Feminist, Gender, and Sexuality Studies Commons^™

From Franz Kafka To Franz Kafka Award Winner, Yan Lianke: Biopolitics And The Human Dilemma Of Shenshizhuyi In Liven And Dream Of Ding Village, Melinda Pirazzoli

CLCWeb: Comparative Literature and Culture

To date, many studies have exhaustively explained how and why Yan Lianke deals with both the intimate relationship between disease and biopolitics and the relationship between utopia and dystopia. These are certainly the most important themes in Liven (2004) and Dream of Ding Village (2006). However, biopolitical discourses cannot fully account for the complexity, depth and humanity of these novels, which in addition to exploring the complex and protean meaning of life also represent shenshizhuyi, an expression coined by Yan Lianke to describe his human dilemma in representing the complex relationship between shen 神 (soul, spirit, mind and myths) …

Hanay Geiogamah’S Body Indian And Foghorn As “Plays With A Purpose”, Danica Čerče

CLCWeb: Comparative Literature and Culture

In her article, “Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose,’” written against the backdrop of critical whiteness studies, Danica Čerče discusses how Geiogamah’s theatrical rhetoric intervenes in the assumptions about whiteness as a static, privilege-granting category and system of dominance. By focusing on various techniques and strategies mobilized to define and affirm Native Americans’ authentic rather than imposed identities, the article shows that humor is one of the prime textual devices in Geiogamah’s plays to renegotiate what Walter Mignolo calls “the racist structure of power.”

Politics Of Evasion And Tales Of Abjection: Postmodern Demythologization In Angela Carter And Ghazaleh Alizadeh, Narges Montakhabi Bakhtvar, Hoda Niknezhad-Ferdos

CLCWeb: Comparative Literature and Culture

Angela Carter and Ghazaleh Alizadeh as the prophetesses of postmodern fairy tales in British and Persian literature re-narrativize these tales as a loophole from socio-political stagnation and cultural paralysis. Evading direct contact with the political jargons of their eras, they seek gender generativity via the fairy tale machine. Alizadeh finds refuge in modernizing Persian fairy tales. Carter chants her frustration at Thatcherism through gender subversion. Carter’s and Alizadeh’s revulsion at the politics of gender in their eras can be read via the duet between the abject and the chora in Kristeva’s thought. It is through the encounter with the external …

Strategies Of (In)Visibility And Resilience: Women Writers In A Digital Era, Miriam Borham-Puyal, Daniel Escandell-Montiel

CLCWeb: Comparative Literature and Culture

Women’s presence in literary history has been particularly conditioned by their place in society and by the limited spheres in which their production was expected to appear (e.g. the sentimental novel, romances or children’s literature). In today’s digital, open and connected society, women continue to face visibility problems in the publishing industry and in the online spaces that grant presence and agency. Their role in cultural creations is still hindered by vertical powers that operate as main censors. This circumstance takes place even in a rhizomatic and decentralized virtual space, where dissident discourses have highlighted it, although without enough discursive …

“No Roses, White Nor Red, Glow Here”: The Motif Of The Garden In Two Proserpine Poems By A. Swinburne And D. Greenwell, Cristina Salcedo González

CLCWeb: Comparative Literature and Culture

In this article, I discuss Algernon Swinburne’s and Dora Greenwell’s engagement with the myth of Proserpine through an analysis of the motif of the garden, which takes central stage in both accounts. The examination will illustrate how the authors’ outlined images of the garden challenge the dominant representation of the motif within Western literary tradition, offering a re-interpretation of the myth as social commentary.

Deconstructing Feminine And Feminist Fantastic Through The Study Of Living Dolls, Raquel Velázquez

CLCWeb: Comparative Literature and Culture

In her "Deconstructing Feminine and Feminine Fantastic through the Study of Living Dolls," Raquel Velázquez analyzes the treatment of one idiosyncratic image within the fantastic genre, and one that also has a special impact on the configuration of the feminine: the doll. On the one hand, she examines the evolution of this fantastic motif in order to determine whether it involves a transformation of how the feminine fantastic is represented. On the other hand, she establishes some correlations between the image of the fantastic doll, and the development of processes such as the dollification of women or the humanization of …

The Inappropriate/D Fantastic: A Proposal Beyond Feminism, Teresa López-Pellisa

CLCWeb: Comparative Literature and Culture

Teresa López-Pellisa’s article “The Inappropriate/d Fantastic: A Proposal Beyond Feminism” discusses a type of narration that goes beyond the feminist fantastic. These are fantastic texts permeated not only by a feminist discourse, but by intersectionality, transfeminism, ecofeminism, cyberfeminism, post-humanism, xenofeminism and/or necropolitics as well. Borrowing the term inappropriate/d others from Donna Haraway (The Promises of Monsters), who in turn takes it from the feminist theorist Trinh Minh-ha, we can analyze those fantastic stories that call into question the categories of gender, class, race and sexuality established by Western enlightened humanism. These types of non-mimetic narrations have …

A Geocritical Perspective On The Female Fantastic: Rethinking The Domestic, Patricia García

CLCWeb: Comparative Literature and Culture

Patricia García’s article, “A Geocritical Perspective on the Female Fantastic: Rethinking the Domestic” approaches the question of the “female fantastic” from a spatial angle. Proponents of the female fantastic (for example E. Moers, S. Gilbert and S. Gubar and A. Richter) often coincide in a leitmotif that characterises this tradition: the haunted house. This leads to a great deal of studies centred on how female authors employ domestic spaces as a means to give voice to the lives of women invisibilised by patriarchy and, through the irruption of the supernatural, as a way to subvert domestic ideology. Whereas these studies …

Female Fantastic In Anthologies: Gendering The Genre And Its Discourse, Anna Boccuti

CLCWeb: Comparative Literature and Culture

In the last decades, the fantastic literature written by women has been the subject of various studies, which, from different standpoints, have tried to investigate the characteristics of the female fantastic. In this essay, after a critical review of the most prominent theories about the so-called feminine fantastic and female writing, I will focus on the narrative strategies of the female fantastic. Through the close reading of the anthologies Tra due specchi. 18 racconti di scrittrici latinoamericane, and Insólitas. Narradoras de lo fantástico en Latinoamérica y España, I’ll try to draw a cartography of the Hispanic …

Transgression, Essentialism And Literary System: An Approach To The Viability Of The Female Fantastic, Alfons Gregori

CLCWeb: Comparative Literature and Culture

The main aims of this article are firstly to find out whether the concept of “fantastic female” is a contradictory and ambiguous construct, and secondly to challenge the feasibility of applying it to literary studies. The matter of the existence of the “female fantastic” refers to the theoretical approaches made to undertake a double-edged task in the 1970s and 1980s: the conceptualization of a dual scheme establishing a female aesthetic opposed to the dominant patriarchy on the one hand, and on the other, the promotion of non-mimetic narrative modes as formulas for transgressing the patriarchal system. However, the crystallization of …

The Female Fantastic Vs. The Feminist Fantastic: Gender And The Transgression Of The Real, David Roas

CLCWeb: Comparative Literature and Culture

Since Ann Richter coined the term “fantastique féminin” in 1977, many works in different languages have postulated a “female” way of writing fantastic texts, depending on the selection of themes, language, characters, supernatural elements, and the portrayal of the uncanny and the monstrous. This claim on the existence of a "female fantastic" reflects central issues in Feminist Literary Theory: on the one hand, the will to identify an aesthetic mode opposed to the dominant patriarchal discourse (female writing, the use of specific themes, etc.); on the other hand, the argument that there are marginal genres, forms and styles voluntarily removed …

Introduction: New Perspectives On The Female Fantastic, David Roas, Patricia Garcia

CLCWeb: Comparative Literature and Culture

No abstract provided.

Material Witnesses: Deconstructing Networks Of Credibility And Objectivity In Medical Narratives From Mary Toft To The Contraceptive Pill, Krista Elizabeth Roberts

Theses and Dissertations

In this dissertation, I argue that to better understand the tangled, embedded human and nonhuman subjects and how their testimonies function in western medical history, we need to first understand their erasure. By using relationality as a reading method, I break apart who and with whom individuals make medical decisions by considering what constitutes evidence. In the Mary Toft case, expert witnessing informs the ways in which a reader trusts what the narrator claims. The medicolegal conventions of courtroom testimony shape the ways in which medical men wrote their pamphlets. These men shore up their credibility through descriptions of nonhuman …

Moving To A New City As An Lgbtq+ Individual [Poster], University Of Northern Iowa. Women's And Gender Studies Program.

Women’s and Gender Studies Program Documents

No abstract provided.

We Are All Human: A Discussion On Love [Poster], University Of Northern Iowa. Women's And Gender Studies Program.

Women’s and Gender Studies Program Documents

No abstract provided.

She Lives: Bringing The Bride Of Frankenstein To Life In The Comics, Michael Torregrossa

Far West Popular Culture Association Annual Conference

Mary Shelley’s Frankenstein recently celebrated its two-hundredth anniversary, and its story remains vibrant in popular culture, especially in the comics medium. I’ve done a number of conference papers in the past devoted to representations of the Creature and his creator, Victor Frankenstein, in comics and comic art, but I’ve only recently begun to look at how the character of the Bride of Frankenstein has been depicted. I’d like to use this opportunity to further that work and look more closely at continuations and recastings of her story. The Bride has no chance at life in Shelley’s novel, as she is …

Women's History Month 2021: Calendar [Poster], University Of Northern Iowa. Women's And Gender Studies Program.

Women’s and Gender Studies Program Documents

No abstract provided.

The Importance Of Inclusive Spaces In Social Skills Development: Drawing On The Lgbtq Educational And Disability Studies In Education Frameworks, Aja Mckee, Audri Sandoval Gomez, Kevin Stockbridge

Education Faculty Articles and Research

This manuscript highlights a major finding from a larger study conducted in the United States that used phenomenological interviews with adults with autism who typed to communicate. Participants shared their United States educational experiences before and after learning to type. This finding focused on how disability studies in education and the development of inclusive spaces, such as those designed for lesbian, gay, bisexual, transexual, and queer or questioning (LGBTQ) students, may change the way in which educators support students with autism in developing and sustaining natural and meaningful friendships. Thus, this paper examined the social experiences of one participant who …

Phoebe Waller-Bridge’S Fleabag(S): Direct Address And Narrative Control From Stage To Small Screen, Jessica Beaumont

Journal of International Women's Studies

This essay explores the television comedy Fleabag (BBC 2016-2019) which was adapted from a theatrical monologue and owes its mode of direct address to this dramatic past. The original one-woman show, written by and starring Phoebe Waller-Bridge, was first performed at the Edinburgh Fringe Festival in 2013, and, like the BBC Three television adaptation that followed in 2016, follows the story of a sexually promiscuous young woman, known to the audience only as ‘Fleabag,’ struggling with the death of her closest friend. The essay is concerned with the application of auteur theory, which becomes relevant to a discussion of the …

How Should An Understanding Of Gender Shape Our Approach To The Production Of Knowledge?, Alice R. Dunn

Journal of International Women's Studies

For feminists, the question of what it means to take a feminist approach to the knowledge production process itself is of paramount importance. Drawing on postcolonial and intersectional thought and embedded in a discussion of the realities of the academic research process, this paper questions how an understanding of gender should shape such an approach. Ultimately, it argues the importance of moving beyond self-reflexivity alone and towards an understanding of research as a process of representation.

Starting from the intuition that feminist normative theorising should be grounded in women’s experiences, I first consider how the starting point and end point …