Children's and Young Adult Literature Commons^™

The Future Of The Mythopoeic Society, Megan Abrahamson, Mythsoc Stewards

Mythcon

As technology and membership patterns change, what do you want to see in the future of the Mythopoeic Society? What do you want to get out of your membership? How do we want to bill ourselves to younger generations? This panel, made up of the Stewards, will be a discussion for members of the Society or those looking to become members and will serve as a preliminary conversation to the Members Meeting on Monday. The Society’s new AI policy will also be discussed.

Opening Ceremonies / Scholar Guest Of Honor Keynote - The Rhetoric Of The Road: The Romantic Journey As A Map Of Myth, Memory, And Majesty, Joe R. Christopher

Mythcon

OPENING CEREMONIES and SCHOLAR GUEST OF HONOR KEYNOTE ADDRESS: The Rhetoric of the Road: The Romantic Journey as a Map of Myth, Memory, and Majesty

New Info On The Hunt For The Ring, Chad Bornholdt, Bill Fliss

Mythcon

With Bill Fliss's assistance, Chad plots the paths of all characters, including individual Nazgûl, throughout Book 1 of The Lord of the Rings.

From Dust Bowl To Digital: Fueling Your Research In The Mythsoc Archives, Phillip Fitzsimmons, Janet Brennan Croft, Victoria Gaydosik, Brice Odom

Mythcon

The 5,122 posted works in the Mythsoc digital collections have been downloaded 1,560,574 times from July 2017 to June 2026. These usage statistics show that scholarship posted on the Mythsoc digital collections serves the research needs of scholars internationally, provides free and easy discoverability to authors’ works, and usage reports to contributors that provide evidence of the impact of their work. The Panelists will present on the success of the first eight years of using the SWOSU Digital Commons as the platform for the Mythopoeic Society Archives. This presentation will introduce you to the Mythopoeic Society Collections page of the …

Haunted, Will Travel: “Divided, Fractured, And Barely Legible” The Nightmare-Self In Harrow The Ninth, Atiyana Ringling

Mythcon

My research intends to bring Mark Fisher’s 2012 definition of Hauntology into conversation with the sci-fi journey in Tamsyn Muir’s Harrow the Ninth and its titular character. Using the lens of this Mythcon 54 to focus on the physical and parallel mental journey of Harrow, the physical journey traveled tracks and maps the “lost future” of the world’s inhabitants and questions the extent to which the physical road traveled can mask or hide its destructive inception. “The River” and road traveled in the novel are the result of catastrophic consumption and transformation of the Solar System by the novel's Emperor. …

How To Use Your Mythsoc Membership Online, Megan B. Abrahamson, Alicia Fox-Lenz, Sean Marlow, Grace Moone

Mythcon

Panelists Grace Moone, Sean Marlow, and Alicia Fox-Lenz will give a tutorial on the new Mythopoeic Society membership platform. Now up and running and attached to our website, the new Membershipworks platform allows you to view your membership, getting us off a 30-year-old spreadsheet and into the 21st century! Bring your computer, phone or tablet as the Stewards showcase the uses of the platform and help you with any login issues.

An Infinite Number Of Roads Diverged In A Wood: Robert Heinlein’S Maximalist Road Trip In The Number Of The Beast, Patrick Julian

Mythcon

Robert Heinlein, Grand Master of Speculative Fiction, was born in Butler, MO (one hour north of Route 66), raised in Kansas City, and lived much of his early adult life in Los Angeles, the westernmost terminus of Route 66. Given this proximity to the Mother Road, it’s no surprise that Heinlein spent a considerable portion of his career writing about various versions of the Road Trip, whether it was taken via foot, horse-drawn carriage, automobile or spaceship. The Roads Must Roll, his 3rd published short story (1940), name checks Route 66, while many of his early works of juvenile …

The Road Goes Ever On: Teaching Tolkien In Colleges Today, Leslie A. Donovan, Megan B. Abrahamson, Cami D. Agan, Katherine Wyma, Joseph Rex Young

Mythcon

As Tolkien studies has evolved, Middle-earth no longer needs to be defended as a legitimate academic subject. Today, Tolkien’s works are commonly taught as literary classics in colleges and universities alongside other mythic traditions such as The Odyssey and Beowulf. For students, however, the meaning of “classic” can be complicated. Many students encounter Tolkien long before entering college through popular media, films, games, and digital fandom, while the historical, linguistic, and cultural contexts that informed his writing (war, philology, faith, and medievalism, among others) can feel increasingly distant. As a result, Tolkien’s works may seem both deeply familiar and …

The Scholar's Journey: The Limits Of Academic Discourse, Katherine Mcloone

Mythcon

Indrapramit Das's The Devourers (2015) follows a Kolkata historian who encounters a werewolf with a complicated past. As Alok learns more about the vibrancy of that past, he discovers truths about himself and about the mythic traditions still alive in the remote Sundarban forest.

Rivers Solomon’s The Deep (2019) portrays a historian from a culture of mermaid-like creatures descended from the pregnant women thrown overboard in the Middle Passage: She must leave her people so she can grapple with the weight of her profession. In R.F. Kuang's Katabasis (2025), two post-graduate students studying magick travel to the underworld to rescue …

Shared Trauma, Shared Drama: Faërian Drama In Russian Doll And Elsewhere, Janet Croft

Mythcon

In his seminal essay “On Fairy-stories” (1939), J.R.R. Tolkien introduces the concept of Faërian drama: experiences with a “realism and immediacy beyond the compass of any human mechanism,” where the viewer feels he is “bodily inside [a] Secondary World” but instead is “in a dream that some other mind is weaving.” This framing structure is used, though not called by this name, in many other texts. In a series of four previously published essays, I have attempted to explore and codify this concept. Picking up a theme hinted at but not explored in my previous papers, what happens when the …

Travel In Ryan Coogler’S Sinners: The Going-Ons Of The Smoke Stack Twins And Remmick, Mena Nizam

Mythcon

This paper explores the adventures of the Smoke Stack Twins, Remmick the Vampire, the themes of travel (via walking, running, driving) their jukebox joint, its placement in a sawmill along the Mississippi Travel/black issues/the character of Remmick. The theme is purely on travel and the symbolism of traveling while experiencing racism.

Eschatological Echoes: Reading The Bible And The Harry Potter Series, Athira Mohan Dr

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Death has been a major topic in children’s and adolescent literature , which has invited scholarly discourse over different ages. While death was very commonly featured in the puritanical texts of the eighteenth and nineteenth centuries, it was also deemed to be a subject too sensitive for the genre of children’s literature in the early twentieth century(Aries 1975), due to a combination of factors such as lowered child mortality rate and heightened concern for childhood as a special social category. However, contemporary children’s and adolescent literature focuses on death as an important part of human life, and invites discussions on …

"Then Daddy Began A Story": Storytelling In Tolkien’S Home And Our Own, Josh Renaud

Journal of Tolkien Research

"Then Daddy began a story, and this is what he said." That's how J.R.R. Tolkien began the first manuscript version of "Farmer Giles of Ham," one of a few moments of fatherly storytelling to be found in his fiction. Tolkien is remembered today as a great author and artist, but in his home he was a loving parent who regaled his children with tales — a "story-telling presence," as his daughter Priscilla Tolkien put. In this presentation, I reflect on Tolkien as a "daddy" and oral storyteller, drawing on examples from Tolkien's life and writing. I also consider what storytelling …

Tolkien, Modernism, And Mass Art, Matthew Thompson-Handell

Journal of Tolkien Research

A good deal has been written in the last 30 years on the extent to which Tolkien's work can be aligned or associated with literary modernism. Arguments have been made both for and against, though in spite of the range of perspectives that have been considered, what has been missed is the question of difficulty. A central characteristic of modernism is its difficulty, its inaccessibility to a non-specialized reader. The Lord of the Rings is not difficult, nor inaccessible - indeed it can readily be characterised as mass art by virtue of its accessibility.

King Sorrow By Joe Hill. Reviewed By Phillip Fitzsimmons, Phillip Fitzsimmons

Mythprint Book Reviews

Book review of King Sorry by Joe Hill. Reviewed by Phillip Fitzsimmons.

You Burn With Us: How Fire Functions In Suzanne Collins' The Hunger Games Trilogy, Lucy Evans

University Honors Theses

This paper examines Suzanne Collins' The Hunger Games trilogy and how fire behaves as a multifaceted element that constructs, exposes and transforms power. Through tracing the development of the protagonist, Katniss Everdeen, this research explores how fire evolves from a weapon into a symbol for revolution. This analysis uses the framework of other dystopian novels, and previous character analysis of The Hunger Games, to understand Katniss's role in the revolution of Panem. It does so through three main behaviors: the construction of Katniss's "girl on fire" persona that commodifies her for the capitol's gain; the exposure of the state's …

The Best Children's Books Of The Year [2026 Edition], Bank Street College Of Education. Children's Book Committee.

Children's Book Committee

Includes more than 600 titles chosen by the Children’s Book Committee as the best of the best published in 2025. In choosing books for the annual list, committee members consider literary quality and excellence of presentation as well as the potential emotional impact of the books on young readers. Other criteria include credibility of characterization and plot, authenticity of time and place, age suitability, positive treatment of ethnic and religious differences, and the absence of stereotypes.

Kicau Kericau: The Chirps And Warbles Of A Bird-Human Story, Airien Ludin

Masters Theses

This thesis tells the tale of bird-human relationships and what it means to live alongside one another, subverting the hierarchical view of humans as above birds inherited from colonial history. It asks how the practice of illustration can function as a site of Two-Eyed Seeing, where scientific and local knowledge are held together as an entangled narrative. It also examines how mendongeng (storytelling), as I have experienced it within Indonesian culture and everyday contexts, can help us understand birds as a companion species with their own agency.

This project takes two forms: first, a picture book titled Sun Bird …

An Anxious Artist's Guide To Magic, Mot Tuman

Masters Theses

Illustration’s essence is using some type of media to tell a story. This could be anything from sculpture, watercolor, even just text alone. Beyond its medium, I have been thinking for a while of illustration and storytelling as a type of illusory magic. Magic, according to the Oxford language dictionary as being "The power of using supernatural or other unseen forces to apparently influence events or human behaviour." It gives us the power to reach inside the mind and heart of a person and change their emotional and mental state. It's the ability to create a world and have others …

Love Letters To Insects: Affect-Based Science Communication, Manuela Guzmán

Masters Theses

Love Letters to Insects is a series of artists’ books that, mimicking a scientific insect collection, asks how visual narrative can shape and reframe our relationship to our environment.

Delving into the historical construction of the nature-culture divide, my thesis considers how colonial history has shaped modes of representation in Latin America that distance, objectify, and “other” living beings. Engaging with science, history, philosophy, and decolonial and Indigenous perspectives, as well as the work of comic artists and theorists, I think about the way I learned to interact with my environment and find in visual storytelling a place to challenge …