Amjambo Africa! (February 2020),
2020
University of Southern Maine
Amjambo Africa! (February 2020), Kathreen Harrison
Amjambo Africa!
In This Issue...
Free English classes in Portland.. p.4
From Jordan to Maine............... p.13
Legislative Update.................... p.16
African American Existential Heroes: Narrative Struggles For Authenticity,
2020
CUNY Graduate Center
African American Existential Heroes: Narrative Struggles For Authenticity, Michael Cotto
Dissertations, Theses, and Capstone Projects
African American Existential Heroes: Narrative Struggles for Authenticity argues for the development of existential authenticities and their impact on African American self-identity constructions in three African American literary classics:
Richard Wright’s The Outsider, Ralph Ellison’s Invisible Man, and James Baldwin’s Go Tell It on the Mountain. For that purpose, the introduction puts forward the aforementioned topic; defines the major terms, authenticity, existentialism, and African Americanness; identifies the three texts to be studied; explicates its methodology; studies the anagnorisis of each text in relation to the existential crisis; accounts for the existential philosophers used, Martin …
African Heritage And African-American Experience,
2020
CUNY City College
African Heritage And African-American Experience, Tanzeem S. Ajmiri
Open Educational Resources
This class is Introduction to Black roots from ancient Africa to contemporary America as an orientation to the nature of Black Studies emphasizing its relationships to world history, Europe, Asia, the Americas, slavery, Reconstruction, colonization, racism, and their politico-economic and cultural impact upon African descendants worldwide. In this course we will learn to do close readings of texts to draw evidence from them and use that evidence to produce well developed, historically situated arguments using evidence to support conclusions. Students will evaluate evidence and arguments critically and analytically to build their critical thinking skills.
Finally, students will gather, interpret, and …
Urban Contacts: Orientalist Urban Planning And Le Corbusier In French Colonial Algiers,
2020
University of San Diego
Urban Contacts: Orientalist Urban Planning And Le Corbusier In French Colonial Algiers, Delaney Tax
Copley Library Undergraduate Research Awards
Algiers, the first French colony in Africa, was conquered in 1830 and gained independence in 1962. During this period, Algiers was constructed into an Orientalist acting ground that was shaped through political, social, economic formations in the built environment. The French colonial fascination with Algiers centered around the casbah, and thus the casbah became a laboratory for ethnographic and urban reflections. The French process of urban planning included military intervention, preservation motivated by exoticism and museology, and superstructure master plans dictated by the present benefit of indigenous communities to the colonial regime. Le Corbusier’s contact with Algiers further expresses the …
Cultivating The Practice Of Neighborliness: A Missional Practice Of Living In A Perichoretic Relationship With Neighbors,
2020
Luther Seminary
Cultivating The Practice Of Neighborliness: A Missional Practice Of Living In A Perichoretic Relationship With Neighbors, Abenda F. Tamba
Doctor of Ministry Theses
This Participatory Action Research study, utilizing a sequential explanatory mixed methods design, investigates the hostile relationship between the church and its Liberian context. The research design created a spirit of collaboration between the PAR team, local church, and the neighbors, and assisted us to outline interventions which positively affected the relationship between the church and her neighbors. The results indicate that to deal with this adaptive challenge and enhance interpersonal relationship with neighbors, the church had to provide adaptive leadership, break boundaries, participate in incarnational ministries, and cultivate several missional practices to affect neighborliness and bring about a cultural change.
Textiles From A Late Roman/Byzantine Ecclesiastical Centre At Abu Sha’Ar, Egypt,
2020
Norwegian University of Science and Technology in Trondheim
Textiles From A Late Roman/Byzantine Ecclesiastical Centre At Abu Sha’Ar, Egypt, Lise Bender Jørgensen
Egyptian Textiles and Their Production: ‘Word’ and ‘Object’
Around AD 400 a group of Christians were looking for a new home. An abandoned Roman military fort at what is now called Abu Sha’ar, c. 20 km north of Hurghada on the Egyptian Red Sea coast, became the answer to their prayers. Steven Sidebotham of the University of Delaware excavated the site in 1987-1993. The fort had been established in AD 309-311 to house a mounted unit, the Ala Nova Maximiana, guarding the Via Nova Hadriana. The military phase was however short-lived: the soldiers abandoned the fort before AD 400. The new settlers turned the former military headquarters into …
Classy, Bougie, Ratchet: Analyzing Hip-Hop Artists’ Megan Thee Stallion’S #Hotgirl Phrase As A Performative Identity,
2020
Saint John's University, Jamaica New York
Classy, Bougie, Ratchet: Analyzing Hip-Hop Artists’ Megan Thee Stallion’S #Hotgirl Phrase As A Performative Identity, Dasharah Green
Theses and Dissertations
In 2019, female hip-hop artists’ used their platforms to break through the glass ceiling of hip-hop misogynoir by reclaiming what it means to be unapologetic.The artists’ unapologetic lyrics, which explores the power in owning their sex appeal has shifted how listeners regard female hip-hop artists. With strategic marketing, these artists’ have used their social media platforms as a tool to reclaim what it means to be sexy while dominating in hip-hop. Megan Thee Stallion’s catchphrase and the accessibility she provides to her fans via social media stands out most. With over ten million Instagram followers her use of hashtags, uploading …
Shadows In Spandex: A Look Into Anti-Black Racism And The Positionality Of Sidekicks Within The Marvel Cinematic Universe And Comics,
2020
Saint John's University, Jamaica New York
Shadows In Spandex: A Look Into Anti-Black Racism And The Positionality Of Sidekicks Within The Marvel Cinematic Universe And Comics, Kayla Wilson
Theses and Dissertations
The Marvel Cinematic Universe and its collection of films have represented a large number of superheroes and sidekicks. Taking a closer look into the character dynamics reveals that the majority of the Black characters have been forced into the restrictive ‘sidekick’ trope that stunts all development and keeps them positioned below their white hero counterparts. Sidekick characters James Rhodes, Sam Wilson and Maria Rambeau all work in the same function as side players who ensure their starring role heroes can save the day, even if it costs them their bodies, ideals and backstories. This repeated violence helps perpetuate the anti-black …
Amjambo Africa! (January 2020),
2020
University of Southern Maine
Amjambo Africa! (January 2020), Kathreen Harrison
Amjambo Africa!
In This Issue...
Transportation planning ...........p. 2
Celebrating Diversity in Maine .p. 3
Opinion on refugee numbers....p. 4
Jamat Ibrahim dreams big..........p. 9
In Her Kitchen ...........................p. 10
Lewiston author pens children’s book.........................p. 13
Food Co-op and MAIN ............p. 18
World Affairs Council...............p. 19
Youth Get Together..................p. 19
The Digo Mission Of The Anglican Church Of Kenya : Essays In Commemoration Of 114 Years Of Mission Work In East Africa (1904-2018),
2020
Asbury Theological Seminary
The Digo Mission Of The Anglican Church Of Kenya : Essays In Commemoration Of 114 Years Of Mission Work In East Africa (1904-2018), Julius Mutugi Gathogo
Academic Books
-- Culture, identity and power in the Digo mission / Ferdinand Manjewa M'bwangi
-- First European missionaries in Digo land / Bryson K. Samboja
-- Pioneer Digo-Duruma Christian converts / Japheth Muthoka
-- Christianity in Viongwani / Robert Maneno
-- Entry of the first missionaries in Digo land / Peter Mwangi
-- Christian-Muslim relations in Digo land / Evans Mwangi
-- Unsung heroes and heroines in the Digo mission / Julius Mutugi Gathogo
-- Women's participation in the Digo mission / Lawrence Tsawe-Munga Chidongo
-- Protestants and Pentecostal churches / Joshua Itumo Kiilu
-- Challenges and prospects in the Digo …
Anna Julia Cooper: Radical Relationality And The Ethics Of Interdependence,
2020
Bucknell University
Anna Julia Cooper: Radical Relationality And The Ethics Of Interdependence, Carol Wayne White
Faculty Contributions to Books
In her range of activities as orator, scholar, community activist, and educator, Anna Julia Cooper demonstrates a basic orientation toward life that paradigmatically exemplifies a proto-feminist politics based in intersectional analysis. Addressing problematic gendered, racialized, and class power dynamics in various institutions, Cooper sought a readjustment of relationships among all Americans that would ensure the dignity and worth of each individual. A close reading of her corpus also shows Cooper consistently identifying principles that advanced nuanced approaches to justice, freedom, and equality. In this chapter, I propose that Cooper’s mature intellectual vision demonstrates a particular vision of a transformed America, …
Aids And The Distribution Of Crises: Foreword, Preface, And Introduction,
2020
CUNY Brooklyn College
Aids And The Distribution Of Crises: Foreword, Preface, And Introduction, Alexandra Juhasz, Nishant Shahani, Jih-Fei Cheng
Publications and Research
AIDS and the Distribution of Crises engages with the AIDS pandemic as a network of varied historical, overlapping, and ongoing crises born of global capitalism and colonial, racialized, gendered, and sexual violence. Drawing on their investments in activism, media, anticolonialism, feminism, and queer and trans of color critiques, the scholars, activists, and artists in this volume outline how the neoliberal logic of “crisis” structures how AIDS is aesthetically, institutionally, and politically reproduced and experienced.
Algerian Women's Waistcoats - The Ghlila And Frimla: Readjusting The Lens On The Early French Colonial Era In Algeria (1830-1870),
2020
Rollins College
Algerian Women's Waistcoats - The Ghlila And Frimla: Readjusting The Lens On The Early French Colonial Era In Algeria (1830-1870), Morgan Snoap
Honors Program Theses
Contemporary understanding of Algeria during the early colonial period (1830-1970) is predominantly informed by French colonial written and visual documents, often viewing the colonies through a male and Orientalist gaze. This is especially apparent in the images created by the French of women in the Algerian capital of Algiers. Whether in lithograph, photograph, or painting, French Orientalist compositions featuring Algéroises (women of Algiers) relied on the construction of an increasingly submissive and sexually available subject, notably dressed in tailored waistcoats which, for the French, became synonymous with Algéroise sexuality. In this way, Algerian women’s veritable voices and perspectives during this …
Garifunizando Ambas Américas: Hemispheric Entanglements Of Blackness/Indigeneity/Afrolatinidad,
2020
Smith College
Garifunizando Ambas Américas: Hemispheric Entanglements Of Blackness/Indigeneity/Afrolatinidad, Paul Joseph López Oro
Africana Studies: Faculty Publications
Central Americans of African descent are in the margins on the histories of transmigrations and political movements in the isthmus and their diasporas. The absence of Black Central Americans in Latinx Studies and Central American Studies is an epistemological violence inherited from Latin American mestizaje. The insurgence of Afro-Latinx Studies is an intellectual and political response to the erasure and negation of Black people and Blackness in the field of Latinx Studies. In this essay, I map out the political urgency to call for a refashioning of Afrolatinidad that dismantles the dangerous allure of ethno-racial nationalism (i.e., Afro-[insert nation-state]) and …
Resilience, Resistance And Revival In 20th-Century Yoruba Art,
2020
Hope College
Resilience, Resistance And Revival In 20th-Century Yoruba Art, Charles Mason, Andie Near
Kruizenga Art Museum Exhibition Catalogs
Kruizenga Art Museum, Hope College Catalog for exhibition: “Resilience, Resistance and Revival in 20th-Century Yoruba Art”. Exhibition dates: January 17—May 16, 2020. Charles Mason, author; Andie Near, photographer, designer; Lisa Barney, editor; Cecilia O’Brien ‘21, typographer.
Kruizenga Art Museum Online Collection - Exhibition Gallery
Rooting For Everybody Black: Exploring The Need For Mentorship For Black First-Generation Students At Predominantly White Institutions,
2020
West Chester University
Rooting For Everybody Black: Exploring The Need For Mentorship For Black First-Generation Students At Predominantly White Institutions, Layshan Gilliard
West Chester University Master’s Theses
This thesis addresses how mentorship can enhance the experience and success of Black first-generation college students at predominantly white institutions. More specifically, I explore why first-generation Black students need guided support that comes with mentorship, what that support should entail, and how and when it should be delivered to them. I used the methodology of critical action research to analyze the structures of power that affect the education received by these students, while also utilizing my personal experience. I propose a mentoring program that promotes Black excellence. The program, SOUL (Students Overcoming Uniting and Learning), will provide students with the …
El Guerrero Obsidiana,
2020
Claremont McKenna College
El Guerrero Obsidiana, Marvin P. Sarkar Bynoe
CMC Senior Theses
This work of creative writing explores the role of the maroons, or escaped Africans, in Caribbean plantation society. The novel pays homage the tradition of creole storytelling and asserts the importance of this practice in creating more complete historiographic narratives. Incorporating the themes of magic, rebellion, darkness/light, heroism, and brutality characteristic of Afro-latinx literature. The work attempts to continue the decolonizing work of disrupting the capitalist dichotomy between freedom and enslavement which threatens to erase the multiplicity of black existence in the colonial Caribbean.
"We Dare Say Love": Supporting Achievement In The Educational Life Of Black Boys (Book Review),
2020
Old Dominion University
"We Dare Say Love": Supporting Achievement In The Educational Life Of Black Boys (Book Review), Kala Burrell-Craft
Educational Leadership & Workforce Development Faculty Publications
No abstract provided.
"May We Be Buried Alive Together": Towards An Intersectional Feminist True Crime Praxis,
2020
Claremont Colleges
"May We Be Buried Alive Together": Towards An Intersectional Feminist True Crime Praxis, Alexandra White
Pomona Senior Theses
Most mainstream true crime narratives revolve around a corpse. It is usually the body of a woman. The body is most often white. Not always, but in the cultural imaginary, she is blonde. She comes from a good family. She was a sweet girl. What happened to her? While this question haunts the general public, it also animates true crime communities as the victim becomes a symbol of innocence, a site of spectacular violence, and evidence of the incomprehensible extreme of human behavior. The question brings (primarily) white, cis women true crime fans together in the name of fascination, fear, …
Listen To Liston: Examining The Systemic Erasure Of Black Women In The Historiography Of Jazz,
2020
CUNY Lehman College
Listen To Liston: Examining The Systemic Erasure Of Black Women In The Historiography Of Jazz, Victoria E. Smith
Theses and Dissertations
"First you are a jazz musician, then you are black, then you are a female. I mean it goes down the line like that. We're like the bottom of the heap." - Melba Liston (pg 2) The historiography of jazz has consciously and unconsciously excluded women. This exclusion is exacerbated when one examines the intersection of race and jazz for black women. This essay argues that due to overwhelming societal expectations, gendered language, and physical threats of sexual assault and violence, black women had to create alternatives spheres of affirmation and musical expression because jazz culture stymied their access to …
