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Critical and Cultural Studies Commons™
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Articles 1 - 12 of 12
Full-Text Articles in Critical and Cultural Studies
The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow
The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow
Electronic Theses and Dissertations
These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …
Visual Storytelling In The Context Of Marshall Mcluhan’S Media Theory: Rita Leistner And Her Socially Engaged Photography, Kalina Kukielko-Rogozinska, Krzysztof Tomanek
Visual Storytelling In The Context Of Marshall Mcluhan’S Media Theory: Rita Leistner And Her Socially Engaged Photography, Kalina Kukielko-Rogozinska, Krzysztof Tomanek
Proceedings of the New York State Communication Association
The main character of our story is Rita Leistner, one of the most famous Canadian war photographers in the world. She studied at the International Center of Photography (New York) and has a Master of Arts degree in French and English (University of Toronto). For six years Rita taught the history of photojournalism and documentary photography (UoT). She is the co-author of several books, such as Unembedded: Four Independent Photojournalists on Iraq, and The Edward Curtis Project: A Modern Picture Story. Her first monograph, Looking for Marshall McLuhan in Afghanistan, a work on photography, technology and war, was …
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia
Languages and Cultures Publications
Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …
Framing Death And Suffering: An Examination Of Photographs Of Dead And Dying During The U. S. Civil War, World War Ii, And The Vietnam War, Richard Anthony Lewis
Framing Death And Suffering: An Examination Of Photographs Of Dead And Dying During The U. S. Civil War, World War Ii, And The Vietnam War, Richard Anthony Lewis
Dissertations
The dissertation analyzes photographic images of dead bodies that appeared in news settings related to warfare in the United States in three distinct eras – the 1860s, the 1940s, and the 1960s. The primary subject of the analysis are photographs of corpses created in the context of the American Civil War (1861-1865), World War II including the immediate aftermath of the Holocaust (1939-1946), and conflict and war in Vietnam (1950-1975). While the sample represents a partial catalogue of images of the dead in the context of warfare since photography emerged in the 1840s as a medium for disseminating news, the …
Athabasca River Glacial Melt Global Warming Blues, Gene Hyde
Athabasca River Glacial Melt Global Warming Blues, Gene Hyde
The Goose
“Athabasca River Glacial Melt Global Warming Blues” is a poem and photograph by Gene Hyde, a writer, photographer, and archivist living in the Appalachian Mountains of North Carolina. This is part of his PhotoEpigraphic51 series that combines a photograph, an epigraph, and a 51 syllable, three haiku verse structure. The photograph was taken in September 2017 along the Athabasca River in Jasper National Park.
On Making A Difference: How Photography And Narrative Produce The Short-Term Missions Experience, Joshua Kerby Jennings
On Making A Difference: How Photography And Narrative Produce The Short-Term Missions Experience, Joshua Kerby Jennings
Theses and Dissertations--Community & Leadership Development
Short-term missions participants encounter difference in purportedly captivating ways. Current research, however, indicates the practice does not lead to long-lasting, positive change. Brian M. Howell (2012) argues the short-term missions experience is confined to the limitations of the short-term missions narrative. People who engage in short-term missions build assumptions, seek experiences, understand difference, and convey meaning, as a result of this narrative. The process of telling and retelling travel stories is integral to the short-term missions experience. Drawing upon literature on tourism, narrative, development, and photography, this study intends to evaluate the inefficacy of short-term missions through the stories which …
Beyond The Wall In Dheisheh Camp: From Local To Transnational Image-Making, Philip Hopper
Beyond The Wall In Dheisheh Camp: From Local To Transnational Image-Making, Philip Hopper
Pedagogy and Theatre of the Oppressed Journal
Murals and graffiti on the Israeli separation barrier near Bethlehem have been well documented by journalists and discussed in academic journals. Though the image and texts on the barrier may be “transnational” they are of little consequence to the local population. Murals and graffiti within the nearby Dheisheh Palestinian Refugee Camp consolidate local public opinion, generally about the occupation and dismemberment of the West Bank and specifically about individual martyrs or shaheed. The performative nature of these images goes beyond the act of painting them. Children from the Camp pose with these images, identifying with the abstraction of justice and …
The Rooster And The Lemon, Luis Mario Guerra, Connie M. Morey
The Rooster And The Lemon, Luis Mario Guerra, Connie M. Morey
The Goose
'The Rooster and the Lemon' is a collaborative work of critical-creative writing and photography between artists-writers Luis Mario Guerra and Connie Michele Morey. The text and image is a part of a larger body of work that emerged from a trip to Havana in December 2013 and is still in the process of unfolding through additional visual forms. The prose and photographs question the im/possibility of stasis and taxonomical containment in an ecological continuum where the processes of death and life and interdependent and imperceptibly entangled.
Shopping Cart Pastorals And A Nature Poem, Gary Barwin
Shopping Cart Pastorals And A Nature Poem, Gary Barwin
The Goose
Poetry by Gary Barwin
Martin Parr In Mexico: Does Photographic Style Translate?, Timothy R. Gleason Ph.D.
Martin Parr In Mexico: Does Photographic Style Translate?, Timothy R. Gleason Ph.D.
Journal of International and Global Studies
This study analyzes Martin Parr’s 2006 photobook, Mexico. Parr is a British documentary photographer best known for a direct photographic style that reflects upon “Englishness.” Mexico is his attempt to understand this foreign country via his camera. Mexico, as a research subject, is not a problem to solve but an opportunity to understand a photographer’s work. Parr’s Mexico photography (technique, photographic content, and interest in globalization, economics, and culture) is compared to his previous work to explain how Parr uses fashion and icons to represent a culture or class. This article argues Parr’s primary subjects, heads/hats, food, and Christs, are …
Photography In Wang's Chang Hen Ge (The Song Of Everlasting Sorrow), Hong Zeng
Photography In Wang's Chang Hen Ge (The Song Of Everlasting Sorrow), Hong Zeng
CLCWeb: Comparative Literature and Culture
In her article "Photography in Wang's Chang Hen Ge (Song of Everlasting Sorrow)" Hong Zeng analyzes Wang's novel in the context of imagery following the theoretical framework of photography as proposed in the work of Xun Lu and Roland Barthes. According to both Xun Lu and Roland Barthes, the spectacle of photography is tied to the notion of the "the theater of the dead." Further, according to Walter Benjamin, photography is linked with the motif of exile: it is the estrangement between self and image under the spotlight, the daily enlarged disparity between the perennial life preserved by the photograph …
Picture Imperfect: Re-Reading Imagery Of Aborigines In Walkabout, Mitchell Rolls
Picture Imperfect: Re-Reading Imagery Of Aborigines In Walkabout, Mitchell Rolls
Aboriginal Policy Research Consortium International (APRCi)
The representation of Aborigines in the popular Australian magazine Walkabout has attracted the attention of a small number of scholars. For the most part their analyses draw a distinction between the portrayals of primitive natives and those of the emergent modernising Australian nation. It is argued that Aborigines appear as debased, as noble savages, or as bearers of an idealised and imagined traditional culture. These representational strategies are evident in both photo- graphs and text in Walkabout. Whilst not necessarily disagreeing with these critiques, more nuanced readings of Aboriginal photographic representation in Walkabout are possible. This article seeks to reveal …