Feminist, Gender, and Sexuality Studies Commons^™

The Chameleon Experience: Queer Identity, Mental Health, And Transformation, Cameron Penny

Communication and Theater Association of Minnesota Journal

In this autoethnographic piece, I examine the correlation between queer identity and mental health through reflective analysis of my own experiences within a Western socio-cultural setting. I expand external perspectives on the queer experience by highlighting the normalization of queer prejudice and its adverse impact on self-image. I share how the religious praxis of Catholicism enforces binary conformity by promoting dichotomous thinking that simultaneously constricts queer expression and subjugates implicit biases. In tandem, I utilize autoethnography as my medium because it provides a unique outlet to raise awareness for chronically stigmatized identities by centering marginalized voices (Atay, 2011; Chavez, 2013). …

Intersectionality And Institutional Power In Dystopian Cinema: Gender, Race, And Social Order In Sinners, Alexander Kilian, Amaya Baker

Discovery Day - Daytona Beach

This research project, Intersectionality and Institutional Power in Dystopian Cinema: Gender, Race, and Social Order in Sinners, examines how Sinners construct and represent women through intersecting systems of gender, race, and institutional power within a dystopian framework. Situated within broader discussions of equity, embodiment, and access, the project addresses how speculative media reflect and shape contemporary social hierarchies, particularly in modeling institutional authority, social organization, and identity formation. The primary objective is to analyze how these intersecting systems influence perceptions of identity, hierarchy, and social cohesion. Employing an interdisciplinary humanities approach, the project integrates film analysis, feminist theory, and critical …

Through Her Lens: The Card-Based Storytelling, Daisy Elizabeth Morales-Zaragoza

McNair Summer Research Program

Women in male-dominated roles in military environments navigate complex institutional, cultural, and interpersonal barriers throughout their military careers. This qualitative study explores the lived experiences of women serving in the United States Navy. We can accomplish this by examining how institutional culture, power dynamics, and traditional leadership definitions shape their service and career progression. The inquiry is grounded in Eagly’s Role Congruity Theory of Prejudice Towards Female Leaders, Crenshaw’s Intersectionality, and hooks’ ethics of active care and behavior. Utilizing a qualitative design, data were gathered through a novel, interactive card-based interview method designed to transfer agency to participants and cultivate …

A Philosophy Of Communication Response To Bullying In Corporate America, Chris A. Phillips Dr.

Electronic Theses and Dissertations

This philosophy of communication response to bullying in corporate America follows the structure of posing research questions, synthesizing relevant literature, and offering advice to practitioners. It invites the reader to have hope in continuing the conversation through a constructive hermeneutic approach to the problem. By building on literature in oppression, silencing, bullying, incivility, and communication ethics, this dissertation reveals how (rhetoric) and why (philosophy) the problem occurs in corporate America today. This dissertation offers a new angle to an old problem, or, a rhetoric and philosophy of bullying. It responds to the following questions:

RQ 1: As a destructive communication …

A Case For Societal Provenance: Marguerite Harper As Told By The Men She Represented, V. Emily Cranwell Deinert

Journal of Contemporary Archival Studies

This paper argues for making societal provenance the grounding framework for archival descriptive standards to ensure that important voices already present in archives are no longer buried. This study reclaims from archival obscurity the career of literary agent Marguerite E. Harper to illustrate the need for this expansion. Harper proves strikingly absent from some of the archives for the authors she represented. Likely an unwitting omission from archivists that uncritically accepted the narratives of these male authors, Harper’s erasure provides a potent example of the ways that archival descriptive standards may unintentionally further silence historically marginalized voices within archives. The …

The Method And The Machinery: Gloria Steinem, India, And The Cold War Making Of American Second Wave Feminsim, 1956-1972, Rashida Shafiq

History Theses and Dissertations

This dissertation argues that Gloria Steinem became one of the most visible feminists of her generation because two political inheritances — postcolonial India and the Cold War liberal United States — converged in a single career. In 1957 and 1958, on a Chester Bowles Asian Fellowship, Steinem spent eighteen months in India, where she moved from elite intellectual circles in Delhi to Gandhian and Sarvodaya peace work in the villages of Ramnad. Walking with Bhoodan fieldworkers through caste-riot-stricken communities, she absorbed a repertoire of organizing practices — listening across difference, lateral and leaderless structure, decision by consensus, and the conversion …

A Poetic Call For And A Reflection And Commentary On Clarity, Understanding, Hope, Courage, And Compassion, Carroy U. Ferguson

Psychology Faculty Publication Series

Finding a published poem I had written as a teenager, titled “The Heavens Weep.” this article uses that poem as the basis for a commentary that reflects on the state of the world today (2026),  As a commentary, the article uses the poetic and metaphoric words in the poem as a relevant "reality check" for what is still going on today.  In essence, the commentary is about a call for Clarity, Understanding, Hope, Courage, and Compassion, or what I call Archetypal Energies, Higher Vibrational Energies that operate deep within our individual and collective psyches to creatively urge us to "see" …

Serenade In C, Chloë M. Robinson

AWE (A Woman’s Experience)

It was an abrupt event, and it deserves an abrupt introduction: I was seventeen years old when I survived a lightning strike. We were on a church camping trip with a large group that included my dad and younger sister. The first night at camp, over fifty teenagers played lawn games on a grassy field after dinner. It was drizzling on and off that day, and we were excited to take advantage of the momentarily clear skies. At about 7:45 p.m., I was under a tree with my dad, trying to set up a croquet set for everyone to use. …

Woven Into One, Elise Marie Hatch

AWE (A Woman’s Experience)

A recent late-night walk to the library was joyfully interrupted by a young child. Her unique perspective framed by the diminished height and wholesome innocence of a seven-year-old, this child was eager to share what she, from her vantage point, saw, discovered, and valued. “Mom!” she yelled with brilliant curiosity, “Look at the lights!” Guided by her pointing hand, I too turned around. I saw my home city—where I wake and work and study every day—transformed, through the curiosity of a child, into a symbolic landscape of dappled lights and abstracted forms.

Christ As A Maternal Figure: Motherly Depictions Of The Son In The Met Cloisters, Cheynie Wray

AWE (A Woman’s Experience)

The Hours of Jeanne d’Evreux, Queen of France is a miniature book of hours—an illuminated, or illustrated, prayer book—made for its namesake, a queen of France. Crafted by the hand of French artist Jean Pucelle between 1324 and 1328, it is now held in the Treasury of The Metropolitan Museum of Art (Cloisters Collection), one of the most renowned repositories of medieval art in the United States. The book pairs scenes of the Passion of Christ with scenes of the life of the Virgin. One such pairing shows the Betrayal of Christ and the Annunciation. On the Betrayal of Christ …

The Horror Of Female Autonomy: The Transformation Of Women In Vietnam War-Era Fiction And Film, Regan Roberts

AWE (A Woman’s Experience)

During the Vietnam War era, cultural fears intersected with evolving gender roles, particularly as women gained greater autonomy and visibility in public and private spheres. Fears such as these are realized and explored in the horror genre. Tim O’Brien’s The Things They Carried explores this societal tension in its short story, “Sweetheart of the Song Tra Bong,” through Mary Anne Bell, a young girl whose transformation from innocent girlfriend to the monstrous Other subverts traditional femininity. I will explore this short story and its significance by contextualizing it alongside other media from the horror genre of the Vietnam War era, …

Listening, Stepping, Screaming: Feminist Interpretations Of Yoko Ono’S Art, Cordelia Lavender Mcphie

AWE (A Woman’s Experience)

Long before she spent her time promoting peace through music and her infamous bed-in honeymoon, Yoko Ono was breaking traditional conventions of art by creating and performing her pieces of instruction: art that requires a participating audience in order for it to be made. At the beginning of the 1960s, early in Ono’s art career and before her association with the Beatles, she was participating in new kinds of conceptual and communal art processes within (and without) the Fluxus art movement.1 She is not a solo artist in the traditional sense, because her artwork is unable to be fully realized …

Climbing Mother By Brian Kershisnik: Representing Mothers As Sacred Spaces, Elijah Clark

AWE (A Woman’s Experience)

Brian Kershisnik’s collection The Difficult Part is a series of artworks that includes paintings from throughout the artist’s career. A repeated theme in this collection is motherhood. One particularly striking painting, Climbing Mother, is an oil on canvas piece painted in 2013 (wall text for Climbing Mother). Brian Kershisnik is a Latter-day Saint artist known for depicting mundane things as holy and for making holy things more approachable to modern audiences. For example, Kershisnik has many paintings of the Madonna and Christ child where they are shown as real people in everyday scenarios. The normalcy of his paintings …

Persuasions And Proposals: Female Agency In Pride And Prejudice, Mansfield Park, Emma, And Persuasion, Hannah Swenson

AWE (A Woman’s Experience)

In all six of her completed novels, one of Jane Austen’s primary interests is the theme of persuasion—particularly as it relates to the lives and decisions of young women. Her final book Persuasion, published six months after her death, can therefore be read as a final culmination of the topic of accepting and exerting influence. As scholar Ann Molan has observed, Austen “penetrates the intrinsic doubleness of persuasion, its ability to destroy and fashion, its ineradicable presence in all human dealings, and the riskiness of deciding one’s lot by something uncertifiable” (108). Although the theme of persuasion and persuadability …

Patterned After Poppies, Elise Marie Hatch

AWE (A Woman’s Experience)

No abstract provided.

A Self-Portrait: Staring The Male Gaze Right In The Eye, Brynne Petty

AWE (A Woman’s Experience)

The late nineteenth and early twentieth century was a time of constant change. Artists were constantly finding newer and more creative, often more bizarre, ways of expressing themselves through their art. Social norms were being broken down, with the subjects of many artworks becoming increasingly unconventional, bold, and, in many cases, provocative. Women swiftly became the subject of many paintings, often portrayed in the nude. Of course, a painting of a nude woman was not a new concept, but the way in which women were depicted was increasingly more sexual and erotic. Thus, the term male gaze—defined as “a …

God’S Reflection, Shannon Lindsay

AWE (A Woman’s Experience)

No abstract provided.

Red Awe, Ella Marie Paligo

AWE (A Woman’s Experience)

No abstract provided.

Insecurity, Ana Gabriela

AWE (A Woman’s Experience)

No abstract provided.

On And Off, Madison Sacriste

AWE (A Woman’s Experience)

No abstract provided.