Africana Studies Commons^™

African Heritage And The Caribbean-Brazilian Experience, Michelle D. Thompson

Open Educational Resources

This syllabus reflects having students do self-guided research over a semester that doesn't require textbooks.

The Unmarried (M)Other: A Study Of Christianity, Capitalism, And Counternarratives Concerning Motherhood And Marriage In The United States And South Africa, Haley Feuerbacher

Religious Studies Theses and Dissertations

A reified and patriarchal form of Christianity that emphasizes “family values” – that is, adherence to the formula of a male-headed, heterosexual, capitalist, nuclear family, characterized by distinct, complementary, and hierarchical gender roles as essential to the well-being of individuals, one’s nation, and the ecumenical Church - over “community values” has become a happy bedfellow of the market system and neocolonialism, extending its reach worldwide through globalization. The result is that single mothers constitute the most economically oppressed demographic internationally across all race and ethnic categories. Using Constructivist Grounded Theory and a postcolonial feminist theological lens to collect, retell, and …

Weathering The Storm: Black Maternal Mortality, Resistance, And Power In Richard Wright’S “Down By The Riverside,” Zora Neale Hurston’S Their Eyes Were Watching God, And Jesmyn Ward’S Salvage The Bones, Renee Vincent

LSU New Orleans Theses and Dissertations

Representations of natural disasters in Black Southern literature identify social location as the greatest indicator of risk vulnerability. Moreover, they can expose the precarious subjectivity of the Black female reproductive body, as addressed through characters Lulu in Richard Wright’s “Down by the Riverside,” Janie in Zora Neale Hurston’s Their Eyes Were Watching God, and Jesmyn Ward’s Esch in Salvage the Bones. Together, these female characters share a legacy of social marginalization and Black female resistance that is (re)shaped through their experiences with ecological catastrophe. This thesis considers these three texts together as an ongoing testimony and as a …

Queen Nanny, A Case Study For Cultural Heritage Tourism: The Archaeology Of Memory And Identity, Lacy Risner

Liberal Arts Capstones

This research project is intended to provide a foundation of knowledge of the Maroon culture in Jamaica, through the legends of one of their most prominent founders, Queen Nanny, as an aid for those who want to educate themselves before approaching community leaders about tourism development. Documentation of Queen Nanny’s life is contested and shrouded in mystery. Yet, that is part of what makes her memory so powerful. The various roles that Queen Nanny is associated with feature her adamant pursuit of an independent life for herself and her Maroons. Whether she is catching bullets or teaching the Maroons how …

A Shift In Global Thought And Practice: Assessing The Impacts Of The Human Security Paradigm On Global Public Health, Elizabeth Livingston Leone

Honors College Theses

With the increasing emphasis on health through human security since the 1990s by the United Nations, scholars have debated how human security has influenced public health. I examine how the idea of human security has become a paradigm and if this paradigm has adopted in public health programs. I argue that the rise of human security has led to an emphasis on the role of global actors, preventative care and health education when states adopt the paradigm. This adoption should in turn improve public health in Ghana and the Ivory Coast.

Amjambo Africa! (December 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

New American Leaders .............p. 2

Ladder to the Moon Conference p. 3

Appeal from 350 Maine .............p. 3

Asylum Seekers & Work Permits p. 4

Palaver Strings ............................ p. 9

Ikirenga Cy'Intore .................... p. 11

New Deal for New Americans Act .............p. 13

Coffee by Design Supports Arts ..........................p. 18

DACEP & ILAP in Lewiston...... p. 18

Mid Coast New Mainers Group ............................................... p. 19

Housing Scams ......................... p. 19

Cinematographic Landscapes Of Blackness In Mexico: (Re)Framing Afro-Mexican Lives & Futures, Talia Weltman-Cisneros

PALARA: Publication of the Afro-Latin/American Research Association

The legacy of historical invisibility and socio-cultural marginalization and rejection have marred contemporary Afro-Mexican lives, silencing their stories, customs, traditions, and cosmologies, while also denying them a sense of belonging and place within the visions of the present and futures of Mexican landscapes. Mexican films have often echoed this estranged relationship between blackness and Mexicanidad, portraying black characters as stereotyped figures who have most often been marked as exotic, primitive, and alien or anachronic in Mexico. However, these subaltern imaginaries of blackness and of Afro-Mexicanidad are challenged in the recent films La negrada (2018) and Artemio (2017). This article …

Black Agency And Aesthetic Innovation In Sergio Giral's El Otro Francisco, Philip Kaisary

PALARA: Publication of the Afro-Latin/American Research Association

In 2013, Henry Louis Gates lamented the tradition of whitewashing and the passing over of slave stories which has become commonplace throughout cinematic history: “there have been all too few films that have captured, or even attempted to convey, the truth of the experience of slavery, from the slave’s point of view” and even fewer “worthy of recognition.” While it is true that there have been some high-profile films produced in the last decade – 12 Years a Slave, Django Unchained, and Birth of a Nation, among others – that have endeavored to represent slavery from the …

Afro-Latin American Documentary Resistance From The Pacific Coast: How Voces De Resistencia (2017) Changes The Landscapes Of Aesthetics, Academia/Community Collaboration, And Black Feminist Activism During The Colombian "Peace Process", Sarah Ohmer

PALARA: Publication of the Afro-Latin/American Research Association

Voces de Resistencia, Capítulo 1, is a short documentary film with an original soundtrack composed and performed by Black Colombian female folk a cappella chorus, or alabadoras. The multimedia product makes use of Black feminist pedagogy and resistance: it portrays a silenced and oppressed group in Bojayá, Colombia. The focus on alabadoras singers and composers promotes self-definition and exposes the power of self-determination in songwriting, an a cappella chorus performance, and documentary filmmaking.

African Immigrants In Argentina Post-Slavery: An Old-New Odyssey, Alain Lawo-Sukam

PALARA: Publication of the Afro-Latin/American Research Association

In this interdisciplinary article, I address the less known migration of Africans in South America, especially in Argentina. This is significant because studies on African migrations have focused mainly on European and North American routes (north-south), living aside south-south paths. The complex experience of the first African immigrants in Argentina relates to a certain extent and also contrasts with the recent migrations of the twenty-first century. Because of (post)colonial history, collective/personal experience and stories, African immigrants are finding new homes in Argentina. However, recent changes in immigration policies relaxed under previous governments could jeopardize this el dorado. This article …

Codings Of Blackness In Mexican Cinema: An Analysis Of La Negrada, Ebony Marie Bailey

PALARA: Publication of the Afro-Latin/American Research Association

In a country whose national identity revolves around the idea of mestizaje, Blackness has been omitted from official discourses surrounding mexicanidad. As a result, Afro populations in Mexico have been subjected to codings that render them invisible, otherized and inferior. This paper analyzes the codings of Blackness in Mexico as reflected in the space of art and cinema, specifically the film La Negrada, the first feature fiction film to introduce an all Afro-Mexican cast. On one hand, there is an attempt to reclaim and make visible Mexico's African roots. On the other, the film also walks the …

So What If She Can't Dance And Sing: A Testimony From The Afrohabanera, Dawn Duke

PALARA: Publication of the Afro-Latin/American Research Association

From the early 1990s, a new film gained momentum in which there were no actors, i.e. contracted, paid, and famous, rather ordinary people, residing at the fringes of society, who momentarily were on camera, guided by a director determined to film realistic images. Cidade de Deus (Brazil), Pixote: a lei do mais fraco (Brazil), La vendedora de rosas (Colombia), Rodrigo D (Colombia), and Ratas y ratones (Ecuador) are examples. There is little footage about Cubans during the Special Period (1989-1995). Further, until then no production had directly and realistically focused on Afro-Cuban women. Rolando Díaz's 1998 production, Si me comprendieras …

Marca Peru: Representations And Exclusions Of The Afro-Descendant Population From The Official Narrative Of The Peruvian Government, Ana Lucía Mosquera Rosado

PALARA: Publication of the Afro-Latin/American Research Association

The article will examine the representations of Afro-Peruvians in the video "Peru Nebraska," a documentary produced as part of the launching of the advertising campaign of Marca Peru, a national branding project elaborated by the Peruvian government in 2010. By examining the participation of the Afro-descendant population in this audiovisual piece, the document will relate these representations to the discourses of diversity, race, and citizenship in Peru. The article will also explore the nature of the discourses of ethnic and racial diversity in Peru in the new construction of the national and will evaluate the construction of the social …

Sister Ursula De Jesús' Equal Economy Of Salvation, Valérie Benoist

PALARA: Publication of the Afro-Latin/American Research Association

The article examines the diary of Peruvian sister Ursula de Jesús, the first known spiritual journal produced by a black woman in colonial Spanish America. The account, written in first person and consisting of fifty-seven folios, mainly describes sister Ursula's visions and her life inside the Lima convent where she came to be highly revered as a mystic during the seventeenth century. The recognition that this black woman gained was particularly high considering that she lived at a time when most people in the Ibero-transatlantic world associated Afro descendants with the Devil. This fact along with the richness of sister …

A Power Man’S Theology: Marvel’S Luke Cage And Black Liberation Theology, Diarron B. Morrison

Electronic Theses and Dissertations

Netflix released Marvel’s Luke Cage in 2016 to critical acclaim. Born from a 1970s comic book, the series features Luke Cage, an African-American superhero. Cage is a big, bald, bulletproof black man. Instead of tights and a cape, Cage wears a hoodie calling the audience to remember Trayvon Martin and other victims of white racism. Theologian James Cone created Black Liberation Theology in the 1970s. As a result of Cone’s work, Black Liberation Theology addresses the issue of white racism from a theological standpoint. In this thesis I present a close reading of Marvel’s Luke Cage using Black Liberation Theology …

”I Speak Hip Hop”: An Informative Interview About Generation Hip Hop And The Universal Hip Hop Museum, Tasha Iglesias, Travis T. Harris

Journal of Hip Hop Studies

”I Speak Hip Hop” is an interview of members of Generation Hip Hop and the Universal Hip Hop Museum. This primary source highlights two Hip Hop organizations with chapters around the world. Tasha Iglesias and Travis Harris posits that Hip Hop scholars have not fully uncovered Hip Hop's history around the world. As such, in addition to being a primary source, "I Speak Hip Hop" reveals the need for more scholarly attention on the dynamic expansion of Hip Hop cultures.

The Dame Of Liberty, Ikeogu Oke

Journal of Hip Hop Studies

Eighth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Dear Mama, Ikeogu Oke

Journal of Hip Hop Studies

Third of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

“I Got The Mics On, My People Speak”: On The Rise Of Aboriginal Australian Hip Hop, Rhyan Clapham, Benjamin Kelly

Journal of Hip Hop Studies

In this paper, an Aboriginal rapper and settler-Australian Indigenous Studies lecturer collaborate to provide an overview of the Aboriginal Australian Hip Hop scene. We contextualize the development of Aboriginal Hip Hop as part of a long postcolonial tradition of Aboriginal engagement with Black transnationalism. By analysing rap lyrics, Hip Hop videos, and related commentary, we demonstrate the ways in which Aboriginal hip hoppers have adapted elements of Hip Hop culture to suit their own cultures, histories, and structural position as a colonized minority under the rule of a modern settler-colonial state. We conclude by considering Aboriginal engagement with Hip Hop …

(Global) Hip Hop Studies Bibliography, Travis T. Harris, Travis Terrell Harris

Journal of Hip Hop Studies

This bibliography documents Hip Hop scholarship outside of America, including scholarly works that may be US centric, yet expands its analysis to other parts of the world. Hip Hop Studies outside the boundaries of the United States stretches as far and wide as Hip Hop itself. This scholarship started in 1984, and the amount of scholarship beyond American boundaries has continued to grow up through present day. The first wave, before Mitchell's Global Noise (2001), includes a wider range of scholarly works such as conference presentations and books written by journalists, in addition to traditional academic sources such as books …