Open Access. Powered by Scholars. Published by Universities.®

Fiction Commons

Open Access. Powered by Scholars. Published by Universities.®

14,794 Full-Text Articles 12,531 Authors 4,574,765 Downloads 229 Institutions

All Articles in Fiction

Faceted Search

14,794 full-text articles. Page 483 of 483.

William Plomer, Transnational Modernism And The Hogarth Press, John K. Young 2010 Marshall University

William Plomer, Transnational Modernism And The Hogarth Press, John K. Young

English Faculty Research

William Plomer (1903–73), a self-described Anglo-Afro-Asian novelist, poet, editor and librettist, spent only the early years of his lengthy career as a Hogarth Press author but still ranks as one of the Woolfs’ most prolific writers, with a total of nine titles issued during his seven years with the Press. Like Katherine Mansfield, Plomer made his mark with Hogarth before signing with a more established firm, but the depth and breadth of Plomer’s career with the Woolfs is significantly greater: his five volumes of fiction presented Hogarth’s readers with groundbreaking portraits of South African, Japanese and (British) working class cultures. …


What's In A Name, Karen Moros 2010 Nova Southeastern University

What's In A Name, Karen Moros

Digressions: Literary & Art Journal

No abstract provided.


Nana's Cookies, Victoria Mazella 2010 Nova Southeastern University

Nana's Cookies, Victoria Mazella

Digressions: Literary & Art Journal

No abstract provided.


Barnaby Stevens, Christopher Garcia 2010 Nova Southeastern University

Barnaby Stevens, Christopher Garcia

Digressions: Literary & Art Journal

No abstract provided.


A Novel - The Dues Of St Fitticks: And Essay - Paying Your Dues In The Lucky Country: Anglo-Celtic Australian Attitudes To Migrants, Michael Armstrong 2010 Edith Cowan University

A Novel - The Dues Of St Fitticks: And Essay - Paying Your Dues In The Lucky Country: Anglo-Celtic Australian Attitudes To Migrants, Michael Armstrong

Theses: Doctorates and Masters

Through the medium of the novel and an accompanying essay, this project explores the relationship, particularly since the end of World War II, between the dominant (Anglo-Celtic) and non-dominant Australian cultural groups. I argue that upholding the dominance of Anglo-Celtic culture, particularly as a centre or “core” of Australian identity, is discriminatory and detrimental to the development of Australian society in general and the goal of multiculturalism in particular. Moreover, I question the thesis that Australia can have a “core” culture without marginalising the groups that do not reside within it. Instead of projecting Anglo-Celtic culture as the archetypal Australian …


Digital Commons powered by bepress