Children's and Young Adult Literature Commons^™

Harry Potter And The Goblet Of Beowulf: Rowling’S Beowulfian Allusions, Analogues, And Inversions, Mark-Elliot Finley

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In this essay, I suggest Rowling’s Goblet of Fire literarily echoes the Old English epic poem Beowulf, while simultaneously updating the medieval epic to reflect the novel’s place within the modernized, Christian-influenced fantasy tradition. While cursory popular links have been made between the Old English epic with Rowling’s novel, this essay presents a sustained dialogue between Beowulf and Goblet of Fire. Both heroes engage in one-to-one combat (Beowulf with Grendel and Harry with Voldemort), venture into an unknown watery abyss (Beowulf diving into Grendel’s mother’s underwater cave and Harry rescuing Ron and Gabrielle from the merpeople in Hogwarts’s …

Modelling The Fear Of God In C.S. Lewis's The Chronicles Of Narnia, Brett Roscoe

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This article employs insights from cognitive approaches to literature to study how The Chronicles of Narnia evoke a religious affect known in the Christian tradition as the “fear of the Lord.” It first does what Guillemette Bolens calls a "kinesic analysis" of the books, focusing on the gestures, movements, and facial expressions related to the fear of Aslan, and then it interprets this fear in the context of Rudolf Otto’s The Idea of the Holy, a book C. S. Lewis claims had a large influence on him. Lewis, like Otto, was concerned with religious experience, specifically with how his …

The Middle-(Un)Man Of Desire: A Girardian Reading Of Perelandra, Clinton Manley

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The French polymath René Girard presents a compelling argument that all desire is mimetic. According to Girard, we don’t actually know what we want; instead, we imitate the desires of others. These models of desire act as mediators, indicating what objects or ways of being are worth pursuing. For Girard, desire exists in this middle place between a subject, a model, and an object. He famously argues that all great literature leverages an awareness of mimetic dynamics; the greater the work, the more mimetically perspicacious the author.

Given Girard’s theory, we would expect the greatest fantasy authors to erect their …

Divinity And The Void In Chinese And Thai Translations Of The Ainulindalë, Eric Reinders

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This article treats Chinese and Thai translations of the opening lines of the Ainulinalë, not to evaluate their fidelity to the original, but to explore the surplus meanings inherent in those languages. From a close reading of the first line emerge several new variations, including a new reading of the name Eru in Chinese, and a changed linguistic register of the Thai version. In each case there is some attempt to resolve the paradox of Eru as primal deity and Tolkien’s use of lower-case “he”—which one would expect to be “He.” Lacking capital letters, the Chinese and Thai translators use …

No Ragnarök, No Armageddon: Pagan And Christian Interpretations Of The Lord Of The Rings, Matthew Thompson-Handell

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Critical responses to The Lord of the Rings from its publication up to 1981 (the year in which The Letters of J.R.R. Tolkien was first published) often considered pagan and Christian elements in the work. To the extent that pagan and Christian views were opposed to each other, such opposition is grounded to a greater extent in the ambiguity present in The Lord of the Rings (at least in terms of its theology or world-view), than in any contradiction in the work. The distinction between ambiguity and contradiction is important, especially in the context of the significance of contradiction in …

Editorial, Janet Croft

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Representation Of South Asians In U.S. American Children’S Picture Books, Eman A. Chaudhry

Senior Theses

One potential cause of racism against South Asian Americans in school could be the lack of authentic representation of South Asians in the media. A method to properly depict them is via children’s picture books, which can be used to explore different cultures within the classroom. I examined the current landscape of American children’s picture books that depict South Asians and found that the most authentic portrayals included characters embracing certain holidays or traditions. Additionally, I researched issues that affect the South Asian community, one of which includes the stigmatization of mental health. Drawing on my own experiences, I wrote …

One Morning, Ty Rea

Creative Writing Club Poetry

Short lyrical poem about love.

What Are The Games For?: The Hunger Games And Reality Tv, Audrey Perez

Senior Honors Theses

In Suzanne Collins’ series, The Hunger Games, a dystopian Capitol holds an annual televised gladiator-style competition in which child participants fight to the death. These Games function as a psychological tool of propaganda that influence both viewers and participants to sustain an oppressive government. Collins prominently explored the Games’ medium as a reality television show through the way it reinforces an ideology of oppression and control through visual messaging and emotional complicity to create division between classes of people. Real world reality TV also has ideological underpinnings that can negatively influence both viewers and participants through its depiction of a …

He Is The Master Of Wood, Water, And Hill: Is Tom Bombadil The True Key Keeper Of The Old Forest?, Noelia Ramos

Journal of Tolkien Research

Tom Bombadil, with his iconic singing―”Hey! Come merry doll! Derry doll and merry-o!―has captivated scholars worldwide, due to the enigmatic nature Tolkien intentionally left unexplained. This deliberate mystery has fuelled extensive debate, leading many to explore possible mythological and cultural frameworks that might decode Bombadil’s origins. Among these hypotheses, a Celtic interpretation has often been dismissed despite its potential relevance. This paper, thereby, seeks to analyse Bombadil’s function within the Old Forest and his interactions with the hobbits during their forest episode, presenting fresh insights into his role as a Celtic-inspired guide and druidic figure.

To support this analysis, primary …

Reading The Rainbow: Exploring Themes And Identities In Lgbtqia+ Picture Books, Amanda Melilli, Alicia G. Vaandering, James W. Rosenzweig

Library Faculty Presentations

This presentation shares an analysis of over 275 picture books featuring LGBTQIA+ identities, providing evidence that the depiction of queerness in children’s literature is complex and varied. Tools for defining narrative themes and LGBTQIA+ identities will be shared as well as data on queer characters with intersecting identities. By exploring the nuances of LGBTQIA+ representation in picture books, attendees will gain a better understanding of novel research inquiries into representation.

Returning To The Beginning Place: Le Guin’S Forgotten Anti-Fantasy Four Decades On, Timothy S. Miller

UKL: The Journal of Ursula K. Le Guin Studies

Ursula K. Le Guin's 1980 portal fantasy The Beginning Place has received a fraction of the critical attention that most of her other novels have attracted over the years. This short book's many enigmas, often structured by self-consciously Jungian symbolism, are best understood as operating in service not to a strict Jungian framework, but rather to a broader metafictional evaluation of fantasy and an articulation of Le Guin's own preferred approach to the reading and interpretation of fantasy. At times, The Beginning Place moves beyond meta-fantasy to become an anti-fantasy that does not shy from critiquing some dimensions of both …

Caedmon Records & The Power Of Youth: How Audiobooks Revolutionized Children’S Literature, Faihaa Khan

Dissertations, Theses, and Capstone Projects

The first known spoken-word recording was introduced to the world by Thomas Edison through the invention of the phonograph. Originally intended for a visually impaired audience to read without exertion, the first known recording was a recitation of the English nursery rhyme “Mary Had a Little Lamb" by Edison himself. The inclusion of a children’s nursery rhyme since the genesis of such an invention has become significant in observing the rise and success of the audiobook industry and its direct impact in increasing literacy proficiency in children.

Interactions between children’s literature and the history of the audiobook have been many …

The 2024 Whippoorwill Award: Gathering Stories Of Indigeneity, Connection, And Belonging, Erika L. Bass, Michael J. Young, Alan Hoffman, Jacqueline Yahn, Monica Roe, Devon Brenner, Chea Parton

The Rural Educator

No abstract provided.

Queen's Pride: A Queer Reading Of Star Wars Character Padmé Amidala, Madeleine Loewen

Mythopoeic Society Seminar Proceedings

Ever since Luke Skywalker and Han Solo first appeared onscreen together in 1977, LGBTQ+ Star Wars fans have harnessed the power of queer reading to write themselves back into a galaxy far, far away, despite Lucasfilm’s long-term disapproval of such practices. Nonetheless, there exists little scholarly literature on queerness in the franchise, and even less on the potentially sapphic characters. Queen Padmé Amidala, first introduced onscreen in Episode I: The Phantom Menace, proves a surprising—but no less salient—queer figure in Star Wars. From her intimate relationships with her handmaidens, to her experimentation with gender performativity, to her quiet yet …

More To The Hobbit Than Meets The Eye: Deconstructing Femininity In Bilbo Baggins, Pieter Conradie

Mythopoeic Society Seminar Proceedings

Femininity in JRR Tolkien’s The Hobbit has long been read as virtually non-existent. Although Tolkien’s 1937 text remains a compelling story, this absence often means that female readers struggle to find themselves represented in the text. New strains of scholarship, however, claim that by her appearance, interests, behaviour and positioning in a patriarchal society, Bilbo Baggins appears to be more of a woman than a man. In this presentation I take up these emerging arguments, showing how gender relations in The Hobbit deconstruct. In Bilbo and Bilbo’s parents, traditional gender roles are reversed, but ultimately merged. The outcome is a …

Trans Inequity, Intersectional Ritual, And Jewish Tikkun Olam (Healing Of The World), Valerie Estelle Frankel

Mythopoeic Society Seminar Proceedings

As Jewish science fiction expands into twenty-first-century questions of identity, some authors explore the trans experience and build bridges towards intersectionality. Ritual and tradition become popular subjects. In the post-apocalyptic Fragments of the Brooklyn Talmud by Andrew Ramer, diverse rabbis create new prayers and practices. A Half-Built Garden by Ruthanna Emrys offers protagonists from a diverse commune who welcome aliens and rise up against the corporations. Bogi Takács’ short story “Three Partitions” questions where to segregate the shapeshifting Adira, and how the Orthodox space colony can change. Several of these stories ask how comfortable Jewish protagonists are with alien rituals …

Sauron, Seduction, And The Queering Mechanism Of The Ring, Mercury Natis

Mythopoeic Society Seminar Proceedings

It has often been argued that Sauron is barely present in The Lord of the Rings, existing as a villainous presence on the margins of the narrative. This paper will argue that Sauron is present throughout the entire narrative as manifested in the Ring, and through the Ring’s presence as a queering device. The Ring acts out Sauron’s seduction mechanism, a defining character trait as portrayed in the Silmarillion. It is this seduction mechanism that allows the Ring to act as a queering agent throughout the narrative. Ring-lust is inherently queer as it projects a male-presented character’s seductive powers, …

The Mariner (And His Wife): Rethinking Aldarion's (A)Sexuality, Rory M. Queripel

Mythopoeic Society Seminar Proceedings

“Aldarion and Erendis” (Unfinished Tales) is a rare example in Tolkien’s work of a marriage gone severely awry. Many readings of the tale apportion blame to Aldarion, who is seen as “unwilling” to make the marriage work, and cruel and unfeeling towards Erendis, who herself is characterised as resentful and unaccepting. However, these readings rely on an assumption of a cisheteronormative and, more importantly, allosexual relationship between the couple. This paper proposes an alternate view of Aldarion and his role in the story, suggesting the possibility that he is asexual and/or aromantic (i.e., he does not experience sexual …

Gazing Queerly: The Art And Text Around Saruman’S Non-Normativity, Christopher Vaccaro

Mythopoeic Society Seminar Proceedings

Saruman is an example of a an outsider character in relation to the normative communities in The Lord of the Rings; he serves as a repository for a stigmatized eros, a non-normative desire, a repressed sexuality, and even an orcish sadomasochism simmering just below the narrative’s surface. This paper examines the representation of this queer relationship in several artists’ depictions of Saruman, focusing in particular on three works by Donato Giancola.