East Asian Languages and Societies Commons^™

East Asian Buddhism, Ronald S. Green

Philosophy and Religious Studies

No abstract provided.

Maximizing Communicative Competency In A Classroom, Yinshun Wang

Faculty Publications & Research

Developing students’ communicative competence is a primary goal of many language classrooms. This session will present various strategies to encourage learner agency. The presenter will introduce strategies to execute fast-paced communicative learning activities that bypass mechanical activities and task-based student assessments to measure students’ proficiency in interpretive, interpersonal and presentational modes of communication. Examples of lesson plans and student work from a high school Chinese classroom will be provided.

Silver Screen Buddha: Buddhism In Asian And Western Film, Ronald S. Green

Journal of Religion & Film

This is a book review of Silver Screen Buddha, Buddhism in Asian and Western Film by Sharon A. Suh.

Live Confucian: The Newsletter Of The Confucius Institute Of Pace University October 2015, Confucius Institute Pace University

Live Confucian

A newsletter of the Confucius Institute, Pace University.

The Confucius Institute at Pace Universi­ty is dedicated to providing Chinese lan­guage and cultural education, resources,and services to meet the needs of people from all backgrounds.

My Early Years At The University Of Chicago, Tai-Loi Ma

Journal of East Asian Libraries

No abstract provided.

Earthly Pleasures: Bounty In Ukiyo-E Prints (2015), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"Earthly Pleasures or, broader, nature’s riches and man, is a topic for an exhibition project of the ukiyo-e prints curatorial course taught at RISD in the Fall Semester of 2015. When deciding on this subject matter we were curious to see how the urban art of ukiyo-e with its focus on figurative representation of celebrities dealt with the nature theme, essential for Japanese culture and all-pervading in Japanese classical visual arts and literature. Did ukiyo-e artists include images of nature in their compositions? If yes, then who, when and how? It is with this quest in mind that a …

Memories Of T. H. Tsien

Journal of East Asian Libraries

No abstract provided.

Chinese Internet Literature: Preserving Born-Digital Literary Content And Fighting Web Piracy, C. David Hickey

Journal of East Asian Libraries

This paper undertakes to define Chinese internet literature (CIL) and discuss the unique circumstances that make the subject of CIL content preservation so problematic. Copyright infringement and text corruption, in which the text is changed or adapted without author’s permission, are major problems in China. Text corruption mostly results from censorship or web piracy. A recently-developed type of anti-piracy scheme called “literary works fingerprinting” can protect the content of the works themselves, guarding them against plagiarism. If as many of the original CIL documents as possible are consistently archived and digitally fingerprinted, then the born-digital works that remain online will …

文苑 (重刊號第15期), 第十九屆嶺南大學學生會中文系系會 (凝暄)

文苑

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Crossing The Orthographic Wall: Mastering Edo-Period Written Japanese, Brian Dowdle

University Grant Program Reports

The Small University Research Grant ($3500), together with support from the Mansfield Center in the form of a Yamaguchi Opportunity Grant ($500), supported participation in a two-week seminar on reading, decoding, and interpreting original texts from the Edo period (c. 1600-1868)

A Tribute To T. H. Tsien, Eugene W. Wu

Journal of East Asian Libraries

No abstract provided.

Theravada Buddhism, Identity, And Cultural Continuity In Jinghong, Xishuangbanna, James H. Granderson

Student Publications

This ethnographic field study focuses upon the relationship between the urban Jinghong and surrounding rural Dai population of lay people, as well as a few individuals from other ethnic groups, and Theravada Buddhism. Specifically, I observed how Theravada Buddhism and Dai ethnic culture are continued through the monastic system and the lay community that supports that system. I also observed how individuals balance living modern and urban lifestyles while also incorporating Theravada Buddhism into their daily lives. Both of these involved observing the relationship between Theravada monastics in city and rural temples and common people in daily life, as well …

A Critical Survey Of Four Concepts In Literary Theories Concerning "Ethics", Yuanqiao Li

Theoretical Studies in Literature and Art

In terms of the relation between ethics and literature, some key concepts have been frequently used but sometimes the supposed distinction has not been clarified. This paper tries to survey the following four important concepts concerning the ethics in literary theories: ethical turn, ethical criticism, narrative ethics, and ethical literary criticism. The ethical turn occurs in many fields, while ethical criticism mainly applies to the field of literature and arts. The uses of narrative ethics vary in different contexts, and ethical literary criticism is a neologism in Chinese context first used by Chinese scholar Nie Zhenzhao.

Historical Totality: The Plight Of Re-Enchantment: A Critical Review Of Jameson's Major Code Of Narrative Politics, Kaiyan Zhang

Theoretical Studies in Literature and Art

As one of the major codes in Jameson's cultural and political hermeneutics, "the totality history," while yielding much insight, has a tendency of re-enchantment (mystification). Jameson thinks that the individual perceptual experience is not true for the totality history, while the totality history can not be recognized and grasped by any individual, so his theory has obvious mystification tendency and intrinsic paradox. Meantime, Jameson's totality history view also encounters severe query and challenge in the post-modern context. Solving the plight Jameson faced is not to deny the existence of the historical totality, but to absorb Chinese and western philosophers' wisdom …

A Discussion Of "Off-Site Requisition" In Literary Theory, Guoqiang Qiao

Theoretical Studies in Literature and Art

Since the 20th century, the adoption of methods in cross-disciplinary studies contributes to a dominant trend in the Western literary theory hat blurs the boundary between literary theory and other disciplines. Literary theory burdens itself with or rather, is "hijacked" by many irrelevant things such as politics, ideologies, moralities, etc. Zhang Jiang believes that contemporary Western literary theory is not "pure" due to the "off-side requisition" and therefore he proposes a return to literature and a redevelopment of literary theory within the literary system. This paper presents viewpoints different from Zhang, contending that literary theory is never "pure" from its …

The Transformation Of The Ci-Poetry Studies During Late-Qing And Early Roc Period As Exemplified By The Editorial Work On Wu Wenying's Poetry, Xuejun Chen

Theoretical Studies in Literature and Art

The paper examines the phenomenon of the editorial work and critical annotations to Wu Wenying's Mengchuang Ci-Poems during the period from the Late Qing Dynasty and the early Republic of China. During this period, four major scholars, namely, Wang Pengyun, Zheng Wenzhao, Zhu Zumou and Kuang Zhouni, studied Wu Wenying's poetry and, together with their disciples, promoted the fever of "Mengchuang Ci-Poems (Dreaming Window, the Art name of Wu Wenying)". These scholars and their disciples formed a lineage in criticism for Wu's poetry, which set an example for later compilation of ci-poetry anthologies and helped to establish the arguably last …

On The Generic Hybridization Between Fiction And Biography, Qinghua Wang

Theoretical Studies in Literature and Art

Biography as a literary genre comes between unofficial history and fiction, although closer to fiction. This paper examines the hybridization between fiction and biography with examples from the public and private catalogues since the Song Dynasty, and it analyzes the common ground between the two genres in terms of generic features, compilation approaches, and raw materials and investigates the boundaries of the genres in terms of functional value, thematic appeal and narrative approaches.

On Yao Nai's Poetic Quality And The Origin Of His Poetics, Yin Jiang

Theoretical Studies in Literature and Art

It has been proposed since the early 20th century that the Tongchang School in the Qing Dynasty was a literary school of both prose and poetry, but the Tongcheng School's theoretical claims of poetry has not been given due explorations. This paper approaches Tongcheng School's poetic theory from an analysis of Yao Nai's (1731-1815) literary ideas and proceeds to examine how he developed his poetics upon Wang Shizhen (1634-1711). Then, the paper analyzes the poetic taste in New Style Poems and its illuminations to the poetics of Tongcheng School before concluding the paper with Yao Nai's theoretical and academic contribution …

The Boundaries, Implicit Speech, And Blind Areas Of The Narrative Of Love In The Red Classics, Yanbing Hui

Theoretical Studies in Literature and Art

In the narrative of love, "Red Classics" in contemporary Chinese literature have left many significant narrative traces, and these traces show in the changeable boundaries, abundant implicit speech and characteristic blind areas. Through these traces we can recognize the specific historical context of those literary works and the complicated interaction between literary narrative and the dominant ideology. Symptomatic reading of the love narratives helps us to evaluate the Red Classics more objectively and understand the intrinsic nature of contemporary literature better.

Theorization And Pluralism: A Study Of Danto's Idea On The End Of Art, Bing Zhang

Theoretical Studies in Literature and Art

This paper argues that two key words to grasp Danto's idea on the end of art are theorization and pluralism, and these two terms explain the exposition of the end of art in Danto's philosophy. Danto's argument for theorization may be the essence of his idea on the end of art, which means that art has become a philosophy while pluralism has become the existence mode of art after the end of art. The diversity of art's existence is the result of the end of art.