American Film Studies Commons^™

Can We Laugh? Jewish American Comedy's Expression Of Anxiety In A Time Of Change, 1965-1973, Emily Schorr Lesnick

American Studies Honors Projects

This Honors project is a site of intersection of my academic and activist interests in interrogating Whiteness, my social identity as a cultural Jewish American, and my creative passions in comedy performance. The tragicomic films The Graduate, Goodbye, Columbus, and Annie Hall of the 1960s and 1970s articulate the painful process of Jewish self- and group-definition in relation to dominant culture amidst fractures amongst Jews and external hostility and invitation. The collision of Jews’ long history of humor as a cultural practice and the turbulence and ambivalence of the post-World War II moment facilitated a space for Jewish …

No Country For Moral Men, William J. Devlin

Bridgewater Review

No abstract provided.

The Hours – A Film To Enhance Teaching Psychology, Christina J. Taylor

Psychology Faculty Publications

Hollywood films provide a rich and engaging means for teaching students about psychological topics. The Hours is an especially noteworthy film because of the wide range of psychological issues touched upon, including mental illness, gender roles, families, chronic illness, bereavement, caregiving, sexuality, and sexual orientation. Analysis of the film in this paper provides instructors of courses in psychology, social work, nursing, medicine, women's studies, and related courses, with suggestions for how this compelling film can help students develop in their understanding of human psychology. Demonstrates the pedagogical value of using the feature film to learn about psychological topics, and its …

Bibliography For Work In Travel Studies, Carlo Salzani, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Bibliography For The Study Of Cultural Discourse In Taiwan, Yu-Chun Chang, I-Chun Wang, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Selected Bibliography Of Work On Identity, Migration, And Displacement, Li-Wei Cheng, Steven Tötösy De Zepetnek, I-Chun Wang

CLCWeb Library

No abstract provided.

Twenty Years After Through The Arc Of The Rain Forest: An Interview With Karen Tei Yamashita, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

A brief interview in which Yamashita discusses her work which has spanned twenty years and three continents. The interview closes with her description of her newest novel, I Hotel, which brings readers back to the roots of Asian American Studies and Asian American Literature and is set during a pivotal ten-year period in Northern California.

A History Of The American Film Institute, Deborah Jae Alexander

Dissertations

The American Film Institute (AFI) is a highly politicized, powerful organization. To date, most historical documentation and recording of AFI events and activities has been disseminated to the mass media from within the organization through its own publications or in other historical documentation as incidental history in relation to another topic. This dissertation, written as an overview, is the first comprehensive, independent historical examination of the AFI. The examination begins with an exploration of the development, activities and decline of the American Council on Education‟s original AFI and other film organizations that existed prior to the present day AFI. It …

Masahiro Sugano Interview, Crystal Han

Asian American Art Oral History Project

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Artist Bio
Born in 1972, Osaka, Japan. Moved to the U.S. at age 18. B.A. in philosophy from CalState, Northridge. M.F.A. in Film/Video/Animation from University of Illinois at Chicago. Currently runs a production company based in Chicago, Eye from the Sky, Inc. Sundance Film Festival alumnus (1999). His next project is titled “Transcendental Joe” and it is billed as “Neo-Fundamental Buddhist Journey” across the U.S.

“The Superman Exists, And He Is American”: Graphic Novel Film Adaptations And Masculine Heroism In Post-9/11 Culture, Richard Charles Abate

Film Studies Honors Papers

This senior thesis paper discusses the representation of masculinity and heroism in post-9/11 culture and how filmic adaptations of graphic novels have helped to shape these representations. Following the events of September 11th, the cultural definitions of the masculine hero shifted, allowing the average, working class man to become the embodiment of American heroism. This new understanding of the American hero was marked by sexual difference and a redefinition of the masculine “hard-body” that allowed for the possession of a heroic masculine identity to appear more attainable. This thesis primarily examines the filmic adaptations of works by Frank Miller and …

El Diálogo Cultural Y La Transformación Genérica En El Mariachi De Robert Rodríguez, Andrew M. Gordus

World Languages and Cultures Faculty Publications

(First paragraph) El Mariachi (1993) de Robert Rodriguez ha recibido un gran número de elogios de la crítica y reconocimiento de la industria cinemática por su creatividad y su historia productiva única. Le película ganó el premio de Audience Award en el festival de cine de Sundance y posteriormente fue estrenada en video por Colombia Pictures. Desde entonces Robert Rodriguez ha llegado a ser uno de los directores latinos más destacados

Judy Holliday's Urban Working Girl Characters In 1950s Hollywood Film, Judith E. Smith

American Studies Faculty Publication Series

A Jewish-created urban and cosmopolitan working girl feminism persisted in the 1950s as a cultural alternative to the suburban, domestic consumerism critiqued so eloquently by Betty Friedan in The Feminine Mystique. The film persona of Jewish, Academy Award-winning actress Judy Holliday embodied this working girl feminism. Audiences viewed her portrayals of popular front working girl heroines in three films written by the Jewish writer and director Garson Kanin, sometimes in association with his wife, the actress Ruth Gordon, and directed by the Jewish director George Cukor in the early 1950s: Born Yesterday (1950), The Marrying Kind (1952), and It …

Dreadful Sorry: Spots Of Passion And The Memory Of Being Human In Kaufman’S “Eternal Sunshine Of The Spotless Mind” And Pope’S ‘Eloisa To Abelard’, June-Ann Greeley

Philosophy, Theology and Religious Studies Faculty Publications

Memory is a journey of infinite possibility, a continuous passage through time and sense that offers each person an opportunity not merely to recall and to reflect on former occasions and previous experiences, but to reconsider and to reexamine the past as a guide, as instruction, for healthy individuation. Memory, then, can be understood to be the aggregate of experiential and emotional recollection that frames the essential ground in forming and realizing individual identity. Both Alexander Pope in his poem “Eloisa to Abelard” and Michel Gondry/Charlie Kaufman in the film “Eternal Sunshine of the Spotless Mind” offer portraits of individuals …

Amelia [Film Review], Judith E. Smith

American Studies Faculty Publication Series

What is the cultural terrain staked out by Amelia, the recent Hollywood-distributed biopic about intrepid flyer Amelia Earhart? The quick shots that precede the opening credits direct attention to the particular themes that Producer Ted Waitt, director Mira Nair, and screenwriters Ron Bass and Anna Hamilton Phelan have emphasized in their 2009 feature about the flyer. Her airplane taking off into the dark gestures to the mystery of her last flight and disappearance without a trace. Her celebrity status is indicated by cheering crowds, radio interviews, and photographs, fusing seamlessly with her status as an object of heterosexual adoration once …

Gothic Representations: History, Literature, And Film, Daniel Gould

All Student Theses and Dissertations

Gothic storytelling has come a long way since the publication of Horace Walpole's The Castle of Otranto in 1764. This short novel created the standard motifs and tropes that will forever be associated with the genre-the destitute castle, the foreboding atmosphere, supernatural or inexplicable events, omens, prophecies, heroes, villains, and of course, a deteriorating world facilitated by the unconscious evils within hwnanity causing the complete destabilization of society.

This paper will examine the evolution of Gothic fiction and how it has been represented from its romantic heritage and Victorian upbringing to the American Gothic traditions of the nineteenth century and …

‘Evil Against Evil’: The Parabolic Structure And Thematics Of William Friedkin's The Exorcist, Larrie Dudenhoeffer

Faculty Articles

This essay examines and deconstructs three sets of antagonisms in William Friedkin's The Exorcist (1973). It argues that the film describes its own narrative conflicts as a thematics of ‘evil against evil,’ so as to de-ethicize the moral violence of those metaphysical dogmatisms that compete over the ‘souls’ of others. It then re-couches the one-sidedness of scientific and religious orthodoxies, which damage in similar ways Regan MacNeil, one of the film's main characters, as another variation of this thematics. Finally, this essay suggests that The Exorcist surveys certain sociopolitical tensions, thus commenting, in its video and theatrical re-releases, ‘timelessly’ on …

Film Review: Masculinity & Interracial Intimacy In 'Star Trek' And 'Gran Torino', Adrienne D. Davis

Scholarship@WashULaw

Race has long been a central object of political reflection. The salience of racial difference remains hotly debated, figuring in both “utopian” and “dystopian” visions of America’s political future. If race is a primary configuration of “difference” and inequality in the nation, then intimacy between the races is often construed as either a bellwether of equality and political utopia or a re-inscribing of political dominance, typically represented as sexual predation by men against women. Quite expectedly, these political fantasies and fears are often played out at the multiplex, and we can see them in stark relief in two recent films …