A Meditation On Afrosurrealism, Black Gender, And The Non-Human,
2023
Brandeis University
A Meditation On Afrosurrealism, Black Gender, And The Non-Human, Logan K. Shanks
Crossings: Swarthmore Undergraduate Feminist Research Journal
Quotidian Black life is characterized by our ability to alchemize violence into generative life-sustaining properties of matter. In this paper, I will measure Black matter based on anything produced and engaged by Black collectives. While Black existence is not tied to white violence, descendants of enslaved Black people enter our worlds of worlds greeted by a white captor. It is not until we consciously recognize that we are in his dream that we can work to escape the white captor’s circadian rhythms. Through this paper, I will tease out the contradictions of our Black living-unliving. I will employ an anti-methodological …
Black Best-Selling Books And Bibliographical Concerns: The Essence Book Project,
2023
University of New Orleans
Black Best-Selling Books And Bibliographical Concerns: The Essence Book Project, Jacinta R. Saffold, Kinohi Nishikawa
Criticism
On October 27, 2021, the Bibliographical Society of America (BSA) sponsored the first in a series of virtual interviews about the Essence Book Project. Founded by Jacinta R. Saffold, the BSA’s inaugural Dorothy Porter Wesley Fellow, the Essence Book Project is a database of the books that appeared on Essence magazine’s bestsellers’ list from 1994 to 2010. In talking about the project with Kinohi Nishikawa, Saffold highlights how Black best-selling books contribute new paths of inquiry to bibliographical scholarship and explains why it is important to archive contemporary Black print culture. Presented in this article is a modified version of …
Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production,
2023
California State University, Monterey Bay
Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal
Capstone Projects and Master's Theses
This paper traces the history of hip-hop culture through the evolution of the drum break, the original context of drum breaks in funk and soul music, their influence on DJ culture, and the subsequent impact of drum breaks on music and music production. It follows the development of breakbeat compilations in the 1970s and 1980s, parallel to the development of turntablism and sampling techniques. It also examines in detail how copyright litigation in the 1990s shaped the development of sample-based music genres and created a niche market for originally-recorded drum breaks over the subsequent decades.
Can Anyone Withhold The Water...?,
2023
Southern Methodist University
Can Anyone Withhold The Water...?, Brandon Keith Lacey Sr
Doctor of Ministry Projects and Theses
Abstract
Thesis
Contextualization and indigenization have always been necessary and expected components of establishing Christian communities of faith and practice. Failed or obsolete attempts at contextualization and indigenization in evangelism and missions continue to harm the development of the African American Church. This results in the development of spiritually marginalized communities alienated from the very relationship with God that such communities need. Preventing such spiritual marginalization in communities requires a training curriculum that combines a working theology on appropriate contextualization and indigenization with a framework for practical implementation. The outcome would decrease the tendency to replicate non-contextual religious practice and …
Grinding All My Life: Nipsey Hussle, Community Health, And Care Ethics,
2022
Johns Hopkins University
Grinding All My Life: Nipsey Hussle, Community Health, And Care Ethics, Pyar J. Seth, Carlton K. Harrison, Jasmyn Mackell
Journal of Hip Hop Studies
As John Legend said, “Nipsey was so gifted, so proud of his home, so invested in his community” (Martin, 2019). Though Nipsey Hussle certainly had a lyrical gift, the discourse after his murder remained largely focused on his work as a humanitarian and community activist. Hussle was a staunch advocate for gun control, police abolition, and education equity in Los Angeles and the State of California. Academic research has often neglected the very clear relationship between Hip Hop and health, particularly the underlying theme of improving community health. To our knowledge, Hussle never identified as a community health organizer. Still, …
“Imbedded” Belonging And Black Being: A Critical Analysis Of Blackness In Kendrick Lamar’S 2016 Grammy Awards Performance,
2022
Wayne State University
“Imbedded” Belonging And Black Being: A Critical Analysis Of Blackness In Kendrick Lamar’S 2016 Grammy Awards Performance, Anwar Uhuru
Journal of Hip Hop Studies
This article argues that in a space of artistic performance Black people can fully imbed themselves in the space, despite the temporality of the performance itself. Therefore, in the act of performing, Black people are able to fully be recognized as a human whole. The goal of this article is to think of a Hip Hop beingness that fuses the temporal/body, consciousness/beyond the body, and the ancestral connections of orality and genetic memory. I do so by looking at how black performance disrupts dominant narratives of black bodies as being just flesh. This article brings together, Hip Hop studies, Africana …
'Space Is The Place:' Afrofuturism In Black Popular Music,
2022
Louisiana State University and Agricultural and Mechanical College
'Space Is The Place:' Afrofuturism In Black Popular Music, Tamyka Jordon-Conlin
LSU Doctoral Dissertations
This dissertation focuses on developing a theory of Afrofuturist music. Afrofuturism is an umbrella term used to describe Black cultural productions that reflect on the African diasporic culture of the past while imagining potential futures, often while appropriating imagery of technology and science-fiction tropes. With the intent of redefining notions of blackness, Afrofuturist artists create alternative historical narratives and speculative future projections. These productions create space that allows the Afrofuturist to discorporately negotiate the limits of Black subjectivity. Poet, activist, and avant-garde musician Sun Ra is credited as the progenitor of Afrofuturism, and his model has since been adapted by …
Mourning The Marathon: Black Men Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle,
2022
Pace University
Mourning The Marathon: Black Men Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin Causey
Far West Popular Culture Association Annual Conference
Eritrean-American rapper Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the hip-hop community and triggered previous memories of Black men’s homicidal deaths in rap and Black American urban communities. Nipsey Hussle’s death inspired touching rap tribute songs by Black men rappers, who sought to commemorate his cultural legacy and express their bereavement pains as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor hip-hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race (CRT) and gender role …
Hip-Hop History: Grades 9-12 Local History Curriculum,
2022
University of Massachusetts Boston
Hip-Hop History: Grades 9-12 Local History Curriculum, Sivia K. Malloy
Instructional Design Capstones Collection
As the founders and trailblazers mature, and sadly depart this life, a new generation is left behind with limited to no knowledge of the influence hip-hop has on current popular culture locally, nationally, or internationally. Research for this learning intervention determines what and how local hip-hop history incorporates into a social studies/history course with high school (9-12 grade) students, bridging local stories to the national and international trends and events of the past. Informal discussions took place with local hip-hop subject-matter experts throughout the northeast region of New England with ties to Massachusetts. Their recommendations were to wrestle with the …
Honor Thyself,
2022
Hollins University
Honor Thyself, Alonzo O. Williams
Dance (MFA) Theses
The black male experience and identity in America are filled with complexity. We struggle to know ourselves. We work to see the way of love and the peace of an unviolated free spirit. We want to engage with ourselves with the highest degree of freedom and comfort, not to continue to question our identity in a life-threatening white patriarchal masculinity ideal. Honoring oneself from the lenses of the Reconstruction era of the United States is essential. Reconceptualizing this history explores the significance of emphasizing Reconstruction in my life as a black male to go through a process of self-discovery and …
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning.,
2022
Georgetown University
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan
Journal of Feminist Scholarship
In her foreword to the groundbreaking anthology, This Bridge Called My Back: Writings by Radical Women of Color, Toni Cade Bambara (1983) famously argues that the great work of feminist writing is “to make revolution irresistible.” This statement is often read as a founding call of women-of-color feminism, and of feminist literary expression in particular. Yet Bambara’s notion of the “irresistible” extends beyond the page; throughout her works, she also uses the term as a key descriptor of her pedagogy, and her vision of the classroom. Bambara joins Audre Lorde and other Black feminist writer/teachers in insisting on a …
Do Androids Dream Of Improvisation?,
2022
Bard College
Do Androids Dream Of Improvisation?, Aidan J. Samp
Senior Projects Spring 2022
Senior Project submitted to The Division of Arts of Bard College.
A Form Of Our Own: An Examination Of Black Sonnet-Samplers,
2022
Georgia Southern University
A Form Of Our Own: An Examination Of Black Sonnet-Samplers, Lavonna D. Wright
Electronic Theses and Dissertations
This study responds to the need for understanding and terminology regarding Black poets’ engagement with the sonnet form. Referring to sampling strategies in Hip-Hop to analyze Black sonnets, this study disputes limiting ideas about sonnets as ineffective mediums to portray Black narratives and honors strategies maintained in Hip-Hop culture that define Black narrative expression, resistance to assimilation, and social reflection. Black sonnets are an ever-evolving vehicle of resistance to elitist ideas about traditional forms, Black aesthetics, and the ways that poetic strategies can be defined. This study names past and present Black sonneteers’ adherence to, remixing in, and rejection of …
For The Dead Homie: Black Male Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle,
2021
Pace University
For The Dead Homie: Black Male Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin A. Causey
Journal of Hip Hop Studies
Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the Hip Hop community and triggered previous memories of Black men’s homicidal deaths in the world. Nipsey Hussle’s death inspired touching rap tribute songs by Black male rappers, who sought to commemorate his cultural legacy and express their bereavement as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor Hip Hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race (CRT) and gender role conflict theoretical frameworks, this study …
La Voie De La Plume,
2021
SUNY College at Old Westbury
La Voie De La Plume, Sylvie Kande, Aly Ndiaye
The Goose
Cette conversation entre Aly Ndiaye alias Webster, artiste hip-hop et conférencier sénégalo-québécois, et Sylvie Kandé, écrivaine franco-sénégalaise établie à New York, s’est déroulée par correspondance de septembre à octobre 2020. Ils ont aussi décidé de se lancer un défi d’écriture.
Grandmaster Flash, The Sound Of Afrofuturism,
2021
Univsersity of Illinois
Grandmaster Flash, The Sound Of Afrofuturism, Stacey Robinson
Third Stone
Annotated Bibliography for Sonic Afrofuturism issue
Producer Interview: Teak Underdue,
2021
University of the Pacific
Producer Interview: Teak Underdue, Kris Jones
Backstage Pass
This interview is with three-time Grammy-nominated music producer Teak Underdue of Hallway Productions. He discusses his background and the path he has taken to become a well respected music creator and producer. The interviewee offers advice for aspiring producers on how to build their reputation and credits in the music industry.
The Correlation Between Traditional And Modern Day Performance Poetry: Where Music And Poetry Collide,
2021
California State University, Monterey Bay
The Correlation Between Traditional And Modern Day Performance Poetry: Where Music And Poetry Collide, Jaya Hodges
Capstone Projects and Master's Theses
"Music and poetry have similar roots that have made them both into what they are today. From chants to church hymns, they both have kept the Black community intact during times of sorrow and grief. The words that ride along the rhythm and structure of any song brings an unforgettable emotion out of these art forms. This paper will discuss how they have merged themselves together along with the influences they have made within Jame Weldon's "Lift Ev’ry Voice and Sing" and Lauryn Hill's "Doo Wop (That Thing)".
Hip Hop Urbanist Reconstructions: Strategies & Tactics For Spatial Reparations,
2021
Syracuse University
Hip Hop Urbanist Reconstructions: Strategies & Tactics For Spatial Reparations, Isaac Howland
Architecture Senior Theses
No abstract provided.
Utilizing Art & Culture To Support The Success Sequence,
2021
Wholistic Stress Control Institute
Utilizing Art & Culture To Support The Success Sequence, Kelvin M. Walston, Tarita Johnson
National Youth Advocacy and Resilience Conference
This presentation will demonstrate how Hip Hop and African American History are used as educational teaching tools in our evidenced based program to promote social, emotional, and violence prevention skills. Explorations from the African diaspora, historical trauma, slavery, post traumatic slave syndrome to decoding and deconstructing hip hop elements all intersect to provide the basis of violence prevention, and more profoundly social and emotional balance.