A Pint Of Dirt,
2019
University of Nebraska-Lincoln
A Pint Of Dirt, Kristen Friesen
Department of English: Dissertations, Theses, and Student Research
This collection of poetry consists of 50 pieces focused on events and observations experienced by the author: a midwestern, middle-aged teacher, wife, and mother of three now-grown daughters. As much as it is an attempt to process and package the ordinary and unexplainable, it is also a study in metaphor, description, and the ways in which specificity of time and place can, hopefully, render a piece universal.
Advisor: Stacey Waite
The Gland,
2019
Fulton Montgomery Community College
Emotionally Compartmentalized Lovemaking Is Called Fucking,
2019
SUNY Oswego
Emotionally Compartmentalized Lovemaking Is Called Fucking, Kiel M. Gregory
Gandy Dancer Archives
No abstract provided.
To Gully,
2019
SUNY Geneseo
Into The West,
2019
SUNY Oswego
Spilled Coffee,
2019
SUNY Purchase
I'M Awake,
2019
Binghamton University
To My Room’S Future Tenant,
2019
University of Southern Mississippi
To My Room’S Future Tenant, Abigail Garcia
Honors Theses
To My Room’s Future Tenant is an original collection of poems accompanied by a critical preface.
“An Aquatic Reverie” | Mallarmé’S Writing On Water And The Naming Of Waves,
2019
University of North Florida
“An Aquatic Reverie” | Mallarmé’S Writing On Water And The Naming Of Waves, Clark Lunberry
English Faculty Research and Scholarship
At his home outside Paris, in Valvin, Stéphane Mallarmé spent much time on his small boat dreamily sailing upon the Seine, seeing this body of flowing water as a site for inspiration and inscription. Indeed, Mallarmé once confided to a friend, “I no longer write a poem without an aquatic reverie running through it,” and that, for him, poetry was like an “oar stroke,” and the sail, a “white page.” When Mallarmé was invited to lecture at Oxford University in 1894, he did not speak specifically of time spent on the water, his life on the Seine, but his own …
Secondson,
2019
Utah State University
Secondson, Jonathan Blake Heaton
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
This author’s introduction is an analysis of graphic literature and poetry, and the combining of the two to create graphic poetry. Themes are explored of what it means to be a second son in a world permeated by traditional values, regarding the prominence of the first son.
This thesis was split into five sections: Finding My Story—in which the author explains how he came to the main narrative content behind Secondson; Finding My Themes—in which the author discusses the four themes that are included in Secondson and the inspiration received from outside works of poetry; Finding My Genre—in which the …
Let Me Be Myself,
2019
California State University, Monterey Bay
Let Me Be Myself, Brandon Stettenbenz
Capstone Projects and Master's Theses
Let Me Be Myself is a collection of short stories, essays, oral history, and poems that deals with generational trauma, history, traveling, family, war, oppression, and healing. This project serves to inform, evoke understanding, lend perspective, and inspire others. It aims to help others understand the trauma of being born from a Holocaust surviving family, and its impact on somebody in modern day society. It explores the story of a first, second, and third generation Holocaust refugee. It connects a timeline of eighty years of trauma through violence and oppression, and a pursuit to find healing from Nazi Germany.
Anatomy Of A Drunk Record,
2019
Monroe Community College
Papa’S Dandelions,
2019
Suffolk County Community College
Faux,
2019
SUNY Plattsburgh
Escapism // Passing // Motion Sickness,
2019
SUNY Purchase
Escapism // Passing // Motion Sickness, Mitchell Angelo
Gandy Dancer Archives
No abstract provided.
Perturbation Theory, Or, Always & Forever,
2019
SUNY Geneseo
Perturbation Theory, Or, Always & Forever, Claire Corbeaux
Gandy Dancer Archives
No abstract provided.
Shakespeare And Experimental American Poetry,
2019
University of Louisville
Shakespeare And Experimental American Poetry, Alan Golding
Faculty and Staff Scholarship
Why the particular emphasis proposed in my title on Shakespeare’s importance for experimental or avant-garde American poetry? We can take Shakespeare’s significance for American poetry generally, as for most writers in the English language, as a given. One can certainly trace Shakespeare’s presence in a wide range of more mainstream twentieth-century poetry, from John Berryman to Anthony Hecht to Sylvia Plath, and anthologies of poetic responses to Shakespeare abound. But the use of the ultimate canonical Anglophone writer by experimental poets dedicated to changing the context of writing and reception in their own time raises some interesting questions not just …
The Stories We Tell,
2019
Loyola Marymount University
The Stories We Tell, Daniella Cornejo, Daniel Penuela, Stacey Leon, Audrey Ashami Hammond, Guillermo Gonzalez, Laura Mejia, Jordyn Patterson, Luisa Valle, Mirian Melendez, Nicole Hernandez
First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience
These voices you will hear in this edition of First Gen Voices were crafted and cultivated in a summer trip to the Dominican Republic, where our writers had the opportunity to workshop and reflect on their experiences being first-generation. The purpose? To share their work, mind, and feelings about the struggles and incredible experiences they have made. It is their strength, resilience, and love. Enjoy.
Amjambo Africa! (November 2019),
2019
University of Southern Maine
Amjambo Africa! (November 2019), Kathreen Harrison
Amjambo Africa!
In This Issue...
Palaver Strings.........................Page 2
Elections ..................................Page 3
Asylum Seeker Update..........Page 3
Mainers Prepare for Winter Page 13
Namory Keita .......................Page 19
Winter’S Last Gasp,
2019
Bridgewater State University
