Contributors,
2015
Marshall University
Ornery Corn,
2015
Southwestern Oklahoma State University
By Calling,
2015
Southwestern Oklahoma State University
The Shaman's Craft,
2015
Southwestern Oklahoma State University
Laser Cell Phones,
2015
Southwestern Oklahoma State University
I Am A Witch,
2015
Southwestern Oklahoma State University
The Shaman Comforts The Fledgling's Soul,
2015
Southwestern Oklahoma State University
The Shaman Comforts The Fledgling's Soul, Joseph Murphy
The Mythic Circle
No abstract provided.
Seasons Of The Soul,
2015
Southwestern Oklahoma State University
Deliverance Of Dreams,
2015
Southwestern Oklahoma State University
Mythic Circle #37,
2015
Marshall University
Editorial,
2015
Marshall University
The Diamond Face,
2015
Southwestern Oklahoma State University
How The Fire Beings Became Slaves Of The Mer-People,
2015
Southwestern Oklahoma State University
How The Fire Beings Became Slaves Of The Mer-People, Kevan Bowkett
The Mythic Circle
No abstract provided.
Fulfillment,
2015
Southwestern Oklahoma State University
Call Me Leda,
2015
Southwestern Oklahoma State University
Undine,
2015
Southwestern Oklahoma State University
The Shaman Meets With The Man In The Moon,
2015
Southwestern Oklahoma State University
The Shaman Meets With The Man In The Moon, Joseph Murphy
The Mythic Circle
No abstract provided.
Saturn's Complaint,
2015
Southwestern Oklahoma State University
A Wild God,
2015
Southwestern Oklahoma State University
Only A Body “Who Nobody Owns:” Adolescent Identity In Neil Gaiman’S The Graveyard Book,
2015
Eastern Michigan University
Only A Body “Who Nobody Owns:” Adolescent Identity In Neil Gaiman’S The Graveyard Book, Aleesa Marie Millet
Master's Theses and Doctoral Dissertations
Neil Gaiman’s The Graveyard Book presents a child, Nobody (Bod) Owens, who grows up in a graveyard with ghosts and a vampire as primary guardians. While Bod is not technically an adolescent for the entire novel, he is constantly struggling with adolescent themes—primarily being in a liminal state—and the graveyard provides a heterotopian space for Bod to escape “normal” society and to develop an “othered” identity. Gaiman’s strategic use of monsters reflects adolescence as he presents the repressive human organization, the “Jacks of All Trades,” trying to control society, while Bod becomes a queer monster/human hybrid representing the resistant individual. …
