East Asian Languages and Societies Commons^™

“歌詩必類”的禮制語境與禮義、樂義, Shenggao Cao

嶺南學報 Lingnan Journal of Chinese Studies

“歌詩必類”的本義，當求之於歷史語境。晉平公在繼位之初與諸侯會盟時，欲宣示晉爲盟主，參與的諸侯大夫皆以朝聘之禮見之。其中的“歌詩必類”，非諸侯引詩、賦詩的探求詩義，而是以大夫見天子之禮歌之。齊欲與晉爭霸，齊使高厚歌不類，引發晉伐齊。故“歌詩必類”的禮義，是依頌、雅、風的規格“上取下就”而用之，用所歌篇章的樂義交流，此爲春秋諸侯大夫歌詩的禮樂規則。其意義在於歌唱的詩篇要取其禮義、樂義，而非詩義。

The original meaning of “The Odes chanted must fit proper categories” should be sought in the historical context. When Duke Ping of Jin first held a meeting with the princes after he ascended the throne, he wanted to declare Jin as the leader of the alliance, and all the princes and ministers who participated in the meeting met him with the ceremony of paying homage. “The Odes chanted must fit proper categories” here does not mean that the princes quote poems or compose poems to explore the meaning of the poems, but that they are sung according to the …

養素堂刻《文心雕龍輯注》版本源流考, Shuzhen Wang

嶺南學報 Lingnan Journal of Chinese Studies

對於清代養素堂刻黃叔琳《文心雕龍輯注》，前輩學人只注意到了有原刻與覆刻之别，但從版本源流看，養素堂本實際存在三種不同的形態 : 初刻本、改刻本和覆刻本。本文考察了養素堂本的底本來源及黃氏的校改，詳細列舉了改刻本與初刻本之間的各種差異，並區分了後出的覆刻本的不同類型，梳理了民國以後幾種通行本與養素堂本之間的關係，指出范注本所用底本存在的缺陷。

Regarding Huang Shulin’s The Literary Mind and the Carving of Dragons with Annotations engraved by Yangsutang in the Qing Dynasty, senior scholars only noticed the difference between the original engraving and the reprinted version. However, judging from the origin of the versions, the Yangsutang edition actually exists in three different forms: the first engraved version, the revised version and the reprinted version. This article examines the source of the original text of the Yangsutang edition and Huang’s revisions, lists in detail the various differences between the revised edition and the first edition, and distinguishes the different types …

大數據對物質文化史的衝擊 : 以古建築及賦税用語“間”爲例, Yi-Long Huang

嶺南學報 Lingnan Journal of Chinese Studies

中國古代建築常以“間”或“半間”計數，然學界少見深入研究。本文即利用目前已建置完成之百餘億字可全文檢索的大數據新環境，查找出自唐宋以迄明清留有長闊或高度的近8,000間記事，並嘗試透過這些事例，深化對此古建築用語的相關認識。發現“間”字用在地舍的具體描述或租税計算時，其定義並不相同。前者對個别房舍通常只計以“間”或“半間”，取建築物正面“兩柱夾覆之中”爲1間，並以間闊1丈爲“標準值”，但往往略有增減。後者則是將面闊1間之房舍依其進深、屋況或地段等因素綜合估算（金代乃以“椓”數表之），再换算成間數（遂有畸零之數）以徵收租税。此一新認知展現大數據對傳統物質文化史研究所具有的啓發意義。

Ancient Chinese architecture is often counted by “Jian” or “Half Jian”, but there is little in-depth research in academia. This article uses the new big data environment that has been built with more than 10 billion words of full-text search to search for nearly 8, 000 records of length, width or height from the Tang and Song Dynasties to the Ming and Qing Dynasties, and attempts to deepen the understanding of this ancient architectural terminology through these examples. It was found that the definition of the word “Jian” was different when it was used in the specific description of …

“胡部新聲”的傳播及與漢樂的融合, Dongsung Shin

嶺南學報 Lingnan Journal of Chinese Studies

初盛唐之際，河西地區流行的“胡部新聲”傳入中土。由於這一新的胡人音樂不同於此前已傳入中土的音樂，故被稱爲“胡音”或“新胡聲”。以往不少學者把“胡部新聲”與龜兹、河西等地的地方音樂關聯起來，把它視爲“胡樂漢化”的産物，然而《通典．樂．四方樂》《舊唐書．音樂志》《新唐書．禮樂志》等音樂史史料記載“胡部新聲”與龜兹音樂是並列關係，而非從屬關係。盛唐時期出現的新的樂種——胡部，從樂部結構而論，與隋唐之際流行中土的龜兹伎有較大區别，前者由管樂器、弦樂器構成，後者以管樂器、皮樂器爲主。經筆者考證，“胡部新聲”獨特的樂部結構指明它與薩珊王朝霍斯魯二世宫廷音樂之間的關聯。據阿爾．馬蘇第《黃金草原》、菲爾多西《列王記》等文獻記載，這位波斯君主曾令巴爾巴德、薩爾喀什等創造新的宫廷宴享音樂，波斯宫廷迎來了一次大規模的音樂創作大潮。這些音樂通過波斯、粟特商賈大隊介紹到中原大地。天寳十三載（754），唐玄宗下令道調、法曲與“胡新聲”合奏，胡音成功融入唐王朝燕樂系统。“胡音”的流傳刺激了中土音樂，爲了符合新“胡音”的旋律美特徵,樂工開始嘗試脱離傳统入樂詞句式（齊言句式），創作能够符合“胡音”的入樂詞形式——詞調。

In the early Tang dynasty, new popular music from Hexi area was introduced to China, called “Hubu Xin Sheng”. As this music was different from the Kucha music which had spread to China earlier, it was also called “Xin Hu Sheng” or “Hu Yin”. Previous scholars usually presume this music was the product of Chinese localization of Kucha music or Xiliang music. However, the structural feature of Hubu Xin Sheng was quite different from Kucha music. According to the record of “Hubu music” in “Tai Chang sibu yue”, which was compiled in the mid-Tang dynasty, Hubu music didn’t use …

論東周銅器銘文仿古的文體學意義, Sijie Zheng

嶺南學報 Lingnan Journal of Chinese Studies

東周器銘的仿古是立足新的時代語境而模仿古代文辭的一種書寫方式，是在純文本寫作日益佔據主導優勢的情況下，依然仿效“記録一修改”模式的某些特徵的做法。具體而言，仿古主要包括擬辭和擬篇兩個層面。前者是從古老的“詩”“書”類文獻和舊器銘文中採擇詞彙、語法對新文本進行“作舊”處理。後者是在西周器銘常見類型，如册命、訓誥等基本消隱的情況下，重又參照舊文本改寫事實以製作同類銘文。這造就了東周銘體獨特的演變節奏。仿古的主要目的在於利用銘體穩定的文本特性和禮制屬性以彰顯作器者的權力合法性。其影響經由傳世東周文獻的傳導，開啓了秦漢以後長期追求簡古弘深的銘體創作，對銘體傳统的塑造作用是關鍵的。其手法與原因，一定程度上又含有超出東周時代的啓發價值，具有特殊的文體學意義。

The Eastern Zhou Dynasty’s imitation of ancient bronze inscriptions was a way of writing that imitated the ancient languages based on a new era context. It was a practice that disregarded the increasing dominance of pure text writing and imitated features of the “record-modify” mode. It mainly included two levels of practical techniques: imitation of words and imitation of texts. The former involved selecting vocabulary and grammar from documents related to Shi and Shu, as well as inscriptions on old bronzes, to “nake old” the new texts. The latter was the practice of rewriting facts based on old …

“常蓄東遊之志” : 杜甫晚年神仙思想的地理傳記學考察, Zhitian Wang

嶺南學報 Lingnan Journal of Chinese Studies

樊晃《杜工部小集序》談到杜甫晚年“常蓄東遊之志”。從這一記載入手並對照杜甫詩歌可以發現，杜甫晚年確實有再次東遊吳越的計劃。吳越自六朝以來便是神仙思想盛行之地，也成爲道教“同天福地”聚集的區域。杜甫之所以對吳越念念不忘者，除了因有親友在此之外，更爲重要的是受了神仙思想的指引。除了“東遊”杜甫晚年也表達過“南征/南遊”的意圖。“東遊”的目的地是吳越，而“南征”的目的地是武陵桃源（唐朗州，今湖南常德）乃至嶺南。二者雖然目的地不同，但同樣都是爲了求仙問道。江南乃至嶺南一帶，在六朝以來“洞天福地”的道教地理中佔據了重要位置，吸引了包括杜甫在内的道教信徒前來修仙朝聖。歷來讀者更多注意到杜甫的家國情懷，却忽視了神仙思想對杜甫的强大吸引力。運用傳記地理學的方法，可以幫助我們更好地理解杜甫晚年的心跡與行乘，加深對杜甫晚年詩歌的理解。

In “Preface to Du Gongbu’s Small Collection”, Fan Huang said that in his later years, Du Fu “always have the ambition to travel east (changxu dongyou zhizhi)”. It can be seen from this account and Du Fu’s poetry that in his later years, Du Fu did have a plan to travel east to Wu-Yueh (presently Zhejiang and Southern Jiangsu province) again. Since the Six Dynasties, Wu-Yueh had become an area where the idea of immortality prevailed, and many “grotto heavens and blessed earths” (dongtian fudi) in Taoist system were gathered there. The reason why Du Fu …

“塵外塤箎”與中日詩誼 : 《元元唱和集》新探, Yunlong Xing

嶺南學報 Lingnan Journal of Chinese Studies

江户前期，東渡日本的浙江籍文人陳元贇與日蓮宗僧元政詩歌贈答往來，唱和盈帙並合編爲《元元唱和集》。該集是東亞漢文學史上的第一部中日人士唱和專集，既見證了士僧之間神交心契、塤篪相應的深厚友誼，又呈示了明清嬗替時期與江户漢文學交流互動的多元樣態和詩藝圖景。書翰往來與詩歌唱和交際功能的耦合，不僅在文學場域產生了雙重疊加效應，同時也俾使“元元唱和”活動得以跨時空延續。“元元”唱和詩歌在抒寫日常生活、自然四時、行旅思歸與讚頌親友之情等層面，多向度地映現了中日漢詩的同源異流特徵。作爲近世中日文化交流史上的詩誼典範，通過對“元元唱和”及唱和集内容的尋繹，可覘其中含藴著豐富的文學文化價值。

In the early Edo period, Chen Yuanyun (陳元贇, 1587-1671), a scholar from Zhejiang who traveled to Japan, exchanged poems with Gensei (元政, 1623-1668), a monk of the Nichiren sect (日蓮宗), and their poems were compiled into Yuan Yuan changhe ji (《元元唱和集》). This collection is the first special collection of Chinese and Japanese poetry and poetry in the history of East Asian Chinese literature. It not only bears witness to the deep friendship between a scholar and a monk, but also presents the diverse forms and poetic landscape of exchanges and interactions with Edo Chinese literature during the transition period …

“Sisters, Are You Running Out Of Menstrual Supplies??”: Exploring #Sistersfightpandemicwithease And Tactical Hashtag Feminism In The Covid-19 Crisis, Qingyue Sun

Interdisciplinary Studies

This article examines the hashtag feminism movement#SistersFightPandemicWithEase (#SFPWE) on Weibo, analyzing how it navigated state censorship, online misogyny, and platform governance during the Wuhan lockdown in China. Through qualitative analysis, I argue that #SFPWE diverges from traditional hashtag feminism,instead operating as a form of pragmatic feminism in crisis. The movement embodies what I term tactical feminist activism—an issue-based advocacy that prioritizes pragmatic problem-solving over structural critique. Its tactical nature lies in its ability to appear politically non-threatening and temporarily valuable to authorities. However, findings indicate that #SFPWE ultimately reinforced state legitimacy rather than challenging the structural gender inequalities underlying the …

The Onnagata: A Note Regarding The Male Actor Of Female Roles In Japanese Theatre, John M. Metcalf

The Ozark Historical Review

This paper discusses the influence of the Kabuki onnagata, male actors portraying female characters, on Japanese culture.

Encountering The Sublime: Early Hermit Lifeways, Visual-Spatial Worlds, And The Global Recluse, James Brown

The Ozark Historical Review

This paper will assess the degree to which reclusion in the early period can be labeled a global phenomenon and will examine three key areas, the institutional ambits of reclusion, the visual-spatial world of the eremite, and the enduring cultural canon associated with eremitisms across both geographical and temporal distances. In addition, the author will perform an epistemological and phenomenological exercise in deriving humanistic insight from the experiences of recluses, as gleaned through deep consideration of their environments and cultural products.

Divinity And Royalty In The Writings Of Motoori Norinaga, Chad Totty

The Ozark Historical Review

This paper concerns the kokugaku movement as seen through the philosophy of Motoori Norinaga. Specifically, it looks at Norinaga’s view of the divine and its connection to his philosophy regarding Japanese royalty, the emperor, and the imperial line. It will examine the qualities of Norinaga’s thought that linked his philosophy of the divine with his views of the emperor, served to formulate his world view, and his idea of Japan’s place in the world.

Retelling A Tale In Pictures: A Fusion Of The Arts In A Medieval Emaki Of The Japanese Court Romance Geni Npo Monogatori "Tale Of Genji", Sheena Woods

The Ozark Historical Review

The Genji no monoga ta ri 源氏の物語, the Tale of Genji, b y the Japanese court lady Murasak i Shi kibu 紫式部 ( c . 9 7 3 – c . 1014), thought to have been completed around the year 1008, is one literary masterpiece of the Heian 平安 period (794–1185) that has been adapted for retelling many times. A little over one hundred years after its conception it had been adapted and lavishly illustrated as an emaki 絵 or “ picture scroll." This paper provides a discussion on the importance of the emaki to the representation of this early …

Tokugawa Nationalism: The Decline Of Chûgoku And The Restoration Of Traditional Identity, Chad Totty

The Ozark Historical Review

This paper discusses the rise of Japanese nationalism as a response to Confucian centering around Chinese superiority and the rigidity of the Japanese class system.

Erotic Dream And Governmental Nightmare: Use And Censorship Of Pillow Books In Edo Culture And The Influence Of The "Floating World", Emily Chase

The Ozark Historical Review

The “floating world” of Yoshiwara 吉原, the pleasure district of Edo, capital city of Japan during the Edo period (1600–1868), was a fantasy itself, one that fired the imaginations of the many artists who took it as their subject. Like the licensed red-light district of the capital, which contained both theater and many brothels, the art of the “floating world” was often erotic in nature. This eroticism ranged from the subtly arousing to the pornographic. It is the latter, known as shunga 春画(translated literally as “spring pictures”, but commonly called pillow books in the west) which is especially intriguing. These …

Escape From The "Floating World": Kabuki Theater In Conflict With The Bakufu Government Of Tokugawa Japan (1600-1868), Suzanne Schenewerk

The Ozark Historical Review

Ukiyo 浮世, the “floating world” of the Tokugawa 徳川 era (1600–1868) in Japan, holds a particular fascination that endures to this day. For townfolk and samurai alike, this realm of beauty and entertainment represented an escape from the ordinary, a place where pleasure took priority above all other concerns. However, for the entertainers themselves, this demi-monde was not a temporary refuge from the mundane – quite the opposite. Their occupations conferred them to a strange and, in many ways, unenviable position in society, as caste structure and governmental restrictions isolated performers of the period physically and socially.

How Subversive Is Shipping Really? An Analysis Of Heteronormative Elements In Same-Sex Relationships Focused On German-Language Anime And Manga Fan Fiction, Saskia Dreßler

Proceedings from the Document Academy

This study investigates whether German-language fan fictions featuring lesbian and gay characters within the anime and manga domain can be regarded as genuinely queer. It situates these fan works within the specific traditions and practices of German fandom. Employing qualitative content analysis, the research examines two prominent fandoms, Naruto and Sailor Moon, focusing on the presence of heteronormative narrative patterns in fan fiction with queer protagonists. The study analyzes which aspects of the original media are adapted and how these adaptations shape the portrayal of queer identities. Furthermore, fan comments are examined to assess the extent to which readers …

Dragon Guitars And Sexy Zombies: Tracing The Meta-Motion Of The Naga Motif In Northeast Thailand, Aaron Michael Stanley

Dartmouth College Master’s Theses

Abstract

This thesis traces the evolving symbolism of the Naga motif (a mythic water serpent) in Northeast Thailand through a framework I call meta-motion, which maps symbolic persistence of this cultural signifier and boundary marker across four cultural horizons—animist (Z), Hindu–Khmer (B), Buddhist (A), and modern/global (C). Like electrons in quantum super position, symbolic motifs circulate as overlapping “waves” of potential meaning and are concretized into cultural “particles” only when recruited for specific ritual, commercial, or political purposes. I add a bookend extension to Chang’s Hindu-Buddhist (B/A) typology with the addition of Horizons Z and C in order to make …

Towards All-Under-Heaven: China’S Geoeconomic Strategy In The Asia-Pacific Region, Alfariza Dika Azzani

Global: Jurnal Politik Internasional

This research aims to understand China’s geoeconomic strategy in reshaping the alternative international order in the Asia-Pacific region. China’s economic rise increased its geopolitical influence and significance as a global great power. The Chinese Communist Party (CCP) government, under Xi Jinping, has adopted classical ideas in its foreign policymaking, including tianxia. Tianxia is a classical concept of a hierarchical Sinocentric international order. An empirical study was conducted on several cases of China’s economic policy and analysed with the congruence method to determine the correlation between the tianxia concept and China’s economic policy. Tianxia served as a paradigm and justification for …

Book Review On The Worlds Of Classical Chinese Aesthetics (By Paul R. Goldin), Lin Wang

Comparative Philosophy

No abstract provided.

Moral And Ethical Nature In Confucian Liang-Zhi And Islamic Fitra: Comparative Perspectives On Innate Morality, Yanrong Shi

Comparative Philosophy

This article offers a comparative philosophical analysis of Confucian liang-zhi (innate moral knowledge) and Islamic fitra(primordial nature), focusing on their accounts of innate morality and moral epistemology. Drawing on classical Confucian sources—especially the praxis-oriented interpretation of Wang Yangming—and foundational Islamic texts and commentary, the study demonstrates that both traditions posit an inborn moral faculty grounding ethical universality and responsibility. Wang Yangming’s liang-zhi is conceived as an innate moral principle that, under the imperative of zhi (to actualize or extend), is continually activated through moral practice. In parallel, fitra is understood as a God-given orientation to truth, cultivated and safeguarded through …