Fiction Commons^™

A Genealogy Of Self-Development In Modern America: Influences Of The American Dream, Kelsey M. Binder

English Department: Traveling American Modernism (ENG 366, Fall 2018)

This article offers a hypothetical conversation between various authors and creators who have embarked on progressive self-development journeys under the influence of a shared society that intermittently embraces and rejects the structures of the American Dream. While examining the instinctive human motives that cause the radical decision to actualize one’s life, this paper attempts to bridge the psychology of the desire for personal growth to our influential cultural landscape. It explores and analyzes the self-development journeys of individuals such as William Least Heat-Moon and Chris McCandless, as well as the recent message of self-development found in a cinematic pop culture …

Tourism And Nationalism In America, Derick J. Knox

English Department: Traveling American Modernism (ENG 366, Fall 2018)

Travel has been regarded as not only a vacation but also a learning experience and for many Americans a process of familiarizing oneself with the history of their country. Technological advancements introduced means of mobility that allowed people to indulge in America’s culture and history. The 20th Century was a turbulent era accompanied by industrialization and an increase in nationalism. Tourist marketing had strategically mapped routes to showcase the highest points in American culture while ignoring some controversial narratives. Once travel became mediated by tourism in the 20th century it lost some elements of freedom and adventure, instead becoming the …

If He Can Do It, Why Can’T I?: Women’S Struggles Into Early Automobility, Emily Schlegel

English Department: Traveling American Modernism (ENG 366, Fall 2018)

No abstract provided.

The New Hearth: The Creation Of A Mobile Space, James C. Mangum

English Department: Traveling American Modernism (ENG 366, Fall 2018)

The New Hearth: The creation of a Mobile Space

Mangum, James. Kutztown University, (4 December 2018).

This analysis offers an insightful look into an aspect of travel and modernity that has gone seemingly unnoticed in the culture of American Mobility. As a social product space is created to serve the function of something integral in society. Working individuals need offices for example, students need schools, and citizens need residences. These are created spaces of society that intersect the realities of life, and an automobile is how we get to and from these spaces. Modernity has allowed us to stretch the …

Bunny In A Box (And Other Objects), Isabelle P. Blank, Katherine M. Carithers, Kevin J. Donohue

HUMBUG

No abstract provided.

Round Robin, Spring, Katherine M. Carithers, Caroline E. Cook, Kevin J. Donohue, Madeleine R. Waters

HUMBUG

No abstract provided.

Loss Word Association, Katherine M. Carithers, Caroline Cook

HUMBUG

No abstract provided.

Hope & Trust Word Association, Caroline E. Cook, Kevin J. Donohue

HUMBUG

No abstract provided.

Voix Narratives Et Transfigurations De L'Écrivain Dans Le Roman Francophone, Cheikh M. Diop

Présence Francophone: Revue internationale de langue et de littérature

In biblical language, transfiguration refers to the "change in bodily appearance" of the crucified Christ revealing his "divine nature". In the same way, it can be said that the writer is metamorphosed through the process of writing by the creation either of an alter ego or of an imaginary double, be it, animal or inanimate. The first case proposes original figures of the "social status" of the writer. In the second, the latter borrows the voice of a cat or makes a piece of furniture or an intimate object to speak. Therefore, we wonder if the transfiguration of the narrative …

La Figuration De L'Art Dans Les Romans De V.Y. Mudimbe, Olga Hel-Bongo

Présence Francophone: Revue internationale de langue et de littérature

In Mudimbe's novels, art depicts the author and his writings, through a play of substitution and decentering. The author uses the artistic medium to escape constraints of discursive, religious, political or sexual order and as a place of transfiguration of the characters' desires. The aim of this article is to show that references to painting, literature, cinema and music reflect the refusal of the I to speak about oneself, except indirectly. The author chooses a strategy of decentering by combining the language of words and of images, and suggests, behind the mask of narrative representation, a taste for provocation, social …

La Figuration De L'Écriture Dans Quelques Romans Africains Contemporains, Adama Togola

Présence Francophone: Revue internationale de langue et de littérature

The contemporary African novel offers an acute staging of writing, the image of the writer and a reflection on the issues of literature. Its metafictional and metatextual dimensions give rise to a poetics in which writing appears both as a practice and as a theory of fiction. This study, which focuses on novels of Sembène Ousmane, Alain Mabanckou, and Blaise N'Djehoya, addresses the issue of double fiction. It aims to show that the figure of the fictitious writer sometimes appears as a textual substitute, a form of possible objectification of the real novelist, whose novels tend to turn into a …

La Leçon De Ouologuem Ou Le Portrait De L'Artiste En « Pisse-Copie, Nègre D'Écrivains Célèbres », Désiré Nyela

Présence Francophone: Revue internationale de langue et de littérature

The transformation of the African griot/storyteller into a writer was built on the sacredness of his mission, animated by the flame of engagement, inspired by blackness. However, the irruption of Ouologuem into the literary scene brought about a Copernican revolution of sorts by paving the way for a parodic reversal in the conception of the writer. Indeed, Ouologuem's knowledge of the asperities of the literary system surrounding the African novelist leads him to deconstruct the sacred character of the writer's figure; a desecration that places the figure of the writer and the fictional characters of his novel on the same …

Conte Romanesque, Chant-Roman: Postures De La Figure Auctoriale Chez Maurice Bandaman Et Werewere Liking, Adama Coulibaly

Présence Francophone: Revue internationale de langue et de littérature

What is the connection between the author figure and the genre? Contrary to a widespread idea, the generic mention is not a petrified venue. Indeed, from the mention of "song-novel" in Elle sera de jaspe et de corail and La mémoire amputée by Werewere Liking to that of "novelistic tale" in Le fi/s de-la-femme-male or that of the "novel" in L'État Z'héros by Maurice Bandaman, this study shows that, by a play of permanent negotiation of the limits of their fictional status, the writer and the storyteller, figures of the author, produce hybrid genres. The practice summons a kind …

Figure De L'Écrivain Chez Sami Tchak. Déterminisrne, Fantasme Et Mythe, Vincent Simédoh

Présence Francophone: Revue internationale de langue et de littérature

This article examines how the figure of the writer manifests himself in the postcolonial novel and the issues associated with all determinisms. Does a representation of oneself in a fictional space give one the possibility of being other than that which one is or is destined to be? Clearly a literary question, in the sense that it makes possibilities exist that are yet unavailable, it comes with few answers. It calls for further investigation to highlight the novelist's consciousness of the present, the writer's image that manifests itself in the novel in various forms by means of fantasies, the creation …

L'Objet Littéraire: Le Livre Et Le Personnage Lecteur Dans L'Œuvre De Sami Tchak, Kodjo Attikpoé

Présence Francophone: Revue internationale de langue et de littérature

This study aims to examine the literary representations of the book and the reader in the novels of Sami Tchak. The fact that the Togolese author's novels are deeply rooted literary recollection reveals a direct link between writing and social issues. Literary references become the structuring principle of his works, which often depict readers "erudite readers". "Ordinary people" as well as a large number of highly-educated persons often read only books from the canon, those by well-known authors. The representation of "Great" literature shows some ranking within the world of books. However, it especially shows the ways of these erudite …

Lifeline: Making The Personal Experience Theatrical, Nat Texler

Staff Scholarship - Australia & Dubai

Using Practice as Research (PaR) as a methodology, this artefact-exegesis investigates how personal experiences are made theatrical from the perspective of the playwright. Beginning as an example of verbatim theatre, and evolving to become a thriller, the artefact Lifeline provides a specimen of transformation for this project. The exegesis examines uses of material thinking in finding extremes in experiences which become sources of form and content. The research proposes that any limits of the verbatim approach in the context of Lifeline’s material are overcome by allowing preoccupations drawn from other areas of the playwright’s interest to influence creative direction, including …

La Métaphore De L'Œuvre Impossible Dans Le Roman Africain Contemporain, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

Many and varied, the figures of the book or the art are omnipresent in many literary works, and in various forms. They, sometimes, evoke the metaphor of the impossible work or the ambivalent status of the character writer in fiction. What are the functions of these figures in the narrative, and more particularly in the novel, and in the social discourse? In order to answer these questions, our study will focus on Henry Lopes' Le lys et le flamboyant, Alain Mabanckou's Verre Gasse, and Gilbert Gatore's Le passe devant soi, with occasional references to other novels to …

Formes Et Fonctions Du Métatexte Dans Le Cavalier Et Son Ombre De Boubacar Boris Diop, Morgan Faulkner

Présence Francophone: Revue internationale de langue et de littérature

This article examines the metatextual discourse elaborated in the novel Le cavalier et son ombre by Senegalese author Boubacar Boris Diop, a work in which reality and the imaginary are constantly confused and intertwined. This research looks at the forms and functions of metatextuality, which develop a reflection on the relationship between these two spheres (reality and fiction). Drawing notably from Gerard Genette's theories on the metatext and the metalepsis, this article examines how the novel highlights and critiques its own function as a literary text. What narrative practices does Diop use to reflect on the author, writing, words and …

Commonthought (2018), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Tree Song, Amie Elizabeth Case

Graduate Theses/Dissertations

The Grace that flows through the three realms is fractured, and it’s Mauhiyn’s fault. She is a Daughter, the only living and direct descendant of the line of women who are vessels for the Grace that sustains the realms in a state of perfect balance. Because Mauhiyn is the first Daughter unable to carry the Grace, she is blamed for the turmoil and darkness in the realms. King Darbrend of the western realm claims Mauhiyn’s Grace is simply dormant, not absent. Mauhiyn is sent to King Darbrend with the hopes that his dark power will restore the Grace within her …