Poetry Commons^™

Eulogy For A Dead Dream, Marjorie Hunt

Toyon: Multilingual Literary Magazine

n/a

What Will We Do With The Christmas Pudding?: Joy Davidman, William Lindsay Gresham, And "Christmas In The Workhouse", Gabriel C. Salter, Clark Sheldon

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The poem "Christmas in the Workhouse" archived in William Lindsay Gresham's papers at first appears to be a random transcript in his files. Exploring the work's publication history and Gresham's contributions to War Poems of the United Nations, a book edited by his second wife Joy Davidman, suggests that in fact "Christmas in the Workhouse" is part of the larger story of how they informed each other's work in the 1940s.

The Unethical Editing Of Emily Dickinson’S Work, Piper Wright

SPARK Symposium Presentations

No abstract provided.

Forever Tree, Alyse A. Petersen

Healy Poetry Prize

No abstract provided.

Peeling An Orange, Sophia Tienter

Healy Poetry Prize

No abstract provided.

Over Explaining Things Again: Poems, Emily Mckinney

Poetry MFA Theses

This thesis contains a collection of poems meditation on family, self, chronic illnesses, and the intersection of these themes. The collection seeks to question itself and make sense of personal history in its spiraling repetitions of subject that move from the abstract speaker into the concrete. The poems are accompanied by a critical essay.

Voces, Poemas E Historias, Miguel García, Teresa Buzo Salas

World Languages & Cultures: Faculty Bookshelf

This collection includes Spanish poems written by students enrolled in elementary- and intermediate-level Spanish courses at Georgia Southern University. These poems were written between Fall 2020 and Spring 2024 and counted as the students’ final written projects.

Esta colección incluye poemas en español escritos por estudiantes inscritos en cursos de Español de nivel elemental e intermedio en la Universidad de Georgia Southern. Estos poemas fueron escritos entre el otoño del 2020 y la primavera del 2024, y contaron como el proyecto final escrito.

We Have Always Lived In The Castle: A Cento, Julia Ferguson, Elizabeth Mam, Rachel Mugo, Kelsey Kagan

FUSION

This poem was created as part of a multimodal project for an American Literature class using the following prompt:

As a group, you will create a 100-line Cento poem based primarily on the book you chose. Individually, you should highlight and/or copy sentences and phrases that “speak” to you, that you find beautiful or intriguing, or that capture the elements of tone, style, message, mood and theme of your book. After you have each selected your 25-50 lines, you should add them to a group authored Google Doc. Then you can sort through the lines and decide which ones you …

How We Survive: A Poem Analyzing Life, Death And Necessity, Pierce H. Dornink

FUSION

This poem is an analysis of the short story "Living Like Weasels" by Annie Dillard. It focuses on life and death, as well as how life is fleeting, and draws on themes expressed in the source work.

This poem was created as part of a multimodal project for an American Literature class in the Fall of 2024 using the following prompt:

You are responding to literature using creative techniques in two phases. In the first phase, you will compose a 2-4 page piece of creative writing that includes a theme we’ve studied in the class that has significance to you. …

A Mirror Of Us, Amber J. Chrones

FUSION

This is a project of empowerment. "A Mirror of Us" embraces patriarchal liberation, while celebrating divine femininity. Inspired by “The Yellow Wallpaper” by Charlotte Perkins Gilman, this multimodal project aims to shatter conformist ideologies that are all too common.

This poem was created as part of a multimodal project for an American Literature class using the following prompt:

You are responding to literature using creative techniques in two phases. In the first phase, you will compose a 2-4 page piece of creative writing that includes a theme we’ve studied in the class that has significance to you. That creative writing …

Just A Memory, Shakila Arab

FUSION

This poem is a response to “I Felt a Funeral, in My Brain” by Emily Dickinson. It was written for a World Literature class using the following prompt:

You will imitate at least five elements of an original text we read this semester. Following your imitation, you will write a paragraph describing the five elements you imitated and how your imitation exemplifies the literary movement of the piece you are imitating.

The Power Of Poetry, Madison Haji

The Civil Rights Movement (HIS/BLS 347) Zine Project

No abstract provided.

Nokomis, Madeline Avila, Jack Guimont, Jack Mulvaney, Elida Roskamp, Ashley Shorba, Lucy Severson, Emily Sowers, David Estrada, Osvin Baltazar Gonzalez, Ashley Campbell, Grace Emiliusen, Zoey Cavanaugh, Elysia Beynon, Caitlin Larsen, Drake Onyx, Ava Diekmann, Alivia Tima, Emily Hill, Kiera Norman, Sunehra Subah, Jaydon Wilson, Lydia Domaille, Linda Moua, Mandie Schmidt, Sarah Huderle, Elizabeth Schneider, Bonnie Ni, Natalie Leet, Koda Mueller, Jackie Velishek, Helena Dowler, Allen Wedekind, Lauryn Schleusner, Kiera Norman, Dorothy Moore, Zoeh Cavanaugh, David Estrada

Irotas

Nokomis is the 2025 annual online student journal of the arts created and published by Winona State University students. Nokomi (2025) and Irotas (2024) are sibling journals to the Satori Student Literary Magazine. The inaugural issue of Irotas was published in 2024 and Nokomis in 2025.

Design and Technical Editors: Madeline AvilaJack Guimont, Jack Mulvaney

Fiction Editors: Jack Guimont, Jack Mulvaney, Elida Roskamp

Art Editors: Lucy Severson, Emily Sowers

Faculty Advisor: Dr. Liberty Kohn, Professor of English

The Lantern, 2024-2025, Gianna Mccarthy, Naila Twyman, Catherine Stump, Keegan Mcgowan, Owen Fazzini, Leo Quinn, Danny Mcgrath, Antara Dabral, Mason Jolivette, Hailey Clark, Rachel Wascoe, Miara Truog Sebouhian, Livia M. Nocito, Anita Farrell, Ash Hawkes, Olivia Christina Mae Neri, Izabella Entrekin, Andrew Mihniak, Jacob Sheiner, Matilda Dumaine, Gregory Devinis, Amber Leech, Nia Johnson, Christopher Gerrow, Derek Matarazzo, Sidney Belleroche, Ze'ev Shaheen, Madeline O'Connor, Sharon Gearhart, Abigail Prince, Vienna Gurev, Bill O'Keefe, Matthew Wisecarver, Michael Nieves-Hoblin, Shiloh Bloom, Kelsey Lyons, Emily Britland, Paige R. Dickerman, Elliott Hannam, Aidan Nadell

The Lantern Literary Magazines, 1933 to Present

Advice of a Woman • Only • The Hole • America's Grandchildren • Car Exhaust • Stamped On • Helen • Sacrifice Divine • in some future time • Liquid Fire • My Deepest Apologies • Nightlife • On Angels • Trigger Warning • Can I Paint You a Hypothetical? • The Garden • The Ghost Orchard • The Middle • The Stranger • Tide • Unrest • we often speak of abusive remembrance • Bitters • Blind Date • Brother's Keeper • Cooking Tutorial • The Reservation • I Caught a Moose in a Mouse Trap • It Came …

What I Need, Chloe A. Harvick

Healy Poetry Prize

No abstract provided.

Classically Trained, Reagan Badzinski

Healy Poetry Prize

No abstract provided.

Thomas, Annelise K. Raisanen

Healy Poetry Prize

No abstract provided.

Saga Vol.88 / 2024-25, Megan Yarusso, Gaia Splendore

SAGA Art & Literary Magazine

No abstract provided.

Ivy Leaves, Volume 100, Anderson University - South Carolina

Ivy Leaves

The 2025 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Jaylee Koon, Jenna Martin, Rachel Riddle, Milena Ulrich, Emma Brightman, Corinne Lowe, Torie Johnson, Anna Leigh Avant, Darcy Hseih, Kaylie Sheriff, Claudia Sarmiento, LIly Gregory, Ethan Wright, Elise Frauenholtz, KJ Lian, Ellie Gramm, Iley Gramm, Kenzi Miller, Ellie Ruperto, Miriam Cabrera-Santana, Ashlee Keller, Mateo De Los Cobos, Jacob Enzor, Claire Nunes, Abby McDonald, Heidi Dillow, Derek Updegraff and Tim Speaker.

2025 Spring Quiz & Quill Magazine, English Department

Quiz and Quill

No abstract provided.