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Full-Text Articles in Psychological Phenomena and Processes

Implicit Memory For Music In Alzheimer's Disease, Andrea Halpern, Margaret G. O'Connor Jul 2000

Implicit Memory For Music In Alzheimer's Disease, Andrea Halpern, Margaret G. O'Connor

Faculty Journal Articles

Short, unfamiliar melodies were presented to young and older adults and to Alzheimer's disease (AD) patients in an implicit and an explicit memory task. The explicit task was yes–no recognition, and the implicit task was pleasantness ratings, in which memory was shown by higher ratings for old versus new melodies (the mere exposure effect). Young adults showed retention of the melodies in both tasks. Older adults showed little explicit memory but did show the mere exposure effect. The AD patients showed neither. The authors considered and rejected several artifactual reasons for this null effect in the context of the many …


Memory For The Absolute Pitch Of Familiar Songs, Andrea Halpern Jan 1989

Memory For The Absolute Pitch Of Familiar Songs, Andrea Halpern

Faculty Journal Articles

Four experiments were conducted to examine the ability of people without "perfect pitch" to retain the absolute pitch offamiliar tunes. In Experiment 1, participants imagined given tunes, and then hummed their first notes four times either between or within sessions. The variability of these productions was very low. Experiment 2 used a recognition paradigm, with results similar to those in Experiment 1 for musicians, but with some additional variability shown for unselected subjects. In Experiment 3, subjects rated the suitability ofvarious pitches to start familiar tunes. Previously given preferred notes were rated high, as were notes three or four semitones …


Identification, Discrimination, And Selective Adaptation Of Simultaneous Musical Intervals, Robert J. Zatorre, Andrea Halpern Jan 1979

Identification, Discrimination, And Selective Adaptation Of Simultaneous Musical Intervals, Robert J. Zatorre, Andrea Halpern

Faculty Journal Articles

Four experiments investigated perception of major and minor thirds whose component tones were sounded simultaneously. Effects akin to categorical perception of speech sounds were found. In the first experiment, musicians demonstrated relatively sharp category boundaries in identification and peaks near the boundary in discrimination tasks of an interval continuum where the bottom note was always an F and the top note varied from A to A flat in seven equal logarithmic steps. Nonmusicians showed these effects only to a small extent. The musicians showed higher than predicted discrimination performance overall, and reaction time increases at category boundaries. In the second …