Classics Commons^™

If The Shoe Fits…An Artistic Analysis Of The Classic Fairy Talecharacter Cinderella, Corinne Andrew

Honors Theses

No abstract provided.

The Application Of Second Language Acquisition Theory To New Testament Greek Pedagogy, Josiah P. Wegner

Senior Honors Theses

The effect of outdated NT Greek pedagogy has left many seminary students ill-equipped to properly exegete using the NT Greek language. Many seminary students graduate with a firm knowledge of syntactic rules, but they are still unable to read the NT text without having to constantly consult a Greek grammar and dictionary. Even though the current style of teaching has been used for many years, research in second language acquisition has exposed that the traditional translation method has many flaws. One of these researchers, Stephen Krashen, has identified that the key to language competence is not learning vocabulary and grammar …

The Sacred Command Of The Lord My Brother The Emperor Should Have Come As Something Not To Neglect, Jacqueline Long

Classical Studies: Faculty Publications and Other Works

Late Roman stereotypes assigned women certain powers.1 Thus for example, when the elder but not senior emperor Theodosius faced a choice between defending the interests of Valentinian II, his ineffective colleague from the previous dynasty, or acceding to the aggression of Magnus Maximus, his countryman, an unimpeachably orthodox Catholic, a proven effective general, and as an emperor one whose imperium Theodosius had recognized,2 Valentinian’s Arian mother Justina could be understood to have swayed Theodosius decisively by offering him her daughter Galla in marriage.3 This scenario enabled hostile interpreters to trivialize Theodosius’s decision as irresponsible appetite and to belittle its execution …

The Changing Nature Of The Text, Fred W. Jenkins

Roesch Library Faculty Presentations

No abstract provided.

Nietzsche’S Zarathustra And Parodic Style: On Lucian’S Hyperanthropos And Nietzsche’S Übermensch, Babette Babich

Articles and Chapters in Academic Book Collections

It is well-known that as a term, Nietzsche’s Übermensch derives from Lucian of Samosata’s hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances by reflecting on the context of that origination from Lucian’s Kataplous – literally, “sailing into port” – referring to the soul’s journey (ferried by Charon, guided by Hermes) into the afterlife. The Kataplous he tyrannos, usually translated Downward Journey or The Tyrant, is a Menippean satire of the “overman” who is imagined to be superior to others of “lesser” station in this-worldly life and the same tyrant after his (comically unwilling) …

Aristophanes' Bestiary, Jeremy B. Lefkowitz

Classics Faculty Works

No abstract provided.

“Under The Seams Runs The Pain”: Four Greek Sources And Analogues For The Modern Monster In Anne Carson’S Autobiography Of Red, Joshua M. Carmel

Student Publications

This work seeks to explore the monster figure in its evolution from the Classical to the contemporary literary canons. Using Geryon, a three-headed and red-hued monster, as the central figure and Carson’s 1998 verse novel Autobiography of Red, it evaluates the underpinnings of the alienated “other” and attempts to shed light on its role in modern society.

Power And Nostalgia In Eras Of Cultural Rebirth: The Timeless Allure Of The Farnese Antinous, Kathleen Lamanna

Scripps Senior Theses

Little did Hadrian know in 130 A.D. that when he deified his beloved departed Antinous, in order to provide a unifying symbol of worship for his diverse empire, that he was instead creating a lasting symbol of the antique world. This thesis examines the power of nostalgia and its successful use by two formidable men from different eras in Rome: The Emperor Hadrian and the extravagantly wealthy Renaissance merchant Agostino Chigi. Though separated by centuries, each man used the nostalgic allure of the beautiful youthful male figure of Antinous to gain power and influence in his own time and to …

Strike A Pose: Propaganda In Augustus' And Mussolini's Imperial Imagery, Colleen Syler Parker

History Theses & Dissertations

In Ancient Rome, the transition from Republic to Empire was a volatile time. Augustus used his skills as a propagandist to consolidate his military position and craft specific images after the death of Julius Caesar. Augustus needed to appeal to Roman ideals in leadership, and recover the morality and traditional family values which had become lost in the Late Republic. In conjunction with this, he attempted to bolster religion and create a lasting legacy in a dynastic and architecturally structural sense.

Almost two thousand years later, Mussolini echoed many of the same themes as Augustus in his use of romanitá …

Ideal And Ordinary Language In Plato's Cratylus, Franco Trivigno

The Society for Ancient Greek Philosophy Newsletter

Interpreters of Plato’s Cratylus are faced with a puzzle. If Socrates’ etymologies (397a-421c) are intended to be parodies, as many have thought,^[1] what is the status of the imitation theory of letters (421c-427d), which provides the theoretical foundation for etymology and, as some have thought, indicates Plato’s ambition to construct an ideal language?[2] In this paper, I focus on three questions: [1] whether Plato thought that imitation provided a suitable basis for an ideal language; [2] whether Plato thought that the development of an ideal language would be philosophical possible or desirable; [3] whether he thought that ordinary …

Session E-1: Hiding In Plain Sight, Micah Fogel

Professional Learning Day

Were the plays of William Shakespeare really written by Francis Bacon, who left a coded signature in plain sight? Can spies send messages without using codes and without getting caught? Steganography is the art of hiding messages in plain sight but in a way so that only those in on the secret can find them. We'll learn a few tricks about how to hide messages in pieces of text or sound and image files on a computer.

We Should Always Call The Receptacle The Same Thing: Timaeus 50b6-51b6, Christopher Buckels

The Society for Ancient Greek Philosophy Newsletter

Plato’s Timaeus is a challenge to understand and to interpret, but its central ontological innovation, a third kind in addition to the standard Platonic categories of Being and Becoming, is, even according to Timaeus himself, a murky and difficult topic. I endeavor to shed a meager light on this shadowy entity, the Receptacle of all Becoming, by examining an argument Timaeus gives for the claim that “we should always call it the same thing” (50b6-7).[1] This claim comes immediately after the famous gold analogy, about which I will say only a few words, and so it also closely follows …

Sagp Newsletter 2012/13.3 Pac, Anthony Preus

The Society for Ancient Greek Philosophy Newsletter

No abstract provided.

Sagp Newsletter 2012/13.2 Central, Anthony Preus

The Society for Ancient Greek Philosophy Newsletter

No abstract provided.

The Wisdom Of Athena, Tabitha Clark Ms.

Oglethorpe Journal of Undergraduate Research

The Greek goddess Athene, also spelled Athena, is widely associated with the functions of the brain and referred to as the goddess of wisdom, but what type of wisdom does she have? This essay will focus on Athena and the many facets of one of her main characteristics, wisdom. It could be said that the two sides of her wisdom are reflective of the melding and balance of the male and female traits she possesses.

Aristotle On The Truth Of Things, John Thorp

The Society for Ancient Greek Philosophy Newsletter

Aristotle on the truth of things

Abstract

Most of Aristotle's texts dealing with truth are unexceptionable: truth belongs only to sentences or beliefs, and it does so in virtue of a correspondence between those sentences or beliefs and the things in the world that they are about. Single words cannot be true, and the things in the world, whether single or compound, cannot be true either. There is however one text, Chapter 10 of Book Theta of the Metaphysics, that breaks with these familiar and comfortable views; it allows that single words or thoughts can be true, and also …

Manet's Olympia: Changing The Way People View The Nude, Esther Mizel

Student Scholarship

The nude was the epitome of art in the late 1800s in France. They had to follow set rules in order to be considered " art'' and not, as the subject depicted courtesans. Nudes typically were represented as either goddesses or women in historical stories. Modernists were known for seeing things differently than the rest of the artistic community including when considering nude paintings. Edouard Manet( l832-1883) the "Father of Modernism" was not interested in idealizing the female form. He is known for challenging ideas that the bourgeoisie thought to be fact. He showed the nude for what she really …

Rome, Ostia, Pompeii: Movement And Space [Review], Timothy M. O'Sullivan

Classical Studies Faculty Research

Archaeologists and historians have set out to reconstruct Rome, in one way or another, from the very beginning of the profession. More recently, scholars have begun to design 3-D simulations of ancient sites and monuments; even Google Earth offers the option of ‘visiting’ ancient Rome as it appeared in A.D. 320. According to the editors of this stimulating volume, however, these reconstructions, with their vast empty spaces and pristine monuments, ignore an important part of ancient Rome: the people, animals, and vehicles that moved through the cityscape. And as anyone who has ever traveled knows, different cities move in different …

Review Of The Iliad In A Nutshell: Visualizing Epic On The Tabulae Iliacae, By Michael Squire, Fred W. Jenkins

Roesch Library Faculty Publications

No abstract provided.

Paul's Poetic License: Philippians 2:6-11 As A Hellenistic Hymn, Anna Groebe

Honors Program: Student Scholarship & Creative Works

In this paper, I use the scholarship surrounding Philippians 2:6-11 to identify it as a pre-Pauline hymn influenced by Greek culture. I use Dr. Arnold Levin’s essay “Paul’s Victory Song” as a springboard, investigating his arguments as well as other more well-known scholarship covering the passage. Dr. Levin argues that Philippians 2:6-11 is a Greek ode in the Aeolic style written in imitation of Pindar, with a clearly established meter. Although I disagree with Dr. Levin's methods and conclusion, I do not completely reject all of his argument. Philippians 2:6-11 does not have a clear meter as one might find …