Children's and Young Adult Literature Commons^™

The Philosophy And Theology Of Fairy-Stories: Fantasy, Escape, Recovery, And Consolation, Giovanni Costabile

Mythcon

In his seminal 1939 Andrew Lang lecture “On Fairy-Stories,” Tolkien proposed what we might term his most extensive pronouncement on his own fiction and underlying poetics, as well as an analysis of Fairy-Stories constituting a referential and authoritative statement on the matter. The importance of the subsequently published text, chiefly cited from Christopher Tolkien's posthumous edited version in The Monsters and the Critics, or, more recently, in Douglas A. Anderson's and Verlyn Flieger's critical edition, simply cannot be overstated.

In the light of such awareness, I would like to examine Tolkien's antecedents as far as his chief arguments are …

This Was The World And I Was King: Land And Identity In Scottish Children's Literature Of The Golden Age, Rodney Fierce

Dissertations

This dissertation focuses on Scottish cultural identity and its erasure in nineteenth-century British children’s literature as successful Scottish authors became known as British authors, and British children’s literature was canonized as the genre’s first Golden Age. Specifically, it explores the ways that Catherine Sinclair, George MacDonald, R. M. Ballantyne, Robert Louis Stevenson, J. M. Barrie, and Helen Bannerman—six popular nineteenth-century Scottish authors—maintain a sense of Scottishness in their adventure fiction. By reading the texts in the historical context of the authors’ biographies, I demonstrate that the land in their works and the benevolent colonizers allowed to control it in some …

Mythcon 51 - A Virtual “Halfling” Mythcon, The Mythopoeic Society

Mythcon Programs

Nothing “halfling” about it in the end, this year we are presenting fifty papers, panels, roundtables, and alternative programming for your Mythopoeic enjoyment. 2020 was a rough year for literally the whole world, and not just because we had to reschedule Mythcon 51. Many of us found ourselves turning to our favorite books for solace, not just academic interest, in the past year. We never could have expected to be hosting Mythcon 51 virtually, but already I’m thrilled about the silver linings that a virtual conference brings:

• Greater international attendance, with presenters and attendees from all over the world!
• Reduced …

The Best Children's Books Of The Year [2021 Edition], Bank Street College Of Education. Children's Book Committee

The Center for Children's Literature

Includes more than 600 titles chosen by the Children’s Book Committee as the best of the best published in 2020. In choosing books for the annual list, committee members consider literary quality and excellence of presentation as well as the potential emotional impact of the books on young readers. Other criteria include credibility of characterization and plot, authenticity of time and place, age suitability, positive treatment of ethnic and religious differences, and the absence of stereotypes.

“My Brand Is Sick Girl”: Identity Formation In The Young Adult Chronic Illness Novels The Fault In Our Stars And Sick Kids In Love, Natalie Thompson

Electronic Theses, Projects, and Dissertations

This thesis explores the identities of the chronically ill protagonists in The Fault in Our Stars by John Green and Sick Kids in Love by Hannah Moskowitz, specifically by looking at the young protagonist’s self-identity, their relationships with their family members, and the romantic relationship they have with the chronically ill male lead. John Green, who does not identify as chronically ill, writes a novel that ultimately reflects ableist ideas of the medical model of disability, which sees disability as a problem to be solved by medical intervention, and compulsory heterosexuality through the portrayal of Hazel and her relationship with …

Realizing History: Tolkien And The Desire Called Marx, Robert Tally

Mythcon

In this talk, I argue that the “realization” of history is an important aim of Tolkien’s art. Tolkien’s desire to create a new mythology for England, which is well known, is in part a response to the shifting ground upon which he stood, in reaction to what Marx and Engels in the Communist Manifestohad called the “constant revolutionizing” and the “cosmopolitan character” of bourgeois society, industrial civilization, imperialism, and the rise of monopoly capital. Tolkien’s yearning for a mythic past, despite its clear nationalism and chauvinism at first, reflected a deep desire to connect his modern world with an …

Spoilers & Sequels; Bifurcated Fandoms In The Age Of Adaptation, Joseph Young, Paul Tankard, Lana Whited

Mythcon

Peter Jackson’s Lord of the Rings movies launched a new era of adaptations of fantasy. The resulting adaptations—of the works of J.K. Rowling, Philip Pullman, George R.R. Martin, the Marvel superhero tradition and much else besides—now have fan bases often wholly separate 23 from those of their literary source texts. Rather than dwelling on what any given example gets ‘wrong’ or ‘right,’ this panel discussion will consider this bifurcation of the audience of a popular literary genre. If, as Tom Shippey suggests, fantasy deserves to be taken seriously because of its popularity, what are the ramifications of atomising the popular …

Habla Amigo Y Entra: Tolkien And The Language Of Wonder, Martha Celis-Mendoza, Guillermo Don Juan, Aline Esperanza Maza Vázquez, Jorge De La Vega

Mythcon

This panel will deal with the way in which Tolkien's works act as a threshold to approach the works of other Fantasy authors and literary traditions. It will also consider the reception of these works and how they are perceived differently when read in different languages, as well as the impact of localization.

Moderator: Martha Celis-Mendoza
Panelist: Guillermo Don Juan
Panelist: Aline Esperanza Maza Vázquez
Panelist: Jorge de la Vega
Tech Mod: Jessica Dickinson Goodman.

Other Than Him: Superman As The Alien That Made Good, Roy Schwartz

Mythcon

When discussing depictions of the alien in American popular culture—as extraterrestrial, as strange foreigner, and as both, an otherworldly Other—the most famous example is rarely considered; SUPERMAN. Introduced in 1938, this strange visitor from another planet possesses powers and abilities far beyond those of mortal men but walks among us disguised as a mild-mannered human. He’s the fantastic hiding in plain sight as the most mundane, an Other beloved as familiar, a singular being of another race who’s come to symbolize the best in humanity. And not by accident. Superman was created by two Cleveland teens, Jerry Siegel and Joe …

Mythopoeia In American Gods, Danica Stojanovic

Mythcon

J. R. R. Tolkien coined the term mythopoeia as a philosophical concept referring to the process of artificially creating mythologies and belief systems of imaginary worlds. While building a fantasy world, one ought to consider the possibilities this world offers for religious explorations or examine how the existing pantheons weave their way into fiction and reality. To be more precise, what happens when gods lounge languidly among their supposed believers. This paper aims to examine mythopoetic tendencies, elements and powers in Neil Gaiman’s novels American Gods and Anansi Boys, a fictional duology whose protagonists are in constant cohort with various …

Back To Camelot: 21st-Century Reinterpretations Of The Arthurian Mythos, Jennifer Spirko, Scott Johnson, Bradley Mcilwain

Mythcon

With David Lowery's film, The Green Knight, headed for a pandemic-delayed opening this summer, the Arthurian mythos re-enters popular culture yet again. How do this and other recent retellings of the Matter of Britain connect our world with its roots? We'll consider not only the new film, but also such novels as Kingfisher, by Patricia McKillip; Once & Future, by A.R. Capetta; and Cursed, by Frank Miller and Tom Wheeler, alongside the TV series based on it. What version of Camelot and its attendant tales and heroes do today's Arthurian works present? How are they in …

Etiam Periere Ruinae: Roman Ruins, Troubled Temporality, And Hp Lovecraft's Alien Other, El Hudson

Mythcon

As Caesar, the questionable protagonist of the first-century Latin epic the Pharsalia, navigates the ruins of once-mighty Troy, the poet Lucan pauses to note that etiam periere ruinae: “even the ruins have perished.” Would that such were the case in H.P. Lovecraft’s The Shadow Out of Time, in which an antediluvian city vexes the protagonist to nightmare. Lovecraft is notorious for his ruins: Cyclopean and/or non-Euclidean, they near-invariably contain horrors from the depths of time, lying in wait for some foolish adventurer to unleash them upon the present. Sometimes these places are simply set-dressing, but in a …

Finding And Organizing Tolkien’S Invented Languages, Eileen Marie Moore

Mythcon

The Appendices to The Lord of the Rings run the gamut from royal lineages and back stories of the Kings and Stewards of Gondor and Rohan and of Dúrin’s folk (Appendix A), Hobbit family trees (Appendix C) and a general overview of the races and peoples of Middleearth (Appendix F), to the chronology of the great events of the Second and Third Ages (Appendix B); from the Shire Calendar (Appendix D) and a detailed explication of how to pronounce the Elvish languages as well as their representation by the letters of the Tengwar and runes of the Cirth (Appendix E), …

The Fantastic Short Story, Vicki Ronn

Mythcon

This roundtable will include a short presentation on the fantasy short story; its roots in myth, fables and fairy tales; its growth from the twentieth century to the present day; and a personal top ten list. Attendees will share their personal favorite stories and virtual and print sources to find more stories, as well as answer or discuss questions related to the genre. Some questions will include: Favorite mythopoeic short story and why? Who are some great editors or collections? Where did you discover your favorite story? Who are important authors, both past and present? Where do you see the …

A Saga Re-Written: The Character Of Odin And J.R.R. Tolkien's Addition Of Eucatastrophe In "The New Lay Of The Volsungs.", Matthew Gidney

Mythcon

In this paper, adapted from the second chapter of my Master’s thesis, I will argue that Tolkien was not interested in mimicking Norse mythology nor endorsing the Nordic worldview, but rather re-writing Norse mythology in accord with its true light. This concept of “true light” is drawn from a letter by Tolkien to his son Michael in which he laments the corruption of “that noble northern spirit, a supreme contribution to Europe, which I have ever loved, and tried to present in its true light” (Carpenter, Letters 56). Tolkien had an Augustinian conception of evil, believing that good is primary, …

Writing Against The Grain: T. Kingfisher's Feminist Mythopoeic Fantasy, Robin Anne Reid

Mythcon

In "On Fairy-stories," J. R. R. Tolkien defined and defended the genre of fantasy by quoting and then explicating his poem, "Mythopoeia." Tolkien's theory of mythopoeic literature can be applied to his own fiction, but, increasingly, scholars are applying it to other texts including superhero films and contemporary fantasy novels (Holdier, Kane). In this presentation, I argue that three of Kingfisher's series, the Clocktaur War, Saint of Steel, and Paladin, set in and around Anuket City, fit some of the characteristics of mythopoeic fantasy identified by Tolkien while swerving notably from others. Thus, Kingfisher's fantasy is similar to work by …

Adam’S Task: Naming And Subcreation In Good Omens, Janet Brennan Croft

Mythcon

Names are, in one sense, the outward indication of a power negotiation. The namer, the one who bestows a new name or uses an already-given name, reveals, through the choice of name they give or use, their relationship to that which they name. The act may indicate a more or less equal relationship; it may be an attempt to exert power over someone or something by imposing a name on it or by using a name that will influence those who hear it; or it may be a signal of submission and subordination, using a name to flatter or …

The Keystone Or The Cornerstone? A Rejoinder To Verlyn Flieger On The Alleged “Conflicting Sides” Of Tolkien’S Singular Self, Donald Williams

Mythcon

In “The Arch and the Keystone,” Mythlore 38:1 (Fall/Winter 2019), 5-17, Tolkien scholar Verlyn Flieger argues that the conflicts and contradictions she sees in Tolkien’s essays and fiction do not call for harmonization but rather should be embraced for what they are: “two opposing and conflicting sides of one person, whose contention makes him who he is as well as what he is, the keystone that creates the arch” of The Lord of the Rings out of the friction of the two sides (16). Unfortunately, the alleged contradictions, e.g. between the despair of the Beowulf essay and the hope for …

(Un)Fair(Ly) Unknown: New And Neglected Arthurian Television Programming, Carl B. Sell, Richard Fahey, Michael Torregrossa, Rachael K. Warmington

Mythcon

The Arthurian tradition abounds with Fair Unknowns, characters whose identity and true worth is revealed only slowly over the course of an adventure. In this session, we’d like to adopt the motif to look at new and neglected television series that make interesting use of the legend and deserve more recognition by scholars.

Moderator: Carl B. Sell
Panelist: Michael Torregrossa
Panelist: Richard Fahey
Panelist: Rachael K. Warmington
Tech Mod: Tim Lenz

'Her Enchanted Hair': Rossetti, 'Lady Lilith,' And The Victorian Fascination With Hair As Influences On Tolkien, Kathryn Colvin

Mythcon

The Victorian poet and painter Dante Gabriel Rossetti appears upon first glance to be an unlikely inspiration for J.R.R. Tolkien’s legendarium: though both were medievalists, Tolkien’s reputation for chaste prose contrasts sharply with Rossetti’s famously “fleshly” work. However, a close reading of both—setting Rossetti’s poetry, particularly “Lady Lilith” and its accompanying painting, alongside Tolkien’s The Lord of the Rings and posthumously published material from The Silmarillion and The History of Middle-earth—reveals a compelling and previously unexplored connection between the Victorian cultural mythology of magic hair (as epitomized by the “hair-mad” Rossetti) and Tolkien’s detailed and often supernatural portrayals of …