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For The Birds, Charlotte L. Middleton 2025 University of Nebraska-Lincoln

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …


The Black Box Spring 2025, Amberly Neese, Oliver Sowers, Cordelia Cep, Luca Careaga, Annelise Newnum, Austin Palahnuk, Solomon Sharp, Margaret Colwell, Isabella Rekemeyer, Jordan Stephens, Sam Costello, Samuel Davidson, Brandon West, Nevaeh Allen, James Bradley, Sawyer Star, Jaxon Binch, Autumn Cooper, Stetson Miller, Spencer Savage, Abigail Connors, Andreca Garcia, Violet Barton, Kayla Natelli, Elyse Grant, Joshua Taylor, Cristian Garland, Fred Phillips, Matin Winiarsky, Gianna Morelli, Alex Nie, Vanessa Munoz, Andrea Taylor, William Punches, Sheryl Gillum, Axl Burtleson, 22blues, Lara Ortelli, Dylan Hamoaka 2025 Embry-Riddle Aeronautical University

The Black Box Spring 2025, Amberly Neese, Oliver Sowers, Cordelia Cep, Luca Careaga, Annelise Newnum, Austin Palahnuk, Solomon Sharp, Margaret Colwell, Isabella Rekemeyer, Jordan Stephens, Sam Costello, Samuel Davidson, Brandon West, Nevaeh Allen, James Bradley, Sawyer Star, Jaxon Binch, Autumn Cooper, Stetson Miller, Spencer Savage, Abigail Connors, Andreca Garcia, Violet Barton, Kayla Natelli, Elyse Grant, Joshua Taylor, Cristian Garland, Fred Phillips, Matin Winiarsky, Gianna Morelli, Alex Nie, Vanessa Munoz, Andrea Taylor, William Punches, Sheryl Gillum, Axl Burtleson, 22blues, Lara Ortelli, Dylan Hamoaka

Black Box

The Black Box is a creative publication dedicated to displaying the talented work of the Embry-Riddle Prescott community. Creativity and ingenuity flow throughout ERAU and we want to put it on display!


One Morning, Ty Rea 2025 Eastern Illinois University

One Morning, Ty Rea

Creative Writing Club Poetry

Short lyrical poem about love.


Remembering Ancient Heroes: How Literary Devices Inbeowulf And Homer Assist In Poetic Recollection, Emily Davey 2025 St. Mary's University

Remembering Ancient Heroes: How Literary Devices Inbeowulf And Homer Assist In Poetic Recollection, Emily Davey

Posters - 2025

In both Ancient Greek and Old English traditions of poetry, memory is an essential part in the retention of the language and story in the culture’s history. Beowulf shares some poetic lyrical elements with Homer’s epithets. Though both poems have unique and different poetic meters, they possess similar tactics in the language to move the story along while providing poets “footholds” in the poem to remember the story.To deliver these stories of heroes to the public, the sophists of Greece and the scops of Celtic England had only one tool available for the record of these lengthy poems: their capacity …


A Boy Named Congress, Ann Sabin 2025 University of Richmond

A Boy Named Congress, Ann Sabin

The Messenger

No abstract provided.


After Naked Lunch, Bella Stevens 2025 University of Richmond

After Naked Lunch, Bella Stevens

The Messenger

No abstract provided.


The Morning Before A Santa Cruz Gallery Opening, Olivia Couch 2025 University of Richmond

The Morning Before A Santa Cruz Gallery Opening, Olivia Couch

The Messenger

No abstract provided.


Shoe Shopping, Ann Sabin 2025 University of Richmond

Shoe Shopping, Ann Sabin

The Messenger

No abstract provided.


Have Faith, Kaelyn Reid 2025 University of Richmond

Have Faith, Kaelyn Reid

The Messenger

No abstract provided.


The Messenger - 2025, 2025 University of Richmond

The Messenger - 2025

The Messenger

The objective of The Messenger is to encourage the appreciation and exploration of the creative arts on the University of Richmond campus. Since 1876, The Messenger has celebrated student work by publishing submissions in a literary and visual arts magazine. More information on the magazine, as well as past publications since 1987, can be found on messengerur.wordpress.com.

Acknowledgements

The Messenger staff would like to thank Dr. David Stevens for his continued support and guidance as our faculty sponsor. We are also grateful for the University of Richmond’s English and Visual and Media Arts Practice departments, who continually encourage students to …


Birdsong, Bella Stevens 2025 University of Richmond

Birdsong, Bella Stevens

The Messenger

No abstract provided.


In German, Snake Is A Line You Wait In, Reece Steidle 2025 University of Richmond

In German, Snake Is A Line You Wait In, Reece Steidle

The Messenger

No abstract provided.


Gingivitis, Bella Stevens 2025 University of Richmond

Gingivitis, Bella Stevens

The Messenger

No abstract provided.


After Spicer’S After Lorca, Olivia Couch 2025 University of Richmond

After Spicer’S After Lorca, Olivia Couch

The Messenger

No abstract provided.


Abstraction #04, Olivia Couch 2025 University of Richmond

Abstraction #04, Olivia Couch

The Messenger

No abstract provided.


Some Kind Of Colonialism, Susannah Carter 2025 University of Richmond

Some Kind Of Colonialism, Susannah Carter

The Messenger

No abstract provided.


Primordial Soup, Maddox Lowe 2025 University of Richmond

Primordial Soup, Maddox Lowe

The Messenger

No abstract provided.


The Bird In Me, Susannah Carter 2025 University of Richmond

The Bird In Me, Susannah Carter

The Messenger

No abstract provided.


I’Ve Never Met A River, Marcella Pizzato 2025 University of Richmond

I’Ve Never Met A River, Marcella Pizzato

The Messenger

No abstract provided.


Reflections, Reece Steidle 2025 University of Richmond

Reflections, Reece Steidle

The Messenger

No abstract provided.


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