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On The Composite-Sign Literary Text And The Layers Of Sign In The Text, Xiaoxi Shan 2014 Theoretical Studies in Literature and Art

On The Composite-Sign Literary Text And The Layers Of Sign In The Text, Xiaoxi Shan

Theoretical Studies in Literature and Art

Literary text of composite sign is composed with different types of signs such as linguistic sign, body sign, image sign, audio sign and so on, among which linguistic sign functions as the keynote, defining the identity of a text as a form of verbal art. Oral literature before written language takes the form of verbal-body composite text or the verbal-body-music composite text. The picture-word literary texts in ancient Chinese, picture story books in Western and Japanese are important forms of word-picture composite texts, while word-image-sound composite text is the major type of digital literature today. Composite sign in literary texts …


Resistance And Its Possibility In The Perspective Of Deconstructionism: Spivak's View On Subaltern And Its Subjective Consciousness, Yingzhi Li 2014 Theoretical Studies in Literature and Art

Resistance And Its Possibility In The Perspective Of Deconstructionism: Spivak's View On Subaltern And Its Subjective Consciousness, Yingzhi Li

Theoretical Studies in Literature and Art

Deconstructionism is often seen as a radical anti-essentialist theory, but for G. C. Spivak it is a critique toward that which "we have to inhabit in." This means that deconstructionism not only allows but also requests us to strategically use essentialism. It is Spivak's interpretation of Derrida along this trajectory, this paper argues, that frees deconstructionism from the accusation of relativism and nihilism, and merges with Marxist criticism on capitalism, which makes it possible for the subaltern to construct its subjective consciousness and to maintain a ground for resistance.


The Application Of Referent In Western Marxist Critical Theory And Its Significance, Bi Zhang 2014 Theoretical Studies in Literature and Art

The Application Of Referent In Western Marxist Critical Theory And Its Significance, Bi Zhang

Theoretical Studies in Literature and Art

The application of the semiotic concept of referent in Western Marxist critical theory achieves the purpose of recognizing and analyzing the social reality represented by referents, and it has also made up for the blind areas in the methodology of structuralist semiotics. Furthermore, the application has theoretically bridged the two methodological tradition of Anglo-American and Structuralism semiotics, and it also highlights the referent as an important issue in the study of semiotics, and therefore the application has made significant theoretical contribution to semiotics.


The Definition, Potentiality And Paradigm Of Art History, Feng Peng 2014 Theoretical Studies in Literature and Art

The Definition, Potentiality And Paradigm Of Art History, Feng Peng

Theoretical Studies in Literature and Art

The mixed use of "art" and "fine arts" causes the current confusion in the establishment of arts theory. This paper argues that the conventional use of the two terms as have established in modern Chinese may help to clarify the confusion. Fine arts refer to plastic art or visual art, while the art as a general term denotes all categories of arts. Thereby, the criticism of fine arts can be differentiated from art criticism, and the philosophy of the fine arts from the philosophy of art. Then, the question comes to how to separate the history of fine arts from …


"To Reach The Full Spectrum Of Emotions And Human Nature" And The Ontology Of "Passion": Literary Concepts In The Comparative Perspective, Xiaokai Lou 2014 Theoretical Studies in Literature and Art

"To Reach The Full Spectrum Of Emotions And Human Nature" And The Ontology Of "Passion": Literary Concepts In The Comparative Perspective, Xiaokai Lou

Theoretical Studies in Literature and Art

The overseas experience of the generation of scholars such as Hu Shi, Liang Shiqiu, Lin Yutang, and Xu Zhimo etc. provided them with the access to and influence from two cultural traditions, but their ideas of literature showed that the idea of "passion" (qing), highly advocated in ancient Chinese poetic criticism and its local and national connotations, was re-invested with modern and worldwide significance. As "passion" formed a paradigm under constant transformation, it constructed a space for expression with more tension. Therefore, a literary concept was formed among them which could be called passion ontological in the three dimensions of …


Academic Communication And Its Production Sphere: Popular Media And The Configuration Of Chinese Modern Literary Theory, Jiangfeng Hu 2014 Theoretical Studies in Literature and Art

Academic Communication And Its Production Sphere: Popular Media And The Configuration Of Chinese Modern Literary Theory, Jiangfeng Hu

Theoretical Studies in Literature and Art

Since modern age in China when mass printing media became increasingly popular, theorists and literary critics have increasingly participated in the communications of newspapers, magazines and publishing, which also promoted the dissimilation of academic research and the knowledge theory. The gradual commercialization of knowledge and the establishment of the remuneration system helped to change the production mode of modern literary theory. Mass media not only opened up the production field of modern literary discourse, expanded the reproduction of theory and promoted the professionalization of literary theory studies, but also directly affected the internal form of modern literary theory and intervened …


Fredric Jameson's "National Allegory": A Defense, Qin Wang 2014 Theoretical Studies in Literature and Art

Fredric Jameson's "National Allegory": A Defense, Qin Wang

Theoretical Studies in Literature and Art

Through a close-reading of American literary critic Fredric Jameson's famous essay on Third-World literature, this essay re-examines his concept of "national allegory" and several criticisms of the concept in the subsequent decades, of which Aijaz Ahmad is exemplary. It attempts to show that most critics misleadingly translated Jameson's concept from the dimension of "form" into the dimension of "content" or "theme." This paper proposes an approach to the concept from the perspective of "form" and claims that in the present context of literature and politics this approach may shed some new light on current discussions of the relation between Third-World …


History As Re-Presentation: With Reference To Nation, History And Narrative Of The State, Xinjian Xu 2014 Theoretical Studies in Literature and Art

History As Re-Presentation: With Reference To Nation, History And Narrative Of The State, Xinjian Xu

Theoretical Studies in Literature and Art

The paper proposes that history is also literature, and examines the historical representation of China from the perspectives of literature and literary anthropology. The paper argues the following three main prepositions. In terms of literary and oral representation, history belongs to literature in the broad sense. All the representations of Chinese history can be investigated from the perspective of literature. Since China is a multi-nation state, the representations of its history require a vision of pluralist dialogue, and this asks for a deep understanding of sinology while the dialogue should extend to the communication within the studies of the ethnic …


Literary Folkloristics: The Trend Of Interdisciplinary Research In The Recent Thirty Years, Meili Shen, Qinjian Chen 2014 Theoretical Studies in Literature and Art

Literary Folkloristics: The Trend Of Interdisciplinary Research In The Recent Thirty Years, Meili Shen, Qinjian Chen

Theoretical Studies in Literature and Art

Since the mid-1980s, literary folkloristics has become one of the new methods in literary study for its focus on the interdisciplinary study of literature and folklore. The theoretical interpretation and research practice have since taken two different academic orientation and theoretical approach. One emphasizes on the instrumentality of folklore theory in study of literary text, analysing the styles in literary works and exploring the folklore materials in them. The other has its theoretical foundations from the concepts such as "the cultural existence of man" and "literary study as the study of man," and it is more concerned with the understanding …


The Cultural Significance Of The Chain Ci-Poems In The Ming Dynasty, Jingyi Wang, Xisheng Qian 2014 Theoretical Studies in Literature and Art

The Cultural Significance Of The Chain Ci-Poems In The Ming Dynasty, Jingyi Wang, Xisheng Qian

Theoretical Studies in Literature and Art

Chain ci-poems through relaying replies took up a relatively high proportion in the Ming-Dynasty ci-poetry which absorbed influences from the Song Dynasties, as well as the Tang and Five Dynasties. Of the 1051 chain poems, 150 poets produced 652 original poems, and 29 out of the 150 poets had been replied with poems for over ten times, while 35 original poems were relied for more than 5 times. An investigation of the most replied poets and poems may provide us with the knowledge on reception of the ci-poets and ci-poetry as well as the insight into the aesthetic appeal of …


The Death And The Revival Of The Author, Hajdu Péter 2014 Theoretical Studies in Literature and Art

The Death And The Revival Of The Author, Hajdu Péter

Theoretical Studies in Literature and Art

The most influential trends in 20th-century literary criticism and theory of literature can be described as revolting against a both Romantic and positivist approach which focused on the person of the author rather than his or her literary product. Formalism, New Criticism, structuralism and post-structuralism denied any importance of the biographical author, and dealt with texts exclusively. After the Barthesian formulation of the death of the author (applauded by towering figures like Foucault or Derrida) the end of the 20th and even more the beginning of the 21st centuries have brought back the importance of the author. For some new …


The History Of Art Field: An Open And Neutral Art History, Huizhe Zhang 2014 Theoretical Studies in Literature and Art

The History Of Art Field: An Open And Neutral Art History, Huizhe Zhang

Theoretical Studies in Literature and Art

As a tradition, art history focuses on the creation and generation of artworks, but the evolution of art requires the writing of its history to be open, neutral and comprehensive. By referring to the definitions of art from the perspective of analytic aesthetics and relating to Bourdieu’s theorization of art field and analysis of autonomation, this paper tries to conceive a history of arts field through placing the relational elements concerning art and artworks into the inner and outer art field. The paper maintains that the history of art field may open up the genesis and future as well as …


The Knowledge Generation Of Theory And The Inner Logic Of Chinese Literary Theory, Hongqi Yang 2014 Theoretical Studies in Literature and Art

The Knowledge Generation Of Theory And The Inner Logic Of Chinese Literary Theory, Hongqi Yang

Theoretical Studies in Literature and Art

The generation of the knowledge of theory refers to both the theory itself as academic knowledge and the theory as knowledge-generating academic discourse. Theory as knowledge is generated in the process of border crossing between discipline, language and culture, while knowledge-generating theory starts with literature, is established in culture and bears fruits in post-modernity. In this context, the knowledge construction of Chinese literary theory follows the trajectory from theory in Chinese to Chinese theory.


The Theoretical Reflection On The Problem Of Literary Ontology: A Case Study Of Qian Zhongwen's Literary Theory: Explorations And Reflections, Zhixiang Qi 2014 Theoretical Studies in Literature and Art

The Theoretical Reflection On The Problem Of Literary Ontology: A Case Study Of Qian Zhongwen's Literary Theory: Explorations And Reflections, Zhixiang Qi

Theoretical Studies in Literature and Art

This paper takes Qian Zhongwen's book Literary Theory: Explorations and Reflections as its research subject, and surveys his reflections and debates since the turn of the century on some important issues in literary ontology. The issues include: Dose literature have its own "essence"? Does anti-essentialism mean the cancellation of research on "essence"? If the research on literary "essence" cannot be cancelled, what is the "essence" of literature? How can we evaluate the expansion of the bounders of the literature and literary theory after deconstruction? How to put into the perspective the alarming claims of "the end of literature" and "the …


The Transformation Of Urban Writing In Modern Fictions And Its Significance Of Fiction History: With A Focus On Shanghai And Guangzhou, Daqing Deng, Xun Sun 2014 Theoretical Studies in Literature and Art

The Transformation Of Urban Writing In Modern Fictions And Its Significance Of Fiction History: With A Focus On Shanghai And Guangzhou, Daqing Deng, Xun Sun

Theoretical Studies in Literature and Art

After the forced opening of such cities as Shanghai and Guangzhou for international trade, the traditional modes of culture in these cities were changed. Fiction, as one important literary genre closely associated with urbanity, also underwent transformations in terms of the urban writing in China. In modern Chinese fictions, the space of urban writing was continuously extended, with the descriptive focus shifting from the general coverage of landmark buildings to the detailed exploration of urban life, the protagonists shifting from traditional city dwellers into modern urban citizens, and the narrative form shifting from centering round time to centering round space. …


On Cao Xueqin's Idea Of Stylistics With Reference To The Stylistic Value Of Zhiyanzhai AnnotatedDream Of Red Mansions, Jingze Ren 2014 Theoretical Studies in Literature and Art

On Cao Xueqin's Idea Of Stylistics With Reference To The Stylistic Value Of Zhiyanzhai AnnotatedDream Of Red Mansions, Jingze Ren

Theoretical Studies in Literature and Art

Cao Xueqin's idea of stylistics is systematic and can be understood in four main ways. The first is analyzing and complying with style. This shows in the two ways to differentiate the style of each literary work and each author. The second is appropriate and inappropriate style. This pair of concepts has rich implications and may be considered as a heritance from Cao Pi's theory of stylistics in the pre-Qin period. The third is the breaking and transforming of style, which shows in the stylistic innovation in such texts as "A Eulogy for the Lotus Girl." The fourth is the …


Seno'o Giro: Life And Thought Of A Radical Buddhist, James Mark Shields 2014 Bucknell University

Seno'o Giro: Life And Thought Of A Radical Buddhist, James Mark Shields

Faculty Contributions to Books

No abstract provided.


The Reconstruction Of Chinese Metaphysics, Xushu Zhang 2014 Theoretical Studies in Literature and Art

The Reconstruction Of Chinese Metaphysics, Xushu Zhang

Theoretical Studies in Literature and Art

The immortality of metaphysics originates in its human-attributed nature. The call for the reconstruction of Chinese metaphysics in the contemporary context should be understood as an intrinsic necessity of the modernization of socialism, and it should be taken as a significant component for new Chinese cultural tradition. The constant agency behind the reconstruction of Chinese metaphysics lies in the critical spirits and the courage of innovation of contemporary thinkers. Three major issues in the construction of Chinese metaphysics are the epistemological criticism of metaphysics, the views on a prior reason (a prior form), and the rebuilding of the spiritual homeland …


"New Scholar-Official Community" And Art Theory In The Tang And Song Dynasties, Qiang Tong 2014 Theoretical Studies in Literature and Art

"New Scholar-Official Community" And Art Theory In The Tang And Song Dynasties, Qiang Tong

Theoretical Studies in Literature and Art

The prosperity of Chinese culture in the Tang and Song Dynasties also means the maturity of Chinese art. The imperial examination and the civil office selection system result in the rise of a social group called "New Scholar-Official Community" who came to be the main force of artistic creations. The shared a similar background of education and civil service experience, and the similar cultural background cultivated similar artistic tastes. This community influenced the features and trends of artistic creations, as well as the development of art theory. To examine the relationship between art, art theory and New Scholar-Official Community during …


Beauty As An Action Of Art: From The Aspect Of Aesthetics Of Life, Baogui Zhang 2014 Theoretical Studies in Literature and Art

Beauty As An Action Of Art: From The Aspect Of Aesthetics Of Life, Baogui Zhang

Theoretical Studies in Literature and Art

There are two ideas about the legitimacy of aesthetics as a discipline. Aesthetics of Elimination claims that beauty is an a prior super-concept which, absent of a corresponding super-reality, falls into the abyss of metaphysical essentialism. Hence, aesthetics is not a legitimate discipline. Metaphysical Aesthetics holds that beauty should be interpreted through Kantian purposiveness of aesthetics and claims the legitimacy of the discipline of aesthetics in its ideal-confirming value. This paper argues that metaphysical aesthetics, due to its theoretically self-enclosed nature, cannot allow aesthetic activities to take on realistic transcendent value. Aesthetics of Elimination, however, has its own major problem. …


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