Children's and Young Adult Literature Commons^™

Emhain Ablach, Joshua S. Fullman

The Mythic Circle

A slate horizon keeps captive none who’d gaze with eyes eternal,

Editors' Introductions, The Editors

The Mythic Circle

No abstract provided.

Mythic Circle #43, The Editors

The Mythic Circle

Is it just us, or was 2020-2021 the worst year of the past hundred years? Infections, deaths, lockdowns, and quarantines too long for human endurance just kept on keeping on, intensified by squabbles between proponents of collective health measures (masks, vaccines, social distancing) on one side and of individual personal liberties, regardless of the social and health impact, on the other. But through it all, artists continued to think, dream, and produce new work.

Welcome To The Busty Wench, E. Clarence Peterson

The Mythic Circle

Toby’s step down from the coach was greeted by the damp embrace of cobblestone puddles. Deceptively deep and cold, they were none too fresh, either.

The Black Eyes Of Ulspruth-Dimot, Lee Clark Zumpe

The Mythic Circle

A misty morning met the awakening village of Madichi. Dawn made pale the cloudy skies, and upon the breeze cascading down from the mountains was a subtle chill.

Tricked By The Queen Of Fey, Ella Wallsworth-Bell

The Mythic Circle

Before going to the pub, I take a quick stroll to pluck up courage. Turn along the lane out of the village, my smart shoes softly tap-tapping on the tarmac. A few early stars shine bright in the clear autumn sky and my stomach does somersaults.

The Three Kindreds, Jonathan Rolfe

The Mythic Circle

High are the Elves, and high their works, And bright was Earth beneath their hand,

You Passed Me The Story, Sarah Berti

The Mythic Circle

in the dark! you passed me the story

How The Dryad And The Naiad Got Or Didn't Get Together, Kevan Kenneth Bowkett

The Mythic Circle

Once, in the river-land of Sopenya, near Lake Chellu, there lived a naiad and a dryad. They were a boy and a girl, respectively.

C.S. Lewis's Meditation Over "The Book Of The Leoun", Joe R. Christopher

The Mythic Circle

One wonders what did Chaucer mean to make?! A version out of French, for versing’s sake?

Two In One, David A. Sparenberg

The Mythic Circle

As I looked to the high ground, which was indeed shaped in the semblance of a sublime albeit miniature mountain, imagine my amazement to hold in view the monumental figure of a curious two-headed deity.

The Girl Body At Large: Examining Fat Representation In Young Adult Literature, Valerie Owens

Great Plains Graduate Review

Fat representation of female heroines in young adult literature generally centers around the protagonist’s struggle to accept her body or situates her body as vehicle for the message of body positivity. Both alternatives keep the narrative focus on the body, defining it as the most important part of the character. This essay examines in depth the pitfalls of fat representation by deconstructing Jennifer Niven’s 2016 Holding up the Universe and comparing to a more commendable more portrayal of fat representation in Rainbow Rowell’s 2012 Eleanor and Park. In particular, this essay focuses on the fallacies of the body positivity movement, …

Spray-Painting The Sistine Chapel: Aesthetic Problems In Leaf By Niggle, John Holmes

Mythcon

No work of the allegoriphobic Tolkien is more manifestly allegorical than his short story “Leaf By Niggle.” Because of the story’s unmistakably allegorical nature, when the reader encounters the four-word sentence that opens the second paragraph—“Niggle was a painter”—the initial response might justly be to read “painter” in a more generic sense to mean “artist in general.” Indeed, the best criticism of this story tends to read Niggle’s problem as an analogue of Tolkien’s problem as sub-creator of Middle-earth, primarily in writing. But because Tolkien’s rendering of Middle-earth sometimes took form in pencil sketches and watercolors as well, Niggle’s painterly …

Sterner Stuff: Sansa Stark And The System Of Gothic Fantasy, Joseph Young

Mythcon

George R.R. Martin’s characterisation of Sansa Stark is among the contentious aspects of the reception of A Song of Ice and Fire. The violence, indignities and threats heaped upon Sansa have been described as gratuitous, cited as evidence of an unusually cold-hearted writer, and marshalled as evidence by those querying the story’s feminist credibility. Sansa’s passive acceptance of such mistreatment could mark her as a character denuded of agency, which would seem either tasteless or a serious misstep by an author of stated feminist sympathies.

In an alternate reading, however, Sansa’s travails and her capacity to absorb them mark …

My Mother She Killed Me, My Father He Ate Me., John Rosegrant

Mythcon

In this presentation I explore why Tolkien singled out for particular appreciation the Brothers Grimm fairy tale The Juniper Tree, which Tatar (Annotated Grimm 209) has called “the most shocking of all fairy tales.” In On Fairy-Stories, Tolkien described its effect on him as follows: “The beauty and horror of The Juniper Tree…with its exquisite and tragic beginning, the abominable cannibal stew, the gruesome bones, the gay and vengeful bird-spirit coming out of a mist that rose from the tree, has remained with me since childhood; and yet always the chief flavor of that tale lingering in …

Faerie Reality In The Spiral Dance By Rodrigo Garcia Y Robertson, Robert Tredray

Mythcon

Garcia y Robertson's The Spiral Dance begins as a historical novel set in the time of the rebellion led by the Earl of Northumberland and the Earl of Westmoreland against Elizabeth I in 1569, told from the point of view of Anne, Countess of Northumberland. It is also an epic or heroic fantasy; besides Lady Anne, two of its main characters are a werewolf named Jock and the Blessed Virgin Mary. Their adventures carry them not only to the highlands of Scotland but to the realm of Faerie. The author's theme is that one must lose all one has before …

How Mythopoeic Stories Carve Space For Change, Rivera Sun

Mythcon

Mythopoeic writings have the capacity to carve out space for new visions, radical thought, and social change. Join Rivera Sun for a roundtable discussion on how this has impacted us as readers (or writers) in our own lives. We'll also explore how far these writings can push the envelope before society starts pushing back. Where are the boundaries that can't be crossed, and how can mythopoeic stories help shift those boundaries on behalf of social change? What role does perceived market demand or pushback play in how publishers either constrain or support stories that help us imagine a new world …

Q&A With Unofficial Mythsoc Historian Lee Speth, Alicia Fox-Lenz, Lee Speth

Mythcon

An attendee of Mythcon 3 and a Steward since 1979, Lee Speth has been called the Mythopoeic Society's unofficial historian. Usually "trapped" behind the Mythopoeic Society Merchandise Table at Mythcons, this year he is free to contribute to programming and regale us with stories from bygone times. Come ask Lee about the history of the Mythopoeic Society, Golfimbul, and general shenanigans.

Moderator: Alicia Fox-Lenz
Tech Mod: Megan Abrahamson.

The Personhood Of Nature In J. R. R. Tolkien’S Legendarium, Sophia Parrila

Mythcon

This paper argues that J. R. R. Tolkien’s portrayal of plants, animals, and geographical features as morally complex persons is central to the ecocentric model of environmental stewardship developed within Tolkien’s Legendarium. Tolkien’s Middle-earth writings endow non-human beings such as animals, plants, and even rivers with personhood by emphasizing their individuality, their capacity for interpersonal relationships, and their agency to make moral choices. I build on work done by critics such as Susan Jeffers (Arda Inhabited), and Matthew Dickerson and Jonathan Evans (Ents, Elves, and Eriador) to find a practicable and inspirational environmental ethic in Tolkien’s …

The Speculative Worldbuilding Of Adál’S Blueprints For A Nation, Matthew David Goodwin

Mythcon

ADÁL’s Blueprints for a Nation is an art installation that displays artifacts from the conceptual nation of El Spirit Republic de Puerto Rico. This imaginal nation expresses the unique social and linguistic experience of Puerto Ricans living off the island, and its principle tool is speculative worldbuilding. This essay examines two of the speculative roots of Blueprints for a Nation. First, the essay explores “El Mapagraph,” the fictional map of the nation that is in the shape of a domino and that alludes to the common practice of mapping utopias and fantasy worlds. The work also makes clear by its …