Reinterpreting The Kutika Manuscript: A Buginese Ethnoecological Perspective,
2026
Literature Studies, Faculty of Humanities, Universitas Indonesia
Reinterpreting The Kutika Manuscript: A Buginese Ethnoecological Perspective, Rahmatia Ayu Widyaningrum, Priscila Fitriasih Limbong, Titik Pudjiastuti, Mamlahatun -. Buduroh -
International Review of Humanities Studies
This article offers a reinterpretation of the Kutika manuscript from a Buginese ethnoecological perspective. Departing from a philological study of the Lontara’ Kutika text in the National Library of Indonesia (PNRI) collection (code VT 129), this research examines how Buginese communities articulate their interaction with nature through this manuscript. The Kutika text has generally been understood merely as a book of time calculation, yet its background is imbued with philosophical values that show how the Buginese talk to nature, read signs, and treat nature as an equal element rather than a mere object. Using the framework of human ecology, this …
Kibbutz Megiddo (Al-Lajjun): The Textile Impressions,
2026
Israel Antiquities Authority
Kibbutz Megiddo (Al-Lajjun): The Textile Impressions, Orit Shamir
Qadum: Journal of Excavation Reports from Israel
During the excavations at Kibbutz Megiddo (al-Lajjun), thirteen linen textile impressions and coiling marks on pottery were discovered. The textile impressions exhibit either a delicate or a crude texture. Textiles were used to cover ceramic vessels to prevent them from drying too quickly, which could cause the vessel to crack. Impressions on the interior of vessels suggest that they were modeled, apparently using clay coils, around a textile bag filled with wet sand, which provided their general rounded shape. The basketry impressions on the bases of pottery vessels were not created intentionally but resulted from placing freshly shaped pots on …
Kibbutz Megiddo (Al-Lajjun): The Faunal Remains,
2026
University of Haifa
Kibbutz Megiddo (Al-Lajjun): The Faunal Remains, Guy Bar-Oz, Laila Abado
Qadum: Journal of Excavation Reports from Israel
This report discusses a small bone assemblage retrieved from the Hellenistic–Mamluk strata at Kibbutz Megiddo (al-Lajjun). The assemblage is predominantly composed of livestock taxa, including sheep, goats, cattle and chickens. Notably, camel bones are present in almost all strata, with the exception of the Hellenistic period stratum. Pathological analysis of cattle foot bones suggests that these animals were also used as beasts of burden.
Kibbutz Megiddo (Al-Lajjun): The Coins,
2026
Israel Antiquities Authority
Kibbutz Megiddo (Al-Lajjun): The Coins, Ariel Berman, Gabriela Bijovsky
Qadum: Journal of Excavation Reports from Israel
The 61 coins discovered during the excavations at Kibbutz Megiddo provide modest numismatic evidence for a multi-period site, dating from the Seleucid to the Mamluk periods. However, the starting date of occupation could not be established, as the early coins were found in disturbed loci. The majority of the Islamic coins belong to the Mamluk dynasty. Of special interest is an Il-Khānid fals found in a Mamluk context.
Kibbutz Megiddo (Al-Lajjun): The Glass Finds,
2026
Israel Antiquities Authority
Kibbutz Megiddo (Al-Lajjun): The Glass Finds, Tamar Winter
Qadum: Journal of Excavation Reports from Israel
The glass finds from the site at Kibbutz Megiddo cover a long chronological range, from the fourth to the fifteenth centuries CE. The significance of this assemblage lies predominantly in the presentation of glass finds from the Early Islamic and Mamluk periods, as published specimens from these periods in the Megiddo region are quite scarce. Moreover, many of the vessels from the Early Islamic and Mamluk periods are elaborately decorated, supporting the notion of an affluent population at the site in these periods.
Kibbutz Megiddo (Al-Lajjun): Remains From The Hellenistic–Mamluk Periods / קיבוץ מגידו (א־לג'ון): שרידים מהתקופות ההלניסטית עד הממלוכית,
2026
Israel Antiquities Authority
Kibbutz Megiddo (Al-Lajjun): Remains From The Hellenistic–Mamluk Periods / קיבוץ מגידו (א־לג'ון): שרידים מהתקופות ההלניסטית עד הממלוכית, Yotam Tepper, Edna J. Stern
Qadum: Journal of Excavation Reports from Israel
The excavation at Kibbutz Megiddo revealed eight strata dating to the Hellenistic, Roman, Byzantine, Umayyad, Abbasid, Crusader and Mamluk periods, as well as a modern stratum. The remains indicate an almost continuous sequence of settlement at the site from the third century BCE to the present. For the first time, remains dated to the Hellenistic, Early, Middle and Late Islamic periods are documented in the Legio-Megiddo region. The Roman finds likely represent a settlement in the vicinity of the Roman legion base and the Jewish village of Kefar ‘Othnay. Its inhabitants maintained trade connections with nearby settlements and urban centers …
Infinite Line, Infinite Knowledge: The 'Spera' And Organized Chaos In Lambert's Encyclopedia, The 'Liber Floridus',
2026
CUNY Hunter College
Infinite Line, Infinite Knowledge: The 'Spera' And Organized Chaos In Lambert's Encyclopedia, The 'Liber Floridus', Ava Romano
Theses and Dissertations
The Liber Floridus is a medieval encyclopedia renowned for its program of circular diagrams, or sperae. Inside this manuscript of 190 chapters, these diagrams frame and embody written knowledge, revealing a connection between encyclopedism and life in the Benedictine monastery by creating a coherent visual organization of chapters.
Making Sense: Envy In Libanius' Declamation 30,
2026
Binghamton University--SUNY
Making Sense: Envy In Libanius' Declamation 30, Andrew Scholtz
Middle Eastern and Ancient Mediterranean Studies (MEAMS) Faculty Scholarship
Declamation, a genre famous for its sometimes extravagant fictions, has lately been approached as a vehicle for declaimers to reflect on realities familiar to them and their audiences. Reading Libanius' rarely discussed Declamation 30 in just such a self-reflective key, I argue that it explores the mindset of the phthoneros, the "envious man," as a way to make sense of risks posed by unscrupulous rivals. To shed light on this sense-making, I analyze High- and Late-Imperial emotion scripts foregrounding envy’s power to catalyze the formation of dysfunctional networks within and around competitive situations.
Horbat Husham (North) A-10259,
2026
Israel Antiquities Authority
Horbat Husham (North) A-10259, Adir Khanin
Favissa: Past Archaeological Excavation Reports
In March 2026, a trial excavation was conducted at Horbat Husham (North, plot 710, within the Brosh Industrial Zone) in Bet Shemesh (permit No. A-10259; map ref. 196342–454/626441–564; Fig. 1), prior to the construction of a logistics center. The excavation was undertaken on behalf of the Israel Antiquities Authority and funded by Polyran Profiles Ltd. It was directed by A. Khanin, with the assistance of N. Nehama (administration), E. Marco (documentation and photogrammetry), A. Zakaim (drafting and cartography), S. Gendler (metal detection), Y. Shalev (supervision), M. Hemed, A. Aviv, and L. Edeltin.
Timber Use And Forest Management In The Ancient Mediterranean,
2026
University of Connecticut
Timber Use And Forest Management In The Ancient Mediterranean, Tobey Russell
Undergraduate Papers
No abstract provided.
Repainting The Republic: How Color Changes The Reception Of Roman Honorific Portraiture,
2026
Connecticut College
Repainting The Republic: How Color Changes The Reception Of Roman Honorific Portraiture, Madelyn Fisher
Classics Honors Papers
Most people commonly imagine gleaming, unpainted, white marble under the lights of a museum gallery. However, Roman sculpture was far from how we commonly view it today; the Roman world was full of painted statues. How and why was Roman portraiture stripped of its color? This thesis discusses the development and use of Roman honorific portraiture over the course of the Republic, and the existence of polychromy within the Greco-Roman world. Furthermore, this paper also explores how color was erased from the historical narrative and argues that the understanding of Roman sculpture as polychromatic must be reincorporated back into the …
Casting Long Shadows: Political Influence On Classical Scholarship In The 20th And 21st Centuries,
2026
Connecticut College
Casting Long Shadows: Political Influence On Classical Scholarship In The 20th And 21st Centuries, Anna Taylor
Classics Honors Papers
History, especially Classical history, is not as objective as it is often made out to be. Classical scholarship is not immune to the influence of politics, even if and when a scholar does not explicitly reference it or intend for the scholarship to be political. To explore this influence, this thesis examines two case studies: Edmund Buchner’s work from the 20th century on the so-called “ Horologium Augusti, ” and the rise of regime transition scholarship in the 21st century. Both case studies examine the impact of contemporary politics on a scholar’s perception of a contentious period of Roman history: …
Creation Of A New Roman Identity: Encounters, Conflicts, And The Establishment Of Multicultural Order In Virgil’S Aeneid,
2026
Connecticut College
Creation Of A New Roman Identity: Encounters, Conflicts, And The Establishment Of Multicultural Order In Virgil’S Aeneid, Caleb Butler
Classics Honors Papers
Virgil composed the Aeneid at a moment when Roman cultural identity experienced a thorough reevaluation. This thesis argues that the Aeneid does not merely reflect the cultural moment in which it was written but rather presents a model for the formation of this new Roman identity. The second half of the Aeneid centers almost entirely upon the interactions and developing relationships between the different peoples who reside within Latium. It is only through the formation of alliances – built upon equal treaties (foedera) and cultural exchange – that peace is able to be formed between those peoples. The …
Jörgensen’S Law Das Auftreten Der Goetter In Den Buechern Ι–Μ Der Odyssee,
2026
Trinity University
Jörgensen’S Law Das Auftreten Der Goetter In Den Buechern Ι–Μ Der Odyssee, Erwin F. Cook
Classical Studies Faculty Research
No abstract provided.
Ztc Sls 302: Medieval/Early Modern Cultures,
2026
CUNY College of Staten Island
Ztc Sls 302: Medieval/Early Modern Cultures, Nicolette Guida
Open Educational Resources
This course explores the depiction of gender, race, and social class in Shakespeare’s plays, with a focus on how his works engage with and challenge the norms of early modern society. In this course, we will study two of Shakespeare’s comedies: Much Ado About Nothing and The Taming of the Shrew; as well as two of his tragedies: Romeo and Juliet and Othello in relation to the culture of early modern England. Through an in-depth study of these texts, students will examine the complexities of these social categories as portrayed in the plays and how they continue to resonate in …
Syncretism Of Culture Through Restoration At Cyrene’S Temple Of Lykeian Zeus,
2026
Hollins University
Syncretism Of Culture Through Restoration At Cyrene’S Temple Of Lykeian Zeus, Melanie Stevenson
Undergraduate Research Awards
Starting with the earliest accounts of the temple and tracking it through the cycles of destruction and reconstruction that have characterized it as a blend of time periods and constantly modernizing culture will uncover the mysteries of who exactly influenced this temple. It must have held a notable amount of significance in the ancient city, since there is a plethora of archaeological evidence—from fragmented cult statues to charred limestone remains—that marks this site as a victim of multiple bouts of religious violence. Far from being a static monument, the Temple of Lykeian Zeus in Cyrene is an intersection of Arcadian …
“Legendary Comebacks”:The Refiguring Of Iliad 2’S Thersites,
2026
University of New Hampshire, Durham
“Legendary Comebacks”:The Refiguring Of Iliad 2’S Thersites, Steven A. Heil
UNH URC Open (2026 and after)
“Legendary Comebacks”: the Refiguring of Iliad 2’s Thersites
Er-Reina A-10289,
2026
Israel Antiquities Authority
Er-Reina A-10289, Hala Halabi
Favissa: Past Archaeological Excavation Reports
In April 2026, a trial excavation was conducted at Er-Reina (Permit No. A-10289/2026; map ref. 230650–75/736120–50), prior to development work. The excavation, undertaken on behalf of the Israel Antiquities Authority and funded by Nasser Abu Ahmad, was directed by H. Halabi (field photography), with the assistance of W. Atrash (supervision), W. Hamdan (photogrammetry and field photography), J. Zilpa (administration), M. Masarwa (Lower Galilee and Valleys District), and laborers from Umm al-Fahm.
Res Publica Recondita: Augustan Authors’ Use Of Archaic Heroes As Exempla For The Golden Age,
2026
Rollins College
Res Publica Recondita: Augustan Authors’ Use Of Archaic Heroes As Exempla For The Golden Age, Katherine Anna Hamner
Honors Program Theses
Following decades of civil war and moral collapse in the Late Republic, Augustus sought to legitimate his principate through a sweeping cultural program proclaiming the arrival of a new Golden Age. This thesis examines how the authors Livy and Virgil contributed a literary dimension to that program by retelling Rome's archaic past. Livy curates the Roman kings as exempla of entrepreneurial virtue and civic self-determination, while Virgil's Aeneid grounds proto-Roman identity in pietas and coalition-building across ethnic boundaries. Both works, independent of direct state commission, answered the moral demands of the Augustan moment and affirmed that civilizational renewal requires a …
A Technical And Performance Re-Examination Of Mario Castelnuovo-Tedesco’S Escarramán, Op. 177: Beyond The Angelo Gilardino Publication. A New Performance Edition Of Gallarda,
2026
University of Kentucky
A Technical And Performance Re-Examination Of Mario Castelnuovo-Tedesco’S Escarramán, Op. 177: Beyond The Angelo Gilardino Publication. A New Performance Edition Of Gallarda, Daniel Monroy Reyes
Theses and Dissertations--Music
This dissertation provides a technical and performance-oriented re-examination of the first four movements of Escarramán: A Suite of Spanish Dances from the XVIth Century (After Cervantes), Op. 177, by Mario Castelnuovo-Tedesco. It argues that the suite embodies a fundamental tension between the composer’s original compositional and structural intentions and the ergonomic limitations of the guitar, and evaluates the proposed solutions by Angelo Gilardino in the 1979 Bèrben edition.
This research employs a comparative, practice-led framework to address the paradox of Castelnuovo-Tedesco’s non-idiomatic writing. Its primary contribution is the development of a performance synthesis that maintains harmonic integrity while enhancing …
