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The Island, Micah Ling '03 2012 DePauw University

The Island, Micah Ling '03

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Published in A Midwestern Review, Fall 2001


Vii., Connor Willett '12 2012 DePauw University

Vii., Connor Willett '12

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

2012 Winner of the Paul Query Prize in Poetry.

  • Hometown; Bloomington, IN.
  • Post-Graduate Plans; MFA in Poetry, University of Washington.
  • Influential Poets: Gary Snyder, William Carlos Williams.


Guide To Light Head's Guide To Addiction, Stephen Shapiro '13 2012 DePauw University

Guide To Light Head's Guide To Addiction, Stephen Shapiro '13

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

for Terrence Hayes


Iii., Connor Willett '12 2012 DePauw University

Iii., Connor Willett '12

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

2012 Winner of the Paul Query Prize in Poetry.

  • Hometown; Bloomington, IN.
  • Post-Graduate Plans; MFA in Poetry, University of Woshington.
  • Influential Poets: Gary Snyder, William Carlos Williams.

Note on the Paul Query Prize portfolio published throughout this edition: Currently I'm working on an extended work titled, "Immunity." Right now I’m immersed in it. It started with my Grandmother, Holly, falling in a bed of poison ivy when she was pregnant, which led to my father's immunity to it. Yet it has evolved into so much more—a mythological tale about who I call ‘The Holy Field," and how and who it …


Grapes And The Hills Of Spain, John Jakes '53 2012 DePauw University

Grapes And The Hills Of Spain, John Jakes '53

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

From The Boulder, December 1951


The Night And The Morning, John Gardner '55 2012 DePauw University

The Night And The Morning, John Gardner '55

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Published in The DePauw Magazine, May 1956


Thawing, Isabella Capasso '14 2012 DePauw University

Thawing, Isabella Capasso '14

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.


Love Is Just A Word For The Last Body I'D Like To Keep Vigil Over, Robert Jagger 2012 University of Nevada, Las Vegas

Love Is Just A Word For The Last Body I'D Like To Keep Vigil Over, Robert Jagger

UNLV Theses, Dissertations, Professional Papers, and Capstones

Love is Just a Word for the Last Body I'd Like to Keep Vigil Over is a collection of poetry that was composed during my time spent at UNLV. Comprised mostly of prose poems, it was heavily influenced by the works of Richard Hugo, Robert Coover, Joshua Marie Wilkinson and several French poets who are often categorized as being members of either the Symbolist or Decadent movement. At its best, the collection attempts to invoke a sense of Joseph Cornell's boxes--odd juxtapositions of everyday items and language that create new and uncertain circumstances. Unlike Cornell's boxes, however, the poems aren't …


About A Yellow Ball, Shannon Alice Salter 2012 University of Nevada, Las Vegas

About A Yellow Ball, Shannon Alice Salter

UNLV Theses, Dissertations, Professional Papers, and Capstones

These are poems made from many things: color, eggs, oranges, many kinds of seeds, leaves, wind, California, the desert, birds. They are things alive in the world and alive in my heart. I cannot take them out of the world, but from my heart I can have whatever appears on its surface. The language of steam.

They are poems that like to be at home.

California is my home and so is the Mojave (and so is every desert). I live in a valley about four hundred miles from the Pacific Ocean, in the city of Las Vegas. What better …


A Turkish Dictionary, Andrew Wessels 2012 University of Nevada, Las Vegas

A Turkish Dictionary, Andrew Wessels

UNLV Theses, Dissertations, Professional Papers, and Capstones

The poems in this manuscript, A Turkish Dictionary, probe a number of related issues: What is the relationship between a word and its object? What is the connection between meaning in two different languages? How do we live in a city overwhelmed with history? What is necessary? How do we accept knowing that we cannot know? These and other questions constitute the investigative purpose of the manuscript as specifically and actively an exploration of the questions rather than an argument for a final, singular answer. Structurally, the manuscript uses two poetic forms: dictionary poems and prosaic poems. The dictionary poems …


The Heart Of St. Laurence O'Toole, Zachary Darwish '12 2012 DePauw University

The Heart Of St. Laurence O'Toole, Zachary Darwish '12

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.


Brain Injury, Amanda Feller '13 2012 DePauw University

Brain Injury, Amanda Feller '13

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

for M.A.S.


Heathens And How They're Made, Garret Crowe 2012 University of Tennessee at Chattanooga

Heathens And How They're Made, Garret Crowe

Masters Theses and Doctoral Dissertations

This thesis contains 23 poems with an introduction in which I explain how I craft my poetry. In the introduction, I use examples from both critical and creative sources to identify tools I utilize during the craft process of a poem. The subject matter of the poems within this thesis ranges from speakers pondering childhood moments to mature voices examining domestic relationships. Some of the poems may be considered confessional poetry as the works are immensely personal and the speaker is I, the writer. Other poems apply literary styles that are commonly associated with Dirty Realism and Southern Gothic.


Witness For The Prosecution: Erasure Poetics, Samantha M. Schaefer 2012 Western Michigan University

Witness For The Prosecution: Erasure Poetics, Samantha M. Schaefer

Honors Theses

My Honors Senior Thesis is centered around the art of Erasure poetics. My definition of Erasure is most concisely stated as: a process of simultaneous poetic addition and subtraction to preexisting text, which results in a product whose creation process ultimately echoes the same revision process that human beings undergo; a process by which a new and beautiful truth is both created and uncovered in a paradoxical manner. I initially endeavored to complete a simple erasure of a collection of short stories by Agatha Christie called Witnessfor the Prosecution; but was soon so inspired that I ended up creating four …


Apre2012, Robert Kelly 2012 Bard College

Apre2012, Robert Kelly

Robert Kelly Manuscripts

From April 2012 Robert Kelly Archives


Aprd2012, Robert Kelly 2012 Bard College

Aprd2012, Robert Kelly

Robert Kelly Manuscripts

From April 2012 Robert Kelly Archives


Pen And Pigment Collaborative Project, Unexpected, Jessica Dunn 2012 Stephen F Austin State University

Pen And Pigment Collaborative Project, Unexpected, Jessica Dunn

Undergraduate Research Conference

Every year the School of Art teams with the English Department to produce a body of work titled Pen and Pigment. I was able to participate in this project through my Typography class with Peter Andrew. Our assignment consisted of two parts. First, we were instructed to produce a poster with a typographic design to exchange with the Creative Writing: Poetry class in the English Department. Second, upon exchange of works, we were given a poem to interpret while using typography as a strong element in our design. The poetry class, in turn, wrote poems based upon our art.


The End Of Her, Kerry Alexander 2012 Macalester College

The End Of Her, Kerry Alexander

English Honors Projects

The End of Her is a collection of poetry that centers on ideas of celebrity, nostalgia, pain and healing, and collective memory. The poems depict the lives and times of tragic women: from Eve to Amy Winehouse. The project touches on both the real and the imagined in examining what it means to be famously tragic, as well as what it means to be a spectator of demise. Interwoven autobiographical pieces reveal the relationship between individual memory and shared history, as the collection positions personal accounts of love and loss in conversation with some of the world’s best-known stories.


Aprc2012, Robert Kelly 2012 Bard College

Aprc2012, Robert Kelly

Robert Kelly Manuscripts

From April 2012 Robert Kelly Archives


Aprb2012, Robert Kelly 2012 Bard College

Aprb2012, Robert Kelly

Robert Kelly Manuscripts

From April 2012 Robert Kelly Archives


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