Critical and Cultural Studies Commons^™

Women In Direct Combat Arms: A Constructivist Grounded Theory Study Of U.S. Army Active-Duty Military Intelligence And Cyber Command Women Perspectives And Current Career Opportunities And Policies In The Military Combat Fields, Brenda Young

Theses & Dissertations

Effective January 1, 2016, the Department of Defense implemented a new policy pertaining to a full work role gender integration for service women in all U.S. military fields and positions. Active-duty women struggled to participate, adapt, and be completely integrated into the full institutional direct combat arms positions and careers. Research on such gender participation to date has focused specifically on physical fitness standards, unit morale and cohesion, successful entry into training pipeline for direct combat arms fields, and outcomes measured by current attrition rates. A constructivist qualitative grounded theory research study was needed to understand how current active-duty women …

"You All Look Like @Wolfiecindy:" The Homogeny Of Facial Self-Presentation Among Female Instagram Users, Kelly Mcginty

Theses & Dissertations

The emergence of a single facial aesthetic among professionally beautiful women on Instagram has popularized and idealized a specific look (i.e., Instagram Face) within a generation of young women and has normalized nonsurgical interventions and the use of photo editing in order to achieve it. It is the face of Kim Kardashian West, Kylie Jenner, Emily Ratajkowski, Bella Hadid, and many other women who are considered attractive and who have large followings on the social platform. Through data collected by a quantitative content analysis, this thesis investigates how these women all look astoundingly the same, with uniformly high and contoured …

Learning To Be A Lesbian : Identity And Sexuality Formation Among Young Hong Kong Lesbians, Yuk Ying, Sonia Wong

Theses & Dissertations

While the LGBT equal rights movements in Hong Kong have become increasingly visible and popular in recent years, and lesbians, when compared to homosexual male, seem to enjoy high visibility in the city’s public space and relevant safety from violent discrimination, their presence in the public sphere continue to be low. Writings by local queer activists and scholars such as Mary Kam Pui Wai (2001) and Denise Tang (2011) point out that instead of violent attacks, since the beginning of local LGBT activism, female have been facing systematic silencing and marginalizing within the community, their presence invisible, and their problems …

The Bakla And The Silver Screen : Queer Cinema In The Philippines, Michael Nuñez Inton

Theses & Dissertations

This study looks at representations of the bakla in Philippine cinema from 1954 to 2015. I argue that the bakla, a local gender category that incorporates ideas of male homosexuality, effeminacy, cross-dressing, and transgenderism, has become a central figure in Philippine cinema. I examine the films of Dolphy, the actor who was the first to popularize bakla roles in mainstream cinema, and I outline several tropes that create the bakla image in movies: “classical” kabaklaan (being bakla), which involves crossdressing, effeminacy, and being woman-hearted; the conversion trope, where the bakla stubbornly resists being forcibly masculinized by the men that surround …

The Discourse Of Ruination : Interrogating Urban Renewal In Hong Kong, Eun Soo Lee

Theses & Dissertations

As stated in the Urban Renewal Strategy (2011), “the problem of urban decay” has been identified as the major task of urban renewal in Hong Kong. Rows of densely packed, “dilapidated” tenement buildings constitute the imaginary of a declining urban landscape that, much like the squatter areas of the 1950s, are seen to pose threats to public health and to the “prestige” of Hong Kong. I propose the concept of the discourse of ruination as a way to interrogate and at the same time, de-naturalise the pervasive assumption of the problem of decay, which serves to rationalise and perpetuate the …

在不明不暗的虚妄中寻找青春 : 当代中国“80 后”非政府组织工作者的价值观和行为转变研究, Guoyuan Sun

Theses & Dissertations

这是一个关于人的成长和转变的叙事研究。本研究的问题意识是：一方面，1990 年代以来，伴随着中国社会的进一步市场化，青年文化呈现出去政治化、物质主义、“小时代”的窄化的走向。越来越多的青年人希望进入“体制”，以求得社会认可、物质有保障之生活。但另一方面，1990 年代以来亦是中国民间非政府组织（NGO）迅速发展的时期，一小部分青年人选择在NGO 工作。然而，NGO 长期以来面临着公众的不理解、政府一定程度的漠视甚至猜测以及物质上的低回报。本研究正是希望进入NGO 工作者的生命故事，理解他们为何逆社会窄化的价值之流、选择在NGO 工作，形成了怎样的文化以及如何形成这一文化。另一方面，本研究亦希望向组织内部回观以批判性地分析NGO 携带的意识形态、操演等如何对工作者的价值观和行为产生不经意的影响，以期改造其身处之社会脉络。

因此，本研究试图回答的研究问题是：在1980 年代以来的社会脉络之下，“80 后”NGO 工作者如何与发展主义和“小时代”的青年文化、以及NGO 内部的文化与操作进行协商？形成了怎样的价值观和行为方式？

本研究通过叙事研究方法，深入理解10 位NGO 工作者的生命故事和日常实践。采取Dorothy Holland 等(1998)的形意世界(figured worlds)理论视角，本研究认为：一方面，NGO 工作者在参与NGO 的过程中增进了自我认识和成长，对社会发展有更深的理解和反思，并且形成一定的介入社会和公共生活的行动。另一方面，NGO 的操作中，可能带有缩窄批判思考和开放的学习多种思想资源的空间，缺乏对社会问题成因和解决方案的深入分析与公开论述，习惯性地以“主流”/“另类”二元简化的分析视角，这无益于NGO 工作者的成长，也可能阻碍NGO 对于社会和人的改造的工作。

「超越藍綠」、想像「中國」、參照「香港」下的台灣政治論述, Keng Liang Cheng

Theses & Dissertations

本論文疏理台灣民主化過程中，訴諸「超越藍綠統獨」的「台灣」民主共同體形構及其「中國」想像。「超越藍綠」是分析對象，包括1980年代末以來國民黨與民進黨的「藍綠」政治論述，以及「超越藍綠」的社會運動論述，想像「中國」是分析當中台灣主體形構的「中國」想像，參照「香港」是以香港的「中國」想像為對照，並試圖回應「今日香港明日台灣」的說法。

本論文分為四章節：「中國統一」與「台灣獨立」、國民黨與民進黨的「藍綠統獨」、知識批判界與社會運動的「超越藍綠」，香港的「中國」想像。本論文指出，台灣國民黨的反共「中國統一」與反國民黨的「台灣獨立」意義，是訴諸他者「中國」的威脅，建構政治現代化的自我。在此論述下，國民黨與民進黨在國家認同與兩岸主張上，形成「藍綠統獨對立」的立場，但各自政治論述又共同召喚面對「中國」（中共）的政治與經濟危機想像，共構政治上捍衛台灣「主權－民主」完整與經濟上追求兩岸「經濟發展共榮」的共同體想像。社運與批判知識界的「超越藍綠」，雖然企圖超越藍綠民粹化的對立，並修補政黨輪替後民進黨執政的「民主創傷」，但隨著國民黨重新執政與強調兩岸共榮的中國政策/超越藍綠」接合「藍綠」的「中國」迫切焦慮，從解決內部「民主創傷」轉為「捍衛台灣民主」、對抗外部「中國因素」的政治修辭，藍綠政黨也挪用此修辭標榜自身優於對方政黨的正當性。「超越藍綠」成為消費性的符碼，陷入「藍綠統獨」的迴圈。香港的「中國」想像，則凸顯「中國」內在於香港人民基層歷史與日常生活中，有難以切割的距離，進而問題化「香港」與「中國」的對立指稱，是台灣重新想像「中國」的可能參照。

知識批判上，本論文疏理台灣「藍綠統獨對立」問題的「中國」論述，作為未來「中國」轉向的討論基礎。政治意義上，本論文反思政治「藍綠」到社會運動「超越藍綠」的民粹化困境。最後，本論文嘗試提出「人民」與「階級」的「第三方」，作為超克前述困境與「中國」想像侷限的未來方向。

Greed, Grief, A Gift. War-Traumatized Women And Contextualizing Expressive Arts Therapy, Sjoukje Marloes Van Houten

Theses & Dissertations

This dissertation explores the universality of trauma-storing in the body and the need for contextualization when it comes to treatment. Of the two central themes addressed, the first is war-related trauma and the intersection of expressive arts therapy and South (East) Asia (Nepal and Hong Kong in particular) with its specific imagery, art, and culture, and to see how both feed into each another and can transform as a result. The question is how to locally sensitize expressive arts therapy, which has its roots in Europe and the United States, to the Hong Kong setting; more specifically, to working with …

Trash, A Curatorial : An Ethnographic And Visual Study Of Waste In Urban Hong Kong, Anneke Coppoolse

Theses & Dissertations

This is an ethnography of waste in the streets of urban Hong Kong and a curatorial inquiry into the significance of its visuality. Presented in the form of a triptych, the dissertation probes and portrays fragments of urban life in Hong Kong, consequently opening up a new vista for intellectual and social engagement at the juncture of aesthetics, lived experiences, and power. While urban density provides for its equivalent in trash, much of Hong Kong’s refuse first lands in the streets. It is thereupon regulated to be rendered invisible through government organisation which corresponds with what Gay Hawkins (2007) calls …

Africans In Guangzhou : A Cultural Analysis Of Transnationality Amongst Africans On The Move, Roberto Carlos Castillo Bautista

Theses & Dissertations

Over the last three decades, the shifts brought about by the ‘rise of China’ as a key player in global capitalism have had implications in a myriad of places, practices and imaginations. One such implication can be seen in the decade long presence of an African population in the southern city of Guangzhou.

In this dissertation, I look into the dynamics informing this presence by focusing on transnational connections, relations and practices. I take up the call (coming from different fields in the Humanities and Social Sciences) for an analysis of transnationality grounded in the everyday experiences of individuals ‘on …

The Progression Of Political Censorship : Hong Kong Cinema From Colonial Rule To Chinese-Style Socialist Hegemony, Lai To, Herman Yau

Theses & Dissertations

Censorship is an important cultural regulatory instrument for the government of a society, or even a state. In certain socio-political settings, it can become a powerful administrative appartus (dispositif) and technique (techne) designed to render society governable. Censorship decisions often embody hegemonic views on social and political issues. No matter how virtuous the original intent maybe, the practice of censorship is inevitably geared to the social tensions surrounding issues of human rights and political dissent. The theory behind film censorship may once have been benign but banning or cutting a movie always involves an unnatural set of procedures and actions. …

後Cepa 時期香港電影懷舊想像中的「本土」身份書寫, Dan Shen

Theses & Dissertations

2003 年中國內地與香港簽訂《內地與香港關於建立更緊密經貿關係的安排》(Mainland and Hong Kong Closer Economic Partnership Arrangement, 簡稱CEPA)。其中關於電影的條款放寬了香港電影進入內地的條件，加之龐大的市場需求，香港電影工業的跨境活動變得日益頻繁, 並開啟了新一輪的中港「合拍片」潮流。電影產業及其市場環境的轉變背後是更為深層的中港經濟、政治與文化的融合。香港從「九七」前後至今在新的政治空間及身份脈絡中不斷尋求「本土」位置顯得日益困難。電影作為流行文化文本和社會實踐曲折地表述「本土」、「自我」、「身份」，其中「懷舊」（nostalgia）便是近十年香港電影文化想像中一個顯著的憶述工具和路徑，亦即通過處理「過去」、歷史、集體記憶等來書寫「現在」的某種情感、經驗、欲望。

本論文以後CEPA 時期的香港電影為研究對象，檢閱以合拍片為主導的電影工業體制下，和香港近十年來文化政治脈絡中，不同類型、風格、主題，以及不同生產方式、製作規模、市場面向的香港電影懷舊想像與「本土」身份的互構關係。以及後CEPA 時代香港電影的懷舊想像與此前懷舊電影相比下的延續與新變。

Hidden Agenda? Cultural Policy In Hong Kong’S Urban Redevelopment, Tobias Zuser

Theses & Dissertations

For many years industrial buildings in Hong Kong have formed some of the city’s most vibrant cultural clusters by providing local artists with low-cost space to pursue their creative work. However, recent efforts by the government also targeted these areas for commercial revitalization. By 2020 the industrial part of Kwun Tong, a densely populated district in Kowloon East, will not only have been transformed into the city’s second Central Business District, but also seen the majority of the current cultural workers leaving due to the rapid valorisation of land. Nevertheless, these ongoing struggles over spatial power have also opened up …

重讀八、九十年代的「恐怖喜劇」: 殭屍電影與香港後殖民, Yee Man, Mandy Liu

Theses & Dissertations

八十年代是香港電影工業的「黃金時期」，電影的類型也可說是「百花齊放」，當中包括了一批以「殭屍vs. 道士」為結構的電影，並廣受歡迎，直到九十年代初衰落。本論文就是以這批電影為研究對象，先借助電影研究中的類型研究的框架，從體裁說明這批電影本身就能自成一個類型／次類型──「恐怖喜劇」，繼而集中分析殭屍和道士這兩個主要角色，並指出這批電影其實是呼應著香港後殖民處境複雜的中港關係。

本研究提出電影中的殭屍和道士都是來自中國的「他者」，而且帶有不同程度的「怪物 性」，因此形成了不同的「自我」與「他者」的權力結構和張力。本文借用了後殖民研究的「我──他」框架以及怪物研究的「怪物性」概念，進一步解讀殭屍和道士的獨特性。最後，本文提出整個類型其實是以香港為本位，透過「馴化」殭屍和「吸納」道士來處理不同「中國他者」所引起的情緒與張力，並在流行文化中實現了中港融和的幻想。

Eurocentrism, Modernity And Chinese Sociality : An Ethnographic Study Of Everyday Socio-Cultural Life In New-Millennium China, Tung Yi Kho

Theses & Dissertations

This dissertation seeks to contribute to our understanding of Eurocentrism, Modernity,and their impacts on traditional Chinese cultural formations. It is based on ethnographic research conducted in Shenzhen, South China and Qinghai, West China, and explores the impacts of Chinese modernization on everyday forms of sociality.

I conceive of Eurocentrism foremost as an Ontology, a mode-of-being grounded in a cosmology about the nature of reality and human being-and-becoming in the world. I argue that because Eurocentrism is an ontology predicated on materialism and individualism - “matter” being the basis of reality and the “individual”, the fundamental unit of society, respectively - …

屬靈戰爭與旅遊 : 一個短期宣教活動的個案研究, Lai Ieng Lau

Theses & Dissertations

本研究試圖描繪香港細胞小組教會網絡短宣參加者的歷程及屬靈體驗，指出他們在旅途內的所見所聞受到了特定的宗教論述及旅遊操作所形塑和建構，而在此脈絡下產生的屬靈經驗可能不再純粹是神秘的、超自然和非物質的力量，相反它是可預期的文化產物，甚至不是本真(authentic)的屬靈經驗。然而，這種被建構的宗教及屬靈視野選擇性地把某些社會文化或問題 (如貧窮、種族主義、色情和異教文化)簡約歸類為邪惡他者的陰謀和控制，巧妙地隱藏或迴避了問題背後複雜而糾結的社會、經濟、政治及文化張力；同時鞏固了基督徒的身份認同及基督教的優越感，並相信基督教的價值觀獲得超越而且凌駕一切文化的合法性，然後將短宣內的屬靈經驗視為經歷神的重要證據。

此研究亦有助我們反思全球靈恩運動(Global Pentecostalism)的擴張，全球靈恩運動是近年基督教內增長最迅速的宗教運動，以屬靈恩賜、屬靈戰爭及繁榮神學(Prosperity Gospel)為主要特徵。除了依賴龐大的宗教媒體和超級教會等意識形態機器宣傳外，透過細緻的旅遊操作、宗教論述及靈性實踐，使短宣成為全球靈恩運動擴張的途徑之一，甚至讓這場源自美國的宗教運動轉化成本土的宗教內容。

自我保護與 "另類" 實踐 : "雙向運動" 視野下的中國鄉村建設, Jiaen Pan

Theses & Dissertations

本論文希望把中國鄉村建設運動放置在更為複雜與動態的脈絡下，嘗試以一種有別于“成王敗寇”邏輯的敍述與視野，通過參與者獨特的視角，結合起微觀與宏觀層面，將具體實踐扣聯（articulate）到近代中國轉型的“百年激進”、“百年鄉村破壞”、“百年鄉建”這一主線中。以理解鄉村建設的生命力、深層意義與內在困境，並在此基礎上對已有各種“類型化”評價認識、“刻板化”參照座標及背後的“意義系統”進行梳理與反思。

為更好實現以上目的，筆者借助卡爾•波蘭尼“雙向運動”視野，但努力避免因生搬硬套而“削足適履”式的尋找或對應本土及“三農”領域的“雙向運動”，而是更多借鑒其“視野”上的啟示。希望通過該“視野”的幫助，讓筆者可以更好的探討那些被遮蔽與忽略的面向，進而解決困擾筆者的理論思考與現實實踐問題。同時，本論文結合了歷史與當代鄉村建設的各組案例，實踐所蘊含的複雜性與豐富性也希望可以推進筆者對“雙向運動”發生及運作機制所展開的討論。

正如標題所示，本論文希望從“自我保護”和“另類實踐”結合起來的角度重新理解鄉村建設的定位與特點及其與“主流”社會的複雜關係及互動。它們既是鄉村建設的主要意義，同時也決定其將一直面對著各種困境與矛盾張力。

本論文借鑒文化研究的思想資源及其對脈絡與扣聯的強調，希望以此打破“研究者-行動者”、“理論-實踐”的習慣性分割。同時希望能跳出一般分析所隱含“樂觀-悲觀”、“積極-消極”的二元框架，也挑戰將鄉村建設納入“效果論”、“好人好事說”和“效果論”這三種常見的類型化處理。故本文儘量避免事實羅列、簡單代言與一般辯護，而是呼應以個人參與鄉村建設的生命史，反觀其中的興奮、困惑、不甘、無奈等複雜情感與認識，除以此帶出對所存在社會基礎與宏觀環境的討論外，希望再次說明鄉村建設的動力與張力。

Chronotope And Regional Chinese Independent Films, Jingya Liu

Theses & Dissertations

This thesis aims to re-categorize Chinese independent films from a region-based perspective as a critical response to existing literature on Chinese independent films. This thesis analyzes three independent films made in three different regions of China in order to investigate regional Chinese independent cinema as a recently rising phenomenon: respectively, Jia Zhangke’s Xiaowu (1997) made in Shanxi Province, Ying Liang’s Taking Father Home (Bei yazi de nanhai, 2006) in Sichuan Province, and Robin Weng’s Fujian Blue (Jinbi huihuang, 2007) in Fujian Province.

By using Bakhtin’s concept of chronotope (literally time-space) as the fundamental framework and exploring the many aspects of …

當代中國文化明星的製造 : 變動的文化生產場, Weizi Huang

Theses & Dissertations

本文借助並修訂了布爾迪厄（Pierre Bourdieu）的理論框架，透過對中國大陸二十世紀九十年代以來文化明星的製造進行研究來理解變動中的文化生產場 (field of cultural production)，並探討在其間知識分子作為的新可能。文化明星問題之所以值得特別研究，首先是由於它處於當代中國文化生產的中心，涉及到電視、圖書、平面媒體、互聯網等不同的文化生產次場域（sub-field），以及製作人、 出版人、文化明星本人、“粉絲” (fans) 和批評者所代表的不同力量。考察圍繞著製造文化明星的複雜的關係網絡，正可以勾勒出當代中國變動的文化生產場域的概貌。其次，文化明星的產生和生產是對九十年代以來知識分子危機的一種回應，是知識分子問題的變奏。理解了文化明星的製造機制，有助於尋找在當下的文化生產場中知識分子作為的新可能。

本文選取余秋雨、易中天、于丹和韓寒四個個案進行深入分析。余秋雨是公認的第一個最成功的文化明星，對其案例進行研究揭示了文化明星產生的歷史轉變。易中天和于丹的案例則代表著著一種可以複製的成熟的文化明星製造模式的出現。韓寒的形象及製造是一種有別于以上主流文化明星的另類模式。

本文綜合運用多種研究方法，包括對十幾名相關的文化生產者進行訪問，組織了一個針對粉絲的焦點小組（focus group），並且到電視節目錄製現場、出版 社和大型書店進行參與式觀察。此外亦有歷史檔案梳理和文本、話語分析。 最終，本文繪製出了不同的文化明星在當代中國文化生產場中的位置，反思了現有文化明星生產模式的後果，並對知識分子/文化生產者參與文化生產提出有針對性的建議。

Beyond Public Health : The Cultural Politics Of Tobacco Control In Hong Kong, Wai Yin Chan

Theses & Dissertations

This work provides cultural and political explanations on how and why cigarette smoking has increasingly become an object of intolerance and control in Hong Kong. Since the 1980s, the smoking population has been falling. Smoking behavior, sales and promotion of cigarette products have been under close surveillance by the government, medical experts and society at large. Cigarette smoking, as well as smokers, has increasingly been rejected and demonized in the public discourse. What are the conditions that make the growing intolerant discourses and practices against cigarette smoking possible and dominant? Why and how has the tobacco control campaign become prevalent …

Cultivating Identities And Differences : A Case Study Of The Hong Kong Junior Secondary Economic And Public Affairs Curriculum, Yuen Fun, Muriel Law

Theses & Dissertations

This thesis studies the junior secondary EPA curriculum and the complex cultural process of teaching and learning of the curriculum. It draws on theoretical frameworks developed in the field of cultural studies and critical pedagogy, particularly works by Michel Foucault, Stuart Hall, Lawrence Grossberg and Paulo Freire. It investigates how the EPA curricular texts attempt to produce the identity characteristic of "rational, sensitive and active citizens" in contemporary Hong Kong through constructing differences that negate the Other. Through analyzing classroom discursive practices, the thesis examines how the curricular knowledge "interpellates" teachers into subject position to talk about the "rational, sensitive …

Specters Of The Subaltern : A Critique Of Representations Of Rural Women In Contemporary China, Tsui Sit

Theses & Dissertations

China has speeded up modernization since the reform and open-door policy was introduced in 1978. After accession to the World Trade Organization in 1999, China has been further incorporated into the global track. The national policy of economic development requires a continuing exploitation of natural resources and intensive labor from the rural sector, and over the last few decades, there has been a ceaseless wave of rural women going to the cities and working mainly as assembly-line workers, domestic helpers and sex workers.

Developing a subaltern and feminist perspective, this thesis examines representations of rural women in academic research and …

时尚报刊、广告与当代中国消费意识形态, Qili Lei

Theses & Dissertations

本论文针对 1990 年代以来中国社会在经济文化方面的巨大改变，归纳并指出一种新的“消费意识形态”在中国业已历史地形成并取代日渐式微的传统 意识形态，成为宰制当代中国社会的主导力量。论文批判地回顾了1949 年以后中国大陆语境中意识形态涵义的历史嬗变，以四个具有典型意义的时尚报刊和广告案例、广告事件为例，从不同侧面解析了广告形象以及广告产业如何作为 中介与以时尚报刊为代表的文化工业一起，参与当代中国“消费意识形态”建 构的社会过程。

论文通过对“消费意识形态”所遮蔽的当代中国社会问题的揭示，对“消费意识形态”在当代中国社会发生影响的深度和广度的阐释，回应了九十年代以来在中国思想界有较大影响的“后六·四”文化论争中的一些重要问题，展现了文化研究在中国大陆介入现实社会思考和批判的可能空间。