Justice

Women empowerment and gender equality are considered key aspects of achieving sustainable development goals. At the same time, the empowerment of women is also a process of change that enables women to build capacity in order to make life choices and act on them. Central to women empowerment is incorporating men into the process. Men should be included to deliver effective empowerment through collaboration and interdependence and to understand how women empowerment works in a patriarchal setting. Women’s economic empowerment such as Rural Economic Empowerment Project (RWEE) strives to empower and improve the status of rural women in Nepal. This …

Why We Hear About It, And Why We Don't: Power Dynamics And Sexual Harassment Reporting In Us State Legislative Bodies, Halley Norman

Political Science Honors Projects

The rise to prominence of the #MeToo Movement in October 2017 opened the floodgates to sexual harassment and assault allegations in all fields and levels of employment, across the United States and the world. This movement has crucially revealed is that women often wait months or even years before reporting, if they report at all. Looking at US state legislative bodies, I argue that gendered power dynamics between men and women suppress allegations and promote harassment. Using interviews and data analysis, this paper identifies different factors that may delay or hinder reporting, with a specific focus on gendered power dynamics …

The Case For Contraceptives: The Legislative History Of The Aca’S Birth Control Mandate, Julia Grant

Venture: The University of Mississippi Undergraduate Research Journal

This paper seeks to outline the legislative and judicial history of the Affordable Care Act’s contraception coverage mandate. It begins by explaining the justifications and specifications of the provision. It then highlights the three phases of litigation that have surrounded the mandate: closely held, for-profit companies; religious nonprofit organizations; and state attorney generals. This paper provides context for the litigation by describing the opposing stances towards the mandate of the Obama and Trump Administrations and the different modifications to the provision made under each administration. In the wake of last week’s finalization of the controversial rules the Trump Administration issued, …

The Gender Differences In Perceived Obscenity Of Vulgar, Profane And Derogatory - Language Usage Among U.S. University Students, Jacqueline Knirnschild

Venture: The University of Mississippi Undergraduate Research Journal

With the Access Hollywood video of Donald Trump and the “This Pussy Fights Back” response by women, societal standards toward gender-specific language and appropriate conversation topics have become center-stage in our society. The concept that “boys will be boys” normalize vulgar conversations between men, whereas women who “swear like sailors” are seen by society as unprofessional, to have bad manners, limited vocabulary and to be seeking attention or “trying to be like one of the boys”. Such stigmas, although aim to make the perspectives of so-called “unladylike” women obsolete and invisible, may actually end up doing the complete opposite by …

Jesse Routte: Using Style To Signify Injustice, Emma Nordmeyer

Race, Ethnicity, & Religion

Jesse Routte, first African-American student to graduate Augustana, made national headlines in 1947 for wearing a turban on a visit to Alabama. In this paper, I explore how Routte's stylistic choices uprooted and questioned the racism of the Jim Crow era.

An Analysis Of Operator Eye Behavior When Monitoring Simulated, Petrochemical Manufacturing, Supervisory Control And Data Acquisition Alerts And Warnings With Background Noise, Angela Huenerfauth

All-Inclusive List of Electronic Theses and Dissertations

There are a number of potential distractions for operators when viewing plant status-monitoring information in a petrochemical plant: background noises of other employees speaking, sounds of manufacturing equipment and processes and other ambient noises like HVAC and building operation noise. When the monitoring equipment for a chemical or petrochemical plant is not designed to take into account that operators can be distracted by this noise, there is a potential safety hazard for the people in that work environment. Alarms can be missed and fundamental information can be overlooked. SCADA is “a type of control system that collects and displays data …

Give Up The Ghost, Hannah T. Mcbroom

Graduate Theses and Dissertations

Give Up the Ghost is a series of six paintings created in Fall 2018 and Spring 2019. The paintings are an introspective examination of transgender subjectivity in visual narrative.

In this paper, I separate the personal and research through first and third person, similarly to how I separate imagery and mark making in my paintings. The paper is broken up into a description of the project, the history and theory which informs the work, and why painting is used to describe bodies and spaces.

Give Up the Ghost refers to giving up social expectations as determined by gender. The paintings …

Good Dyke Art, Sam M. Mack

Graduate Theses and Dissertations

The work in good dyke art visually expands upon conversations about institutional critique and its contradictions, specifically questioning who dictates the boundaries between institutions and bodies: how divisions are made between them and who enacts or receives force. One’s participation in this critique, however, indicates a participation in the problematics of the institution and by extension, a desire to critique may also be considered a desire to participate in that system.

Ceramic, glaze, and found objects manifest an allegorical formalism that utilizes coded languages of institutional spaces, traditions of queer-coding, and charged word-play. The ceramic vessel forms reference the Ancient …