American Popular Culture Commons^™

Southern By The Grace Of God: Religion, Race, And Civil Rights In Hollywood’S American South, Paul Harvey

Journal of Religion & Film

This is a book review of Megan Hunt, Southern by the Grace of God: Religion, Race, and Civil Rights in Hollywood’s American South (Athens: University of Georgia Press, 2024).

Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd

Res Historica

The 2026 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.

Columnas: The Honors Program Newsletter At Bentley University, Amanda Li, Wilson Jan, Michael Raphael, Alexandra Rieckehoff, Karina Wu, Michael Shehata, Nilufar Noorian, Eloise Weintraub

Honors Program

INSIDE THE MODERN WORLD

Page 2: Stepping Out by Amanda Li

Page 3: Inside the Corporate Slop Bowl by Wilson Jan

Page 4: The Silencing: An Evaluation of the Global Attacks on the Right to Protest by Michael Raphael

THE SOUND OF CHANGE

Page 5: The Social, Cultural, and Economic Impact of Bad Bunny by Alexandra Rieckehoff

Page 6: Streaming Changed Music, But Is It Fair to Artists? by Karina Wu

Page 7: Feeling the Music: How Haptic Wearables Are Changing the Way We Experience Sound by Michael Shehata

SHIFTING SYSTEMS

Page 8: The Story Behind Davos, One of the …

The Ladies' Home Journal: Dormant Seeds Of The Feminine Mystique Pre-Wwii, Isis Santos Villaça

University Honors Theses

At the turn of the 20th century, magazines were becoming increasingly available to the middle class. Throughout the 1890–1930s, the industry put forth an entire new iteration of publications that came to be popular with female readers. One of the most successful publications from this period, The Ladies' Home Journal, distinguished itself through its strong editorial presence on the page. The editors of the Ladies' Home Journal intended to create a "traditional" female identity that reflected domesticity in the journal, which countered the rising notions of the New Woman. Simultaneously, the publication aimed to create an educational product with …

Super Soapbox

Emerging Writers

American superhero comics have always had some sort of political/socio-political spin to them. During the Golden Age of the 1930's to 50's, characters such as Superman and Captain America appeared in World War II propaganda fighting the Axis Powers. The following Silver Age from the 50's to 70's became infamous for its self-censorship under The Comics Code Authority, which in practice banned LGBTQ+ representation. However, the gradual retirement of the CCA's regulations allowed titles such as Uncanny X-Men and The Dark Knight Returns to cover heavier topics such as racism and political corruption during the Bronze Age of the 70's …

Figures Of Truth And Justice: Superman & Rock Music, Kelan Vitali

CAFE Symposium 2026

The American comic superstar Superman and rock music are completely different forms of media. One performs acts of heroism, and one is performed on stage. Despite their differences, however, both are prominent symbols of inspiration and moral courage.

Mamma Mia! What Nostalgia!, Asher Leuzzi

CAFE Symposium 2026

An analysis of Phyllida Lloyd's Mamma Mia!, and how it relates to Authentic Rock Culture. Discusses the power of nostalgia, demonstrating that it can be either a positive or negative force. Generally, sound used within this film helps display energy and emotional truth, which allows for complex themes to be revealed.

Faster Than Light, Slower Than Morality, Celena Glaghassi

CAFE Symposium 2026

A philosophical analysis of how Necropolitics by Achille Mbembe and Black Reconstruction in America by W.E.B. DuBois relate to the Reverse Flash and his overall message.

Music As Memory And Narrative In American Graffiti And Dazed And Confused, Jacob Tone

CAFE Symposium 2026

This poster explores how George Lucas’s American Graffiti (1973) and Richard Linklater’s Dazed and Confused (1993) utilize popular music as a narrative tool to define the evolution of American youth culture. By examining the shift from the unified, diegetic radio culture of 1962 to the fragmented, ironic rock pastiche of 1976, the research highlights how Lucas creates a "communal identity" rooted in sincerity while Linklater captures the "disillusionment" of a generation adrift. Ultimately, the study demonstrates that these soundtracks are not mere background elements but serve as vital cultural archives that mediate between history and cinematic memory, shaping the way …

Instilling Patriotism And Prejudice Through Game Of Battles Or Fun For Boys, Gabby Gavaghan

CAFE Symposium 2026

For my Poster Project, I dove into the underlying socialization and indoctrination embedded within a board game from 1899 called "Game of Battles or Fun For Boys." I explored the overwhelming messages of toxic masculinity, the encouragement of enlisting in the military, and the lack of representation of women and African Americans.

The Rise Of The Black Female Producer: The Representation Of Black Joy, Mar'vellis T. Martin

McNair Scholars Collection

Issa Rae and Quinta Brunson are redefining what it means to tell Black stories on screen. Through shows like Insecure and Abbott Elementary, they elevate Black joy, community, and offer narratives that reflect the culture. With a rise in diverse female voices in media, Black female producers have emerged as cultural powerhouses telling stories beyond trauma and stereotype. This project examines how their shows contribute to a broader movement of authentic Black storytelling. Through comedic elements and community-based narratives, both shows capture the richness of everyday Black life.

“No Ifs, Ands, Or Butts”: Analyzing Race And Gender In Sex And The City Through Black Feminist Theory, Daniella Orias

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This article analyzes Season 3, Episode 5 of Sex and the City, “No Ifs, Ands, or Butts,” through the lens of Black feminist theory. It investigates how race and gender are constructed, stereotyped, and selectively represented within the episode’s narrative. The analysis focuses on two Black characters who were featured only in one episode of the series, Adeena and Chivon, and examines how the show portrays harmful stereotypes such as the angry Black woman (Adeena) and sexualized Black male (Chivon) in the episode. These limited and harmful representations are further scrutinized by the fact that the show is often …

Brute Force Branding: Variations & Repetitions Of The Almighty Dollar Banknote, Rui-Long Monico

Artl@s Bulletin

Abstract: This paper examines the U.S. dollar as a global brand and mythic icon, revealing how its stable aesthetic asserts dominance and infiltrates daily life. Through visual analysis and global comparison, it shows how banknotes are battlegrounds where art, identity, and geopolitics collide—currency as a weapon of soft power and cultural hegemony. The dollar’s visual inertia—ritualized, repeated, reappropriated—cements its supremacy as a symbolic force, where repetition enforces authority and variation sparks both resistance and conformity. Banknotes emerge as tools of statecraft and vessels of collective memory, as reflected in the author’s bespoke creation accompanying this study.

Résumé: Cet article analyse …

Gods' Man, Lynd Ward

Zea E-Books Collection

Lynd Ward (1905–1985) was born in Chicago and studied at Columbia Teachers College in New York City and at the National Academy of Graphic Arts and Bookmaking in Leipzig, Germany. He began working as a book illustrator in 1927, and in 1929 published this first “wordless novel,” Gods’ Man. He eventually published five more such works, as well as illustrations for more than 100 other books, plus drawings, lithographs, watercolors, and children’s stories.

Gods’ Man is credited as the first American wordless novel. It tells a story about a struggling young artist who makes a pact with a mysterious …

Facebooking Under Crisis: A Comparative Study Of Online French And American Mutual Aid Organizing During The Covid-19 Pandemic, Clare Reimers-Hejnal

Scripps Senior Theses

This thesis studies the political discussions, practices, and projects that emerged through mutual aid Facebook groups based in France and the United States during the COVID-19 pandemic. Of particular interest is how these online spaces and the Facebook users that comprised them understood their mutual aid organizing in relationship to specific themes, including but not limited to: the COVID-19 pandemic as a "crisis", the role of government presence or absence in the wellbeing of the public, and the concept of collective yet differentiated struggle. Chapter 1 looks at four Facebook pages based in the greater Paris area: Entraide Danube, Clichy …

Rodcon, Flier, 2026, University Of Northern Iowa. Rod Library.

RodCon Documents

Free Admission
Open to the Public
All Ages Welcome

RodCon
Saturday April 11, 2026
10 a.m. - 4 p.m.
Rod Library

rodcon.uni.edu

Join us for fun, games, costume contests, Kidzone, artist alley and much more!!!

Flier used in promotion of the event.

Rodcon, Program, 2026, University Of Northern Iowa. Rod Library.

RodCon Documents

Contents:

--- Welcome to RodCon
--- Locations
--- Events Schedule
--- What's That?: Event Descriptions
--- Additional Info
--- Vendors
--- Artist Alley
--- Thank You Sponsors

The Phenomenon Of Church Growth Through Authenticity: How African American Gen Z Christians Are Sharing The Gospel Of Jesus Christ Without The Program Structure Of The Black Baptist Church, Devin E. West

Antioch University Dissertations & Theses

This dissertation examines the perspectives of Black Generation Z Christians regarding factors within the Black Baptist church that may limit their full engagement. In this study, the Black Baptist church refers to congregations with predominantly Black membership led by Black pastors. Generation Z, born between 1997 and 2012, is forming its religious identity within a rapidly changing cultural and institutional environment. Historically, the Black Church has served as a central institution in African American communities, functioning as a place of worship as well as a source of social support, leadership development, identity formation, and justice advocacy (Lincoln & Mamiya, 1990). …

Into Me See: Visibility, Recognition, And The Need To Be Seen In Kazuo Ishiguro’S Never Let Me Go, Vicki L. Wine Carney

Anthós

While critical scholarship on Kazuo Ishiguro’s Never Let Me Go often emphasizes bioethics, transhumanism, and the commodification of life, this lens overlooks the novel’s profound engagement with the psychological necessity of visibility. This paper argues that the tragedy of the clones is fundamentally a crisis of recognition, where invisibility is not incidental but structurally produced to facilitate exploitation. Drawing on Caroline Levine’s concept of the "Form of Utility" and Axel Honneth’s Theory of Recognition, this study examines how systemic indoctrination and objectification deny the clones their innate humanity to soothe the conscience of the "normals." Furthermore, it analyzes the characters’ …

Imagined Afterlives: Anti-Black Medical Violences In Contemporary Black Arts, Katie Schadler

Honors Theses

“Imagined Afterlives: Anti-Black Medical Violences in Contemporary Black Arts” is a multi-genre exploration that studies the following works: Venus (1996) by Suzan Lori Parks, Get Out (2017) by Jordan Peele, and Dawn (1987) by Octavia Butler. I respectively study an experimental play, a psychological horror film, and a speculative novel to understand how Black creatives are depicting and responding to anti-Black violences, particularly medical violences. This work brings together Black art spanning from the late 1980s to 2017 as well as historical events and figures from the eighteenth century all the way to a not-so-distant future. While these works defamiliarize …