August 2020,
2020
University of Southern Maine
August 2020, Temple Shalom Synagogue Center
Newsletter Archive
Contents: From the Rabbi; President's Message; Announcements; Book Group; Stan Tetenman,Community Notices
Frontmatter Por Congreso Internacional Sobre Iconografía Precolombina, Barcelona 2019. Actas.,
2020
Universidad Autónoma de Barcelona
Frontmatter Por Congreso Internacional Sobre Iconografía Precolombina, Barcelona 2019. Actas., Victòria Solanilla Demestre
Congreso internacional sobre iconografía precolombina, Barcelona, 2019. Actas.
Portada
Pagina del titulo
La página de derechos de autor
Tabla de contenido
Introducción Actas Congreso
Los Textiles Mayas Contemporáneos De Yucatán (México) En El Espejo De La Iconografía Precolombina,
2020
E.H.E.S.S. (Paris, Francia)
Los Textiles Mayas Contemporáneos De Yucatán (México) En El Espejo De La Iconografía Precolombina, Danielle Dupiech Cavaleri
Congreso internacional sobre iconografía precolombina, Barcelona, 2019. Actas.
La investigación llevada con unas veinte bordadoras de 50 a 105 años de edad en los pueblos de Maní, Xaya, Xócen y Xohuayan ha permitido rescatar la información contenida en los dechados que las mujeres conservan preciosamente. Los datos recopilados que fueron analizados, comparándolos con elementos encontrados en los informes publicados sobre excavaciones arqueológicas; con la iconografía presente en la cerámica prehispánica; con los motivos de los atavíos de los personajes que aparecen en las estelas, los bajos relieves, las estatuas de barro y las pinturas murales; con los pictogramas encontrados en los códices Mayas; con los mitos y leyendas …
Figurillas Masculinas Con Atributos De Rango, Del Centro De México, Durante El Formativo,
2020
Instituto Nacional de Antropología e Historia, Museo Nacional de Antropología, México
Figurillas Masculinas Con Atributos De Rango, Del Centro De México, Durante El Formativo, Patricia Ochoa Castillo
Congreso internacional sobre iconografía precolombina, Barcelona, 2019. Actas.
Las figurillas del periodo Formativo (2300 a.C.-100 d.C.), de la Cuenca de México, modeladas en barro, antropomorfas y sólidas, se distinguen por ser representaciones realistas, y al parecer, algunas de ellas son versiones a escala que muestran personajes, es decir, son pequeñas esculturas inspiradas en algunos miembros de la comunidad que se destacan por sus atributos o parafernalia. Estos atributos son indicadores de un claro reconocimiento de diferenciación social, asociados con personajes que desempeñaban roles específicos dentro de la sociedad y que, al parecer, son recreaciones de jugadores de pelota.
Figurines from the Formative period (2300 b.C.-100 a.C.) in the …
Iconografía En El Paisaje. Vida Cotidiana Y Prácticas Sociales En El Arte Rupestre En El Noreste De México,
2020
Universitat de Barcelona
Iconografía En El Paisaje. Vida Cotidiana Y Prácticas Sociales En El Arte Rupestre En El Noreste De México, Luis J. Abejez, Cristina Corona Jamaica
Congreso internacional sobre iconografía precolombina, Barcelona, 2019. Actas.
El noreste de México es una de las áreas más ricas en arte rupestre del país. Durante miles de años, los grupos humanos que habitaron esta región dejaron constancia de su presencia por medio de las pinturas y grabados que realizaron en cuevas, abrigos y rocas. El estudio interdisciplinar de este lenguaje visual puede proporcionar una valiosa información para el conocimiento de esas poblaciones. Entre otros aspectos, permite una aproximación a su pensamiento simbólico, la percepción que tenían del mundo físico y espiritual, y cómo percibieron y utilizaron el territorio en su cotidianidad.
Northeastern Mexico is one of the richest …
Tradiciones Plásticas Y Ontologías: Problemas En Torno Al Estudio De La Iconografía Del Período Medio Del No. Argentino,
2020
Universidad de Buenos Aires
Tradiciones Plásticas Y Ontologías: Problemas En Torno Al Estudio De La Iconografía Del Período Medio Del No. Argentino, María Alba Bovisio
Congreso internacional sobre iconografía precolombina, Barcelona, 2019. Actas.
En este trabajo se analizan piezas producidas entre los siglos VII-XI, en el valle de Hualfín (Catamarca, Argentina) con fines cúlticos y ceremoniales, que presentan una iconografía de notable complejidad. Al respecto se propone indagar: el posible significado de las imágenes metafóricas y metonímicas que articulan humanos, felinos, saurios y reptiles, en relación al poder sagrado (lo waka) y, el rol que juega cada “tradición plástica” (escultores, grabadores, pintores) en la materialización, a través de los objetos e imágenes, del orden ontológico y cosmológico vigente en las comunidades del noroeste argentino en época prehispánica.
In this paper are analyzed pieces, …
June, July 2020,
2020
University of Southern Maine
June, July 2020, Temple Shalom Synagogue Center
Newsletter Archive
Contents: Temple Shalom Strong; From the Rabbi; President's Message; Book Group; A Boy and His Blintzes; Community Notices
Promoting The Consumer Citizen: Seals, Spectacles, And The Gendered Consumer In Depression-Era America,
2020
CUNY Graduate Center
Promoting The Consumer Citizen: Seals, Spectacles, And The Gendered Consumer In Depression-Era America, Danielle B. Wetmore
Dissertations, Theses, and Capstone Projects
This thesis will argue that New Deal legislation accounted for increased importance placed on consumers and the articulation of consumer citizenship as female during the Great Depression. Once New Deal programs and legislation determined and legitimized the consumer citizen, the consumer citizen exercised influence though purchasing power. Analyzing the ways the federal government defined women as consumer citizens through programs like the National Recovery Administration’s Blue Eagle Campaign offers important insight into who was considered to have a voice. Notions of citizenship define groups by who has the necessary attributes and qualifications—in this case the means to purchase goods—to be …
Being In The Place Of Possibility,
2020
Lesley University
Being In The Place Of Possibility, Laura Domencic
MFA in Visual Arts Theses
This paper explores my art practice as a phenomenological search for understanding how to be in the world. It begins with a description of my practice as a way to access the place of possibility that exists between faith and doubt. I examine materiality in art making to encourage consideration of both the physical and temporal nature of experience and to find balance with the increasingly incorporeal experience of the digital world. I discuss the materials and processes of drawing, sewing, and printmaking within their historical contexts. This paper connects my practice with artists who consider the act of perception …
Crafting Girlhoods,
2020
CUNY Graduate Center
Crafting Girlhoods, Elissa E. Myers
Dissertations, Theses, and Capstone Projects
Crafting Girlhoods emphasizes nineteenth and early twentieth century British and American girls' agency and creativity within the prescribed limits of educational crafts—including sewing and periodical-making. My first section shows how girls use psychological means to resist the cultural and gendered imperatives of sewing and tidiness, while my second section shows how girls resisted the censorship and harassment that the newspaper and periodical forms allowed by creating intimate communities in the pages of their periodicals that could help them negotiate these difficulties. In both cases, I will show how the craft forms themselves were their own antidote to the constricting force …
“The Amazing Iroquois”: Haudenosaunee History In Myth And Memory, 1776–1955,
2020
CUNY Graduate Center
“The Amazing Iroquois”: Haudenosaunee History In Myth And Memory, 1776–1955, John C. Winters
Dissertations, Theses, and Capstone Projects
This project is a history and memory study of Iroquois exceptionalism. This is an idea that shaped our understanding of the Iroquois as the “most studied” Indian nation and that they, as the debunked Iroquois Influence Thesis claimed, influenced the structure and scope of the U.S. Constitution. My study examines the lives of four related (by blood and by claim) Seneca leaders: Red Jacket, Ely S. Parker, Harriet Maxwell Converse, and Arthur C. Parker. These four stand out because each was one of the most famous Native Americans of their generation who worked within and against American colonial society and …
'Odd Secrets Of The Line': Emily Dickinson And The Uses Of Folk,
2020
CUNY Graduate Center
'Odd Secrets Of The Line': Emily Dickinson And The Uses Of Folk, Wendy Tronrud
Dissertations, Theses, and Capstone Projects
Emily Dickinson and her poetry have famously been used as a defining example of American lyric poetry. The traditional scholarly perspective maintains that the lyric poem and its speaker exist in isolation and at a remove from social and political contexts. Recent scholarship on American poetry of the long nineteenth century, however, has taken a more historical and cultural turn, reconsidering how poetic and vernacular forms and genres circulated both privately and publicly. “Odd Secrets of the Line”: Emily Dickinson and the Uses of Folk joins this conversation by theorizing how Dickinson’s poetry, written during the 1859-1865 period, registers the …
Finding Aid For The Blues Archive Poster Collection (Mum01783),
2020
University of Mississippi
Finding Aid For The Blues Archive Poster Collection (Mum01783)
Archives & Special Collections: Finding Aids (alphabetical)
These blues posters, broadsides, and oversize printings, collected by various individuals and institutions, document the world of blues advertising.
Intimate Nevada: Artists Respond,
2020
University of Nevada, Las Vegas
Intimate Nevada: Artists Respond, Lauren Paljusaj, Anne Savage
Calvert Undergraduate Research Awards
Creative Works Winner
Most of us know Nevada beyond the Strip. It’s a place of houses, of shopping plazas, of movie theaters, and grocery stores. A place of hotels that are also places of work. A place of basins, ranges, vistas, and nature. A place of personal history. For Intimate Nevada: Artists Respond, curators Lauren Paljusaj (ENG BA ‘20) and Anne Savage (CFA BA ‘22), draw on photographs found in UNLV Special Collections to uncover the intimate visuality of a Nevada of past centuries. The exhibition focuses on how the imaged built landscape of early 20th century Southern Nevada …
Pilgrimage To The Virgin Of Juquila: The Negotiation Of Catholic Institutional Power In Colonial Oaxaca,
2020
University of New Mexico
Pilgrimage To The Virgin Of Juquila: The Negotiation Of Catholic Institutional Power In Colonial Oaxaca, Paloma Barraza
Art & Art History ETDs
Despite the contemporary popularity of the pilgrimage site of the Sanctuary of Santa Catarina of Juquila, the statuette of Oaxaca’s Virgin of Juquila is often eclipsed by the more well-known tilma image of the Virgin of Guadalupe in Mexico City. The limited art historical scholarship has failed to address the statuette of the Virgin of Juquila as an icon that signifies both Indigenous and Catholic power dating back to the seventeenth century. Dominican missionaries used the statuette as a mediator for religious conversion practices in the local Chatino community. Furthermore, the moment the Virgin of Juquila gained significant Indigenous popularity …
March 2020,
2020
University of Southern Maine
March 2020, Temple Shalom Synagogue Center
Newsletter Archive
Contents: Purim Perogies; Announcements; Book Group; Jewish Film Festival; Community Notices
Park Blues Langston Hughes, Racial Exclusion, And The Park Ballad,
2020
Old Dominion University
Park Blues Langston Hughes, Racial Exclusion, And The Park Ballad, Margaret Konkol
English Faculty Publications
This chapter draws attention to the lack of parks and nature recreation amenities during the 1920s and 1930s in predominantly African American city neighborhoods through Langston Hughes’s political poetry, specifically his blues-inflected ballad “Park Bench,” as well as “Chicago’s Black Belt” “Restrictive Covenants,” and “One Way Ticket.” Through the figure of the tramp/vagrant/bum, “Park Bench” voices a protest against inequality mapped into city space. Asserting that access to nature should be a fundamental condition of a democratic society, the poem situates the park bench as a charged site for public dialogue. The chapter argues that this poem and other Hughes …
February 2020,
2020
University of Southern Maine
February 2020, Temple Shalom Synagogue Center
Newsletter Archive
Contents: tu B'Shavat; From the Rabbi; President's Message; Book Group; Announcements; Community Notices
Cultural Resources Survey For The Granbury East Wastewater Treatment Plant, City Of Granbury, Hood County, Texas (Twdb Project No. 73813),
2020
Stephen F. Austin State University
Cultural Resources Survey For The Granbury East Wastewater Treatment Plant, City Of Granbury, Hood County, Texas (Twdb Project No. 73813), Kevin Stone, Thomas Chapman
Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State
This report presents the substantive findings of a cultural resources survey for the Granbury East Wastewater Treatment Plant (WWTP) Project, which is a component to the Wastewater Phase I Improvements Project reviewed by the Texas Water Development Board [TWDB] under Project No. 73813. The proposed Granbury East WWTP is located within a 10.6-acre (ac) property located at 3121 Old Granbury Road in the City of Granbury, Hood County, Texas.
As the City of Granbury is a political entity of the State of Texas, the City is required to comply with the Antiquities Code of Texas (ACT). In addition, as the …
Final Report: Intensive Archeological Survey For The Proposed Rockport Center For The Arts, Aransas County, Texas,
2020
Stephen F. Austin State University
Final Report: Intensive Archeological Survey For The Proposed Rockport Center For The Arts, Aransas County, Texas, Scotty Moore
Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State
In March 2020, an intensive archeological survey was completed in order to inventory and evaluate archeological resources within the proposed footprint of a new Center for the Arts, Performing Arts, and Conference Center in Aransas County, Texas.
The project is owned and sponsored by the Rockport Center for the Arts. The project area lies adjacent to the Kline’s Café Building, which has been determined eligible for inclusion on the National Register of Historic Places (NRHP). Under the current preferred alternative, the Kline Café will be relocated to a location outside of the project area. This action is considered “an adverse …
