Landscapes Of Light And Text And Layer: A Projection Poetry Performance,
2020
Griffith University - Australia
Landscapes Of Light And Text And Layer: A Projection Poetry Performance, Jason Nelson Dr.
Electronic Literature Organization Conference 2020
A digital poetry performance in seven locations. This online performance mixes pre-recorded video of projection poetry in seven places/landscapes around SE Queensland, Australia with a live digital poetry reading.
The theme of this performance is landscapes of change, exploring places in SE Queensland impacted by bushfires, deviated by floods, altered by drought, damaged by weapon testing, trees thousands of years old, home of non-human creatures and the revealed geology that roads carve.
Using pico/portable projectors, digital poet Jason Nelson, will add a poetic light-based skin to these landscapes, recording the results, replaying them during the performance. As the projection videos …
The Tenders: Embrasures In The Fort’S Collapse,
2020
School of the Art Institute of Chicago
The Tenders: Embrasures In The Fort’S Collapse, Judd Morrissey, Abraham Avnisan, Mark Jeffery
Electronic Literature Organization Conference 2020
The Tenders: Embrasures in the Fort's collapse (zoom edition) is an simultaneous multi-channel mixed reality performance that engages with structures of the fort and the home, combining remote live performance and augmented reality poetics with 3d scans of the site of Fort Dearborn, an early American garrison out of which the city of Chicago was incorporated. Juxtaposing excavations of urban monuments with scans of the bedazzled home of self-taught artist, Loy Bowlin, who embodied the persona of "the original rhinestone cowboy", The Tenders seeks to invert and queer colonial narratives lodged deep within the American imaginary.
Square American Apple Pie,
2020
Dartmouth College
Lulling Waters: A Poetry Reading For Real-Time Music Generation Through Emotion Mapping,
2020
New York University
Lulling Waters: A Poetry Reading For Real-Time Music Generation Through Emotion Mapping, Ashley Muniz, Toshihisa Tsuruoka
Electronic Literature Organization Conference 2020
Through a poetic narrative, “Lulling Waters” tells the story of a whale overcoming the loss of his mother, who passed away from ingesting plastic, as he attempts to escape from the polluted oceanic world. The live performance of this poem utilizes a software system called Soundwriter, which was developed with the goal of enriching the oral storytelling experience through music. This video demonstrates how Soundwriter’s real-time hybrid system was able to analyze “Lulling Waters” through its lexical and auditory features. Emotionally salient words were given ratings based on arousal, valence, and dominance while the emotionally charged prosodic features of the …
Glitch Reading: [Re]Mediation And The Protocols Of Reading,
2020
SUNY University at Buffalo
Glitch Reading: [Re]Mediation And The Protocols Of Reading, Jacob Reber
Electronic Literature Organization Conference 2020
In this paper, I outline a methodology for reading poetic works that operate between media environments, noting the subtle shifts and failures that mark the material changes. The space between mediums and processes of remediation produce residue from the various material substrates and protocols of reading that adhere to works moving through networks. The attention to the residue can be understood as glitches, which proliferate the possibilities of reading and reveal the construction of imbricated reading environments. This is a practice I want to consider through the framework of glitch reading. Drawing on Rosa Menkman's theorization of glitches and Tan …
Autopia And The Truelist: Language Combined In Two Computer-Generated Books,
2020
Massachusetts Institute of Technology
Autopia And The Truelist: Language Combined In Two Computer-Generated Books, Nick Montfort
Electronic Literature Organization Conference 2020
Autopia (Troll Thread, 2016) and The Truelist (Counterpath, 2017) are computer-generated literary books. I reported at ELO 2014 on two of my text-generating “novel machines” (Montfort 2014). The two projects discussed in this paper are about novel-size, but are different sorts of projects. Autopia’s text consists of headline-style sentences made entirely of the singular and plural names of cars. This project manifests not only as a print-on-demand book from a post-digital publisher, but also as a web project and a gallery installation. The Truelist’s 140 pages of verse are available in offset printed book form and also as a …
Holdfast,
2020
West Virginia University
Holler And Heaven: In Response To George Ella Lyon’S “Where I’M From”,
2020
West Virginia University
Holler And Heaven: In Response To George Ella Lyon’S “Where I’M From”, Isabella Tennant
Calliope
No abstract provided.
Sofrito,
2020
West Virginia University
Jesus Wasn’T White,
2020
West Virginia University
Almas Gemalas,
2020
West Virginia University
Lessons From A Camp Counselor,
2020
West Virginia University
Moon Mother,
2020
West Virginia University
High School English Teacher,
2020
West Virginia University
I Am Modern Margaret Garner,
2020
West Virginia University
Little Island Of Hispanola,
2020
West Virginia University
Calling The Stars Home,
2020
Dartmouth College
Calling The Stars Home, Anna Koester
CLAMANTIS: The MALS Journal
No abstract provided.
Kanyoo Bridge,
2020
Dartmouth College
Sometimes In Spring,
2020
Dartmouth College
When The Baker’S Bread Breaks,
2020
Dartmouth College
When The Baker’S Bread Breaks, Davey Ozahowski
CLAMANTIS: The MALS Journal
No abstract provided.
