American Studies Commons^™

Centuries Of A Heavy Conscience: American Ecogothic In Cormac Mccarthy’S The Orchard Keeper And Stephen Graham Jones’ The Only Good Indians, Michaela Smith

College of Graduate Studies: Theses & Dissertations

With the rising concern about negative human treatment of the Earth, studies in the Gothic—a genre which always invites conversation about concerns and anxieties—have recently expanded to include the ecogothic. This critical framework at its core combines the Gothic with ecocriticism and invites conversation about the human impact on the natural landscape and its creatures. The American Gothic is already a genre that discusses guilt and remorse regarding the nation’s colonization of Indigenous people and role in slavery; however, the conversation about American emotions can be expanded to include ecogothic guilt. This sentiment is especially true when considering the ecogothic …

The Paradox Of Value, David Enrique Guarnizo

Theses and Dissertations

The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …

Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin

Dissertations and Theses

This thesis explores the intersection of disability studies and art history, addressing the underrepresentation of disability in scholarship, especially concerning medical sociology and caretaking. Focusing on two early-twentieth-century self-taught American artists, Hazel Knapp (1908–95), who fell into obscurity, and Anna Mary Robertson Moses (1860–1961), best known as Grandma Moses, this is a comparative analysis of how disability influenced their artistic practices and shaped their divergent career outcomes. Knapp was born with Charcot-Marie-Tooth disease, a neurodegenerative disorder, and fell into obscurity due to a lack of support for her condition, but experienced a promising start to her career that included patronage …

Fast Times At Buckley High: The Assault On 1980s Nostalgia In Bret Easton Ellis’S The Shards, M. Keith Booker

English Faculty Publications and Presentations

Bret Easton Ellis, in novels such as Less Than Zero (1985) and American Psycho (1991), has vividly chronicled some of the darkest aspects of American society in the 1980s. It is thus no surprise that his return to writing about the 1980s in The Shards (2023), published amid a wave of nostalgia for the 1980s in American culture, goes strongly against that wave. The novel is set in the fall of 1981, when its narrator/protagonist—one “Bret Ellis”—is a high school senior in Los Angeles. This character (presumably a younger version of the author) goes out of his way to present …

Liner Notes On Black Trans Girlhood: Afrofuturist Affect & Black Popular Music As A Praxis Of Self-Fashioning, Shawn J. Williams

Theses and Dissertations

Liner Notes on Black Trans Girlhood: Afrofuturist Affect & Black Popular Music as a Praxis of Self-Fashioning interprets Black musical performance in identity-making, with a focus on how music and Black trans identity intersect and informs Black trans girlhood. As such, Black trans girls render ourselves legible, i.e. understood without shame or judgment, by constructing our identities through the music by Black women we listen and dance to, or watch and sing. These musical connections affirm the possibilities of Black femme expression. This expression of Black femininity is due to what I call an Afrofuturist affect, by which I refer …

The Cut Worm Forgives The Plow, August Neuscheler

Theses and Dissertations

The explorations in this thesis writing are centered on William Blake’s proverb “The cut worm forgives the plow.” It has been reinterpreted as an allegory of history and energy. A theory of their relation is proposed based on forgiveness, a theory that accepts the palimpsest of orders as evidence for the abundance of the present moment. The writing focuses on questions of proportionality, scale, archaeological screening methods, planar cutting, and a critique of entropy as grounds for this theory. Some of its subjects include the Statue of Liberty, Kate Raworth’s donut economic model, sashimi, triangulation, Joseph Beuys’ “7,000 Eichen,” semiconductors, …

Is Sex Necessary? Or Why You Feel The Way You Do, James Thurber, E. B. White

Zea E-Books Collection

Contents: The Nature of the American Male : A Study of Pedestalism • How to Tell Love From Passion • A Discussion of Feminine Types • The Sexual Revolution : Being a Rather Complete Survey of the Entire Sexual Scene • The Lilies-and-Bluebird Delusion • What Should Children Tell Parents? • Claustrophobia, or What Every Young Wife Should Know • Frigidity in Men • Answers to Hard Questions • Glossary

The year was 1929, the height of the Roaring Twenties and the eve of the Crash and Great Depression. A “Sexual Revolution” was in progress, and two writers from The …

The Vietnam War And The Regional Context, Wen-Qing Ngoei

Research Collection School of Social Sciences

This chapter traces Southeast Asia’s overall pro-U.S. trajectory from before and through the American war in Vietnam, a process in which the region’s anticommunist nationalists collaborated with the United States and Britain to gain, and remain in, power. Between the late 1940s through the early 1960s, indigenous anticommunist elites in Thailand and the Philippines rose to political dominance with U.S. assistance; in Malaya and Singapore they did so with British support. The United States and Britain, with their Malayan and Singaporean allies, would influence developments within Indonesia that precipitated the Indonesian Army’s rightwing coup of 1965, a transformative event that …

Hidden Wounds And Secret Scars: The Post-World War Ii Western As A Cinema Of Trauma, Maggie Sue Scanlan

Graduate Research Theses & Dissertations

In this project, I consider the post-WWII Western film as a site that represents and navigates war traumatized American masculinity. Through a discussion of the significance of the Western as a national myth that speaks directly to American masculinity and nation-building through individual violence, I situate the genre as an ideal vehicle to reframe war traumatized masculinity and analyze seven Westerns through a threefold analysis: metaphoric (a cinema of trauma), psychoanalytic (the traumatic gaze), and therapeutic (recovery and reintegration). In Chapter One, I track anxieties and preoccupations signaling the cultural concern with war trauma in genres more routinely associated with …

They Never Saw It Coming: Frames Of Intimate Partner Homicide On Crime Science Investigation (Csi), Tracy Sohoni, Julie Snell, Elizabeth Harden

Sociology & Criminal Justice Faculty Publications

Purpose

While portrayals of intimate partner homicide (IPH) in news media have been extensively studied, research on depictions of IPH in television crime dramas has been largely absent despite the fact that crime-dramas have a wide audience and have been shown to have a significant influence on viewers' social attitudes.

Methods

We conduct a thematic content analysis of portrayals of intimate partner homicide across four seasons of the crime-drama Crime Scene Investigation (CSI) and compare these depictions to research on common warning signs and patterns of IPH.

Results

Similar to research on news media, CSI depicts IPH in ways that …

“How Do You Do It?” : Shifting Points Of View For Diverse Perspectives, Sue Norton

Articles

No abstract provided.

Somewhere Between Feminism And Misogyny: Classic Updike On The Modern Syllabus, Sue Norton

Articles

Beginning with a retrospective approach, this essay navigates key works of literary criticism relevant to a small selection of John Updike’s most well-known fiction, his novel Rabbit, Run (1960) and two of his short stories “A&P” (1961) and “Separating” (1975), the three of which have frequently appeared on college syllabi. Through close readings, its aim is to provide a basis for classroom discussion about the misogynistic tone of Updike’s works so that professors of English and literary studies can confidently adapt their lesson plans and approaches in ways that are cognizant of today’s sensibilities on issues pertaining to girls, women, …

Chasing Dreams In Modern America: Can We All Still Reach The Stars?, Selina Osebre Yawson

Tredway Library Prize for First-Year Research

Judges' Statement

"Chasing Dreams in Modern America: Can We All Still Reach the Stars?" is an excellent and timely examination of the American Dream during a time of political polarization and economic uncertainty. Yawson synthesizes systemic social critique with close literary analysis, applying a reading of Langston Hughes' poetry to address the current moment. Her unique selection of sources and well-reasoned call to action earned the paper an honorable mention.

The Devil In The Forest: How Le Guin Subverts A Tired Trope, Andrew Debella

UKL: The Journal of Ursula K. Le Guin Studies

Scholars understand Ursula K. Le Guin's 1972 The Word for World is Forest as a critique of settler-colonial history, but no academic interest has been given to how this novel also comments on the American religious imagination. This article reveals that Le Guin's allegory to Vietnam replicates the 'devil in the forest' trope to expose how a religiously inspired good/evil dichotomy shaped xenophobic attitudes toward the Vietnamese during the 1970s. By tracing the depictions of Native Americans through American fiction and Captivity Narratives, this article further demonstrates how Le Guin’s novel deploys similar tropes to expose and critique their influence …

A Story Of Oppression A Psychological And Creative Approach, Juan R. Morillo

Honors Undergraduate Theses

The aim of this project is to survey the manner in which oppression is expressed in selected works of literature. It is a topic that not only am I familiar with through my studies of literature and psychology, but one that I, as well as every Venezuelan expatriate has witnessed and felt for their country. The project focuses on social and political oppression, using the current Venezuelan crisis as a focal point, and selected literary sources as a framework. I will analyze dystopian classics such as George Orwell's 1984 and Ray Bradbury’s Fahrenheit 451, as well as Margaret Atwood’s The …

Embracing The Both/And: Learning From The Lived Experiences Of White Facilitators Of Racial Equity Workshops, Alicia M. Wargo

Antioch University Dissertations & Theses

This study focuses on the lived experiences of seasoned White facilitators of racial equity workshops to understand how they navigate the complexity of occupying a White racial identity while working to challenge the belief systems of white supremacy ingrained in themselves and others. Through applying Critical Race Theory as a framework to grounded theory methodology, this study examined whiteness as a sensitizing concept in micro, meso, and macro levels of analysis, situating this dissertation in the theoretical exploration of the multifaceted and pervasive nature of whiteness. Much of the research on racial equity work examines White participants in nascent stages …

Mirrors Of The Reel: Black Women's Identity In American Cinema (2009-2024), Melanie-Penny Harrison

Antioch University Dissertations & Theses

This study investigates whether white supremacy structures, embodied in Hollywood’s predominantly white leadership, drive negative portrayals of Black women in 31 mainstream American films from 2009 to 2024. Employing a mixed-methods approach—quantitative content analysis, qualitative content analysis (QCA), and narrative methodology—I code portrayals for racism, patriarchy, heterosexism, colorism, and internalized racism, classifying them as progressive (e.g., empowered roles), regressive (e.g., subservient stereotypes), or hybrid. Guided by Critical Race Theory and intersectionality, the analysis examines narrative structures, character agency, symbolism, and dialogue to uncover intersectional patterns (e.g., race, gender, class) across three periods: 2009–2013, 2014–2018, and 2019–2024. Across these periods, cultural …

Y’All Means All: Pro-Choice Abortion Activism In West Texas Post-Dobbs, Hannah S. Noblewolf

Electronic Theses & Dissertations (2024 - present)

In the spring of 2021, a six-week abortion ban passed by popular vote in the city of Westerburg, Texas. It had a civil enforcement mechanism, allowing someone to collect a reward of $2,000 if they successfully sued someone they reported for “aiding and abetting” abortion. The ban, called the Westerburg Sanctuary City ordinance, was referred to as “bounty hunting.” When the ban passed it became the template for the state-level Texas Heartbeat Act, which provides a greater financial reward for a successful civil suit, with a minimum of $10,000 plus legal fees. In the face of this ban, pro-choice activists …

Symbols Of Sovereignty And How They Speak To Us: Reading Contemporary Wampum Artwork In New York State Museums, Marie Peterson

Electronic Theses & Dissertations (2024 - present)

Contemporary Haudenosaunee artworks in exhibit spaces across New York State are bringing cultural information and counter-historical narratives to the public that they might not encounter otherwise. Artwork that includes wampum depictions or materials has heuristic qualities that can engage viewers with Haudenosaunee ways of knowing and relating. Wampum heuristics and Haudenosaunee scholarship are employed to interrogate how wampum materials were collected, categorized, and researched by the New York State Museum during the salvage anthropology era. The narratives embedded in wampum artworks are traced from this salvage era history, throughout the century between the salvage era that began at the end …

Embracing The Unmanageable: The Critique Of The Everyday And The Postwar Condition In Wallace Stevens’ And Robert Duncan’S Works Circa 1950, Kazuma Morita

Electronic Theses & Dissertations (2024 - present)

My thesis is designed as an investigation of the ethical and political implications of the everyday in postwar American poetry. While recent scholarship of everyday life studies has clarified the centrality of the everyday or the ordinary to modernism and postwar literature, it does not elaborate enough on the impact of the political condition on literary expressions of everyday life in post-1945 period. Given U.S. military’s infiltration into everyday life of people living inside and outside the country after World War II, it is an important task to spotlight the way American postwar poets tackled U.S. war culture through their …