Africana Studies Commons^™

Colonial Patronage: Evolutions In The Critique Of Sartre’S “Orphée Noir”, Gus Huiskamp

Independent Study Project (ISP) Collection

One of the most interesting and controversial episodes in the history of the Négritude literary and philosophical movement came when two white, French authors prefaced the texts of two of the movement’s most significant authors. Jean-Paul Sartre’s “Orphée noir” is one of these texts in question, and it served as the preface for Léopold Sédar Senghor’s Anthologie de le nouvelle poésie nègre et malgache de langue française. In one sense, one might characterize Sartre as a friend to the Négritude movement, exposing it to the francophone mainstream and thereby helping it gain traction in Western academia. Viewed a different way, …

An Appraisal Of The Evolution Of Western Art Music In Nigeria, Agatha Onyinye Holland

Graduate Theses, Dissertations, and Problem Reports (ETD)

Nigeria has greatly evolved as an intercultural society given her history of colonization, the influence of foreign religion (Christianity and Islam, primarily) and the impact of globalization. Africa had her socio-cultural practices and art idioms before these foreign influences. For instance, music existed in everyday Africa as part of culture, religion, vocation, and drama. However, music never existed as an entity on its own. The culture of stage performers and audience never existed. This status quo changed with the introduction of Western art music through Christianity and education by the missionaries; since then, music assumed a bi-cultural status. This research …

Silence As Weakness Or Strength In Hurston And Morrison, Tanzania S. Browne

Dissertations and Theses

In literature, voice is a literary device authors use to empower their characters. In fact, both Zora Neale Hurston, in her renowned novel Their Eyes Were Watching God, and Toni Morrison, in her 1981 novel Tar Baby, exploit voice in different ways. This thesis will investigate and explore the ways in which both of these authors utilize and explore a character’s voice in their literary works.

“That New Africa Is Ready To Fight Its Own Battles": Kwame Nkrumah, The United States, And The Quest For A Modern Ghana, 1957-1966, Godwin Gyimah

Masters Theses

This project examines the United States-Ghana relationship and how the relationship transformed Ghana, 1957-1966. African leaders such as Dr. Kwame Nkrumah had declared: "That new Africa is ready to fight its own battles and show that after all, the black man is capable of managing his affairs." Despite the non-alignment philosophy, Ghana was not neutral regarding the West and East blocs rivalry. The thesis argues that it was through the United States' government and private firms' contributions that Ghana was able to achieve the mark of a modern nation through industrialization, universal education, and the expansion of international trade economy. …

The State And War On Poverty: British Welfare Development And Its Legacies For Malawi, 1930s-1983, Gift Wasambo Kayira

Graduate Theses, Dissertations, and Problem Reports (ETD)

This dissertation documents the struggles and dilemmas that the Malawian state endured as it attempted to achieve its developmental goals from the 1930s to 1983. It contributes to histories of development by focusing on the interventions both the colonial and postcolonial states made to improve the living standards of African rural communities, the ideas which shaped state programs, and the behavior of the state which such interventions reveal. Scholars typically argue that state policy in Malawi was necessarily destructive and limited the economic progress of the local communities. The state deliberately pursued land, market, and other agricultural policies that constrained …

Becoming The Lion's Historian, Khadija-Awa Diop

Graduate Theses, Dissertations, and Problem Reports (ETD)

This professional project examines the ways in which French colonial documentaries were used in conjunction with governmental legislation to enforce dominant narratives and repress marginalized perspectives about the nature of colonialism and the roles of the French and West Africans in its execution. Through the limitations and powers of documentary filmmaking, this project explores the ways in which counter narratives can allow media professionals today to remedy the one sided dominant narratives about marginalized communities that have existed for decades. The culmination of this project is in the creation of a documentary treatment and sizzle reel that will be the …

Towards A Social Justice Agenda: Intimate Partner Violence Among Rural, African American Women, Shani Collins Woods

Contemporary Rural Social Work Journal

The social work profession is rooted in community-based work that seeks to eradicate social injustice everywhere. Intimate partner violence (IPV) is a global phenomenon which impacts women from diverse socio-economic and racial/ethnic backgrounds. It involves power and control, economic abuse, and physical and sexual violence. When compared to other racial and ethnic groups, African American women are likelier to experience physical violence, rape, and homicide. Intimate partner violence among African American women is a social justice issue.

When compared to other racial and ethnic groups, rural and/or low-income African American women are likelier to experience IPV. They are also likelier …

Western Media Coverage Of International News: A Content Analysis Of Associated Press Coverage Of Africa, Adukwu Samuel Atadoga

Dissertations and Theses @ UNI

This study examines how the Western media frames its coverage of Africa and this impact on Westerners’ views of Africa. To develop the hypothesis and provide the data needed to answer the research questions, I reviewed the literature on framing, the determinants of international news coverage, as well as international media coverage. Newspapers were my data sources, and using LexisNexis with the key word “Africa,” I searchedthe online news service of the Associated Press(AP). Thissearch yielded 1,000 articles and was reduced by including only those published between January,2015 and January,2016,and then using random sampling. The final number of articles analyzed …

African Heritage And The Caribbean-Brazilian Experience, Michelle D. Thompson

Open Educational Resources

This syllabus reflects having students do self-guided research over a semester that doesn't require textbooks.

The Unmarried (M)Other: A Study Of Christianity, Capitalism, And Counternarratives Concerning Motherhood And Marriage In The United States And South Africa, Haley Feuerbacher

Religious Studies Theses and Dissertations

A reified and patriarchal form of Christianity that emphasizes “family values” – that is, adherence to the formula of a male-headed, heterosexual, capitalist, nuclear family, characterized by distinct, complementary, and hierarchical gender roles as essential to the well-being of individuals, one’s nation, and the ecumenical Church - over “community values” has become a happy bedfellow of the market system and neocolonialism, extending its reach worldwide through globalization. The result is that single mothers constitute the most economically oppressed demographic internationally across all race and ethnic categories. Using Constructivist Grounded Theory and a postcolonial feminist theological lens to collect, retell, and …

Weathering The Storm: Black Maternal Mortality, Resistance, And Power In Richard Wright’S “Down By The Riverside,” Zora Neale Hurston’S Their Eyes Were Watching God, And Jesmyn Ward’S Salvage The Bones, Renee Vincent

LSU New Orleans Theses and Dissertations

Representations of natural disasters in Black Southern literature identify social location as the greatest indicator of risk vulnerability. Moreover, they can expose the precarious subjectivity of the Black female reproductive body, as addressed through characters Lulu in Richard Wright’s “Down by the Riverside,” Janie in Zora Neale Hurston’s Their Eyes Were Watching God, and Jesmyn Ward’s Esch in Salvage the Bones. Together, these female characters share a legacy of social marginalization and Black female resistance that is (re)shaped through their experiences with ecological catastrophe. This thesis considers these three texts together as an ongoing testimony and as a …

Queen Nanny, A Case Study For Cultural Heritage Tourism: The Archaeology Of Memory And Identity, Lacy Risner

Liberal Arts Capstones

This research project is intended to provide a foundation of knowledge of the Maroon culture in Jamaica, through the legends of one of their most prominent founders, Queen Nanny, as an aid for those who want to educate themselves before approaching community leaders about tourism development. Documentation of Queen Nanny’s life is contested and shrouded in mystery. Yet, that is part of what makes her memory so powerful. The various roles that Queen Nanny is associated with feature her adamant pursuit of an independent life for herself and her Maroons. Whether she is catching bullets or teaching the Maroons how …

A Shift In Global Thought And Practice: Assessing The Impacts Of The Human Security Paradigm On Global Public Health, Elizabeth Livingston Leone

Honors College Theses

With the increasing emphasis on health through human security since the 1990s by the United Nations, scholars have debated how human security has influenced public health. I examine how the idea of human security has become a paradigm and if this paradigm has adopted in public health programs. I argue that the rise of human security has led to an emphasis on the role of global actors, preventative care and health education when states adopt the paradigm. This adoption should in turn improve public health in Ghana and the Ivory Coast.

Amjambo Africa! (December 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

New American Leaders .............p. 2

Ladder to the Moon Conference p. 3

Appeal from 350 Maine .............p. 3

Asylum Seekers & Work Permits p. 4

Palaver Strings ............................ p. 9

Ikirenga Cy'Intore .................... p. 11

New Deal for New Americans Act .............p. 13

Coffee by Design Supports Arts ..........................p. 18

DACEP & ILAP in Lewiston...... p. 18

Mid Coast New Mainers Group ............................................... p. 19

Housing Scams ......................... p. 19

Cinematographic Landscapes Of Blackness In Mexico: (Re)Framing Afro-Mexican Lives & Futures, Talia Weltman-Cisneros

PALARA: Publication of the Afro-Latin/American Research Association

The legacy of historical invisibility and socio-cultural marginalization and rejection have marred contemporary Afro-Mexican lives, silencing their stories, customs, traditions, and cosmologies, while also denying them a sense of belonging and place within the visions of the present and futures of Mexican landscapes. Mexican films have often echoed this estranged relationship between blackness and Mexicanidad, portraying black characters as stereotyped figures who have most often been marked as exotic, primitive, and alien or anachronic in Mexico. However, these subaltern imaginaries of blackness and of Afro-Mexicanidad are challenged in the recent films La negrada (2018) and Artemio (2017). This article …

Black Agency And Aesthetic Innovation In Sergio Giral's El Otro Francisco, Philip Kaisary

PALARA: Publication of the Afro-Latin/American Research Association

In 2013, Henry Louis Gates lamented the tradition of whitewashing and the passing over of slave stories which has become commonplace throughout cinematic history: “there have been all too few films that have captured, or even attempted to convey, the truth of the experience of slavery, from the slave’s point of view” and even fewer “worthy of recognition.” While it is true that there have been some high-profile films produced in the last decade – 12 Years a Slave, Django Unchained, and Birth of a Nation, among others – that have endeavored to represent slavery from the …

Afro-Latin American Documentary Resistance From The Pacific Coast: How Voces De Resistencia (2017) Changes The Landscapes Of Aesthetics, Academia/Community Collaboration, And Black Feminist Activism During The Colombian "Peace Process", Sarah Ohmer

PALARA: Publication of the Afro-Latin/American Research Association

Voces de Resistencia, Capítulo 1, is a short documentary film with an original soundtrack composed and performed by Black Colombian female folk a cappella chorus, or alabadoras. The multimedia product makes use of Black feminist pedagogy and resistance: it portrays a silenced and oppressed group in Bojayá, Colombia. The focus on alabadoras singers and composers promotes self-definition and exposes the power of self-determination in songwriting, an a cappella chorus performance, and documentary filmmaking.

African Immigrants In Argentina Post-Slavery: An Old-New Odyssey, Alain Lawo-Sukam

PALARA: Publication of the Afro-Latin/American Research Association

In this interdisciplinary article, I address the less known migration of Africans in South America, especially in Argentina. This is significant because studies on African migrations have focused mainly on European and North American routes (north-south), living aside south-south paths. The complex experience of the first African immigrants in Argentina relates to a certain extent and also contrasts with the recent migrations of the twenty-first century. Because of (post)colonial history, collective/personal experience and stories, African immigrants are finding new homes in Argentina. However, recent changes in immigration policies relaxed under previous governments could jeopardize this el dorado. This article …

Codings Of Blackness In Mexican Cinema: An Analysis Of La Negrada, Ebony Marie Bailey

PALARA: Publication of the Afro-Latin/American Research Association

In a country whose national identity revolves around the idea of mestizaje, Blackness has been omitted from official discourses surrounding mexicanidad. As a result, Afro populations in Mexico have been subjected to codings that render them invisible, otherized and inferior. This paper analyzes the codings of Blackness in Mexico as reflected in the space of art and cinema, specifically the film La Negrada, the first feature fiction film to introduce an all Afro-Mexican cast. On one hand, there is an attempt to reclaim and make visible Mexico's African roots. On the other, the film also walks the …

So What If She Can't Dance And Sing: A Testimony From The Afrohabanera, Dawn Duke

PALARA: Publication of the Afro-Latin/American Research Association

From the early 1990s, a new film gained momentum in which there were no actors, i.e. contracted, paid, and famous, rather ordinary people, residing at the fringes of society, who momentarily were on camera, guided by a director determined to film realistic images. Cidade de Deus (Brazil), Pixote: a lei do mais fraco (Brazil), La vendedora de rosas (Colombia), Rodrigo D (Colombia), and Ratas y ratones (Ecuador) are examples. There is little footage about Cubans during the Special Period (1989-1995). Further, until then no production had directly and realistically focused on Afro-Cuban women. Rolando Díaz's 1998 production, Si me comprendieras …