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Can Anyone Withhold The Water...?, Brandon Keith Lacey Sr 2023 Southern Methodist University

Can Anyone Withhold The Water...?, Brandon Keith Lacey Sr

Doctor of Ministry Projects and Theses

Abstract

Thesis

Contextualization and indigenization have always been necessary and expected components of establishing Christian communities of faith and practice. Failed or obsolete attempts at contextualization and indigenization in evangelism and missions continue to harm the development of the African American Church. This results in the development of spiritually marginalized communities alienated from the very relationship with God that such communities need. Preventing such spiritual marginalization in communities requires a training curriculum that combines a working theology on appropriate contextualization and indigenization with a framework for practical implementation. The outcome would decrease the tendency to replicate non-contextual religious practice and …


The Black Ass History Of House Music, Segen D. Assefa 2022 Craig Newmark Graduate School of Journalism

The Black Ass History Of House Music, Segen D. Assefa

Capstones

Contrary to current thinking, the history of house and techno music is overwhelmingly Black. This capstone was written in collaboration with three members of the house music scene, who have offered their lived experiences and personal anecdotes to help us better understand the true history and culture of the genre, and how marginalized identities in the creative industry suffer through lack of widespread historical knowledge (https://imsegen.com/2023/05/04/the-black-ass-history-of-house-music/).


“Imbedded” Belonging And Black Being: A Critical Analysis Of Blackness In Kendrick Lamar’S 2016 Grammy Awards Performance, Anwar Uhuru 2022 Wayne State University

“Imbedded” Belonging And Black Being: A Critical Analysis Of Blackness In Kendrick Lamar’S 2016 Grammy Awards Performance, Anwar Uhuru

Journal of Hip Hop Studies

This article argues that in a space of artistic performance Black people can fully imbed themselves in the space, despite the temporality of the performance itself. Therefore, in the act of performing, Black people are able to fully be recognized as a human whole. The goal of this article is to think of a Hip Hop beingness that fuses the temporal/body, consciousness/beyond the body, and the ancestral connections of orality and genetic memory. I do so by looking at how black performance disrupts dominant narratives of black bodies as being just flesh. This article brings together, Hip Hop studies, Africana …


Grinding All My Life: Nipsey Hussle, Community Health, And Care Ethics, Pyar J. Seth, Carlton K. Harrison, Jasmyn Mackell 2022 Johns Hopkins University

Grinding All My Life: Nipsey Hussle, Community Health, And Care Ethics, Pyar J. Seth, Carlton K. Harrison, Jasmyn Mackell

Journal of Hip Hop Studies

As John Legend said, “Nipsey was so gifted, so proud of his home, so invested in his community” (Martin, 2019). Though Nipsey Hussle certainly had a lyrical gift, the discourse after his murder remained largely focused on his work as a humanitarian and community activist. Hussle was a staunch advocate for gun control, police abolition, and education equity in Los Angeles and the State of California. Academic research has often neglected the very clear relationship between Hip Hop and health, particularly the underlying theme of improving community health. To our knowledge, Hussle never identified as a community health organizer. Still, …


The Influence Of Christianity In Swahili Literature: The Case Of Bongo Flavor Poetry Prophesies, Method Samwel 2022 Mkwawa University College of Education

The Influence Of Christianity In Swahili Literature: The Case Of Bongo Flavor Poetry Prophesies, Method Samwel

Journal of Humanities and Social Sciences

The influence of religion in Swahili literature has been a centre of Swahili literary scholarship discussions from the 1960s to 1980s. During the time, there were two schools of thought. The first argued that Swahili literature originates from God and that He is the first artist who transmits creative skills to Swahili artists. The second school of thought viewed Swahili literature as a product of socio-economic human activities, and that God has no place in it. By the late 1980s, the discussion on the place of God in Swahili literature appeared to be concluded by a good number of scholars …


“How Eve Saved My Soul”: Sonic Lineage As The Prequel To The Playlist Project, Todd Craig 2022 CUNY New York City College of Technology

“How Eve Saved My Soul”: Sonic Lineage As The Prequel To The Playlist Project, Todd Craig

Publications and Research

No abstract provided.


Tell Virgil Write Brick On My Brick’: Doctoral Bashments, (Re)Visiting Hiphopography And The Digital Discursivity Of The Dj - A Mixed Down Methods Movement, Todd Craig 2022 CUNY New York City College of Technology

Tell Virgil Write Brick On My Brick’: Doctoral Bashments, (Re)Visiting Hiphopography And The Digital Discursivity Of The Dj - A Mixed Down Methods Movement, Todd Craig

Publications and Research

No abstract provided.


'Space Is The Place:' Afrofuturism In Black Popular Music, Tamyka Jordon-Conlin 2022 Louisiana State University and Agricultural and Mechanical College

'Space Is The Place:' Afrofuturism In Black Popular Music, Tamyka Jordon-Conlin

LSU Doctoral Dissertations

This dissertation focuses on developing a theory of Afrofuturist music. Afrofuturism is an umbrella term used to describe Black cultural productions that reflect on the African diasporic culture of the past while imagining potential futures, often while appropriating imagery of technology and science-fiction tropes. With the intent of redefining notions of blackness, Afrofuturist artists create alternative historical narratives and speculative future projections. These productions create space that allows the Afrofuturist to discorporately negotiate the limits of Black subjectivity. Poet, activist, and avant-garde musician Sun Ra is credited as the progenitor of Afrofuturism, and his model has since been adapted by …


An Analysis Of Charging Practices And Their Impact On Battery Degradation In North American Electric Vehicles Built Between 2010-2020, Douglas William Edward Ferrier 2022 Indiana State University

An Analysis Of Charging Practices And Their Impact On Battery Degradation In North American Electric Vehicles Built Between 2010-2020, Douglas William Edward Ferrier

All-Inclusive List of Electronic Theses and Dissertations

Electric vehicles (EVs) are emerging as a component of the global solution to combat climate change. However, in North America, particularly in the United States and Canada, the transition away from internal combustion engines (ICE) has been slow. North America faces unique challenges due to its geographical size and population in comparison to other continents. The good news is that EV adoption is increasing within North America. Along with increased EV adoption, governments and public companies are constructing charging infrastructure to support increased consumer EV purchases. Despite increased adoption, many future and current owners throughout North American society have concerns …


Mourning The Marathon: Black Men Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin Causey 2022 Pace University

Mourning The Marathon: Black Men Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin Causey

Far West Popular Culture Association Annual Conference

Eritrean-American rapper Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the hip-hop community and triggered previous memories of Black men’s homicidal deaths in rap and Black American urban communities. Nipsey Hussle’s death inspired touching rap tribute songs by Black men rappers, who sought to commemorate his cultural legacy and express their bereavement pains as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor hip-hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race (CRT) and gender role …


Hip-Hop History: Grades 9-12 Local History Curriculum, Sivia K. Malloy 2022 University of Massachusetts Boston

Hip-Hop History: Grades 9-12 Local History Curriculum, Sivia K. Malloy

Instructional Design Capstones Collection

As the founders and trailblazers mature, and sadly depart this life, a new generation is left behind with limited to no knowledge of the influence hip-hop has on current popular culture locally, nationally, or internationally. Research for this learning intervention determines what and how local hip-hop history incorporates into a social studies/history course with high school (9-12 grade) students, bridging local stories to the national and international trends and events of the past. Informal discussions took place with local hip-hop subject-matter experts throughout the northeast region of New England with ties to Massachusetts. Their recommendations were to wrestle with the …


A Form Of Our Own: An Examination Of Black Sonnet-Samplers, LaVonna D. Wright 2022 Georgia Southern University

A Form Of Our Own: An Examination Of Black Sonnet-Samplers, Lavonna D. Wright

College of Graduate Studies: Theses & Dissertations

This study responds to the need for understanding and terminology regarding Black poets’ engagement with the sonnet form. Referring to sampling strategies in Hip-Hop to analyze Black sonnets, this study disputes limiting ideas about sonnets as ineffective mediums to portray Black narratives and honors strategies maintained in Hip-Hop culture that define Black narrative expression, resistance to assimilation, and social reflection. Black sonnets are an ever-evolving vehicle of resistance to elitist ideas about traditional forms, Black aesthetics, and the ways that poetic strategies can be defined. This study names past and present Black sonneteers’ adherence to, remixing in, and rejection of …


Honor Thyself, Alonzo O. Williams 2022 Hollins University

Honor Thyself, Alonzo O. Williams

Dance (MFA) Theses

The black male experience and identity in America are filled with complexity. We struggle to know ourselves. We work to see the way of love and the peace of an unviolated free spirit. We want to engage with ourselves with the highest degree of freedom and comfort, not to continue to question our identity in a life-threatening white patriarchal masculinity ideal. Honoring oneself from the lenses of the Reconstruction era of the United States is essential. Reconceptualizing this history explores the significance of emphasizing Reconstruction in my life as a black male to go through a process of self-discovery and …


Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan 2022 Georgetown University

Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan

Journal of Feminist Scholarship

In her foreword to the groundbreaking anthology, This Bridge Called My Back: Writings by Radical Women of Color, Toni Cade Bambara (1983) famously argues that the great work of feminist writing is “to make revolution irresistible.” This statement is often read as a founding call of women-of-color feminism, and of feminist literary expression in particular. Yet Bambara’s notion of the “irresistible” extends beyond the page; throughout her works, she also uses the term as a key descriptor of her pedagogy, and her vision of the classroom. Bambara joins Audre Lorde and other Black feminist writer/teachers in insisting on a …


For The Dead Homie: Black Male Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin A. Causey 2021 Pace University

For The Dead Homie: Black Male Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin A. Causey

Journal of Hip Hop Studies

Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the Hip Hop community and triggered previous memories of Black men’s homicidal deaths in the world. Nipsey Hussle’s death inspired touching rap tribute songs by Black male rappers, who sought to commemorate his cultural legacy and express their bereavement as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor Hip Hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race (CRT) and gender role conflict theoretical frameworks, this study …


Black Sound Matter(S): The Sonic Soundscape Of Black Auditory Liberation, Todd Craig 2021 CUNY New York City College of Technology

Black Sound Matter(S): The Sonic Soundscape Of Black Auditory Liberation, Todd Craig

Publications and Research

In an attempt to embody the practices of DJ rhetoric as it relates to sound studies as well as sonic composing, Todd Craig will not speak with his own voice. Instead, this entire SonicText will serve as documentation of a live composition that engages with the theme of "Black Sound Matter(s)." Deploying the concept of sonic lineage (Craig, forthcoming; Polson, 2019), this piece aims to radically transform this intellectual space through sonic and DJ rhetorical practices. Thus, Todd Craig's voice is inconsequential; instead, what is most critical is his collaborators: historical scholars and organic intellectual-musicologists starring as Black Musician-Griots. The …


La Voie De La Plume, Sylvie Kande, Aly Ndiaye 2021 SUNY College at Old Westbury

La Voie De La Plume, Sylvie Kande, Aly Ndiaye

The Goose

Cette conversation entre Aly Ndiaye alias Webster, artiste hip-hop et conférencier sénégalo-québécois, et Sylvie Kandé, écrivaine franco-sénégalaise établie à New York, s’est déroulée par correspondance de septembre à octobre 2020. Ils ont aussi décidé de se lancer un défi d’écriture.


Grandmaster Flash, The Sound Of Afrofuturism, Stacey Robinson 2021 Univsersity of Illinois

Grandmaster Flash, The Sound Of Afrofuturism, Stacey Robinson

Third Stone

Annotated Bibliography for Sonic Afrofuturism issue


Producer Interview: Teak Underdue, Kris Jones 2021 University of the Pacific

Producer Interview: Teak Underdue, Kris Jones

Backstage Pass

This interview is with three-time Grammy-nominated music producer Teak Underdue of Hallway Productions. He discusses his background and the path he has taken to become a well respected music creator and producer. The interviewee offers advice for aspiring producers on how to build their reputation and credits in the music industry.


Hip Hop Urbanist Reconstructions: Strategies & Tactics For Spatial Reparations, Isaac Howland 2021 Syracuse University

Hip Hop Urbanist Reconstructions: Strategies & Tactics For Spatial Reparations, Isaac Howland

Architecture Senior Theses

No abstract provided.


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