Creative Writing Commons^™

Jester With A Silver Bullet, Stephen Mclean

The Echo

No abstract provided.

Tennessee Sunrise, Caden Vandygrift

The Echo

No abstract provided.

The Swing And The Tree And The In-Between, Bella Fantauzzi

The Echo

No abstract provided.

Smoke Break, Nabila Wilson

The Echo

No abstract provided.

A Small Oasis Behind The Ocean, Willow Bermudez

The Echo

No abstract provided.

Pelican, Caden Vandygrift

The Echo

No abstract provided.

Preface & Table Of Contents, Furman University

The Echo

No abstract provided.

Outlook, Daniel Chen

The Echo

No abstract provided.

Cover

The Echo

No abstract provided.

Echo 2026 - Complete Issue

The Echo

No abstract provided.

American Mythology: The Western, The American, The Christian, And The Intersection Of The Three In "The Sins Of Tom Budd", Brandon Kopp

Masters Theses

Close to the turn of the 19th century, Frederick Jackson Turner famously proclaimed the death of the frontier, and extolled the lapsed era for the virtues and qualities which it championed - qualities which he claimed defined the American cultural identity. The Western genre of fiction carries on the traditions and values of that era to past, present, and future generations of Americans and partakes deeply in the rich tradition of human storytelling in a way that examines universal human conditions from the unique perspective engendered by frontier living and the American West. Just as Homer's work created and built …

The Book Of Old, Sarah Booth

Masters Theses

This thesis explores how fantasy and fantasy-related screenplays externalize the conflict between characters' desires (external goals) and their needs (internal transformation) through surreal imagery, symbolic worlds, and narrative design. While traditional screenwriting mainly emphasizes the difference between what a character wants and what they need, fantasy uniquely makes this tension visible by turning psychological struggles into physical settings, creatures, and story challenges. Through close analysis of Spirited Away (2001), Pan's Labyrinth (2010, and Black Swan (2006), this thesis argues that fantasy cinema not only portrays character transformation but also renders it materially and visually, translating the abstract tension between desire …

Shattered Glass: Finding Anna In The Brokenness, Tracy A. Scoville

Masters Theses

This thesis began years ago when I started a novel about a woman that suffered with a mental illness. The story grew into part of a novel. Within the artist’s statement, I present a view of mental illness that I filter through my own experiences. I examine Anna’s struggles with how she thinks, acts and processes stress through a lens of bipolar II disorder. The critical paper examines the importance of dialogue and the need for it to fit the individual characters. The story of Anna, with the use of good dialogue, comes to life in the creative manuscript Shattered …

Constructing Authority: Narrative Craft And The Making Of Meaning In Creative Nonfiction, Lindsay Erin Hickman

Masters Theses

What is this world without stories? Without truth and the sharing of knowledge for those that come after us? As a Christian, I see the Bible as the most influential narrative in my life and imagination. The Bible is filled with facts, lists and information we can verify, but that does not make it any less creative. How can one read the Bible and not see God’s creativity not only in creation, but in every word? Psalms 139: 13-15 states, “For thou hast possessed my reins: thou hast covered me in my mother's womb. I will praise thee; for I …

Creating Dynamic Protagonists: An Examination Of Character Development Within Book To Film Adaptations, Matthew Chisholm

Masters Theses

The following thesis proposal seeks to provide the process, reasoning, and vision for my thesis project, “Between the Tracks”. This project both begins and ends with character. What began as an experiment into character creation, has become both a critical analysis of character development techniques, and a creative work where I use the findings from this analysis to create a character-driven screenplay.

First, my artist’s statement will begin by describing my vision and inspiration for this project. I will then delve into my writing process in regards to both the critical paper and the creative piece of the project. I …

The Truths Beneath The Story: Internal Conflict, Catharsis, And Psychological Allegory As The Catalyst For Transformation In Screenwriting, Heather Bixler

Masters Theses

The Tour is a psychological coming-of-age screenplay that constructs meaning through the interaction of the main character's internal contradictions, resulting in an emotionally and structurally driven transformation. The screenplay is an original feature-length screenplay that follows Claudia, a 17-year-old girl who finds herself in the Unknown World. There she meets The Heartmaker and discovers her heart is missing. She journeys to Pineville, a town that mirrors her life back home, where her late father is still alive, and the townspeople reflect hidden truths of those she loves. The Tour is a coming-of-age psychological drama with allegorical dimensions. The script explores …

"The First Web Novel At 30: The Collection And The Creative Process", Robert Arellano, Scott Rettberg

ELO (un)supervised 2026

Summer 2026 marks the 30th anniversary of Sunshine '69, recognized as the first novelistic hypertext fiction published on the web. While the full work remains accessible online—an "(un)supervised" preservation achievement in itself—the archive remains split between boxes and memory. This conversation between the work's creator and a major scholar in electronic literature documents both specific preservation challenges and systemic patterns in what the field chooses to preserve.

Topics include: figuring out web-born composition before established methodologies existed; the three decades of technical decisions that kept a 1996 work alive through format obsolescence and server migrations; and what gets lost …

The Question Is A Node: Online Quizzes As Interactive Non-Fiction, Michael Merriam

ELO (un)supervised 2026

The quiz is the most widely deployed form of interactive text in education. Even when it is not digitally administered, it presents a prompt, receives a response, and contains within it a formula determining the consequences of that response. A wrong answer is taken as a failure of learning (not mere recall) and, by virtue of their quasi-digital objectivity, a batch of low quiz scores might warn of difficulty in reaching benchmarks. Ergo, quizzes embody the automation of the supervisory function of the instructor, and the supervision of curricula. 

Quiz questions have something in common with nodes in digital interactive …

Reacting To Electronic Literature In Akwa Ibom State, Nigeria, Faith Samuel Bassey

ELO (un)supervised 2026

Electronic literature is still quite new in our country, and we do not have enough manpower to drive a literary or scholarly movement.  We need to introduce these concepts to many people; however, we do not have the people we need who know the field well enough to pass on their passion and prowess to get others enthused about electronic literature.

In this talk, I will describe the ways that I have presented my work, The Water Seller, Mai Ruwa, with Deena Larsen. In October 2025,  I presented this work in an in-person conference in Nnamdi Azikiwe University, Awka, Anambra …

Vibe Coding: Ai, Digital Text Recycling, And The Remediation Of Digital Poetry, Yohanna Joseph Waliya

ELO (un)supervised 2026

This paper theorises Vibe Coding as a novel method of AI-assisted creative practice within electronic literature. Vibe Coding describes an affective mode of communication with AI that enables coding via natural-language prompts, in which the author collaborates with generative AI systems to recycle, remediate, and reconfigure existing digital texts into new poetic forms, including interactive animations. Rather than treating code as a fixed procedural logic, Vibe Coding focuses on rhythm, intuition, and affect as central compositional forces shaping both textual production and computational interaction. Relying on theories of remediation, digital recycling, and posthuman authorship, the paper examines how AI functions …