Testifying Through Time: Black Womanhood And Legacies Of Testimony In The African American Literary Canon And Hip-Hop Culture, 2022 University of South Alabama
Testifying Through Time: Black Womanhood And Legacies Of Testimony In The African American Literary Canon And Hip-Hop Culture, Candice Fairchild
Theses and Dissertations
In this thesis I argue in favor of a new subgenre of rap music entitled testimonial rap. I reject subgenre categorizations of confessional poetry and conscious rap for the testimonial music of MCs Sa-Roc and Rapsody. This thesis identifies how both MCs inherit and contribute to a literary lineage of testimony among Black women in Hip-Hop and the African American literary canon through deeply vulnerable and intertextual lyrics. I primarily focus on two albums: Sa-Roc’s The Sharecropper’s Daughter (Extended Edition) (2021) and Rapsody’s Eve (2019). This thesis is broken into five parts: an introduction, an interlude, two ...
Mourning The Marathon: Black Men Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin Causey
Far West Popular Culture Association Annual Conference
Eritrean-American rapper Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the hip-hop community and triggered previous memories of Black men’s homicidal deaths in rap and Black American urban communities. Nipsey Hussle’s death inspired touching rap tribute songs by Black men rappers, who sought to commemorate his cultural legacy and express their bereavement pains as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor hip-hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race ...
Hip-Hop History: Grades 9-12 Local History Curriculum, 2022 University of Massachusetts Boston
Hip-Hop History: Grades 9-12 Local History Curriculum, Sivia K. Malloy
Instructional Design Capstones Collection
As the founders and trailblazers mature, and sadly depart this life, a new generation is left behind with limited to no knowledge of the influence hip-hop has on current popular culture locally, nationally, or internationally. Research for this learning intervention determines what and how local hip-hop history incorporates into a social studies/history course with high school (9-12 grade) students, bridging local stories to the national and international trends and events of the past. Informal discussions took place with local hip-hop subject-matter experts throughout the northeast region of New England with ties to Massachusetts. Their recommendations were to wrestle with ...
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., 2022 Georgetown University
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan
Journal of Feminist Scholarship
In her foreword to the groundbreaking anthology, This Bridge Called My Back: Writings by Radical Women of Color, Toni Cade Bambara (1983) famously argues that the great work of feminist writing is “to make revolution irresistible.” This statement is often read as a founding call of women-of-color feminism, and of feminist literary expression in particular. Yet Bambara’s notion of the “irresistible” extends beyond the page; throughout her works, she also uses the term as a key descriptor of her pedagogy, and her vision of the classroom. Bambara joins Audre Lorde and other Black feminist writer/teachers in insisting on ...
For The Dead Homie: Black Male Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin A. Causey
Journal of Hip Hop Studies
Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the Hip Hop community and triggered previous memories of Black men’s homicidal deaths in the world. Nipsey Hussle’s death inspired touching rap tribute songs by Black male rappers, who sought to commemorate his cultural legacy and express their bereavement as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor Hip Hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race (CRT) and gender role conflict ...
La Voie De La Plume, 2021 SUNY College at Old Westbury
La Voie De La Plume, Sylvie Kande, Aly Ndiaye
Cette conversation entre Aly Ndiaye alias Webster, artiste hip-hop et conférencier sénégalo-québécois, et Sylvie Kandé, écrivaine franco-sénégalaise établie à New York, s’est déroulée par correspondance de septembre à octobre 2020. Ils ont aussi décidé de se lancer un défi d’écriture.
Grandmaster Flash, The Sound Of Afrofuturism, 2021 Univsersity of Illinois
Grandmaster Flash, The Sound Of Afrofuturism, Stacey Robinson
Annotated Bibliography for Sonic Afrofuturism issue
Producer Interview: Teak Underdue, 2021 University of the Pacific
Producer Interview: Teak Underdue, Kris Jones
This interview is with three-time Grammy-nominated music producer Teak Underdue of Hallway Productions. He discusses his background and the path he has taken to become a well respected music creator and producer. The interviewee offers advice for aspiring producers on how to build their reputation and credits in the music industry.
The Correlation Between Traditional And Modern Day Performance Poetry: Where Music And Poetry Collide, 2021 California State University, Monterey Bay
The Correlation Between Traditional And Modern Day Performance Poetry: Where Music And Poetry Collide, Jaya Hodges
Capstone Projects and Master's Theses
"Music and poetry have similar roots that have made them both into what they are today. From chants to church hymns, they both have kept the Black community intact during times of sorrow and grief. The words that ride along the rhythm and structure of any song brings an unforgettable emotion out of these art forms. This paper will discuss how they have merged themselves together along with the influences they have made within Jame Weldon's "Lift Ev’ry Voice and Sing" and Lauryn Hill's "Doo Wop (That Thing)".
Utilizing Art & Culture To Support The Success Sequence, 2021 Wholistic Stress Control Institute
Utilizing Art & Culture To Support The Success Sequence, Kelvin M. Walston, Tarita Johnson
National Youth Advocacy and Resilience Conference
This presentation will demonstrate how Hip Hop and African American History are used as educational teaching tools in our evidenced based program to promote social, emotional, and violence prevention skills. Explorations from the African diaspora, historical trauma, slavery, post traumatic slave syndrome to decoding and deconstructing hip hop elements all intersect to provide the basis of violence prevention, and more profoundly social and emotional balance.
World Wide Wake: A Look Into Digital Wake Work In Response To The Murder Of Breonna Taylor, 2021 Virginia Commonwealth University
World Wide Wake: A Look Into Digital Wake Work In Response To The Murder Of Breonna Taylor, Kalyn T. Coghill
Graduate Research Posters
In Christina Sharpe's, In the Wake, she refers to "wake work" as conscious work. Wake work makes a conscious and intentional effort to celebrate one's life as they are passing and after they have transitioned on. Wake work includes grief, sadness, reminiscing, happiness, laughter, and many more emotions. We think of wake work happening in the physical, but I want to look at how weight work exists in the digital. This paper will discuss how wake work is done in digital spaces such as social media platforms. I will also be looking at how social movements such as ...
“Beychella:” Beyoncé’S Homecoming To A Futuristic Queer Utopian, 2021 Loyola Marymount University, Los Angeles
“Beychella:” Beyoncé’S Homecoming To A Futuristic Queer Utopian, Jolie V. Brownell
sprinkle: an undergraduate journal of feminist and queer studies
Beyoncé’s 2018 Coachella performance and 2019 Homecoming film set the stage for a radical Black queer reimagining. Yet, how can Beyoncé—who is straight—be located within a queer critique? In this paper, I argue that through a radical and political expansion of queer, the creative deployment of dis/identification, and the unapologetic expression of the erotic, Beyoncé performs an embodiment of queer of color critique. These creative gestures within “Beychella” invite viewers into a queer futuristic utopian and provide new creative modes to politically inhabit, resist, and reimagine interlocking systems of oppression.
Keywords: Beyoncé, queer, dis/identification, erotic ...
For Us By Us: Explorations And Introspections On The Poetics Of Black Language, Isis Pinheiro
Senior Projects Spring 2021
Senior Project submitted to The Division of Languages and Literature of Bard College.
All Day In The Trey-Fold: Sound, Objecthood, And Place In The Mixtapes Of Dj Screw, 2020 The Graduate Center, City University of New York
All Day In The Trey-Fold: Sound, Objecthood, And Place In The Mixtapes Of Dj Screw, Matthew K. Carter
Dissertations, Theses, and Capstone Projects
This dissertation traces the impact of the mixtapes of DJ Screw on the emergence of Houston hip hop culture in the 1990s. The relationship between these “screwtapes” and local culture resists demonstration through conventional modes of representational analyses, due in part to the screwtape’s preponderant use of hip hop tracks that originally represent other places. I suggest that representation itself is the result of the structuring tension emerging from a threefold field of representation of sound, objecthood, and place, and that when a hip hop artist or critic or fan claims to "represent" Houston (or any other constituted and ...
Pleasure Is All Mine, 2020 Washington University in St. Louis
Pleasure Is All Mine, Lola Ogbara
Graduate School of Art Theses
One’s identity is shaped by many factors such as race, culture, physical appearance, nationality, and religion—amongst many more. As an artist, the subjugation of identity in the context of race, gender, and sexuality is a world I examine closely. Subverting myths of sexual deviancy and racial inferiority that perpetually pathologizes Black feminine sexuality, I often use and reference my own body to create avenues of power through physical and intellectual pleasure. Through material use of clay, metal, photography, and installation, I emphasize on how contemporary Black social cultures are able to write their own narratives in order to ...
Basics Of Stepping Club, 2020 University of Nebraska - Lincoln
Basics Of Stepping Club, Hana Pham, Yara Madit
Honors Expanded Learning Clubs
Originating in West Africa in the 1500s, step has since evolved into a form of dancing that places emphasis on rhythmic movements and high energy. It is commonly used amongst greek organizations and within schools. This club introduces stepping to older children through activities such as stamina, focus, teamwork, and problem solving.
Black Female Artists Reclaiming Their Sexual Power, 2020 Gettysburg College
Black Female Artists Reclaiming Their Sexual Power, Nicole E. Heller
The emergence of hip hop in the 1980s and 90s is representative of the struggle that Black men and women face in modern society. As a result of a New York City housing crisis, crime, and poverty, hip hop arose as a coping mechanism, as many art forms do; hip hop provided a way for Black men to express their experiences and struggles. Hip hop has been used as a vehicle for self- expression, social views and political views among disadvantaged urban groups (White, 2013). However, it was and still is common for male hip hop artists to sexualize and ...
Holding Allies Accountable, 2019 Gettysburg College
Holding Allies Accountable, Gisselle Flores
Artists, including Rihanna, Cardi B, and Jay-Z, have turned down the NFL’s offer to perform in the halftime show out of solidarity with Colin Kaepernick , but it was recently announced that Jennifer Lopez and Shakira will be performing in 2020. This has sparked controversy because some are celebrating that there are two Latinas headlining the Super Bowl halftime show for the first time while others do not view this event as a cause for celebration because they believe that J. Lo and Shakira should have boycotted like other artists have. Jennifer Lopez and Shakira have given no prior indications ...
Seeking Representations Of Afrocentric Beauty: A Comparative Content Analysis Of Advertisements In Essence Magazine, 2018 University of Arkansas, Fayetteville
Seeking Representations Of Afrocentric Beauty: A Comparative Content Analysis Of Advertisements In Essence Magazine, Roy Phillips Jr.
Journalism Undergraduate Honors Theses
This comparative content analysis will investigate how African American women are depicted in Essence magazine advertisements and seeks to answer the research question: Are the characteristics of advertisements in Essence magazines significantly different when under complete corporate ownership compared to being under primarily African American ownership? The specific goal is to examine the extent to which Afrocentric or Eurocentric depictions are being reinforced, if at all, and to observe if depictions of African American women are shifting or are immobile. To do this, the study will compare advertisements in Essence magazines in 2001, when the magazine was 51 percent Black-owned ...
Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years (Book Review), 2018 University of Richmond
Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years (Book Review), Matthew Oware
Sociology and Anthropology Faculty Publications
Review of the book, Break Beats in the Bronx: Rediscovering Hip-Hop’s Early Years, by Joseph C. Ewoodzie, University of North Carolina Press, 2017, https://www.uncpress.org/book/9781469632759/break-beats-in-the-bronx/.