East Asian Languages and Societies Commons^™

Gender As Cultural Production: The Cultural Critique In Contemporary Western Marxist Feminism, Rui Ma

Theoretical Studies in Literature and Art

The uncovering of the sociality of gender and the reshaping of the consciousness of women are fundamental cultural appeals of feminism, and these appeals may rely on theoretical support from both classical Marxist dialectical analysis of the relationship between society and consciousness and Western Marxist illuminations of the subjectivity and cultural materialism, although the latter may take on more weight for feminist criticism. Since 1970s, Marxist feminism has absorbed the theory of cultural production, developed on Althusser's theory of ideology and British cultural studies, in its analysis of patriarchy, capitalism and gender system, and gender is thus disclosed as the …

The Evolution Of Literary Image Of Peasant Migrant Workers In Urbanization From The Burden-Bearing To The Weightless Existence, Lixin Zhang

Theoretical Studies in Literature and Art

Literary image of the peasant migrant workers in China is closely related with the process of urbanization in contemporary China, and during the process, the image of peasant migrant workers has undergone significant transformation with the drastic change of literary ecology. When peasant migrant workers as characters entered the mainstream literature at the beginning of China's reform period, they appeared to be the "new character" that embodied the social ideal and life expectation of the intellectuals. The image changed, however, around the turn of the century when peasant workers became the strugglers of survival who had degraded to the concerns …

"Redefining Literature And Art": Strategies For Reconstructing The Political Dimensions Of Literature, Chuanlan Yin, Fengjie Liu

Theoretical Studies in Literature and Art

Since the mid 1990s, critics and theorists have begun to "re-visit" the relationship between literature and politics in an attempt to reconstruct the political dimensions in literature, which, as this paper maintains, marks the emergence of the trend of "redefining literature and art." The core theoretical strategy behind the re-politicalization of literature is to emphasize the inseparability of literature from social context or social relationships, but during the process, literary heterogeneity in terms of politics is not scrutinized with sufficient attention. The paper maintains that the relationship between man and literature may be both a reflection of and a choice …

Is Wang Guowei's Theory Of The Poetic State Focused On Feelings: A Discussion With Mdm. Ye Jiaying, Zhi Geng

Theoretical Studies in Literature and Art

In her book Wang Guowei and His Literary Criticism, Mdm. Ye Jiaying describes the theory of poetic state as "a vivid expression in the work [… of] the feelings of the author." If Ye's interpretation of the theory is interpreted within the context of the book, however, it may be found that Ye's interpretation is insufficiently supported by the theoretical discourse and practice. The problem in Ye's interpretation include the following. Firstly, her interpretation of the essence of the theory dissolves not only the intrinsic characteristic of "the emotion" and "the scene" but also the poet's conscious artistic pursuit and …

Inaesthetics And Art As Procedure Of Truth: An Introduction To Badiou's Art Thought, Jiang Lan

Theoretical Studies in Literature and Art

For Alain Badiou, art and its creation do not need a preconceived idea to direct or guide, as art itself is one of conditions for philosophy. In light of this, Badiou replaces the aesthetics that subordinates art to the will of philosophy with an inaesthetics that induces truth out of art. Inaesthetics no longer tries to pursue the idea or notion that governs the works of art, but focuses on how artistic creations penetrate the consistent presentations of everyday discourse and tease out truth from the smoothed discourse. This way to artistic creations is like a journey through darkness, with …

An Investigation On The Antenarrative In Ancient Chinese Novels, Runbao Wan

Theoretical Studies in Literature and Art

The antenarrative takes many forms in ancient Chinese novels with varied functions, and religions and folklore are among the main source of influences on its formations. The religion-influenced antenarratives may be classified into explicit, implicit, undetermined and multiple antenarratives in terms of their function. The antenarrative plays an important role in the overall design, the narrative schema, and the setup of suspense in the ancient novels, and suggests a unique national characteristic of Chinese classical novels. The folklore-influenced antenarrative takes the form of "the entry to the story (ru hua)," "the head to chapters (tou hui)," the comments of the …

The Cultural Theme In Terry Eagleton's Critical Theory, Hailiang Mai

Theoretical Studies in Literature and Art

This essay explores the content and exceptionality of Terry Eagleton's idea of culture and its significance for contemporary thinking on culture, and it posits the exploration in the context of current academic heat on culture, the intellectual history of English cultural theory and the tradition of Western Marxism. The paper maintains that Eagleton's proposition of cultural crisis not only reveals the intrinsic contradiction of the cultural heat but also helps for the understanding of the fundamental logic of modern cultural theory. Cultural crisis has been in existence along the modern era and it has intensified into contemporary culture wars. It …

On The Stylistic Origins And Literary Forms Of Ci And Fu, Zhixi Qian

Theoretical Studies in Literature and Art

The paper argues that ci (poetic prose) and fu (rhymed prose) were two different genres, each originated from its oral tradition. Ci, a form of poetic prose, originated from various stylistic writings such as ritual presentation on sacrifice and historical events and ambassadors' orations, while Encountering Sorrow by Qu Yuan (343-278 BC) and Nine Songs from the Songs of the South from were related with them. Ci and Fu became merged into one genre at the hands of Song Yu (ca. 298-222 BC), Tang Le (ca. 290-223 BC) and Jia Yi (200-168 BC), and to the time of the Han …

Periodizing Postmodernism, Mchale Brian

Theoretical Studies in Literature and Art

Looking back over the postmodern decades from the perspective of the twenty-first century, we are now in a position to begin distinguishing internal breaks and discontinuities, as well as continuities, within the period itself. The present paper undertakes to sketch out three phases internal to the postmodern period: first, an onset phase in the Euro-American sphere in the mid-sixties; next, the major phase of "peak postmodernism" in the seventies and eighties; finally, a late-postmodernist or transitional period in the nineties, widely experienced as a pause or lull, a kind of interregnum between postmodernism and whatever comes next. The consensus view …

Two Main Routes Of The Construction Of Western Marxist Literary Theory, Xianguang Feng

Theoretical Studies in Literature and Art

The paper starts with the observation that unique thoughts and routes distinguish various kinds of Marxism literary theories when they were constructed. The constructive differences lie in both the so-called "orthodox" and the later Western Marxist literary theories, and different developing routes and modes were developed especially in the later during its early and later periods. After an analysis of the periodization and the different features of Western Marxist literary theory, the paper concludes with the significance of the analysis to the construction of a Chinese Marxist literary theory.

Japanese Kawaii Culture (かわいい文化), Kaileigh Nicklas

Celebrating Scholarship & Creativity Day (2011-2017)

No abstract provided.

Comparing Dietary Patterns Of College Students When Eating In America Versus Eating In China: Impact On Nutrition Intake, Body Weight And Waist Circumference, Maoxinyu (Daisy) Wu

Celebrating Scholarship & Creativity Day (2011-2017)

No abstract provided.

Martin Luther: Vater Einer Allgemeinen Sprache? Martin Luther: Father Of A Common Language?, Annika Ewaldz, Adam Woodis, Faculty Advisor

John Wesley Powell Student Research Conference

Martin Luther is well known for his 95 Theses, in which he rejects the Catholic practice of selling indulgences; but it was his groundbreaking translation of the Bible into German that instigated the standardization of the German language. After his excommunication, Luther was in hiding in the Wartburg Castle, where he translated his Bible into a vernacular and cohesive form of the German language. Many different dialects were spoken throughout Germany at the time making communication between regions difficult. Luther’s translation soon became the most influential Bible in Germany and was disseminated quickly due to the recently invented printing …

The Confucius Institute At Umass Boston, Baifeng Sun

Office of Community Partnerships Posters

One of the 500 Confucius Institutes in 104 countries worldwide and the only one in Massachusetts. Facilitates rich cultural exchanges between the U.S. and China in collaboration with our educational counterparts in Beijing, China.

[Sabbatical Report], Joon Sung

Sabbatical Reports

The primary purpose of this sabbatical project was to film. edit and produce short video pieces based on the footage collected in Tokyo, Japan.

Imagined Communities: Changing Markets And The Implications For 21st Century Mali China Migration, Mamasa Camara

Independent Study Project (ISP) Collection

Over the last decade there has been a huge increase in engagement between China and Africa across all fronts of foreign relations especially in the realms of trade, finance and migration. As China continues to push into Africa in pursuit of economic resources and diplomatic relations, many Africans are migrating to China and specifically Guangzhou in search of economic opportunity backed by cheap labor markets and the prospects for “low end globalization.”As the contemporary African presence in China is a relatively new phenomenon, so are the discourses surrounding its presence, discourses often relegated to the spheres of economics, boasting China …

Innovation In Nō: Matsui Akira Continues A Tradition Of Change, Mariko Anno, Judy Halebsky

Collected Faculty Scholarship

Within the practice of Japanese nō theatre, there are tensions between preserving the art and allowing change. However, innovation through performance has been central to nō throughout its long history, from the variant nō of the Edo era (1603–1868) to the more recent emergence of revival nō and new nō. The long career of nō master Matsui Akira (1946–) offers an individual perspective on the history of change in the tradition of nō. Based on a series of interviews with Matsui and research conducted at the Kita School of Nō and the Hōsei Nō Research Institute, this article examines Matsui’s …

Course Syllabus (Sp14) Coli 211 Literature & Psychology: "The Sublime, The Uncanny, And The Imagination", Christopher Southward

Comparative Literature Faculty and Student Scholarship

Course Description:

In a world in which what counts as knowledge is predominantly restricted to the measurable and the calculable, those elements of human experience which elude and exceed these parameters are often ignored and discounted. In this course, we will examine questions of the sublime, the uncanny, and the speculative as treated in literature, psychoanalysis, and philosophy in order to think and write critically about them. Here, we will consider the possible extent to which an openness to such experiences can enrich our lives.

Introduction To Against Harmony: Radical Buddhism In Thought And Practice, James Mark Shields

Faculty Journal Articles

No abstract provided.

Zen And The Art Of Treason: Radical Buddhism In Meiji Era (1868–1912) Japan, James Mark Shields

Faculty Journal Articles

In the early decades of the twentieth century, as Japanese society became engulfed in war and increasing nationalism, the majority of Buddhist leaders and institutions capitulated to the status quo. At the same time, there was a stream of ‘resistance’ among a few Buddhist figures, both priests and laity. These instances of progressive and ‘radical Buddhism’ had roots in late Edo-period peasant revolts, the lingering discourse of early Meiji period liberalism, trends within Buddhist reform and modernisation and the emergence in the first decade of the twentieth century of radical political thought, including various forms of socialism and anarchism. This …