Poetry Commons^™

Blinking Line, Drake Carnes

Floodwall Magazine

No abstract provided.

Touch, Jameson Buckau

Floodwall Magazine

No abstract provided.

Dyke Knight, Clara Anderson-Cameron

Floodwall Magazine

No abstract provided.

Porterville, Ca, Clara Anderson-Cameron

Floodwall Magazine

No abstract provided.

Albuterol Sulfate; 90 Mcg, Jasmine Patera

Floodwall Magazine

No abstract provided.

You Are Not Playing The Game, Jasmine Patera

Floodwall Magazine

No abstract provided.

Maybe, Ella C. Weinmann

Floodwall Magazine

No abstract provided.

Burn The Girl, Ella C. Weinmann

Floodwall Magazine

No abstract provided.

Paper Cuts, Ella C. Weinmann

Floodwall Magazine

No abstract provided.

An Education In Medicine, Angelina Hong

HCA Healthcare Journal of Medicine

The path to becoming a doctor is an arduous and transformative process, and this poem attempts to illustrate a window into it. From the busy pre-med courses in college, to the rigorous academic expectations of medical school, the long work hours in residency, to finally trying to balance life and medicine as a busy attending physician—looking back, I am grateful for the unique opportunity. Not every day seemed positive at the time, but I now see that all the experiences, both good and bad, shaped who I am today and influenced my perception of the world and medicine.

The Reclamation, Peter Njagi Mwangi, Charles E. Becknell Jr

Journal of Multicultural Affairs

This poem stages a classroom conversation about language, knowledge, and the study of Black history and thought. Through dialogue between a professor and a student, the conversation reflects on a central question within Africana Studies: why are indigenous African languages rarely included in how the field teaches, writes, and shares knowledge? While colonial languages such as English, French, Spanish, and Portuguese function as practical tools in the modern university, the poem raises the question of what may be missing when African languages remain largely absent. Drawing on ideas like Ubuntu and Sankofa, the poem imagines Africana Studies as a living …

The Matrix, Spring 2026, The Women's Resource Center

The Matrix

Matrix Editor: Trinity Sue

Women's Resource Center Advisor: Marisol Ruiz

Women's Resource Center Staff (listed alphabetically):

• Namixtu'lu' Esteva
• Pamela Hernandez
• Kaylee Luna
• Izzie Rodríguez-Torres
• Alexis Sarmiento
• Venus Shearer
• Trinity Sue

Authors/Illustrators in issue (listed alphabetically):

• Megan Atherton, p. 11
• Brenna, p. 24
• Jess Carey, p. 17
• Leyla Craven, p. 20
• Annabelle Davis, p. 37
• Erica Drew, p. 18
• Sage Fowler, p. 11
• Aven Gehlert, p. 30
• Emily Hartling, p. 24
• Riley Hemenover, p. 12
• Pamela Hernandez, p. 14
• Ella Humphrey, pp. 22-23, 31, 35, and throughout
• Iran@alittlepoke, p. 13
• Kaylee Luna, pp. 25, 29
• Randi Maveety, p. 34
• Xenia McLean, …

Always By The Seaside, Tony Gudkov

Intertidal

No abstract provided.

La Poésie De Guerre - La Poésie Française Dans Les Deux Guerres Mondiales, Veronica Mayrose

Undergraduate Theses, Capstones, and Recitals

Cette thèse explore six poèmes de la Première Guerre mondiale et la Seconde Guerre mondiale, avec une concentration sur comment ces poèmes utilisent des thèmes similaires à exprimer desidées differentes. Cette thèse explore aussi comment le contexte historique influence la naturedes poèmes, particulièrement concernant les tranchées de la PMG et l'Occupation de la Francede la SGM.

Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges

Artizein: Arts and Teaching Journal

This article extends She-Hero through an inquiry into drawing as a creation-centred practice of continuance. Five drawings are engaged as aesthetic encounters through which relational and perceptual shifts become perceptible, allowing inner authority to emerge as a cultivated capacity to remain responsive to what is unfolding. Drawing is approached as a site of metramorphic reconfiguration where imagination, memory, and embodied sensing participate in the decolonizing of perceptual habits and the restoration of relational ways of knowing.

Showing It! Art Matters. But Why? How?, Holly Edwards

Artizein: Arts and Teaching Journal

This article addresses the agency of art with reference to an exhibition entitled “The Nature of Spirit”.  That show appeared in the local public library, resonating strongly with notions of “heartwork”.  My first Artizein publication was written in response to 9/11, and this one maintains comparable urgency, seeking solace in art precisely when the world seems to be sliding into lunacy. The prose explores the powers of art in traumatizing times with words, while the images offer the reader insight and support energetically.

Text/Ures, Kathy Mantas

Artizein: Arts and Teaching Journal

By entwining the voices of other co-creators, text and images, I share a brief site-specific photo-reverie of my life-long allure to trees—in this instance, by attending to the trees near my home. This offering is rooted in peripatetic aesthetic practices that embrace a slower creative approach and more spellbinding ways of living, learning and knowing. In essence, this is an invitation to have an artful encounter with text/ures of trees.

Attending The Way Of The Crane: Centring Our Lives Through Creative-Centred Work, Alexandra Fidyk

Artizein: Arts and Teaching Journal

A dreamscape using pastiche is used for reflecting upon the value of creative-centred practice and research. Attending to the image through reflection and circumambulation offers entry to a centring practice. In holding both, a new image emerged. The dreamscape—an unexpected scene of cranes in joyous dance—unfolds as actual dream and offers a metaphor for understanding an arc within the dreamer’s life. In this condensed yet nuanced rumination, personal and professional, poetic and haptic, participating and witnessing blur. This practice, the way of the Crane, is timely because it introduces relational pedagogy and testimonial teaching for our times—while touching the pulse …

The Verge, Reconsidered: Love, Salt, Seed, Time, Origin, Interweave––Triptychs In Conversation Across Time, Marna Hauk

Artizein: Arts and Teaching Journal

Sparked particularly by the poetic and the emergent data conversation analysis from an earlier Artizein: Arts and Teaching Journal article (Hauk & Kippen, 2020) piece, which discussed data from 2016, the author creates a contemporary “conversation” from visual and poetic material, in 2026, and imagines forward a further 10 years to 2036. The three-plated visual-poetic artworkings speak also back and forth across the verges of spacetimemattering, riding the dip and wave, tide and weave, of deeper time and meaning sensing, with visual and poetic material. The original article proposed collaborative workings with other researchers. This work imagines the artworkings and …

Mapping The Legacy Of Cinnabar Mining In California's Santa Ynez River, Lorrie Blair

Artizein: Arts and Teaching Journal

This essay is a reflection of an artist residency focused on the environmental legacy of California’s cinnabar mining. The mineral cinnabar is a primary source of mercury that was used to mine gold in California in the 1800s, and is still used globally. For this residency, I asked, “How can I creatively map the emotional and sensory landscapes of Cinnabar mining sites?” “How can art making serve to expose elements of an ecological crisis?” To answer these questions, I created cyanotypes made in and with the Santa Ynez River, which flowed through two abandoned cinnabar mines. Cyanotypes are made by …