Half-Pennies,
2011
DePauw University
Half-Pennies, Zach Donisch
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Kissing Linda Evans,
2011
DePauw University
Kissing Linda Evans, Ann Marie Elliott
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Fuchsias,
2011
DePauw University
Fuchsias, Amanda Feller
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Nakedness,
2011
DePauw University
Nakedness, Rachel Gearinger
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Getting Close With Your Mother,
2011
DePauw University
Getting Close With Your Mother, Connor Willett
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Cognitive Dissonance,
2011
DePauw University
Cognitive Dissonance, Kirsten Ysseldyke
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Symposium Participants' Bios,
2011
Colby College
Symposium Participants' Bios, Bern Porter
Bern Porter Occasional Symposium Series
Biographical information about presenters and participants of the Bern Porter Occasional Symposium Series: The Bomb, the National Security State and the Advanced Thinking of Bern Porter.
Symposium Program,
2011
Colby College
Symposium Program, Bern Porter
Bern Porter Occasional Symposium Series
Printed program of the Bern Porter Occasional Symposium Series: The Bomb, the National Security State and the Advanced Thinking of Bern Porter.
Symposium Flyer,
2011
Colby College
Symposium Flyer, Bern Porter
Bern Porter Occasional Symposium Series
Flyer advertising the Bern Porter Occasional Symposium Series: The Bomb, the National Security State and the Advanced Thinking of Bern Porter.
American Busboy,
2011
The University of Akron
American Busboy, Matthew Guenette
University of Akron Press Publications
"In American Busboy, a wry anti-mythology, the anti-hero busboy in an anonymous Clam Shack! tangles with the monotonous delirium of work, the indignities and poor pay of unskilled labor, the capricious deus ex machina of mean-spirited middle management, the zombified consumption of summer tourists, while jostling for the goddess-like attentions of waitresses and hostesses—all battered up in sizzlingly crisp wit and language, and deep-fried in a shiny glaze of surrealism." —Lee Ann Roripaugh
That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter,
2011
University of North Florida
That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry
English Faculty Research and Scholarship
The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …
¡Escriba! ¡Write! Volume 9, June 2011,
2011
City University of New York (CUNY)
¡Escriba! ¡Write! Volume 9, June 2011, Hostos Community College Library
¡Escriba!
No abstract provided.
La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation,
2011
Université Michel de Montaigne -- Bordeaux 3
La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation, Yamna Abdelkader
Présence Francophone: Revue internationale de langue et de littérature
Poetry is often understood as a series of deviations from linguistic norms, but Mohamed Hmoudane’s collections appear to be a systematic subversive strategy against both aesthetic conventions and prevailing assumptions about Eastern and Western identitarian categories. Published between 2003 and 2005, the works entitled Attentat, incandescence and Blanche mécanique avert poetic clichés as they invert cultural stereotypes, taking a most satirical stance toward the state of the world at the dawn of a new millenium. The pervasive sense of detachment resulting from Hmoudane’s satirical tendencies is associated with a poetics of excess, and this paradoxical union serves as a powerful …
Normes Endogènes : Pratiques Culturelles, Traduction Impossible,
2011
Université Michel de Montaigne --Bordeaux 3
Normes Endogènes : Pratiques Culturelles, Traduction Impossible, Rafaël Lucas
Présence Francophone: Revue internationale de langue et de littérature
The words novel, drama and poetry can be translated because they refer to well-known specific concepts. Words referring to endogenous or indigenous forms and norms with cultural codes unknown to us cannot be translated. The translation of these words does not provide much information about them. The word koteba in bambara, a language spoken in Mali, means “a big snail”. The word hainteny (science of speech in Malagasy) refers to a specific type of popular oral poetry. What does the word concert-party (used in Nigeria, Ghana, Togo) or the Swahili word manganja mean? An analysis of these endogenous genres with …
La Poétique De L’Espace Ceint. Le Topos Insulaire Dans Soupir D’Ananda Devi,
2011
Université de Toronto
La Poétique De L’Espace Ceint. Le Topos Insulaire Dans Soupir D’Ananda Devi, Antje Ziethen
Présence Francophone: Revue internationale de langue et de littérature
This article proposes an analysis of the island topos in Sigh by the Mauritian writer Ananda Devi. The island transcends its physical boundaries and becomes the medium of a literary discourse on slavery and its consequences in the region of the Indian Ocean. Beyond its geography, the island is transformed into a social space, a historical monument, a psychological state and a poetic writing of space. The island and the text merge into an organic novelistic fabric that we call "textile."
De Quelques Normes Esthétiques Endogènes Non Légitimées : Exemples De La Littérature Aja-Fon Du Bénin,
2011
Université Michel de Montaigne --Bordeaux 3
De Quelques Normes Esthétiques Endogènes Non Légitimées : Exemples De La Littérature Aja-Fon Du Bénin, Jean-Norbert Vignondé
Présence Francophone: Revue internationale de langue et de littérature
Uusing endogenous aesthetic norms as critical tool, we do not purport to evaluate the avatars of the French language outside of the Hexagon. instead, we locate the languages of the “periphery,” and particularly the Aja-Fon language of Benin, at the center of our inquiry to examine the means by which those languages move away from a text initially constructed on the basis of Western endogenous norms. We proceed to show that only “community intellectuals” can create a dialogue between truly endogenous norms and the universal culturesince“intellectuals by qualification” are often only capable of reproducing the exogenous norms of the Western …
La Poética Del Silencio Como Centro Gnóstico En María Zambrano Y José Ángel Valente,
2011
University of Massachusetts, Amherst
La Poética Del Silencio Como Centro Gnóstico En María Zambrano Y José Ángel Valente, Marta Del Pozo
The Coastal Review
María Zambrano’s philosophy and José Ángel Valente’s poetics share a common language: silence. For both, silence emerges as the central locus of the paradox of the knowledge of the unknown. This article aims both at pointing out the gnostic function of silence as stated in their own writings as well as at establishing the connections between the endless ontological possibilities of Logos and silence.
“Para venir a lo que no sabes has de ir por donde no sabes”
[For one to arrive in the place of the unknown, one has to go through what one doesn't know]
San Juan de …
Poems By Jean Kreiling,
2011
Bridgewater State College
Autumn Leaflets: A Collection Of Poetry,
2011
Arkansas State University
Autumn Leaflets: A Collection Of Poetry, Kayla I. Shown-Dean
Student Theses and Dissertations
This collection of poetry was inspired by Johnny Mercer's "The Autumn Leaves." Major themes of the collection include: the unity of nature, unification of all things, the role of Christians in the secular world, and the releasing of the past. While the majority of these poems are written in free verse, occasionally the author implements formal verse such as diamante, limerick, and experimentations with the sonnet and sestina. "Autumn Leaflets" is sorted into four different titled sections: "The Falling Leaves," "Of Red and Gold," "The Sunburned Hands," and "Old Winter's Song." Each section receives its title from Mercer's lyrics and …
Writing The Nothing That Is: A Review Of 'Visiting Wallace',
2011
Chapman University
Writing The Nothing That Is: A Review Of 'Visiting Wallace', Brian Glaser
English Faculty Articles and Research
Brian Glaser reviews "'Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens", edited by Dennis Barone and James Finnegan.
