A Confession,
2011
DePauw University
A Confession, April Daugherty
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Cherry Trees Ought To Be You,
2011
DePauw University
Cherry Trees Ought To Be You, Nicky Chokran
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Half-Pennies,
2011
DePauw University
Half-Pennies, Zach Donisch
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Fuchsias,
2011
DePauw University
Fuchsias, Amanda Feller
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Tracing Tree Rings,
2011
DePauw University
Tracing Tree Rings, Maria Skiles
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Getting Close With Your Mother,
2011
DePauw University
Getting Close With Your Mother, Connor Willett
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Kissing Linda Evans,
2011
DePauw University
Kissing Linda Evans, Ann Marie Elliott
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Nakedness,
2011
DePauw University
Nakedness, Rachel Gearinger
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Cognitive Dissonance,
2011
DePauw University
Cognitive Dissonance, Kirsten Ysseldyke
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
A Great Tree Near Its Death,
2011
DePauw University
A Great Tree Near Its Death, Caitlin Adams
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Solo,
2011
DePauw University
Solo, Zheyi Liu
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Symposium Participants' Bios,
2011
Colby College
Symposium Participants' Bios, Bern Porter
Bern Porter Occasional Symposium Series
Biographical information about presenters and participants of the Bern Porter Occasional Symposium Series: The Bomb, the National Security State and the Advanced Thinking of Bern Porter.
Symposium Program,
2011
Colby College
Symposium Program, Bern Porter
Bern Porter Occasional Symposium Series
Printed program of the Bern Porter Occasional Symposium Series: The Bomb, the National Security State and the Advanced Thinking of Bern Porter.
Symposium Flyer,
2011
Colby College
Symposium Flyer, Bern Porter
Bern Porter Occasional Symposium Series
Flyer advertising the Bern Porter Occasional Symposium Series: The Bomb, the National Security State and the Advanced Thinking of Bern Porter.
American Busboy,
2011
The University of Akron
American Busboy, Matthew Guenette
University of Akron Press Publications
"In American Busboy, a wry anti-mythology, the anti-hero busboy in an anonymous Clam Shack! tangles with the monotonous delirium of work, the indignities and poor pay of unskilled labor, the capricious deus ex machina of mean-spirited middle management, the zombified consumption of summer tourists, while jostling for the goddess-like attentions of waitresses and hostesses—all battered up in sizzlingly crisp wit and language, and deep-fried in a shiny glaze of surrealism." —Lee Ann Roripaugh
That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter,
2011
University of North Florida
That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry
English Faculty Research and Scholarship
The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …
¡Escriba! ¡Write! Volume 9, June 2011,
2011
City University of New York (CUNY)
¡Escriba! ¡Write! Volume 9, June 2011, Hostos Community College Library
¡Escriba!
No abstract provided.
La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation,
2011
Université Michel de Montaigne -- Bordeaux 3
La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation, Yamna Abdelkader
Présence Francophone: Revue internationale de langue et de littérature
Poetry is often understood as a series of deviations from linguistic norms, but Mohamed Hmoudane’s collections appear to be a systematic subversive strategy against both aesthetic conventions and prevailing assumptions about Eastern and Western identitarian categories. Published between 2003 and 2005, the works entitled Attentat, incandescence and Blanche mécanique avert poetic clichés as they invert cultural stereotypes, taking a most satirical stance toward the state of the world at the dawn of a new millenium. The pervasive sense of detachment resulting from Hmoudane’s satirical tendencies is associated with a poetics of excess, and this paradoxical union serves as a powerful …
Normes Endogènes : Pratiques Culturelles, Traduction Impossible,
2011
Université Michel de Montaigne --Bordeaux 3
Normes Endogènes : Pratiques Culturelles, Traduction Impossible, Rafaël Lucas
Présence Francophone: Revue internationale de langue et de littérature
The words novel, drama and poetry can be translated because they refer to well-known specific concepts. Words referring to endogenous or indigenous forms and norms with cultural codes unknown to us cannot be translated. The translation of these words does not provide much information about them. The word koteba in bambara, a language spoken in Mali, means “a big snail”. The word hainteny (science of speech in Malagasy) refers to a specific type of popular oral poetry. What does the word concert-party (used in Nigeria, Ghana, Togo) or the Swahili word manganja mean? An analysis of these endogenous genres with …
La Poétique De L’Espace Ceint. Le Topos Insulaire Dans Soupir D’Ananda Devi,
2011
Université de Toronto
La Poétique De L’Espace Ceint. Le Topos Insulaire Dans Soupir D’Ananda Devi, Antje Ziethen
Présence Francophone: Revue internationale de langue et de littérature
This article proposes an analysis of the island topos in Sigh by the Mauritian writer Ananda Devi. The island transcends its physical boundaries and becomes the medium of a literary discourse on slavery and its consequences in the region of the Indian Ocean. Beyond its geography, the island is transformed into a social space, a historical monument, a psychological state and a poetic writing of space. The island and the text merge into an organic novelistic fabric that we call "textile."
